🔴 Writers Room
🔴 ‘Advice for Aspiring Writers’ – by 3 Blacklist Writers
🔴 Context: Complex TV Dramas
🔴 A Fanspeak Dictionary
🔴 Twitter: Is Red Liz’s Father?
⭕ Poll: Is Red Liz’s Father?
⭕ Is Red too old for Liz?
⭕ Poll: Liz should hook-up with – ?
🔴 Beyond the Tango Milonga
🔴 Whose Intentions Matter?
🔴 ‘Life is a Carnevàle, Old Chum’
🔴 Thoughts on Daniel Knauf Interview w Blacklist Exposed
🔴 Writers Room Timeline and The Inadvertant Video Tour
🔴 “Dramatus Interruptus”
🔴 Forget Bloodlines
⭕ Fear of Feedback
⭕ ‘Heavy Borrowing’
🔴 Jon Bokenkamp Interview w Blacklist Exposed
🔴 Unanswered Questions – End of S2 ✛ (needs update)
⭕ #TheBlacklist & The King James Bible
🔴 James Spader Tweets
Note: If your browser is Safari, you will likely have problems with the page jumps. Chrome works fine. The problem lies in the pop-open Tweets that are included in several posts. I use both Safari and Chrome on my iPad for this reason. Sorry.
🎅🎄🎁🌟🐱Very Merry!🐱🎄🌟🎁✨🎅
🎅✨🎁🌟🐶Very Merry!🐶🎄🌟🎁✨🎅
🎅✨🎁🌟🐱Very Merry!🐱🎄🌟🎁✨🎅
🎄❣🎄❣🎄❣🎄❣🎄❣🎄❣🎄❣🎄
Watching an episode of The Blacklist. (Mix of writers & assistants L to R: Brandon Margolis. Brandon Sonnier, Jim Campalongo, Mike Ostrowski, Taylor M, Jesse G, David B, Nicole P, Dave Metzger) In the middle, I think that’s pepperoni and green pepper.
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🔴 A Fanspeak Dictionary
12/6/2015
“Feel free to reproduce this in whole or part wherever and crediting me would be nice, but it’s just a dictionary and even if you don’t, so what. I didn’t make this stuff up, I’m just defining it.”
Source: http://bit.ly/1Od5Dkp
This mostly relates to fan fiction …
* A *
Actorfic – This is fan fiction where the fan fiction is not centered around characters but the actual actors who play that character. Thus a story wouldn’t be about Giles or Adam Newman but about Anthony Stuart Head and Kristian Schmid.
Adultfic – Fan fiction that depicts sexual or overly violent material. It would be rated PG-13 to NC-17 if it were a movie.
Alternate Universe [AU] – This is where an author will choose to stray from the canon of the show and create events which are on their own timeline. Usually this is when an author will deny a character’s death or act like an episode never happened or say “what if” episode A had happened differently, or they will act like the show stopped a certain place and keep writing as if there are no new episodes after that. If someone writes a fan fiction where Ami never breaks out, this is considered alternate universe. Fan fictions that take place after the end of a show are not alternate universe, however, because there is no canon for them to contradict.
Avatar – Closely related to a Mary Sue, but this is a character which is the actual author inserted into the fandom. For instance, if I write for the character Meg Freeman, who *is* me, but breaks out, this is an avatar. It is basically a vehicle for the author to really, truly play in the fandom.
* B *
Beta Reader – A beta reader is like an editor of fan fiction. This is anyone who is sent a story for the purpose of reading and reviewing a story before it is released to a list or archive so that the author can make improvements to the story before everyone else sees it. These are some of the most helpful and best tools in fan fiction writing. I encourage everyone to seek out a beta reader for every fic they write.
* C *
Canon – All of the events which *expressly* happen in the fandom. Meaning, everything, person, event, statement, that happens in the show, movie, or book is canon. For example, Megabyte’s real name being Marmaduke is canon because it expressly says in Origin Story that it is. Everything that happens in the show is canon. This is sort of used like a law for fan fiction. alternate universes are where an author deliberately ignores, goes against, or stop paying attention to canon in order to create their own canon.
Challenge – A challenge to write a fan fiction with a certain, theme, line or idea. If someone says, “See if you can write a story starting with the line ‘Call me Ishmael'”, this is a challenge. Any fiction which answers this is a challenge fic.
Challenge Fic – Any fan fiction which answers a challenge
Character Death – A heading or warning put on stories warning the reader that in the story one of the canon characters dies. If a story about Adam Newman being killed was written this story would carry a Character Death warning.
Con – Not particularly fan fic related, but common in fan speak. It means a convention of fans.
Consensual – A heading in adult fan fiction that says that all the parties that have sex in the fan fiction are consenting and want to have sex. This is as opposed to semi-consensual where consent is forced or a character is nudged but not outright forced into sex or otherwise having sex but not for reasons of their own (a character sleeping with someone to save someone’s life for instance) and nonconsensual which says that one of the characters is raped (non consensual fanfiction is not allowed on this archive, btw)
Continuation – A fan fiction which carries on after the end of a movie or series. Any fiction which takes places after Living Stones, such as a fiction about Kevin eventually going to college and getting a job, is a continuation. This doesn’t break canon, but merely extends in the author’s imagination. It isn’t an alternate universe because a continuation has no canon to break, since all the canon ended with the end of the movie/book/story.
Crossover – A fan fiction which incorporates characters, events, places, ideas, etc from another fandom. If the TP and Buffy were to run into each other, this would be a crossover, since they are two separate fandoms merged into one. Crossovers are also denoted sometimes with the word: “xover”, the X standing for cross.
* D *
Deathfic – A fan fiction which centers around the death of a character. This usually is a fiction about how the other characters cope with the loss.
Disclaimer – A header that MUST be put before all fan fiction which acknowledges that the fan fiction author acknowledges the copyrights to the material which they are writing for. This is both a courtesy and necessity among fans who write fan fiction. All fan fictions on this archive must include disclaimers.
Drabble – A fan fiction that is self contained and is no more than 100 hundred words. A half drabble is a fan fiction of 50 words and a double drabble is a fan fiction of 200 words. OR A drabble can sometimes mean a very short fic that is not exactly 100 words but extremely short, for instance, it is not incorrect to call a 500 word fan fiction a drabble.
* E *
Ep – Short for an episode of a show
Erotica – Tasteful fan fiction which involves characters in sexual situations. The difference between erotic and outright pornography is mainly in the intent of both writer and reader. The line between erotica and pornography is a fine one and easily blurred. However, all fictions here at Expressions are considered, at least by the owner of the list, to be erotica and not pornography.
⬆ Back to TOC
* F *
Faction – Parts of a fandom which are split up among different issues in a fandom. For instance, those that support a character and those that don’t are considered factions.
Fandom – The activies, canon, characters, fan fiction, and fans of a particular show, movie, book, or other thing. Everything that happens involving the Tomorrow People fans is the Tomorrow People fandom. This is also used as a synonym for “universe”, meaning the world in which a show, movie, or book takes place.
Fanon – Things that are not strictly canon, but do not contradict it and are widely accepted by most fans. For instance if most fans just accept that Megabyte’s middle name is Archibald, even though it is not expressly canon, it becomes fanon.
Flag-waving – The practice of dividing into faction and supporting or “waving a flag” for your faction. For instance, if there are those who “wave a flag” for Adam, they like and loudly support the character of Adam Newman. This can be a fun practice, but has turned ugly in the past. Flag waving is asked not to be done on the Expressions mailing lists.
Feedback [FB] – Replies that an author gets from readers commenting on the story. This is probably the second most important part of any FANDOM, and feedback is STRONGLY encouraged. Feedback is what motivates writers to keep writing when they get no payment or compensation for the time and effort they put into their stories. Basically, feedback is the lifeblood of fan fiction.
Femslash – A story depicting. Sexual situations between females. See also – slash.
F – A notation on adult fiction which denotes that sexual situations involving only one female are going to take place in a story (ie – masturbation).
F/F or f/f – A notation telling readers that a story contains a sexual situation between two females. If Ami and Jade were to have sex in a story, the F/F sign would be used to tell readers that sexual situations between two females was going to occur in the story. Also known as femslash.
