š“ Script: 3:13 Alistair Pitt (ā 103)
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NBCās series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 2/4//2016 in the US
Permalink: http://wp.me/pDKwi-2rb ¤ Storybook: http://wp.me/PDKwi-1f3#pitt
Entertainment Weekly Recap: http://bit.ly/1SHzvgi
WSJ Summary: http://on.wsj.com/1Kv98XE
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1VtXhJ6 (dump of captioning)
STATUS: āPending āRough āPreliminary š“ FINAL
Last updated: 2/10/2016 3:15 am CT
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Written by: Nicole Phillips
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Raymond āRedā Reddington ā James Spader
Elizabeth Keen ā Megan Boone
Donald Ressler ā Diego Klattenhoff
Harold Cooper ā Harry Lennix
Tom Keen ā Ryan Eggold
Aram Mojtabai ā Amir Arison
Samar Navabi ā Mozhan Marnò
Dembe Zuma ā Hisham Tawfiq
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GUEST STARS:
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Danny Vacarro ā Vincent Curatola
Mads Eriksson ā Ronald Guttman
Agent Gavin Tucker ā Joe Holt
Gina Zanetakos ā Margarita Levieva
Kristopher Eriksson ā Jake Robinson
Alistair Pitt ā Tony Shalhoub
Josephine ā Stephanie Szostak
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š“ Script 3:13 Alistair Pitt
Blurb: Liz, Red and the Task Force find themselves in the middle of a war between two drug families. Can a matchmaker help? Tom reconnects with his āexā, Gina Zanetakos.
For S3 Episode 3:13 Alistair Pitt: šÆ EW recap ¤ š
Photo Gallery ¤ š Storybook ¤ š Script (āyou are hereā): http://wp.me/pDKwi-2rb
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Previously on The Blacklist:
Tom: I got a job.
Liz: Boston? Youāre gonna move toā
Tom: Weāre gonna move to Boston.
āā
Liz: Iām pregnant.
Red: I assume Tom is the father. I know you want to believe that our work is done, but itās not.
āā
Liz: Iām thinking about giving the baby up for adoption.
Tom: Why would you do that?
Liz: My life is so filled with death, how can I bring a child into that world?
āā
Tom: The job fell through.
Liz: Reddington.
Tom: It doesnāt matter. Iāll figure something else out.
āā
Iām not a threat to your safety, Lizzy, or your childās. ⦠But I cannot do that if you run away.
Liz: Youāre the only reason I need protection.
āā
Liz: If-if you could please call me, itās about giving up my child.
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[ Setting: restaurant in NYC. ] [ Siren wails ] [ Light jazz music plays ]
Waiter: Mr. Eriksson, so sorry for the wait. If youāll follow me.
Woman: Happy, baby, whatās wrong?
Happy: Wait outside.
Woman: No, Happy, letās just go!
[ š„š„ Gunfire š„š„ Mr Eriksson is hit multiple times ]
[ Gasping ]
Woman with Rafael: No! No! No, Rafael, please!
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[ In hospital, Eriksson is hooked to life support ] [ Woman sobbing ] [ Monitor beeping ]
[ Outside hospital room, Erikssonās brothers bare plotting revenge ]
ā That was Peter.
ā The Vacarros are gathering.
ā Listen to me. I donāt care if they see it coming.
ā I donāt care if you send them engraved invitations to their own funerals.
ā Dad wants them hit, and he wants Rafael Vacarro foundā today.
[ Alistair Pitt walks up to them. He is carry with him his constant companions, two white Pomeranians. ]
Alistair Pitt: Gentlemen.
Dag Eriksson: You must be lost, friend.
Alistair Pitt: Oh, my, certainly not, Dag. May I call you Dag? And Gregor. Please accept my deepest condolences for the tragedy that has befallen your beloved brother.
ā Who the hell are you?
Alistair Pitt: A friendā here to see your father.
ā Our fatherās not seeing anyone.
Alistair Pitt: Oh, heāll see me.
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Paterfamilias āMadsā Eriksson: This symbolā I saw it once. Said to be the mark of the man who can do the impossible.
Alistair Pitt: I was so very sorry to hear about your son. Perhaps I could be of some assistance.
Father: What kind of assistance?
Alistair Pitt: I fear this child may be lost. Iām here to help you save the others.
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[ Red is in a restaurant with a stunning, lively brunette woman ]
Josephine: Raymond, I know that youāre always going to do what you believe is the right thing to do. But I donāt ever want you to think that you have to change your plans on my account.
