🔴 For the Love of Lizzington, with Appendices
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🔴 Original Article: For the Love of Lizzington
🔴 Special Update April 12, 2016
🔴 Appendix 1: Letter to Jason Evans (1), WSJ Speakeasy Blog on The Blacklist
🔴 Appendix 2: WSJ Blog Post: Bullying of Shippers
🔴 Appendix 3: WSJ Blog Post: Response – Defense of Shipper Argument
🔴 Appendix 4: WSJ Blog Post: Response – Defense of Article (“For the Love of Lizzington”)
🔴 Appendix 5: Letter to Jason Evans (2), WSJ Speakeasy Blog on The Blacklist
🔴 Original Article: For the Love of Lizzington
It’s not possible to know what The Blacklist’s producers and writers have in store for us over the next year (and hopefully many more!), for one simple reason: they may not know either. Peter Stormare (who played Berlin) described the situation:
“They have six or seven different scenarios, and I don’t know what direction they will go in. I do not envy the writers because they are really kicked from both sides all the time. They try to come up with the best solution, and sometimes they have to do rewrites over night. TV is a gruesome business. But there is a great revolution that has happened on TV. A lot of talent is moving in…”
Source: IAmRogue: Peter Stormare Talks ‘Autumn Blood,’ ‘The Big Lebowski 2′ and ‘The Blacklist’ http://bit.ly/13oWEMW
// 10/22/2014
We do know there is an endgame, because Jon Bokenkamp has referred to it, with the caveat that it depends on Sony and NBC:
Q: Wendy Davies: Do you already have an endgame for the Blacklist?
A: Yes. Not sure if Sony or NBC will let me do it, but yes. – Jon
Source; WSJSpeakeasyBlog (FB): Q&A with The Blacklist creator Jon Bokenkamp http://on.fb.me/10WABMc
// 11/11/2014
James Spader knows Liz and Red’s relationship. (It would be hard to play his part otherwise.) But he has on several occasions urged viewers to concentrate on the show’s unfolding rather than on it’s conclusion, noting on one occasion, “‘the most compelling thing is the nature of that relationship now.’ Spader is interested in how Keen is compelled to help Reddington even though it’s counterintuitive for her. ‘The journey has to be good, because it’s terrible at the top of Everest.'” http://bit.ly/15q9gUR
Still, he says when he travels, the father/daughter question is what people always want an answer to:
“When viewers respond well to a character, there’s a natural tendency for them to say, ‘I want to know more. I want to know everything.’ But I say, ‘Well, you can’t. It would ruin the character for you. You just must trust me in terms of of that.'”
Source: The Playboy Interview: James Spader http://bit.ly/1sKfatM
// Sep 2014
There is little question that network and advertiser feedback affects all network American TV shows, since that is how shows are financed in this country. This system has its drawbacks, as described by David Auerbach in The Cosmology of Serialized Television http://bit.ly/1FEDhkq (TheAmericanReader 2013) – but it is what it is.
As far as the outcome, whether or not Red turns out to be Liz’s father will likely not be revealed until the final season, and no one knows when that will be – and who wants to hurry it? Hopefully, when cancelled, The Blacklist will be at least be granted enough time to answer this question and others without leaving a lot of dangling details left over.
Presently, it seems the showrunners have chosen the path of constantly teasing both sides of this dispute by remaining ambiguous but providing enough “red meat” to continually satisfy both. Playing some of these scenes, like the hugging scene in 2:8 The Decembrist, cannot be easy.