F/F/F, etc… – A notation telling the reader that there are going to sexual situations between more than two females. If Lisa, Ami, *and* Jade had sex together, this would be denoted with an F/F/F symbol. There may be more than three females having sex in the fan fiction, but they are usually not denoted in the f/f/f symbol.
f/m – A notation telling the reader that sex between a female and a male is going to take place.
Filk – A fan fiction that is a parody of a song. For instance, if a writer writes “Tomorrow People Pie” which is a parody of “American Pie”, this filk.
Flame – A negative, hurtful comment meant only to anger or upset a person. This is considered rude and will cause a person to be banned from the Expressions lists and most other mailing lists and message boards. Also, to send a flame is to flame. It can be a noun or a verb.
Fluff – A light fiction which is usually just a day-in-the-life piece that is cute and humorous. A fiction about Jade taking a humourous shopping trip would be considered fluff.
* G *
Genfic – Fan fiction which does not contain sexual situations. It is fan fiction that would be rated G to PG. It contains no sexual or overly graphic violence and relatively little cursing.
Genre – The type of fan fiction that it is. This can mean a lot of things. The fandom itself can be considered a genre.
* H *
Hurt/Comfort [h/c] – A fan fiction in which a character is put through a traumatizing experience in order to be comforted. For instance, having Adam break his leg and then get lots of hugs is a h/c fan fiction.
* L *
Lemon – Any fan fiction containing graphic sexual situations that are described. Much like adultfic and PWP’s, only a lemon might be a full length story that contains merely scene of graphic sex.
Listee – Any person on a mailing list.
Listmommy/Listowner – The owner or moderator of a list, the person who makes sure that everything is running correctly and nobody is flaming or violating the rules.
Literotica – Literary erotica, literary pornography. [ Source: NYT (7/4/2015) Days of Our Digital Lives http://nyti.ms/1Tv6kcO ]
⬆ Back to TOC
* M *
Mary-Sue – Any original female character which is too perfect, too extreme, or otherwise badly done. There is no real hard and fast standard for what constitutes a Mary Sue, but some guidelines can be found here The Mary Sue Guidelines.
Marty-Sam – Any original male character which is too perfect, too extreme or otherwise badly done. The male counterpart to a Mary Sue.
m/m – A heading denoting sex between two or more males. Another m indicates that there is a threesome. Note, however, that there may be more than three male characters having sex even if only the m/m/m heading is used. Three can also be used in a general sense to denote multiple sex partners.
* N *
Newbie – Any fan that is new to a fandom or list.
NS – New Series. This refers to the series of the Tomorrow People that aired in the 1990’s. A character guide can be found here. [Thanks to Beth Epstein!]
* O *
OC – An acronym meaning Original Character. An original character is any character that is not in the series and is created by the author.
OFC – Original Female Character. See also Mary Sue
OMC – Original Male Character.
OOC – Out of Character. (1) When a canon character acts in such a way as to be totally contrary to what they would in the series. If Adam was to get violent and start fights, this would OOC. (2) A term used during RPG’s when a person wants to say something as themselves, outside of the game. (e.g. – OOC: I have to leave my computer in twenty minutes.)
OS – Old (Original) Series. This refers to the first series of the Tomorrow People which aired during the 1970’s. A character guide can be found here that is VERY helpful [thanks to Beth Epstein!].
OT – Off Topic. This is used in the subject of emails sent to mailing lists when someone is talking about things that are not directly pertaining to the purpose of the email list. For example OT: Happy Birthday, Mary Sue!. OT messages should be used sparingly as they tend to clog a list with lots of chatter that other listee’s might not like.
* P *
Pairing – The selection of characters that are in a relationship together. This is denoted by using the abbreviations of their names together or just their name. M/J is, in the Tomorrow People fandom, Megabyte/Jade put together. That is a pairing.
Plotbunny – An affectionate term for an idea that sticks in your head and you just HAVE to write it even if it goes nowhere or keeps going off into other ideas.
Pre-slash – A story which is not strictly adult or strictly about a homosexual relationship but which introduces the possibilities, situations, and circumstances for one to occur. A story about Megabyte and Adam getting closer on a vacation, not starting a relationship per se, but getting there, that’s pre-slash.
Pre-series – A story which is about events occuring before the series began. A story about how John lived before he broke out in the Old Series is pre-series.
PWP – Porn Without Plot or Plot, What Plot? This is a piece of fan fiction that contains no other action than an overt sexual act between the characters. A piece that is about nothing besides Liz and John having sex is considered a PWP.
⬆ Back to TOC
* R *
RL – Real Life. That annoying time between fan fictions. ;)
Round Robin – A fan fiction written by several authors taking turns each writing a part. These are great fun on a mailing list.
RPG – Role Playing Game. A game that involves people pretending to be their favorite characters. If you played a game where you were pretending to be John, you’d be playing a Role Playing Game.
* S *
‘shipper or shipper (relationshipper) – Short for Relationshipper. This is someone who supports a particular pairing. For instance, fans who support a relationship between Adam and Lisa are Adam and Lisa ‘shippers.
Sillyfic – A light piece of fan fiction which is rediculous and meant to amuse. A fic that is about Tyso and Stephen getting into some comical mishap is a sillyfic. Unlike fluff, Sillyfics often break canon rules or get OOC, but it is okay in the case of sillyfic, because the author intends to do this just to get a good laugh.
Songfic – A fan fiction which is based on a song or includes a song. These fics can range from silly to very serious and heartbreaking. Many times a song fic will not include the song, but will have the lyrics at the end for the reader to infer how those lyrics reflect the character and situations.
Spoiler – Anything in a fanfiction or email which gives away parts of episodes or movies. For instance, if a fan fiction gives away the ending of Living Stones, a spoiler warning would be issued so that anyone who hadn’t seen Living Stones and wanted to could know to avoid that fic. This is used more commonly in fandoms that still have new episodes airing, such as Buffy. Spoiler warnings really aren’t required in the Tomorrow People fandom, but for such fandoms as Buffy and Smallville, spoiler warnings are appreciated.
Squick – Anything that upsets, disturbs, or grosses a person out is a squick. If something squicks you, it upsets and disgusts you. Some people are squicked by adultfic or other things.
* V *
Vignette – A piece of fan fiction which is centered on a characters feelings, emotions, experiences, reflections, and thoughts. Usually very short. A fiction that is just about Carol thinking of Earth while she is in the Trig is a vignette.
Vanilla – Referring to a type of sex which is ordinary male/female without any variations or kinks.
* U *
UST – Unresolved Sexual Tension. This is a term referring to interactions between characters that aren’t expressly sexual but have sexual undertones. If two characters are dancing and begin to get very close but then are interrupted, there is UST there. This is a term first coined by X-Files fans to describe the chemistry between Mulder and Scully.
* X *
Xover – An abbreviation for crossover.
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🔴 John Bokenkamp Interview – Blacklist Exposed
12/5/2015
From the WSJ Blog: http://on.wsj.com/1HPCIGq
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7:31 am December 5, 2015
WSJ Belle wrote:
New Jon Bokenkamp (The Blacklist Exposed) podcast released today
http://www.goldenspiralmedia.com/ble39-s3-jon-bokenkamp-interview
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12:04 pm December 5, 2015
WSJ Belle wrote:
The hosts asked questions of their own, and some viewer submitted questions. Some things that were mentioned in the podcast…
● They are going to return to the Blacklister of the week format later in the season.
● They weren’t sure if they wanted Liz to be on the run with Red for a day or for the entire season.
● Liz being on the “dark side” will continue, that there’s more to that. He wants to remind people that Liz did shoot someone “in cold blood.”
● They decided to do things differently this season and use Blacklisters that Red had never heard of, such as Arioch Cain. (But they gave them numbers anyway.)
● They will return to Blacklisters that have importance to Red, later.
● Some Blacklisters later this season will involve fairy tales, and religion.
● The show has issues with the network censors on a daily basis. The Djinn episode was especially troublesome.
● They all have favorite Blacklisters. Bokenkamp likes scary and weird, Eisendrath likes complex, and Spader likes those on a global scale.