Red: Plans change. Between Seoul, Moscow, then back to Beijing, then Shanghai, it would have been a month and a half. I canceled it. I wanted to bring you something.
[ He removes the wrapping from a delicate blown glass giraffe ]
Josephine: Oh, Raymond.
Red: What good is a collection if it doesnāt grow? [ Chuckles ]
Josephine: Itās beautiful.
Red: Itās Germanā pre-war. Survived the Allied bombing in ā45. Miracle.
[ Red notices a change in Josephineās expression. His voice changes.]
Red: What is it?
Josephine: Iām getting married.
Red: Do you love him?
Joselph: I love you.
[ Red reaches over to her, touches her face ]
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Adoption Agency Lady: You donāt have to explain, Liz. Whatever reason you have for giving your child up for adoption, Iām sure itās a good one.
Liz: When Tom and I were looking to start a family, you gave us all the information about the birth mother. Would you be giving prospective parents information about me?
Adoption Agency Lady: Couples looking to adopt know children often come from difficult backgrounds. And thatās okay. Even in an open adoption,
Liz: I mean, I would need to see the child.
Adoption lady: That makes it more difficult but not impossible. Whatever a motherās issues, theyāre rarely held against the child.Youāll fill out a questionnaire, which Iāll make available to prospective parents. At the same time, youāll be able to look at their profiles online.
Liz: And if we both swipe right, weāre hooked up for life?
Lady; If you and Tom swipe right. He does have a say in this.
Liz: Yeah, of course. This is a decision that we have to make together, and I mean, he would be here if he didnāt have to be away for work right now.
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Tom: Excuse me, whereās your restroom? ā
āā
[ Tom is washing hands. Looks up, sees Gina behind him. She slams him against the wall ] [ Grunts ]
Gina; Why are you doing this?
Tom: Gina. [ Sarcasrically, mimicking how Gina might have greeted him: ] āHey, Jacob. How you doing? It was nice to hear from you, too.ā
Gina: It wasnāt nice hearing from you, and I want to know why youāre doing itā the real reason.
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Red: I see your new home is a work in progress.
[ Door closes, keys thud ]
Red: What colors are you considering?
Liz: You know, I usually like people think to enter my apartment after Iām in it.
Red: Have you ever heard of the promnestria?
Liz: No, is he here, too?
Red: Itās a term the Ancient Greeks used to describe a matchmakerā a negotiator.
In this case, a man who brings together warring crime families nhrough mutual self-interest, leverage, or violence if necessary.
Liz: My motherā was she still alive when I was placed with Sam?
Red: Yes.
Liz; Why did she do it?
Red: I let myself in because the situation is urgent. On Wall Street, a well-planned merger can return a windfall profit. Criminal enterprises are no different. The promnestria convinces sworn enemies that there is more profit in friendship. In return, he gets a percentage of the new venture. He only surfaces when he sees an opportunity for enormous financial gain. And Iām afraid he has resurfaced to unite two very lethal enemies.
Liz: How did my mother die?
Red: As I said, the matter is urgent.
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Liz: Mads Eriksson runs a criminal conglomerate with his three sons. Or at least he did. Hans Eriksson, AKA Happy, who later died, was shot in a New York restaurant by Rafael Vacarro, son of Daniel Vacarro.
Ressler: Patriarch of the Vacarro consortium.They transported the heroin processed by the Erikssons until 2003 when they had a falling out over a hijacked shipment.
Liz: Each family blamed the other. And Gregor Eriksson was shot, and Vacarroās nephew was killed.
Ressler: If these organizations do merge, theyād rival the Mexican cartels for the majority of the drugs trafficking on the East Coast.
Cooper: Start with the DEA. Find out what they know about a merger. Pull every tap, listen to every call. If either side has said so much as a hello to this promnestria, I want to know about it.
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Samar: Iām gonna throw you a baby shower.
Liz; Oh, Samar, noā
Samar: All I need is a guest list and whether you want brunch or dinner, co-ed or single sex, and where youāre registered.
Liz: Iām not registered.
Samar: Okay. Iām gonna go talk to the DEA, and you are going to go to swag4mommy.com and hunt for some cute onesies.
Liz; swag4mommy.com? Who are you?
Samar: A Jewish mother. Part of my Mossad training.