Playing it right down the middle
That said, it still appears that the show has tried to make the case that Red is not Liz’s father. For one thing, Liz asked Red straight out in 1:10 “Are you my father?” and he answered “No” – albeit only after a several second pause – again leaving some ambiguity. Daniel Knauf, a senior writer and Co-Executive Producer, was asked this question on Twitter on 2/5/2015. Again, the answer appears to have been “No”:
Ash @Silverarrow82 Feb 5
@Daniel_Knauf Are we going have to wait until the end of the show (like 6 yrs) until they answer the dad question? #calmandcomposedfangirl 😉
↥ ↧
Daniel Knauf @Daniel_Knauf Feb 5
@Silverarrow82 We’ve already answered the Dad question. Several times. Out loud. #AskKnaufAnything #TheBlacklist
By 2:15, Lizzy does not believe Red is her father: “Liz: Well There was a time early on when I thought, because of his implications, that he might be my father.” In other words, she no longer believes this.
This has not satisfied the “Father/Daughter” (F/D) crowd, however. Is there more evidence that Red is not Liz’s father?
On the other side of the debate from the F/D crowd are the “shippers.” “Shippers” are people who would like to see a love relationship develop between a pair of characters. For Lizzington shippers or RedXLizzie or some other variant, that would be between Red and Lizzy; for Keenler between Liz and Ressler. The Carlington contingent “ships” Red and his ex, Carla, AKA Naomi Hyland. There are many other “ships.”
There are also variations on the “F/D” view: eg Red is Liz’s uncle, or Red was her father but “our” Red isn’t really Red but an imposter. Or Sam (her adoptive father) was really her biological father.
In terms of polls, I’ve only found three since 9/1/2014. All are online polls with low numbers of participants. But all three find about 40% believing Red is Liz’s father and roughly half as many falling into the Lizzington category. Megan Boone, however, recently referred to the Lizzington shippers in a TVGuide interview as the most active:
In a TVGuide.com poll, 63 percent of votes were against Tom and Liz together. But the Red-Liz (Lizzington) ‘shippers out there seem to be vocal.
Boone: I’m very well aware of them. They actually have the loudest ‘shipper’ voice on social media.TVGuide: They must have been thrilled with the last episode when Red is about to be shot, and he calls out, “Lizzie,” right before he’s saved.
Boone: Yes, and when she says, “I care about you.” I think the interesting thing about Red Reddington is that ostensibly he’s a sociopath. Only terror lies before him, and there’s destruction in his wake. But the people who are closest to him love him dearly. Dembe (Hisham Tawfiq) and Lizzie both love Red. Even though Lizzie has a very conflicted relationship with that love because she knows who he is, she shows these people a side of him that not very many other people see. That is where the Lizzington crowd comes from. They sense that. And because the audience sees that side of Red, they want that side of Red to prevail.Source: TVGuide: The Blacklist: How Far Will Liz Go to Protect Tom? Megan Boone Weighs In http://bit.ly/1BpNOYw
// 3/11/2015
There is no love lost between these factions (F/D and shipper) and I expect the producers are pummeled on social media any time a group feels the show has moved too far away from its own prejudices or preferences. Still, I continue to be surprised at how many people still think Red is Liz’s father at this point in the story, with repeated denials coming from the show itself and from those who speak for it. Below are some examples which suggest something else is going on.
For Season ONE, redandlizzie.tumblr.com has compiled an extensive list of examples pointing to Red not being Liz’s biological father: http://bit.ly/18VjCOa
For Season TWO, @SundayInAugust provided this summary:
Following @SundayInAugust’s lead, I searched through the scripts (and my memory) to compile some additional detail for Season Two. It begins with the dream sequence in Episode 3.
2:3 – Red: What do you want, Agent Keen? What do you really want?
[ This scene has clear sexual overtones. It’s the story of Gyges and the king’s wife all over again (http://bit.ly/1IuHMvA). Would Lizzy’s subconscious come up with such a vision if she believed Red to be her father? More importantly, why did the writers include it? Even Jon Bokenkamp called this “overly sexy Lizzington,” implying both that he was aware of the sexual overtones and showing his concern with staying inside certain boundaries. ]
2:5 – Jealousy
2:5 – Red: As a rule, I consider jealousy to be a base emotion. But in this case, it’s quite endearing.
Liz: [Sighs] Oh, God. I am not jealous.
Red: I assure you, Lizzy, my quest to find this young woman will in no way compromise our relationship.