● Bokenkamp admits he doesn’t write well about emotions or feelings, that his wife helps him with that. (Or the other writers.)
● The comic book is basically an “alternate universe,” and he told the writer to avoid a certain 4 or 5 year period that contains details that may reveal the “big endgame.” But he said when she broke that rule, that whatever she wrote about was okay, and that “it worked.”
● The endgame he has in mind is still the same as it always has been.
● He once again used the phrase “whether or not Red is Liz’s father…”
● They constantly keep the mythology and past episodes in mind so that things make sense.
● There is an actor from the first season that will return this season (not sure if it’s a Blacklister).
● He didn’t want to kill Fitch and they filmed an alternate ending with him surviving at first, but then saw that the rest of the story didn’t fit if he survived.
● He joked about Red’s blood flowing through Ressler’s veins.
● They may revisit Samar’s story about her brother.
● They may introduce Mr. Kaplan’s backstory, how she came to meet Red.
● They came up with the idea of Aram having a puppy love crush on Samar back in the Front when Aram was holding her hand in the hospital. He did confirm that Samar and Aram had never hooked up, that it was basically a friendship. But it was Amir Ariston’s acting that gave them the idea.
● The affair between Cooper’s wife and the neighbor will be addressed again.
● He did not mention Tom or Cooper at all, and very little Megan Boone. He did say that Lizzie rolling her eyes when Red does one of his soliloquies was Megan Boone’s “contribution.”
● He said that the scene filmed in a shipping container on a ship was NOT a nod to “shipping.”
● He loves to read comments online about the show and that every week (or everyday?) someone goes online to find the weirdest thing they can find to share with the writers. For instance, Red’s cat from his secret apartment has his own blog (forgot the cat’s name).
● No mention of Megan Boone’s pregnancy or whether or not they are going to include it. (But ● maybe I missed it… I’ll have to listen again.)
● He admitted he had picked on Daniel Knauf for talking long in his podcast interview in September, and now he did the same, talking for about 1 hour and 20 minutes.
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10:32 am December 5, 2015
WSJ Curious1 wrote:
Listened to some of the podcast referenced above. My thoughts
● JB seems to be a nice guy who actually is interested in what fans think of the show. Very passionate about this show.
● JB had never heard of shipping until this show. LOL, it is the strangest thing I ever heard.
● I am glad they stopped the Blacklister of the week format and hope they don’t go back to that format. I can watch any number of CBS shows for that type of story. I was not able to finish it all but it was quite interesting
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🔴 “Advice for Aspiring Writers”
♤♤ From Brandon Margolis, Brandon Sonnier and Dave Metzger,
♤♤ The Blacklist writing staff
12/6/2015
I. Three of The Blacklist writing staff put together a compilation of things to do, watch and read for those interested in becoming tv and film writers.
Dave Metzger
“The Two Brandons” or “BrandonX2” (as they are known on Twitter) work as a team and have written several episodes each season, including the iconic and unforgettable Pilot (Ranko Zamani), which they co-wrote with Jon BokenKamp, the Series Creator.
Brandon Margolis and Brandon B Sonnier
Zal Bin Hasaan. This list includes some of my favorite episodes. Though all three writers are frequently active on Twitter during the shows, Dave Metzger is a friendly and helpful presence even on off-days. His fielding this request and channeling the information to Twitter Blacklist fans is perfect evidence of this,
@alexmalgat8 here's some advice from me, @BrandonMargolis & @BrandonBSonnier https://t.co/3lZBZXjIaZ If you have other Qs feel free to ask!
— Dave (@DaveMetzger) December 1, 2015
⬆ Back to TOC
Details (also at the Google docs link attached to Dave’s Tweet):
Advice for young writers
1) Most important thing is to write every day. Write every day. You have to write every single day, even if it’s just for 15 minutes. Make time for it. You’re only a writer if you write every day.
2) Watch this video: https://vimeo.com/24715531
Listen to what Ira Glass says: put yourself on a deadline, and do a large volume of work, in order to “close the gap.”
3) Read a lot of scripts. Have read every great movie, and every movie you admire.Start here for TV Shows: https://sites.google.com/site/tvwriting/
And here for features:
http://www.simplyscripts.com/full_movie.html
http://www.screenplaydb.com/film/all/
http://www.dailyscript.com/movie.html
4) Read The Playwright’s Guidebook, By Stuart Spencer.
http://www.amazon.com/Playwrights-Guidebook-Insightful-Dramatic-Writing/dp/0571199917
If you read only one book, this should be it. It will teach you more about writing drama than any screenwriting book; trust me, I have read them all.
5) Read this:
http://www.reddit.com/r/Screenwriting/comments/20pdf3/for_the_kids/
6) It’s not important to read more books. But if you really want to, read these first:— The Dan Harmon Story Structure Tutorials 101-105, linked here:
http://channel101.wikia.com/wiki/Category:Tutorials— Making a Good Script Great by Linda Seger http://amzn.to/1NOQ48n. The best introduction to basic feature structure. Much more accessible and practical than “Story” or “Screenplay”, the two so-called bibles of the industry (that are now seen as somewhat outdated).
— Save The Cat! by Blake Snyder http://amzn.to/1NBbm2P. Everyone in hollywood has read this by now, very good if you want to write the kind of movies Blake did.
— The Anatomy of Story by John Truby (especially the first 100 pages) http://amzn.to/1LVRLcy.
But don’t take any of those things too seriously.If you want even more book recommendations, I can send you an even more detailed list.
7) Listen to John August and Craig Mazen’s podcast. Start with the free ones, but then pay for the old ones. It’s incredibly, incredibly worth the $2.
http://johnaugust.com/scriptnotesIf you want to write features, listen to a few of episodes of the Nerdist Writer’s Panel. If you want to write TV, listen to EVERY episode. Especially the early ones. And ESPECIALLY the ones with Vince Gilligan:
http://nerdistwriters.libsyn.com/
8) It’s not critical that you get a film degree. It is critical that you learn, somewhere, how to understand movies and TV shows on a deep level – much deeper than “That movie sucks.” You should be able to articulate what you didn’t like about it, why, what might have been done differently. Same with movies and TV shows you love. Everyone in hollywood, or at least all writers and most agents and producers, can do this at an expert level. We all live in one town together and talk about it all day constantly and never get bored. Watch a lot of movies, think about them, and talk about them in a nuts-and-bolts way with your smartest friends.
9) Watch your three (ten, fifty) favorite movies or TV pilots/episodes with a pen and paper and a stopwatch. Write down every scene, and what minute it starts and ends. (If you’re doing this with TV shows, make special note of the act breaks are (meaning when the commercials come on).) You can learn SO MUCH from doing this exercise; it might be the single best thing you can do to improve your understanding of structure.
https://goo.gl/v8swpx
Follow-Up Tweets:
@DelilahCraves I like this book: https://t.co/mS4jkDUPbL and this book is wonderful and 100% applies to TV stories https://t.co/BkG0tl0Tzb
— Dave (@DaveMetzger) December 4, 2015
//platform.twitter.com/widgets.js
@DelilahCraves but IMO the best use of time is: watch great TV with a stopwatch, track structure, and then THINK about why choices were made
— Dave (@DaveMetzger) December 4, 2015
⬆ Back to TOC
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🔴 II. Context: Emergence of Complex TV Dramas
12/6/2015
The context of contemporary screenwriting can be found in the ‘new’ (actually, about 20 years old at this point) serialized “primetime” dramas, which most people trace back to The Sopranos, and to HBO more generally. Shows such as Mad Men, Breaking Bad, 24 and The Wire differ from shows from the 1950s through 1980s when shows broke down into daytime “serials” (women’s tv) vs evening episodic procedurals (men’s tv) in which each plot was introduced and resolved within the hour. Neither Matt Dillon nor Captain Kirk carried their troubles with them from episode to episode.
HBO with its subscriber model was able to experiment with these formulas and the combined or complex form serial/procedural was born, combining aspects of both the “male” and “female” genres. Much has been written about this development, and I don’t want to delve into it all here, except to mention that viewing patterns have also changed with various modes of delayed viewing mixing with live or first-run viewing.