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[ Alistair Pitt is taking a bubble bath as his two Pomeranians watch. ]
Pitt: Darlings, wonderful news. Mr. Eriksson and Mr. Vacarro are open to hearing about our merger proposal.
[ Dog growls ]
Pitt: I agree. No, Iāve promised a solution, and we must deliver.
[ Growls ]
Pitt: Yes, weāll need to be very creative.
[ Growls ]
Pitt: Whatās that? No, no, no, no. Say again.
[ Growls ]
Pitt: [Chuckling] Oh my. That is a brilliant idea. Marilyn, you are a hopeless romantic. Here, thatās for you. [ Laughs. To other dog: ] You, youāve been of no help whatsoever.
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Gina Zanetakos: Thatās why you want in on this? For her? Your phony wife?
Tom Keen: Weāre not married.
Gina: The mark you dumped me for?
Tom: Sheās pregnant. Weāre having a kid, so, yeah, Iām doing this for Liz.
Gina: You expect me to hire you so you and the woman who sent me to prison can live happily ever after in the south of France?
Tom: You can think whatever you want, Gina, and I donāt blame you for thinking the worst, but I need the job. All right? I need the money.
Gina: [ Scoffs ] The Major has been looking for you ever since you left him for dead with those Neo-Nazis. This is his op. I work for him. You honestly expect me to bring you on and not tell the Major? You know what heāll do to me if he finds out?
Tom: I get it. I never should have called. All right, I was desperate, and I thoughtā
Gina: āGee, let me call the girl I dumped to see if she can help with the girl I knocked up.ā
Tom: It was nice seeing you.
[ Tom leaves, but Gina catches up wirh him ]
Gina: The take is $22 million. Split six ways. Youāll have to split your share with the missus.
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DEA Officer Tucker: Where are you getting your intel?
Ressler: A confidential source.
Tucker (DEA!: I see. So the DEAās supposed to hand over all our surveillance, but you get to play it close to the vest?
Ressler: Look, we could be allies or enemies. Weāre asking for help, not demanding it.
Samar: And weāre sharing what we know. Our information is that a merger of the families was proposed.
Tucker: Proposed by who?
Ressler: Well, thatās what weāre rying to figure out. I mean, you know these guys. Who could make the peace?
Tucker: Peace? With Happy getting popped? If you werenāt talking about peace, Iād be prepping for an escalation, which is what I should be doing.
[ Cellphone vibrates ]
Tucker: Tucker. Youāre kidding me, right? When? Mads and Danny rolled in an hour ago. We also got a hit on Vacarroās wire. We think theyāre gonna meet.
Ressler: Guess that makes us allies.
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Ressler: [ Surveillinng outside ] Thereās a lot of people out here. You, uh, sure about your intel?
Tucker: Youāre questioning my intel but didnāt know your own partner was a Russian spy?
Liz: Yeah, ācause Iām not.
Tucker: Youāre not an agent either, Comrade. So I donāt know what youāre doing here.
Ressler: Oh, come on. Sheās just a pregnant lady taking photos. Thereās nothing wrong with that.
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[ Camera shutter clicks ]
Navabi: Iāve got a 20 on Danny Vacarro. East side, walking to the corner.
Agent: Eriksson coming in from the south.
Agent: Yeah.
Liz: Say cheese.
[ Camera shutter clicks ]
Danny Vacarro: [ Over wire ] I didnāt think youād come. The promnestriaās reputation precedes him. Iāve got men all around the park.
Mads Eriksson: Yeah, me too.
Ressler: [ Static ] ā Jesus, Navabi.
[ Static stops ]
Eriksson: Seeing as how your boy made the first move, like father, like son.
Ressler: [ Tapping on recording equipment to get rid of static ] Thatās him. Are you guys seeing this? Look, we need to hear whatās going on in there. [ Door opens ]
Alistair Pitt: [ Seated in restaurant with his two Pomeranians on chairs at the table ] Gentlemen, join us. Please.
Danny Vacarro: Iām not drinking with him.
Pitt: [ Chuckles ] [ Dog growls ] Please.
Mads Eriksson: You say you can save my children? You have five minutes to tell me how.
āā
Ressler: Navabi, get ears in there now.
Pitt: Every successful merger is based on a recognition of mutual interest, yes?
Eriksson: Merger? Thatās it? Thatās your proposal? That we merge our businesses?
āā
Samar: If I can get closer to the windows, I might be able to to catch something.
Ressler: If we donāt actually hear them conspiring, weāve got nothing.