Liz: “Our relationship”?
↥ ↧
2:5 – Samar: You know everyone talks about it, right? They don’t want to bring it up with you. Why you? Who is he to you?
Liz: [Inhales sharply] Reddington is – the bane of my existence. And yet, here he is, trying to reconnect with his daughter? Trying to find her? And I find myself feeling possessive…
Samar: Mm.
Liz: …possessive of him, jealous of the girl he’s trying to protect. And if that’s not embarrassing enough, that’s exactly how he predicted I’d feel.
[ Liz knows Red had one daughter. She assumes Zoë is his daughter. She is concerned that finding his daughter will affect their relationship, something that Red explicitly tried to assure her won’t happen. Later, in her talk with Samar, not only does she rule out the idea that she is his daughter, but she admits her feelings of jealousy. ]
2:8 – Red: [Sighs] When you love someone, you have no control. That’s what love is. Being powerless.
Liz: I don’t know what’s wrong with me.
Red: There’s nothing wrong with you.
[Kisses her forehead, cheek]
Red: There’s nothing wrong with you.
↥ ↧
2:8 – Red: You are never to see her again.
[ ♫ ] Are you a dead man or a fake?
Tom: Yeah. I got it.
[Red grabs Tom’s wrist; angrily:] I don’t think you do. Look at me: You.are.never.to.see.her.again!
[ Red assures Lizzy there is nothing abnormal about still being in love with Tom (whether she actually is is unclear), but then in the next scene, he tries to get Tom out of the picture. He does not approve of this relationship. This could be the concern of a vigilant father, I suppose, but most fathers of 30 year olds are not that involved in their daughter’s lives. ]
2:9 – Red: I’ve rarely thought about what I once was. But I wonder if a ray of light were to make it into the cave, would I be able to see it? Or feel it? Would I gravitate to its warmth? And if I did, would I become less hideous?♤ I didn’t want you to come here, follow me here…

Red & Liz – Blind fish story (2:9 Luther Braxton)
[ Red is invoking the idea of Liz as a “ray of light.” She is lit up against a golden background in the scene. He is looking for a transformation of himself in intimate terms that would be inappropriate in an F/D relationship. ]
2:9 – Braxton: I know all the stories, Red. I know where it was and I know when it disappeared. I know about the house, the fire, the girl. [looks at Red, Liz, then Red again] No wonder you came for her. She was there that night, wasn’t she? She’s the one?
Red: Shoot him. Shoot him!2:10 – Braxton: Well, you better hurry. ‘Cause your girlfriend, the princess, she’s got the answers in her head that I’m looking for, and I found a way to get them out.
[ Braxton, despite knowing “all the stories,” doesn’t connect Liz and Red as father and daughter. ]
2:10: Staged kissing scene.
[ This shot, taken of Liz and Red during Liz’s memory recovery session, shows Red and Liz posed as if they are about to kiss. It is pure Lizzington bait. There is no kiss. It’s a carefully set up scene. ]
2:10 – Liz [to Red]: You were there. You were there, weren’t you?
Red: Yes.
Liz: There were people with the woman, looking for it. The Fulcrum. You were one of them.
Red: It’s not that simple.
Liz: But that’s why you were there. That’s why you came into my life then. And that’s why you’re here now. Not because of me or who I am to you, whatever connection we might have, but because of some object. Some thing.♤
Red: Whatever you remember –
Liz: What I remember is leaving my father dying on the floor of a burning house. [ Sniffles ] There’s no way he could have survived that.
Red: Lizzy, the memories of a four-year-old are unreliable.