The Blacklist of course is a network show, which means it has a more grueling schedule than the subscription cable model (22 episodes a season versus 12 or so longer shows). Unlike HBO, it is also subject to the more stringent limitations on acceptable language and sex (to be blunt) and in its dependence on ratings and advertising dollars. However, it also falls into the genre of the combined serial/procedural long-form drama, described by David Auerbach in “The Cosmology of Serialized Television” http://bit.ly/1FEDhkq (2014), an impressive review of the genre if you can get over it’s snarky preference for BBC-style literary adaptations.
I have found a number of books that discuss this genre from the perspectives of the show-runner, director, critic, and academic. Below is that list, in order of my preference. All quoted material is from Amazon.
1. Complex TV: The Poetics of Contemporary Television Storytelling by Jason Mittell (2015) http://amzn.to/1jG5tcV (academic, but because it identifies a language and structure for discussing the genre, should probably be read first).
Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.
2. Book: Showrunners: The Art of Running a TV Show, by Tara Bennett (2014), based on the documentary Showrunners
Reader Review: The Real Story behind your favorite shows – Must Read!
By Joseph Genera on April 25, 2015
After watching the documentary on Netflix, I had to read the book! As an actor on the front side of the camera, I always marvel when I’m on set how everything seems to run like a well-oiled machine – 25-150 people running around like their butts are on fire, making sure everything and everyone is where they’re supposed to be at the exact right moment. The technical side always fascinates me, especially when viewing the final cut.Tara Bennett has ‘caught’ this world at its best – and the not-so-best parts Hart Hanson said it best “…running an American show is like sex…no matter how much you ask around or how many courses you attend there’s no real preparation for the real thing.”
Kudos to Ms Bennett for such an excellent read, and to all the people who’s hard work makes sure we are entertained week after week. (And for providing us ‘talent’ with work! – if not for them…) 5 Thumbs up!
♤♤ ⇈ ⇊
The Documentary: Showrunners: The Art of Running a TV Show http://amzn.to/1liNQS8
SHOWRUNNERS explores the fascinating world of the US television showrunner and the creative forces around them, as they battle daily between art and commerce to deliver television comedies and dramas to audiences worldwide.
3. How to Watch Television, by Ethan Thompson (2013) http://amzn.to/1OMVRbp (Advice for critics and for viewers who want to speak intelligently about television.)
We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it ‘good’ or ‘bad.’ Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context.
How to Watch Television brings together forty original essays from today’s leading scholars on television culture…. The essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. … While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered.
… contributions are organised under tfive main themes: Aesthetics and Style; TV Representations: Social Identity and Cultural Politics; TV Politics: Democracy, Nation, and the Public Interest; TV Industry: Industrial Practices and Structures; and TV Practices: Medium, Technology, and Everyday Life. …
4. Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad by Brett Martin (2013)
A revealing look at the shows that helped TV emerge as the signature art form of the twenty-first century.
In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase, David Simon, David Milch, and Alan Ball; in addition to other writers, executives, directors and actors. Martin delivers never-before-heard story after story, revealing how cable television became a truly significant and influential part of our culture.
✛ Bonus: Finally, there are those who trace the serialized drama back to the 1990s, to include seminal shows including Lost and Daniel Knauf’s Carnevàle (Knauf is now a Blacklist writer), and even The X-Files. This book on Carnevàle is good:
Carnivale and the American Grotesque: Critical Essays on the HBO Series (2015) http://amzn.to/1Rw6iTu
HBO’s Carnivàle was a critically-acclaimed, elaborate period narrative set in Depression era America that set the stage for the current explosion of cinematic storytelling on television. Despite an ambitious and unusual storyline, remarkable production design and stellar cast, the show was cancelled after only two seasons. No other television series has been so steeped in history, spirituality and occultism, and years later it retains a cult-like following. This collection of fresh essays explores the series through a diverse array of topics, from visual aesthetics to tarot symbolism to sexuality to the portrayal of deformity.
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🔴 “Dramatus Interruptus”
2/1/2015
⭕ 1. Art and customer service ( ⇇ sucks )
⭕ 2. There’s no escaping social context ( ⇇ start here )
⭕ 3. There’s no escaping social media
⭕ 4.’Scandal’ and ‘The Blacklist’
⭕ 5.’The Blacklist’s use of social media
⭕ 6. Are TV serials visual novels?
⭕ 7. Where the cool kids are
⭕ 8. Golden Age / Literary Biomimesis
⭕ 9. ‘Dramatus Interruptus’ 🔑
⭕ 10. Social Media Engagement: Not Optional
⭕ BIBLIOGRAPHIES‼️: Social Media, Biomimesis
♤♤♤ A. Poetics
♤♤♤ B. Politics
♤♤♤ C. Neurobiology
♤♤♤ D. Social Media and the Arts
♤♤♤ E. Social Media and Co-Creation
⬆ Back to TOC
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⭕ Writer and Co-Executive Producer Daniel Knauf,
♤ creator of HBO’s Carnevàle
7/24/2015
So you think this shit is easy?
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⭕ Writers’ Room Timeline and the Inadvertant Video Tour
12/6/2015
Sometime around December 2014, a camera crew breezed through The Blacklist’s Writers Room in Los Angeles, cameras rolling. An article featuring a snappy interview with James Spader promptly appeared online. It is unusual outside of Hollywood for an article to focus on the behind-the-scenes creative processes of a tv drama series but this one did. Still, few readers likely went beyond the page one interview with Spader to a second video “below the fold” appearing to be an interview with Ryan Eggold. But only the first minutes featured Eggold. The rest was a walk-through of the writers room, featuring its long walls covered with photos, timelines and episode details scribbled on whiteboards – a gold mine for Blacklist obsessives, The episodes even appeared to have letter grades assigned to them!
I found all of this fascinating, but thought no more of it until later, while trying to construct my own timeline – a hopeless exercise I’ve since decided – it occurred to me to illustrate my timeline with a photo of the real‼️ timeline from the writers room. So I found the article again and did some screen shots of that video. It was not until I began enlarging the white board photos that I realized they included a huge reveal. Several, actually. But the main one had to with the key question of whether Red is Liz’s father. At this point, a year later, we know (or think we know) that Liz shot and killed (maybe) her father (possibly), but here is what the white board showed:
From The Blacklist writers’ room… (Screenshot from video). Darkened for legibility.
My immediate response was astonishment, followed rapidly by elation, then guilt, followed by a resolution to “do the right thing.” I sent the screenshot to a couple of TBL writers who are active on Twitter, but received no guidance as the what I should do. Too bad, too, as I had already settled upon my blackmail fee – just kidding. None-the-the less, I did not post it until April, after asking some on-line Blacklist friends what they thought. One said she thought it had already been posted on Tumblr. So that’s when I posted it on this blog on the “Clues” section under “Predictions.” Later, when I tried to find the article article again, I could not locate it. I think it was ABC or CBS – corporate espionage!
Since, I’ve also seen it on Tumblr which I reblogged under “Scribblings and Scuttlebutt.” At any rate, it’s recently been a shared joke among TBL writers & fan tweeters than on any photo they now post on Twitter, the white boards and bulletin boards are always carefully blurred out.
Original version (April): “I don’t know how important this is. I found it when I remembered a video clip I had seen of the writers’ room and looked it up to grab some screenshots. I couldn’t even read it until I enlarged it. A camera crew had gone through to document in general how tangents were dealt with. There are two video segments; this was in the latter. I tried tweeting some of the writers who I had gotten responses from in the past. No response. I think it’s pretty clear where things are headed since episode 2:10, so I don’t think it’s a huge reveal at this point. Also, it could just be a ruse, planted by the writers to have some fun.
“The Blacklist went another direction with regard to what happened to Liz’s father, based on the Season 2 finale. I don’t think this was a deliberate mislead, however. Rather, as Peter Stormare (who played Berlin) observed:
“They have six or seven different scenarios, and I don’t know what direction they will go in. I do not envy the writers because they are really kicked from both sides all the time. They try to come up with the best solution, and sometimes they have to do rewrites over night. TV is a gruesome business. But there is a great revolution that has happened on TV. A lot of talent is moving in…”
Source: IAmRogue (10/22/2014) Peter Stormare Talks ‘Autumn Blood,’ ‘The BIg Lebowski 2′ and ‘The Blacklist’ http://bit.ly/13oWEMW
Here, for fun, are a few additional screen shots from that fateful tour of the writers room.