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Pitt: Your organizations both value family. Itās your greatest strength and the source of your greatest friction. So remove the friction. Stop the bloodshed by joining the bloodlines.
Pitt: Your youngest son, your youngest daughter bound in marriage.
[ Both laugh ]
ā Yes, you can do the impossible
ā find something we can agree on.
ā This marriage will never happen.
Pitt: This marriage must happen. Before your falling out, you controlled 65% of the drug trade on the Eastern seaboard. Now you control 22% You may not want to merge, but if you donāt, youāll be out of business.
Danny Vacarro: Heyā my daughterās not a commodity to use in a business negotiation.
Pitt: Studies show that love, satisfaction, and commitment are equally common in both arranged and love-based marriages. So I am confident that my proposal can result in happiness and financial reward.
Mads Eriksson: What youāre proposing requires trust. We have none.
Pitt: None of my clients do, which is why you, like all my clients, must swear to uphold and enforce not only this merger, but all mergers brokered with my assistance. Here is my client list. They are powerful and well-armed. Should either of you betray the other, they will destroy your families.
[ Sighs ] [ Camera shutter clicks ]
Pitt: Youāll want some time to think it over. I do hope you see the merit in my proposal. We do so love a wedding. [ To Pomeranians ] Yes, we do. Yes, we do. Yes, we do.
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Tom: What youāre talking about isnāt a job. Itās a suicide mission. Only two crews have targeted Reinder-De Groot. Both were slaughtered.
Gina: By Geert Klerken, I know. But that was 12 years ago.
Tom: Which is why nobody has been crazy enough to try it since.
[ š„ Gunshots š„ ]
Gina: Well, almost nobody. Over the past four months, a crew of mine has been lifting a piece here, a piece there from their showroom, adding up to almost half a million dollars.
Tom: Why would you antagonize a psychopath for $500,000?
Gina: To get his attention. Reinder-De Groot uses only the finest stones. Theyāre transferred go a secure vault and basement work rooms, where theyāre placed in settings and shipped to stores all around the world.
Tom. And you want to hit those work rooms?
Gina: Iām getting in. All I need is a pretty face to help me get there. Know where I can find one of those?
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Red: Remember the jazz club you took me to in that little cave in St. Germain? We should go there right now.
Josephine: No, it closed.
Red: When did it close?
Josephine: Six months ago.
Red: [ Chuckles ] Oh, my gosh. Itās been that long. [ Red notices Josephine has bruises on her wrist. Sighs ] I can protect you. All you need to do is ask.
Josephine: You know what I need? I need you to take me to Amorino. Buy me a stracciatella. And then maybe Iāll give you a bite.
āā
Dembe [ Interrupts Redās sleeping ] Raymond. We have arrived.
Red: Oh. Hello, Lizzy. You have the photo?
Liz: Good luck getting an ID. The DEA had nothing. Facial recognition was a bust. CSU swept for prints, but itās an active business. They pulled hundreds of latents. Running those will take time we donāt have.
Red: Your law enforcement agencies love their gadgets and their sweeps. The FBI admitted to spending, what, a billion dollars in facial-recognition software? Which means they spent at least $3 billion. Honestly, if I paid taxes, Iād be outraged.⤠Rogelio! Como esta?
Rogelio: Bien. Raymond! [ Chuckles ] Hey, hola, Dembe. What happened to your arm? Dembe: Dembe: Snowboarding.
Red: This man, I want him found.
Rogelio: For you, Raymond, claro que sĆ.
Red: Right now hotel maids, cooks, waiters, valets all over the city are receiving that photo and will be searching for our target. The people who do all the cooking, cleaning, washing, carrying, and parking, they have access to everything. You may recall I once had the opportunity to broker the sale of Rembrandtās āStorm On The Sea Of Galilee.ā
Liz: You mean do I remember you being in possession of a stolen masterpiece? Yeah, I recall that.
Red: Well, the man who actually stole the paintingā Rogelioās cousin was his gardener. How is Tony?
Rogelio: Deported. Last month.
Red: Ohh. Dembe will give you the number of our man in Calexico. He just built a fabulous tunnel. Weāll have Tony back by this time next week.
Rogelio: Many thank yous, my friend.
Red: Your fee and a bonus to the first person to spot our man.
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Ressler: How the hell did Reddington find this guy? Heās like a magician. I hate magicians. That and lap dogs. I mean, I really hate lap dogs.
Navabi: Aram, what have you got?