Liz: My father was killed because of the Fulcrum, because you and your people came for it that night. Well, I want you to know something. This charade of you pretending to care about me was a waste of your time because I don’t know where it is.♤
[ Liz has assumed up until now that Red’s connection with her has gone beyond the fact she may know where the Fulcrum is. This says something about her mindset. She wants Red to appreciate her for “who I am,” not simply as a means to an end. If Red were her father, would this doubt be plausible? A father’s love is inherent and unconditional. Further, Liz believes that her father died after Red and ‘his people’ came for the Fulcrum that night. It’s important to note that the burn scars on Red’s back do not mean Red is Lizzy’s father, only that he was there, in that fire. ]
2:11 – Ressler: What’s going on with you and Reddington? You two have a little lovers’ quarrel?
2:11 – Red: Agent Keen is late.
Ressler: She’s having room service. What, are you in the doghouse?
Red: Oh, that’s a shame. She’s gonna miss the most tantalizingly delicious khorem baklava.
[ Just a couple examples of “office banter” about Red and Liz’s relationship, which Samar (in 2:5) has told Liz is common. ]
2:11 Red explains negotiation to Liz using the Tango Milonga as a metaphor:
[ Is this the kind of analogy a father would use to explain negotiation to his daughter? In addition, as @SundayInAugust has pointed out, Liz is made up like the female Tango dancer, with red lipstick (which she rarely wears) and her hair done up in a similar hairstyle. It’s hard for me to not relate the scene to “Last Tango in Paris,” about a sexual relationship between an older man (Marlon Brando) and a young woman (Maria Schneider). ]
2:12 – Liz: [ To Red ] Stop hoping things are gonna get better between us. You and me, it’s just business. That’s all it’s ever gonna be.♤
[ This is not the first time Liz has insisted on a “business-like” relationship with Red after a falling out. This seems to be a recurrent pattern for them, seldom lasting more than an episode. She even got over Red killing Sam, though that took a couple of episodes. ]
2:13 – Liz: [ To Red ] I have the Fulcrum. Tell me what it is, and I’ll tell you where to find it.
2:13 – Red: I believe I know the real reason you don’t want me to have the Fulcrum.
Liz: That is?
Red: Because you’re afraid that once you give it to me, you’ll be of no further use to me and you’ll never see me again.
[ If Red really just wanted the Fulcrum, if he simply is using her, wouldn’t he just abduct her and force her to tell him – throw a knife at her or shoot her kneecaps, techniques he has used to get information from others? (Red seems to have a thing about kneecaps.) The Fulcrum is essential to his own survival, but as at several times in the past, he puts his relationship with Liz above his own life, allowing her to keep possession of the Fulcrum. Earlier, it could be argued that he needed her to survive in order to get at the Fulcrum, but now she has it. If he didn’t care about her, why wouldn’t he just take it? ]
[ In the second passage, Red knows that Liz has become attached to him. If she were his daughter, would she be concerned their relationship would end once she gave it to Red? ]
2:14 – [ Yaabari holds gun to back Red’s head. Red closes his eyes and says one word: ] Lizzy.
[ Red has given up hope, thinks he is about to die and “Lizzy” is the last thing he says. Not Carla or Jennifer (his family), but someone who means more to him. ]
2:14: Liz: “…I care about you”
2:14 – Liz: [ To Red ] You. You’re talking about you. Wow. You are so damaged. You can’t accept help from anyone. Has anyone ever helped you? Is that why you are the way you are? Because you don’t feel deserving of it? Is that why you can’t be vulnerable for a second? I risked my life for you because I care about you.♤ Deal with that.
[ This is the first time Liz has spoken of any feelings for Red. She has used him for emotional support, and he has put her life before his several times, but she has never verbally acknowledged any appreciation of this. “Care about” is pretty weak tea for American audiences, but The Blacklist has a large international audience. I see the show as almost Victorian in its parsimony in describing relationships. Still Victorian novels could be highly erotic even with no actual discussion of sex. I was an addict of Thomas Hardy novels when I was in high school. In Tess of the D’Urbervilles, the key sex scene is entirely omitted, never described at all. In another obscure novel, the entire story is transformed by the final paragraph which, in retrospect, changes all the relationships in the book, yet cannot be ascertained by “skipping ahead.” So much for my plug for Thomas Hardy novels. ]
2:15 – Liz: [ To Judge Denner ] Well There was a time early on when I thought, because of his implications, that he might be my father.”