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🔴 Twitter: Is Red Liz’s Father?
2/4/2015
⭕ Take-always from Daniel Knauf’s Twitter conversation on 2/4/2015
Take-always from Twitter conversation with lead writer and co-executive producer Daniel Knauf 2/4/2014
More Tweets from Writer and Co-Executive Producer Daniel Knauf
BlacklistDclassified @BlacklistDCd May 17
@Daniel_Knauf why won’t anyone give a simple yes-or-no answer to “Is Red Lizzie’s dad? (meaning bio-dad) just riddles in response…
❥ Daniel Knauf @Daniel_Knauf May 17, 2015
@BlacklistDCd Seriously. The question’s been answered definitively about 50X. Everyone on the show just shrugs and figures what’s the point?
I ♤Blacklist @lvBlacklist May 17
@Daniel_Knauf @BlacklistDCd yes it has.. The answer is No but people are still in denial lol. It’s okay, a Red and Liz kiss should fix that😈
BlacklistDclassified @BlacklistDCd May 17
@Daniel_Knauf Just tell me it’s not some riddle that’s going to be sprung at some point. I thought I’d get AWAY from politics by blogging!
BlacklistDclassified @BlacklistDCd May 17
@lvBlacklist you have no idea how finely hairs can be split lol
❥ Daniel Knauf @Daniel_Knauf May 17
@BlacklistDCd Oh god, really? How tacky would that be?
Ashley Marie @filmya247 May 17
@Daniel_Knauf @BlacklistDCd VERY!
❥ Daniel Knauf @Daniel_Knauf May 17
@lvBlacklist @BlacklistDCd Not for the Appalachian demo.
I ♤Blacklist @lvBlacklist May 17
@Daniel_Knauf @BlacklistDCd sorry for my ignorance but what does this mean lol?
1 retweet 1 favorite
Ashley Marie @filmya247 May 17
@Daniel_Knauf @lvBlacklist @BlacklistDCd I think I have an idea, but afraid to say it aloud for confirming my ignorance 😂😂
❥ Daniel Knauf @Daniel_Knauf May 17
@lvBlacklist @BlacklistDCd Just a cheap uncle-grandpa inbreeding shot. ;-)
⬆ Back to TOC
ciara chick @chickciara May 17
When do we find out @NBCBlacklist is RENEWED for season 4 @JonBokenkamp @Daniel_Knauf 😅😅 season 3 CANT be the last 😰😰
Jillia @jazillia007 May 17
@chickciara @NBCBlacklist @JonBokenkamp @Daniel_Knauf It definitely needs to prove that it can improve the ratings.[…]
❥ Daniel Knauf @Daniel_Knauf May 17
Daniel Knauf, Co-Executive Producer and Writer for The Blacklist
@jazillia007 @chickciara @NBCBlacklist @JonBokenkamp Uhm. ❣ Not true. It just needs to hold on to 2/3 of the viewership to survive.
Jillia @jazillia007 May 17
@Daniel_Knauf @chickciara @NBCBlacklist @JonBokenkamp Ah thank you so much. :) I hope season 3 can do that, Mr Knauf.
❥ Daniel Knauf @Daniel_Knauf May 17
@jazillia007 @chickciara @JonBokenkamp ❣ Believe me, we’ll die trying. Or Jon will kill us. He is as ruthless as The Dread Pirate Roberts
❥ Daniel Knauf @Daniel_Knauf May 17
@spleenaffogato @lvBlacklist @BlacklistDCd ❣ This is not LOST. We do not make it up as we go along. @JonBokenkamp has a vision.
BlacklistDclassified @BlacklistDCd May 17
@Daniel_Knauf @spleenaffogato @lvBlacklist @JonBokenkamp if Red ever needs a good defense atty for death penalty trial ➔Alan Shore’s the man
❥ Daniel Knauf @Daniel_Knauf May 17
❣@BlacklistDCd @spleenaffogato @lvBlacklist @JonBokenkamp He’s more than capable of representing himself in court. Trust me. I know.
BlacklistDclassified @BlacklistDCd May 17
@Daniel_Knauf @spleenaffogato @lvBlacklist @JonBokenkamp That would be cool.
⋙ But he got Marvin Gerard instead! Curses‼️ – 12/6/2015 LizzieB
❣Red, Lying & the Jesuits
@HestiaPrytaneum @simmydim88 @filmya247 @JonBokenkamp Red never lies. #TheBlacklist #AskKnaufAnything
— Daniel Knauf (@Daniel_Knauf) February 6, 2015
//platform.twitter.com/widgets.js
@BlacklistDCd @HestiaPrytaneum @simmydim88 @filmya247 @JonBokenkamp I'm guessing he studied under Jesuits. #AskKnaufAnything #TheBlacklist
— Daniel Knauf (@Daniel_Knauf) February 6, 2015
❥ Daniel Knauf @Daniel_Knauf May 23, 2015
❣ The satisfaction of your audience is guaranteed only as long as your standards are higher than theirs.
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⭕ Poll: Is Red Liz’s father?
10/1/2015 (when 500 people had voted)
This poll was opened on July 18. It prevents repeat voting. It is unscientific poll, of course, but hopefully interesting none-the-less. Thank you for voting!
July 18, 2015 to October 1, 2015 – This poll is now closed.
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🔴 Sex and the Older Man
9/3/2015
TheGuardian: Maggie Gyllenhaal: At 37 I was ‘too old’ for role opposite 55-year-old man http://bit.ly/1cR9I2e Ms Gyllenhaal, of course, played opposite James Spader in ‘Secretary.’ He is now 55 years old.
⋙ So, let me make sure I understand this. Thirty-two (Megan Boone’s age) is too young and 37 (Maggie’s age) is too old to be the love interest of a 55-year-old man (James’ age). So 33-36 is … “just right”? (Must be Hollywood.) 🍻 🍻 🍻 🍻 🍻 🍻
Twitter conversation link: http://bit.ly/1VNTlVq thru 9/9/2015
[ Click to enlarge ]
Pssssst … “Young women are not attracted to older men.” Um, lol?
Oops. Damage Control
DM From L.A.: “Regarding that tweet you saw this morning: it has nothing to do with Blacklist. [ – ] and I have a beautiful friendship, but some friends ‘ship us all the time, so we were back and forth between friends regarding that, so what you read was used in reference to our own friends. It was part of a thread of messages that a few got accidentally tweeted by mistake.I would greatly appreciate it if you took down your tweets regarding that, it has nothing to do with Red or Liz, it’s just tongue in cheek humor about me, and I don’t want to be a part of a viral misunderstanding please.”
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🔴 Sexual Overtones in [2:11] Ivan Denisov:
♤ Beyond the Tango Milonga
♤ Beyond the Tango Milonga
9/8/2015
Question: Are there sexual overtones in this episode? There is so much more going on in this episode that is sexually suggestive that what goes in the Tango Milonga scene alone is inconsequential. It is there in the dialogue, in Ressler’s questions, of course, as well as in the inferred polymorphous perversity of Red’s bed. It is in the choices made regarding Liz’s makeup and hairstyle and in the selection of paintings on the walls in the bar and dining room. The adoring way Liz looks at Red in the negotiation scene is another example. But all of this is moot, because it has long been established that artists are not the arbiters of how their work is intepreted. This is known as the “intentionality fallacy” that all good liberal arts majors have drilled into them in college http://bit.ly/1NCsvZT. The artist’s interpretation of their work has no more weight than that of any other observer. If did, we would spend all our time and effort reading artist’s autobiographies and not need Art at all.
(These tweets are reverse chronological starting at the 💙)
There are sexual overtones and undertones and just plain tones everywhere in this episode.