Aram: All right, the money for the room was wired from a phony overseas account, but I do have a cell number used to book the reservation. Mr. Cooper is expediting a warrant for a tap.
Also, according to the registry, his name is Maximiliano Cartier, which however awesome is obviously a fake.
Samar: Speaking of registries, Aram, do you want to go in on a baby gift for Liz?
Ressler: [ Chuckles ] She register for commonsense? āCause if sheās down for having Tomās kid, she needs some.
Aram: I think itās romantic to forgive someone you love even if they had an insane error in judgment, which gives you night sweats and causes you to lose nine pounds in a month.
I mean, it could anyway, in in theory.
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[Eriksson sits down with Pitt ]
Samar: Heās got company.
Alastair Pitt: Mr. Vacarro has agreed to move forward if you agree.
Danny Varcarro: What about the stumbling block?
Pitt: I have a solution. But I should warn you it will require you to mislead your son.
āā
Aram: Hey, guys. Bad newsā the cell number he used to book the room is a burner.
Who is this guy?
āā
Eriksson: Youāre asking me to hurt my son. But if I say no, this war will kill him. You have my permission.
Pitt:[ Sighs ] My people are standing by. It will be done today.
āā
Ressler: All right, you stick with Eriksson. Iāll, uh, stay with Liberace and the pooches.
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Mrs. Danny Vacarro: You want our daughter to marry an Eriksson?
No, itās not what I want, but after two decadesā
Mrs: This wonāt change that!
Danny: We agree that it will. And this agreement is enforceable.
Mrs: By whom? This man you just met? He has the power to keep the peace?
Danny: The killing has to stop. And whatever price we have to pay to make that happenā
Alicia: I thought you were mad ācause I scratched the car.
Mrs: Alicia. Baby, weāre not doing this.
Alicia: Mama, Iām not a child anymore. I know who we are. All the funerals, the sacrifices made for this familyā Iāve always wondered what I would have to do to make a difference Maybe now I know.
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Ressler: Yeah, heās still outside at City Memorial. He hasnāt moved in about, uh, 20 minutes.
Aram: Why?
Ressler: I donāt know, but maybe you can tell me. Why donāt you search patient records, staff, physicians, anyone with the last name Eriksson or Vacarro. Aram: Iām looking, butā Hold on. No, nothing. Oh, hang on, hang on Heās moving.
ā ā
Christopher Eriksson;[ Chuckles ] Hey.
Anna Gardner: [ Smooches ] So, I think I have an hour for lunch.
Christopher: You know you wonāt have to work once weāre married.
Anna: ā Really? ā [ Chuckles ] What if I want to?
Aram: Hang on ā Anna Gardner. Sheās Christopher Erikssonās fiancĆ© and a nurse at City Memorial.
Ressler: Christopherā which one is that?
Aram: Heās the youngest son. That must be why the promnestria is there.
[ Engine rumbles ] [ Tires screech ] Get out of the way! Move! [ Tires screech ] [ š„š„ Gunshots š„š„ ] [ Anna is hit several times ]
Christopher: Anna! Baby
[ Gasping ]
Christopher: No, no. No, no,
Ressler: FBI, FBI! Hey, come here! Come here! Youāre gonna be okay.
Gina: [ Intros Tom to her group ] This is Mr.Fox, our inside man. Communications, security, our gemologist, the driver.
Tom. Very friendly.
Gina: Gentlemen. We hit Reinder-De Groot at 5:45. 15 minutes before the security swing shift arrives.Thatās the window. We get caught, weāre dead. Not arrested, dead. Okay, then. Letās go to work.[ Gun clicks ] I
Gina: [ To Tom]: Got you a little something. Some might say itās a disguise, but I guess itās who you really are. [ Gina pits a pair of eyeglassss on Tom ]
Tom [ Chuckles ] Just my size.
Gina: Such a pretty face.
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Mads: Christopher. [ They hug ]
Christopher: [ Voice breaking ] Sheās dead.
Mads: I know.
Christopher: They came for me, and they got her. We have to go after themā hard.
Mads: What we have to do is make it stop.
Christopher: What does that mean? [ Notices Pitt ] Who are you? You were at the hospital.
Alistair Pitt: My dear boy, I simply cannot convey the depth of my condolences for your senseless loss. And killing a harmless girl, a true innocentā itās proof that this conflict must end.
We have something to discuss.
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Liz: [ On phone ] They said theyāre interested? .