[ Past tense; she no longer believes this. I’m not sure, but I think this dates back to the final minutes of Season One, when Red insisted, “Your father is dead. He died in that fire.” Red has told Lizzy, “I have never lied to you,” and Daniel Knauf (writer & Co-EP of the show) tweeted on 2/5/2015, “Red does not lie.” ]
2:15 – Advice from Dembe
2:15 – Red: Tell her what?
Dembe: About Tom. You should have told her some time ago.
Red: I don’t know how do that, Dembe.
Dembe: Yes, you do. You tell her the truth by telling her everything.♤
Red: I don’t think I can do that.
Dembe: Maybe you should stop thinking about it and do it.♤
[ Why would Red be so reluctant to tell Liz he had hired Tom to keep an eye on her if he were indeed her father? He could just say he was trying to protect her. It’s much more difficult to explain to her why he would do this if her were NOT her father. Further, would he expect his daughter to be outraged and leave him because of this? – yet he apparently he is afraid that Liz would do so. ]
2:16 – Red: One step at a time, Lizzy.
Liz: He’s not gonna come back. [ referring to Tom ]
Red: He will. This journey we’re on isn’t over just yet. You may have given up on us, but I haven’t.2:16 – Red: – Circumstances change. Think, Tom. I’m the one who told you to go and never come back, so for me to be responsible for your return, you must know I don’t have a comparable option.
[ Again, Red puts Liz’s well-being above his own interests, even traveling to Germany to bring back Tom, the one person who can exonerate Liz of murdering the harbormaster. ]
2:16 Red on being an anonymous benefactor
[ In the most recent episode (2:16 Tom Keen), the most conservative way of looking at Red’s monologue about being an anonymous sponsor also implies that Red killed Liz’s father, mother or possibly both. He is describing a relationship which goes beyond anything Liz seems to be contemplating (putting Ames’ daughter through college); so I assume he’s talking about himself and his relationship with Liz, a relationship that has spanned 26 years at least. Since Liz’s decision comes as the result of her guilt over the killing of Ames, it seems that Red is talking of the guilt associated with killing someone, too. Liz, like Ames’ daughter, lost her father. ]
2:16 – Liz: You knew about Tom – that if he came back they’d exonerate him to protect the task force. He’d get his life back. You saved a man you hate to save me.
♫ does everything go away? yeah, everything goes away
but I’m gonna be here till forever …
[ Liz says to Red that she realizes he has done something he hated to do (bringing Tom back) in order to “save her.” Increasingly, she is becoming more thoughtful and mature and appreciative of Red. It will be interesting to see if she suffers another relapse into childishness, now that Tom is back on the scene. ]
Personally, I’ve become increasingly comfortable with the fact that there are a hundred different directions the show could take, but in the end, the producers and writers will choose one. Being an impatient person, I’ve developed my own endgame. Plus I sometimes go to the fanfics for a little Lizzington action, but realistically, I see that the game is really in the writers’ ballpark. I enjoy playing around with some of the riddles and clues the writers leave, but rarely think I can project forward more than an episode or two. Even if the writers do take cues from social media, they can/will not admit to doing so. So Thursdays have become popcorn and beer nights for us, and I’ve tried to take James Spader’s advice to heart, “Just watch the show.”
And with Jon Bokenkamp’s penchant for always surprising the audience, who knows? Red may turn out to be Liz’s father after all.
🔴 Special Update:
In March 2016, The WSJ blog was changed to require a subscription to the Wall Street Journal and registration by real name. It also put in place a strict code of conduct, which finally puts an end to the bullying and trolling. So, it has essentially been shut down. For the record, except for the requirement of having a subscription, many of the changes were ones I suggested to Jason Evans. For additional detail on these requirements, see Scribblings Jan-Mar 2016.” Also included there are some excerpts.