The writers for [2:11 Denisov] listed on IMDb are: Lukas Reiter (of Boston Legal) and Jonathan Shapiro (of The Practice). Andrew McCarthy (of ‘The Brat Pack’ movies) directed. Sounds like a family reunion.
↥ ↧
@ChicagoCollen It’s exciting; I found that as a result of finding out J Shapiro (of “The Practice”) co-wrote 2:11 Ruslan Denisov
↥ ↧
🐣 ➔ Deadline: Maria Bello Joins David E. Kelley’s Amazon Drama Series ‘Trial’ http://bit.ly/1K2y81Q co-wrote w his producer from “The Practice” Jonathan Shapiro
🐣 Kinda sad James won’t be in new David E Kelley/Amazon series ‘Trial’ – also w J Shapiro (co-wrote Denisov w Reiter) collaborating bit.ly/1K2y81Q
🐣 The tango milonga segment is the writing highlight of the episode. Shame they didn’t
acknowledge DK’s contribution on IMDb #TheBlacklist
🐣 Lizzie’s hair is the same style as Tango dancer [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/d0WlCTw72z [[ ⋘ & of woman in painting … ]]
🐣 Paintings reflect relationships, themes [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist Director Andrew McCarthy http://pic.twitter.com/GMb6HL1m7z
🐣 Liz: “What’s wrong?” Red: “Everything” [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/k0q80mwodm
🐣 Liz picks up on Red’s change of demeanor: “What’s wrong?” [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/WKWBDm6bgP
🐣 Seeing the CIA agent, Red instantly knows what’s happened – & who’s to blame [2:11 Ruslan Denisov] #TheBlacklist http://pic.twitter.com/57JWQVy3k0
🐣 Stagecraft: Napoleon Crossing the Alps by David ➔ as Red’s empire is threatened [2:11 Ruslan Denisov] #TheBlacklist http://pic.twitter.com/lgXaTtxyAc
🐣 Meanwhile, another kind of dance [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/BUeuC3wmqh
🐣 Red describes the art of negotiation as a tango – a seduction. [[2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/POzJc3KYai
// collage ⇈ subset ⇊
💙➔ 🐣 ‘A tango milonga – the pure essence of negotiation’ – Red [2:11 Ruslan Denisov] #TheBlacklist @NBCBlacklist http://pic.twitter.com/HHRLbqv9w9
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⭕ Poll: “Liz should hook up with – ?”
10/11/2015 – Final Results Posted
Started: September15, 2015: Part 1 [Polldaddy Poll 9077831]
Restarted: September 27, 2015: Part 2 [Polldaddy Poll 9097877]
Parts 1 and 2 and Totals
United States only
Analysis:
Over the time the poll was open, there was a gradual increase in the percentage of votes going to Ressler and Tom. This is perhaps because of what pollsters call the “enthusiasm factor.” The Lizzington folks tended to vote early. Later votes were mostly cast by those who visited the blog for other reasons, but then voted as well. That isn’t to say that there aren’t enthusiastic Ressler and Tom fans, just that they were overwhelmed early on by the Red fans. After a couple of months, it might be fun to run this poll again. … [ More at: All BacklistDCd Polls http://wp.me/pDKwi-255#pollliz ]
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⭕ Ratings, Advertising, Fan Feedback – and Fear?
Tweets thru 9/8/2015
“They’re making everyone afraid to try anything interesting”
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🔴 Thoughts on Daniel Knauf Interview
♤
with The Blacklist Exposed
9/24/2015
BlacklistPodcast/GoldenSpiralMedia: Interview with @Daniel_Knauf, Co-Exec Producer & Writer On The Blacklist http://bit.ly/1PzY4GG
This link brings up a player that will play even if you leave the page: http://bit.ly/1Kz8zsv
The interview with Daniel Knauf runs for almost two hours and almost gave me vertigo in Daniel Knauf’s descriptions of how arbitrary and serendipitous the creative process can be. Daniel Knauf is a writer and co-executive producer of The Blacklist. He describes the highly charged and time-pressured process in which the show is produced, focusing on the writing and touching on conflict between creativity and continuity. Two forces seem to counter-balance the creative exuberance: Jon Bokenkamp and John Eisendrath’s structural scaffolding and sense of the end-game, and James Spader’s close working relationship with the writers to give his character (and the others) substance, consistency and coherence. Knauf takes on some controversies, such as the development of Tom’s and Liz’s characters in Season 2.
I totally agreed with the discussion of the silliness and irrelevance of the Emmys and of just how incredibly good The Blacklist is. I don’t watch enough TV drama to know, but I wonder: Is this a genre that’s being defined just now? Is it being overlooked for that reason? I loved Knauf’s theory that the people who voted on the Emmys don’t watch television – instead going with what their grandkids tell them is cool (or hot, – whatever). Are there examples of shows that have been or are doing this better?
I must confess I have only binge-watched series prior to this. I also have had no sense of loyalty to series unless I liked their direction – even if I’d watched up to 4 seasons (Downton Abby). I abandoned Mad Men (after 3 seasons), Game of Thrones (3 seasons), Breaking Bad (1 season), and House of Cards (1 season – but I tried three times!) On the other hand I’ve watched The Sopranos three times, Rome twice, and I love Vikings and Homeland. I loved a mini-series Titanic Blood and Steel (4 or 5 times) and can’t tell you how many times I watched the BBC’s Pride and Prejudice w Colin Firth and Jennifer Ehle (Madeline Pratt!)
Anyway, I am no expert, just have a certain background. I am surprised at how much the team and “pitch”-ing dynamics DK has described about how TBL works is similar to that in organizations I’ve worked. We tend to think of artists as solitary geniuses – and some are. But any kind of scale requires teamwork and specialization – with creativity woven throughout the entire fabric of a project, not dictated by a single, solitary genius. (Though this happens too.)
I learned a lot from this interview, both about The Blacklist and about how film and TV shows are written and produced. An hour and fifty minutes sounds like a lot of time, but it just flies by. The player (which hopefully works for you) lets you play it in the background. The upshot: Thoroughly engrossing and blindingly enlightening, as well as unsettling and – yes indeed – vertigo-producing.
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🔴 Whose “Intentions” matter? Photoessay
♤ Mirror Imagery in [3:1] The Troll Farmer
10/6/2015
![Before: Black silhouettes [3:2 Troll Farmer]](https://blacklistdeclassified.net/wp-content/uploads/2015/10/image7-e1444127882742.jpeg)
Before: Black silhouettes [3:2 Troll Farmer]
![After: Image lightened to show detail. Inset: "Kissing Illusion" [2:10 Luther Braxton2]](https://blacklistdeclassified.net/wp-content/uploads/2015/10/image8-e1444128012262.jpeg)
After: Image lightened to show detail. Inset: “Kissing Illusion” [2:10 Luther Braxton2]
Assuming for the moment that intentions do matter, these two scenes clearly show that more than the writers’ intentions are relevant. The director’s intentions are as well. And what of the actors, editors and other pre- and post- production crews? Creating a series like this involves the “intentions” of many people at many levels. What keeps them all in synch? Is it even possible for a coherent work of art to emerge?.
I actually posed this question to Daniel Knauf (the writer referred to above). He suggested the writing of the King James Bible was a good comparison of how different teams of writers, directors etc can produce something of lasting beauty, value (or whatever the measure is). I looked this up and it’s a fascinating history. Christianity in Britain at the time was in complete turmoil and there were pressures involving the roles of the monarchy and nobility as well, – and yet with the guidelines established by the king, teams of scholars and churchmen were able to write what was clearly a literary and religious masterpiece.
@BlacklistDCd The King James Bible is but one example.
— Daniel Knauf (@Daniel_Knauf) October 5, 2015
I think it’s an interesting interesting comparison. It is clear that the kissing illusion and the appearance of Red and Liz’s faces in the mirror in 3:1 Troll Farmer a way reflecting their emotional connection (and alienation) have indeed been “intentionally” placed in the scene – regardless of what may have been intended by the writers. Where does the overall direction come from? Is Jon Bokenkamp the equivalent of King James? – a sort of over-mind who keeps the show from crashing down to earth or spinning off into outer space [ie shark-jumping]? Or maybe you have to go even beyond the showrunner(s) and TPTB and hope that God/gods/muses or who/waterever somehow are at work to produce a result that we can really sink our hearts and minds into – that somehow, a masterpiece emerges despite the complexity of the creative process – not to mention the pulls of commercial interests, popular prejudices and political correctness.