Adoption agency lady: Theyāre checking their schedule but they said they want to meet as soon as possible.
Liz: Oh, thatās perfect. Uh- Well, uh, as soon as you have a time, just give me a call back.
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[Door opens ]
Samar: Okay, thatās great, Levi. Iāll see you tomorrow.
Liz: Levi? How is your impossibly gorgeous ex?
Samar: He asked me to dinner, so Iām going. Itās nothing. Have you decided
where to register?
Liz: Uh The burp rags can wait. Uh, what happened at the hospital? [ Sighs ]
āā
Ressler: Her name was Anna Gardner She was a nurse at City Memorial and Christopher Erikssonās fianceās.
Liz; Why would the promnestria have Christopher killed? All it does is make his family hate the Vacarros even more, if thatās possible.
Red: [ On phone ] He wasnāt after the son. The fiancĆ© was the target. Heās brokering a marriage.
Cooper: Between these two families? Thatās absurd.
Liz: You really think itās possible that he had Christopherās fiancĆ© killed so Christopher would be available to marry a Vacarro?
Samar: Arranged marriage has been a tool of peacekeeping and empire-building for centuries.
Itās still practiced in many parts of Asia, Africa, the Middle East.Thousands of children are forced into arranged marriages every year, often with judicial approval. The Erikssons and Vacarros are not just families, theyāre businesses. This isnāt about love and marriage. This is about profit and loss.
Red: The promnestria will require a meeting of all family members to formalize the arrangement. Find that meeting, and youāll find him.
Cooper: And how do you propose we do that?
Red: Funny you should ask, Harold.
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Red: Hello, Mads.
Mads Eriksson: Raymond Reddington.
Red: Your contact at the port of New Orleansā call him. Confirm he received an anonymous tip about a DEA raid. Saved you about $10 million in lost inventory.
[ Dialing ]
Red: Do you have any cookies? [ Line ringing ] Ah.
Mads: It-itās me. Iām told there was a raid. And weāre good? [ Scoffs ]
Red: These are yummy. Itās the nutmeg, isnāt it?
Mads: Iāll call you soon.
[ Phone claps shut ]
Mads: You tipped my people? Why?
Red: Wedding present.
Mads: You heard.
Red: I respect the decision, Mads. Difficult one, Iām sure, but good for business. Mazeltov!
Mads: My kid is not happy about it.
Red: What about you? Danny Vacarro for an in-law. Talk about a labor of love.
Mads: Thank you for the tip, Raymond. The families, theirs and ours, weāre getting together tomorrow. Itād be nice to have a friendly face.
Red:[ Laughs ]
Ā
Mrs. Vacarro: Iād rather die than have an Eriksson touch my little girl.
Danny Vacarro: So would I.
Mrs: But youāre giving her away. For what? A business deal that will never hold? A war that will never end?
Danny: Oh, it will. The Erikssons are all coming to the celebration.
Mrs: What are you saying?
Danny: We kill them tomorrow. All of them.
Ā
Cooper: We staged the DEA raid so Reddington could tip off the Erikssons. In exchange, he was supposed to give us intel on the families meeting. So where the hell is he?
Liz.:I canāt get him to call me back.
Aram: Okay, so, Iāve been monitoring the promnestriaās burner, and he just placed a call to some kind of personal assistant, I think. The call was made to a residence in London owned by a Mr. Alistair Pitt. So Scotland Yard pulled his taxes. Heās the right age for our suspect, claims heās a corporate consultant. Here. And listen.
Alistair: Thereās a dinner tonight at the Greenwald to formalize. Iāll need a car to take us there at 7:00, then directly to the airport..
Cooper: Notify Ressler and Samar. I want infiltration teams at the Greenwald hotel as soon as possible. Keen, if Reddington reaches out, donāt take his call.
Ā
Ressler: Mobile 1, weāve accessed the hotel feeds. All units report.
[ Muzak plays ]
Samar: Eriksson is walking in now. Gregor and Dag are behind him.
Tucker (DEA): Davenport. Come back.
Davenport: Securityās tight. No weapons, no phones. On the Vacarro side, Iām seeing Danny, Mariana. No sign of Rafael.
Samar: He knows thereās an open warrant.
Ressler: Warrant or not, everybody who shows up tonight is getting brought in for questioning, no exceptions.
Tucker: You got approval for that?
Ressler: Pitt murdered an innocent woman. When he shows, we take them all.