Social media is a wonderful thing, but it is clearly susceptible to abuses of this sort.
P.S. I continue to be amazed by the number of views this article gets. It clearly could be updated, but I’ll pass – at least for now.
// 4/12/2016
🔴 Appendix 1: Letter to Jason Evans (1), WSJ Speakeasy Blog on The Blacklist
April 13, 2015
To: Jason Evans, WSj Speakeasy Blog on The Blacklist
Dear Jason,
I have been on and off the WSJ Speakeasy blog on The Blacklist the last couple of weeks and was surprised at the lack of balance. So I wrote up a 10 or so page review, with help from prominent “shippers” who had already compiled impressive, reasoned lists of why they did not think Red is Liz’s father http://wp.me/pDKwi-KE. I didn’t want to load the whole article onto the blog so I just provided the link to it. By the way, I am not a shipper. I am open. I simply was surprised at the lack of “shipper” presence.
For starters, I was told it was ridiculous to even read such long document (which iincludes a lot of photos). I was told to get off the crack pipe, that shippers are trying to live vicariously through Liz, asked if I was suggesting incest and told in no uncertain terms that a romantic relationship between Red & Lizzie would be ‘disgusting’ – even if he is not her biological father. Oh, and I was called delusional. But I really could care less – I’m having tons of fun working in my own sandbox. In fact, this is the first time I’ve posted about this debate on my blog, whereas it’s 60-80% what is discussed on WSJ now.
If you look at my article, you’ll see the sole argument I made was that there was evidence to support the idea that Red is not Liz’s biological father. Nothing more. I put disclaimers at the beginning and end of that article, saying ‘who knows?’ In fact, I believe my analysis a couple weeks ago about Liz and the harbormaster’s daughter helped support the notion that Red might be an unrelated ‘secret benefactor.’
Here’s what you might do:
Just do a page search through the blog on the word ‘father’
It’s really just one long text file, very easy to do.
You will see what I mean. The site has become an anti-shipper site, except for a few brave souls who either innocently wander in or who make a quiet statement and then leave – though it is also being trolled, apparently by people who feel excluded.
Frankly, I doubt if there’s much that can be done. The people active on the site now take satisfaction that WSJ is getting the ‘truth’ from JB while less “reputable” [sic] sites are being strung along with shipper ‘crumbs’. They may be. I don’t know. Evidence from writers such as Daniel Knauf & one of the Brandons is dismissed out-of-hand, because ‘WSJ gets the truth’ – the Father/Daughter dynamic – straight from JB. The point is, this has become a very one-sided place to exchange views. It’s become xenophobic & inbred. If you read my article, I’m hope you will agree I tried to be even-handed and dispassionate.
The names and examples you asked me for will pop up if you do the “father” search. It does not help if JB only interviews with sites with a given pre-disposition (as WSJ has become – he may not know this). And I realize how silly it is for you to be the person I mention it to. (Sorry.) I used the screenshot from the writers’ room as an additional piece of evidence that there are reasons to think Red is not Liz’s dad, since it says Red killed Liz’s dad. It could be just a scenario they tested. But note – I’ve sat on that for four months, because I absolutely love the show and did not want to be a troublemaker.
I really hope the showrunners resolve this matter soon. My guess is that whatever the resolution is, only a small number of people will actually stop watching. It could, hoever, lose some of its zing. Moderation would be nice to prevent sbuse. How about an intern? Most of the other TV blogs at Speakeasy appear not to be in use. Perhaps you could devote one of these to “shippers” ➔ and feature an Oxford-style debate (or boxing match) every couple of weeks between these two persuasions. (Lol)
Sorry to bother you with this. I’m just trying to represent an enthusiastic group of viewers in a fair way. No one encouraged me to do this.
Sincerely
Auriandra @BlacklistDCd, Twitter account for BlacklistDeclassified.not/about
It’s really very difficult in this full of activity life to listen news
on TV, therefore I only use internet for that purpose, and get the newest information.