David Auerbach (The Cosmology of Serialized Television http://bit.ly/1FEDhkq 2014) argues that most American serialized dramas fail due to the intrinsic complexity inherent in the genre and that the few that have succeeded have required strong and sustained leadership from the top. I hope for more successes in this emerging genre. I hope and pray that The Blacklist will one of them.
[ Cross-posted under “Clues” in “Recent Episodes” ]
━━━━━━━
TheAmericanReader, David Auerbach (2014): The Cosmology of Serialized Television http://bit.ly/1FEDhkq
Christianity[.]com, Ken Curtis, Ph.D.: The Story Behind The King James Bible http://bit.ly/1j1iXQk //➔ fascinating read
RoomInTheCastle [Tumblr] (10/3/2015): Smoke. Manufactured to draw the camera away from the real fire http://bit.ly/1Oi6d3P
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L to R: @Tay2theLO, @BrandonBSonnier, @schecpiece, @hlb323 (holding laptop), @BrandonMargolis (holding cup), Sam C (gal next to helen), @JonBokenkamp, @nicoledphillips (seated w laptop), @Daniel_Knauf, @AlbaMezzoGiorno
⬆ Back to TOC
🔴 Unanswered Questions
5/26/2015 Final List tweeted to Bokenkamp, Knauf, Metger etc; receipt acknowledged by Knauf and Metzger
This list was compiled from suggestions from Twitter and the WSJ Blacklist blog and shared with several of The Blacklist’s writers and producers.
● Who is the little ballet dancer? (see note #1)
● Who is the girl Red remembers at his house & in his movies? Who was her mother?
● What is Jennifer’s relationship to Red? Daughter, step-daughter?
● Was “Bloody Christmas Eve” real? What happened? (see note #2)
● How/why did Red lose/abandon his family? Was the family he lost (above) different from the one he abandoned on 12/24/1990 (assumed to be Carla/Naomi & Jennifer)?
● Who saved Liz from the fire? Who were the other people there? Why was Red there?
● If Red “never lies to Liz,” why did he say “yes” when she said her only memory of her father was of him pulling her from the fire? (see note #3)
● Who was the man with the red signet ring?
● Why does the version of the argument when Liz shoots her father differ from the argument from Braxton2? (see note #4)
● How did Liz and Red get their scars? Was Liz “branded”? (see note #5)
● Why does the shape of Liz’s scar resemble that on the two “go” boxes and bank envelope?
● Why did Liz tell Red she got the scar from a fire when she was 14 and not 4?
● Who was Liz’s father and what was his relationship to Red? Why would knowing his identity put Liz’s life “in grave danger”? Has the danger passed?
● More about Liz’s mother and her relationship to Red. Was she really a “Mata Hari”? Why did Red say she died “of weakness and shame”? (see note #6)
● Why has a DNA test never been done to see if Red is Liz’s father?
● What was Red’s relationship to Liz (if any) prior to the fire?
● What was Sam’s relationship to Red?
● What was Liz’s father’s “criminal background”? Was this Sam or her bio-dad? Why/how did he “abandon” her?
● How does The Director know what Liz’s mother looked like?
● Why does Liz’s mother wear a ring that Tom thinks looks like one Berlin wore?
● Why did Tom tell Liz “Your father is alive”?
● More about Red’s “weird little apartment” – whose was it, if not his?
● Why would Pepper have the skeleton key for the Fulcrum?
● The Presidential limo ❗
● Is Liz even an American citizen? A Russian citizen?
● Does Liz have the ‘warrior gene’ (the rarer type)? What does this imply about her mother?
● How was the Cabal established? What is their goal (originally planned for 2017)?
● Why was Fitch in Russia? Was Red there? Is that where/when The Cabal was set up?
● Was Red framed?
● What is The Stewmaker’s backstory and is it related to Red’s own history?
● Who is Mr. Kaplan and why is she so good at cleaning up blood etc.?
● What happened with Cooper and Reddington in Kuwait where Reddington gave Cooper the only evidence on the USB drive?
● Are the Germans and/or the Major still hunting Jacob/Tom? Why aren’t the Germans dead?
● And of course: What explains Red’s fascination with Liz?
● P.S. What’s with Liz’s dog❓❗
[ As of end of Season 2 ]
⬆ Back to TOC
Notes:
Note 1: Age of the little ballerina in [1:16 Mako Tanida]
The service academies do not allow dependents of any kind. Nor do they – in the interest of group cohesion – allow skipping ahead of your class and graduating early. This means that Red could not have graduated prior to 1983, gotten married, and had a daughter before 1984. When he attends the performance of Swan Lake he holds a program for a March 1987 performance. The ballerinas have gossiped that his daughter performed in Swan Lake “years ago.” The girl Red remembers or imagines dancing among the older ballerinas could be as young as 8 or 9, though the actual age of the performer was 12. But Red’s own biological daughter could not have been more than three or four years old in 1987.
Did Red have a step daughter? This scene was one of the most beautiful of Season 1 and fans on many forums have noticed the age issue. Who was the little ballerina and why is Red holding the program to the 1987 performance while his voice in the voiceover offers condolences to Ressler on the loss of his fiancé?
Note 2: The story Red told to Madeline Pratt
The story Red told to Madeline Pratt seems to have been confirmed by Diane Fowler’s telling Red in [1:13 The Cypress Agency] “I know the truth, Red, about that night – about what happened to your family. Do you want to know the truth?” and his emotional response, “More than anything in the world…” before shooting her dead. If not for this, the story could have been dismissed as simply a trick Red played on Madeline. Because of this corroboration, however, the story Red told to Madeline still needs an explanation.
Note 3: “Red never lies to Liz”
If “Red never lies to Liz,” why did he say “yes” when Liz said she remembered her father pulling her from the fire? On the wsj blog (comment dated stamped 2:52 am May 21, 2015 Masha Rostova discussion http://on.wsj.com/1HGFsEG), LizzieB90 gave this explanation:
Red has placed his highest value on blocking from Liz’s memory the fact that she shot her father. She was apparently having nightmares etc. There was a fire (we still need an explanation of why it started) the night that Liz’s father was shot. Liz says Tom told her that her father was alive. Red wants her to know her father is dead, but his highest priority prevents him from saying Liz shot him. So, instead of focusing on the immediate cause, he refers to the general context: “in that fire” or “the night of the fire” (a period of time rather than a cause).
It reflects Red putting one thing above telling the whole truth to her: “I think I will always do what is necessary to keep you safe.” When he decided (with Sam, presumably) to block her memory of what she did, he also committed to not telling her what he blocked. He is even willing to accept her opprobrium in allowing her to speculate that he killed her father because he was in love with her mother – even though we now know he did not kill her father. That’s quite a “sin” to “eat.” But this “lie” told by Red still stands out as blatant, compared to other half truths and misleads offered by Red and may need to be further explained.
[ Cross-posted under “Clues” ]
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🔴 ‘Conspiracies’? Okay – But Forget Bloodlines!
12/8/2014 (Updated 3/31/2015)
As far as I know there is no national board or government agency tasked with deciding what is or is not a “conspiracy theory,” and since this blog is about The Blacklist, not Frontline, ideas are considered “on the merits.” Stupid stuff is thrown out, the rest posted for comment. I note that I’ve been called a conspiracy theorist for 1) saying state capitalism – as in Russia & China – does not welcome the open Internet, and 2) that the TPP trade deal is corporate-friendly and could weaken state sovereignty (companies can sue countries). So, I have a soft spot for people accused of harboring non-MSM views.
However, the one “conspiracy theory” I oppose is the notion of “bloodlines.” It makes me want to tear my hair out. There is no such thing as a bloodline that gets passed along through generations of kingship or kinship. This is nothing but the genomic version of primogeniture. It is also exceptionally un-American.
Mixture and inclusion are the stuff of evolution and change, not consolidation and purity. It’s right there, encoded in the mix-and-match circus of our conception.