Tucker: Whoa, look what the cat dragged in. Your fugitive-in-arms, Comrade Rostova.
Liz: Donāt call me that.
Tucker: Davenport, we got a visual on Raymond Reddington. Moving your way. Weāre gonna breach.
Ressler: Negative, I repeat, negative. Do not breach. This is our op. We breach now, we lose Pitt. Look, weāll sweep him up when we grab the others, but only once we see our target.
Ā
Gina: Oh, I really do fancy this necklace. And that ring. Can I see?
Woman: Of course.
Gina: Where is the mirror?
Tom: Itās over there. It is very nice, but itās about three zeros out of my budget.
Gina: Oh, my God. I have to have it. [ Chuckles ] Oh, I left the keys in the car. Ugh. Colin would kill me if I got another one nicked. Be back.
Woman: All right.
[ Tom rakes down Gina ]
Gina: [ Screams ] ā Help! Somebody! ā
Owner: Sir! Release that woman!
Tom: Sheās a thief. Agent Brian Kelly, FBI. This woman is part of a gang that my team has been investigating for six months.
Owner: I knew it! They owe me a half a million.
Tom: Her team is still somewhere in the area. Do you have somewhere I can take her, somewhere private? Letās go. I need to call in the rest of my squad to secure the suspect. Do you have a back entrance we could use?
Owner: Meet the police at the loading dock. Let them in the back.
Tom: Suspect in custody. Come in through the back. Copy?
Driver: Copy that. On our way.
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Server: Champagne?
Red: Thank you, my dear.
Mads: Mr. Reddington. Iām so honored you were able to join us.
Red: Iām a sucker for mob weddings.
Mrs Vacarro: [ Laughs ] What a night. Raymond, right? Mads tells me you two have business dealings?
Red: I didnāt know the two of you were on a first-name basis.
Mads[ Sighs ] Weāre doing our best to forgive and forget.
Mrs Vacarro: Mm.Thereās some good in the worst of us and some evil in the best of us. And when we discover this, we are less prone to hate our enemies.
Red: To our enemies.
[ Chuckles ] [ Glasses clink ]
Mrs Vacarro: Mm. Excuse me.
[ Whispers indistinctly ]
Mads: Iām sorry, Raymond, if youāll excuse me.
Red: [ To Dembe ] All things considered, momās a little cheery. Keep an eye on her and Danny while I find the happy couple.
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[ Door opens, closes ]
Pitt: You loved her, didnāt you? Let me tell you a secret. Love isnāt a feeling. Itās a choice.
[ Knock on door ] [ Door opens ] [ Vacarro daughter enters ]
Pitt: Ah! Darling, come in. Come, come, come. Come, come, come. I understand you two have had an opportunity to talk. Thatās good. Then weāre agreed.
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Davenport: Iāve got eyes on Reddington, Tucker.ā Do I have the go or not? ā
Ressler: Negative.
Tucker: I was told to give you guys carte blanche because youāre bringing down guys justice hasnāt even heard of. When I asked how you did it, I never got a straight answer. I think I know why.
Liz: You donāt know anything.
Tucker: I know we helped you when you were a fugitive. Now, what arenāt you telling me, Comrade Rostova?
Liz: I told you not to call me that.
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Gunman with trunk of weapons: [ Gun cocks ] Itās all here.
Danny Vacarro: Right after I finish the toast. When I raise my glass, thatās the signal.
[ Door squeaks ] [ Glass dings ]
Vacarro: Ladies and gentlemen as the father of the bride, Iād like to say a few words. So much of what has happened between our families has been wrong. And itās enough. And if it takes my baby girl to show me the path to peace, so be it. Mads, you have my guarantee that no Vacarro will ever break the agreement that weāve made here today.
Red: May they have the patience to endure one more toast. I am but a humble guest, but please permit me to raise a glass to what I think we all can agree is the most improbable yet consequential occasion.
Ressler: Whatās he doing?
Liz: Heās trying to draw the promnestria out.
Red: Love is a funny, fickle thing. A slippery slope. Most weddings are fraught with it. This one, not so much. This is business. The brainchild of a brilliant opportunistā a broker of bonds, a procurer of peace. You would think, being singularly responsible for this eveningās prenuptials, he might take a bow. Where is he? Come now, donāt be modest. You do such astonishing, despicable work.
Mads: [ Clears throat ] Maybe I think itās enough.