Yes, the European Royals (and others) attempted to craft a “better” version of humanity by inbreeding (marriage or cousins or other not-so-distant relatives) but this led to more grief than success in the emergence of diseases based on recessive genes, as Darwin discovered in his own family (NYT 2010: In Darwin Family, Evidence of Inbreeding’s Ill Effect http://nyti.ms/1EY8VmN).
America, if nothing else, has demonstrated, time and again, that brilliance and creativity can arise out of the most meager of ancestries, the “detritus” and outcasts of Europe.
In addition the notion of bloodlines should have been laid to rest with our understanding of the powerful stuff encoded on the X chromosome, which is passed only from mother to son, including the fabled “warrior gene.” No one gets the “warrior gene” from their father.
As a geneticist colleague of mine once told me, “Fact is, there’s nothing much on the Y chromosome.” Some even speculate that it will cease to exist altogether in ‘just a few million years’: Discover: Don’t Mourn the Y Chromosome http://bit.ly/1rSzxpx (10/2/2014).
Plus, there’s the other trick women have always been able to play over the ages, their trump card so to speak. Take Queen Victoria’s mother, who married a feeble king who died shortly theresafter. With Victoria, hemophilia was introduced to the ruling families of Europe. Fact check: hemophilia only “crops up” spontaneously in 1/50,000 cases http://bit.ly/1yZFoc2. Victoria’s mother almost certainly had a secret lover. Queen Victoria herself was almost certainly a bastard. Perhaps you could call it “Victoria’s Secret.” The chief suspect: an Irish [!] courtier.
● SUNY, Aronova-Tiuntseva (1999): Hemophilia, The Royal Disease [pdf] http://bit.ly/1GGZk81 5p
● Newsweek (1995): Was Queen Victoria A Bastard? http://bit.ly/1vEzbT5
The famous feuding cousins of World War I – Kaiser Bill, Cousin Nikki of Russia, and George of England – who led the World into Hell, were likely not even ‘royal’ (a concept which Americans take lightly in any case). Yet their legacy is still being played out in Iraq today, in the stupid way (which they thought clever) in which the victors carved up the Ottoman Empire: the Sykes-Picot Agreement of 1916, which utterly overwrote existing religious and ethnic realities.
Legend. Legacy of WWI: Sykes-Pico Agreement of 1916 awarded parts of the Middle East to the European victor states. Map by Vox http://bit.ly/1G6Z1lB (5/5/2014)
And those maternal and paternal haplotypes we each have – are really nothing but a marker that scientists can use to plot the migration of populations over time. Mine originated in Syria or Iraq, and it’s fun to know that there really lived there millenia ago, some actual person related to me (I envision a young girl baking bread in a clay kiln). But the fact is, I am related to people across Europe (even 23andme, showing only up to 5th cousins, of just those in their database) shows this.
If you really want to have your mind blown over something legitimate, embrace instead these facts:
● All people with blue eyes can trace their eye color back to a single mutation which occurred less than 10,000 years ago: LiveScience http://bit.ly/1zhO12B (1/31/2008),
● All Europeans are related if you go back just 1000 years: NBC: http://nbcnews.to/1A8f5jg (May 7,2013), and
● The average European has 2.7% Neanderthal genes (per 23andme}
Bloodlines, no. Mix well and prosper, yes.
Dan Brown, eat your heart out.
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⭕ Borrowed Content in Episode 3:2 Marvin Gerard
10/14/2015
How do u expln an entire scene lifted word for word from TWY? @JonBokenkamp @johneisendrath http://t.co/X3Sz2f99qV
— LovelyLittleFreckle (@LvlyLilFreckle) October 14, 2015
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Instead of standing on your desks, you should've been hiding under them. #TheBlacklist #plagiarism http://t.co/2T6QuyYpA4
— Jessahme Wren (@jessahmewren) October 13, 2015
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For Twitter view: http://bit.ly/1VSMCNs
From JessahmeWren on Tumblr: http://bit.ly/1LjCYJD
Jack: I never told anybody this before, not even your mother. When I was your age, I wanted to be a captain of a ship.
[…]
Kevin: How come you didn’t do it?
[…]
Kevin: You’d have made a great ship’s captain, Dad.
Jack: Nahhhh – probably not. Probably get sea sick. Huh. Ya know, Kevin. You can’t do every silly thing you want to in life. You have to make your choices. You have to try and be happy with them. I’ve think we’ve done pretty well, don’t you?
[…]
Jack: That’s Polaris, the North Star. That’s how the sailors used to find their way home.The Wonder Years
Episode 1×03: “My Father’s Office”
http://www.peter-reynders.de/WY/episode3.htm━━━━━━━
Red: I’ve never told anyone that before. About a life at sea.
Liz: Why didn’t you do it?
[…]
Liz: I think you would’ve made a terrific captain.
Red: I don’t know. You can’t do every silly thing you want to in life.You have to make your choices. You have to try to be happy with them. I think we’ve done pretty well.
[…]
Red: That’s Polaris, the North Star. That’s how sailors used to find their way home.The Blacklist
Episode 3×02: “Marvin Gerard” (Final Scene)Reblogged from:
For more on Twitter:: http://bit.ly/1jp2BSC
Tumblr, Irish-Buzzsaw: Humble Magic http://bit.ly/1OEltYX
Tumblr, hideous-fish: and I am only this, a kind of lingering pause… http://bit.ly/1Ll352L
Note The only mention of this in the script is a very understated link button to this note. I avoid factionalism on this blog and look for the facts underlying it. I cannot ignore an issue so topical to this section. To me this matter remains mysterious; the broken spirits unfortunate.
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🔴 #AskSpader Twitter Q&A: Selected Tweets
10/1/2015 8pm CT
I guess for the moment, I’ll assume James Spader is enough involved in the show’s writing to post his responses to questions on Twitter here in “The Writers’ Room.” Besides, it’s for this section that I’ve wanted to learn how to “embed” tweets.…
Different roles are challenging in different ways. I find a challenge in most every role I do. -JS #AskSpader https://t.co/CXZXSLkZ0I
— The Blacklist (@NBCBlacklist) October 1, 2015
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On Red’s relationship with Liz
.@Larrs9325 The unspoken moments. I really love the moments where Red is able to reflect on something she is not aware of. -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 2, 2015
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Favorite city
.@beingcrystal It's hard to say. There are some really beautiful/fascinating/exciting cities that I have not been to yet. -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 2, 2015
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What do you look for in a role?
Something different. Something that I feel will peak my curiosity. -JS #AskSapder https://t.co/wkLs5Pl6A2
— The Blacklist (@NBCBlacklist) October 1, 2015
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What drew you to role of Red?
.@sarahmeaghang The dichotomy between someone who lives a very dangerous life, and yet he has such an appreciation for life. -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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Does Red enjoy being on the run?
.@chickciara Being on the run is familiar to Red, but having a partner with him is difficult. -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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How do you prepare?
.@KellyPlumer I read the scripts over & over again. [‼️⇉ ] I speak with the writers over & over again… and then I learn my lines. -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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Can we expect the same Red?
.@EricaC318 Things have become very dire for Liz and I that's very concerning for Red. He's having difficulty with that. – JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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How has character evolved?
.@Jamie1896 He's responsible for a lot more. For years he was out there by himself, and now where he goes, Liz Keen goes. – JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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Can Red forgive Tom?
@NBCBlacklist #AskSpader Is there a chance that Red would forgive Tom for his betrayal?
— -A- (@chillibatschi) September 21, 2015
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I don't think it's a matter of forgiveness… It would take a lot for Reddington to trust him again. -JS #AskSpader https://t.co/8Gjl7mfKxj
— The Blacklist (@NBCBlacklist) October 1, 2015
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How are you like Red?
.@ellgee1976 "We both love to travel. I think we're both drawn to eccentricity. Red sees the world through a humorous prism." -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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What is most challenging about becoming Red?
.@J_Ko__ "Probably getting used to the hours again. I underestimated the powers of the machine of television." -JS #AskSpader
— The Blacklist (@NBCBlacklist) October 1, 2015
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finis