Red: Iām dying to hear how he did it. How he brought you two jackals together. How he got rid of Christopherās fiancĆ©, Anna. How he lied to the boy, let him believe she was slaughtered by the Vacarros, only to turn around and convince him to marry into the very family he despises. What a telenovela!
ā What the hell are youā
ā No, no, no, wait.
ā I want to hear what heās saying.
Red. I once spent three weeks cooped up in motel on Zihuatanejo just glued to the telenovela Amorcito Corazonā āMy Darling Sweetheart.ā This unlucky-in-love architect who lost the love of her life when she was 18 because of her controlling father. But perhaps I cut too close to the bone. It was you, Mads, who approved the hit. Isnāt that right?
Christopher: Dad, what is he talking about? ā
Mads: Heās wrong. ā Never would I haveā
Red: ⦠deceived your son, killing the love of his life.
Christopher: They killed Annaā you said so.
Danny: No, no, no, no. We never touched that girl. Youāre the animals who operate like that, not us.
Red: Oh, here we go. Better than TV.
Christopher: You killed her, didnāt you? For this? You knew I would never be able to let her go.
Mads: We did it to save you! For the good of the family!
Alistair Pitt: [ Comes out ] Gentlemen, everyone! ā Please, please.
Ressler: Thatās our target. All teams on site, breach, breach now!
Vacarro: Do it now.
[ Woman screams ] [ Screaming ]
[ Indistinct shouting ] [ š„š„š„ Gunfire as sides engage š„š„š„ ]
Red: [ To Dembe ] Grab the bride and groom. Meet us at the car.
DEA: [ To Red ] DEA! Freeze! Drop your weapon.
[ Liz takes down the DEA agent ]
[ Exhales sharply ]
Liz: [ To Red ] This was so you could get to him. Thatās what this whole thing was about.
Red: Might I suggest we have this conversation on the move?
Tucker: Sheās not going anywhere.
Red: Oh, for Godās sake.
Tucker: I knew it. Heās your informant. Thatās why you have so much juice, why they let you off.
Isnāt that right, Comrade Rostova?
Liz: I told you not to call me that.
Tucker: Comradeā [ Gunshot š„ Red shoots him in the neck ]
Red: [ Laughs ] Mr. Pitt and I have a plane to catch.
Pitt: We most certainly do not.
Red: Iād be happy to drop you somewhere safe along the way.
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Tom: You want to tell me how many are on your team?
Gina: Iāve told you hereās no team. It was a mistake. I was in a hurry, and I must have put the ring in my pocketā Would you mind turning those off?
Owner: Iād be delighted.
Tom: Hey, we know your gang is hitting jewelry stores all over the city. All right, I want names, and I want them right now. [ Whacks her ] You want to have a go?
Owner: I thought you would never ask.
[ Grunts ] [ Handcuffs clatter ]
Gina: [ Whacks Tom ] Ohh! Thatās for hitting me harder than you were supposed to.
[ Gina kisses him ]
Tom: What was that for?
Gina: The hell of it. Come on, family man. We have work to do. Letās go.
Liz: Samar, I just spoke to the DA, and he says he has enough evidence to put both families out of business.
Samar: Hey, whatās wrong?
Liz: Nothing.
Samar: Um, did you ever get registered? Because Aram is asking.
Liz: Samar, whatās wrong?
Samar: I had dinner with Levi. Heās engaged. To a woman he met a week after we broke up. [ Sighs ] And itās fine. We were never gonna beā Itās just, um I donāt know what Iām doing. Forget it. Letās just talk about the shower and how great it will be.
Liz: Thereās not going to be a shower.
Samar: Why not?
Liz: Well I found this wonderful couple ā¦
Ā
[ Red is seated at table in restaurant, impatient, checking his watch. Cellphone rings ]
Red: Josephine.
[ Pounding on door ]
Manās voice: [ Heard over phone, in background ] Josephine, open this door right now!
Josephine: [ Crying into phone ] He knows. He knows about us.
Red: Josephine! Where are you?
Josephine: Our apartment, place St. Pierre.
Manās voice: Open this door right now!
Josephine: Hurry, please. Heās insane.
[ Pounding continues ]
[ Red forces entryā”ļø Gun drawn, he searches for Josephine. She lies on the floor, moaning, her face bruised and cut. Red rushes to her, drops to his knees. ]
Red: Josephine? Josephine? No. Josephine.
[ Josephineās husband approaches, shouting ]
Husband: You! Get out! What are you gonna do?
[ Red blasts the husband.š„š„š„š„š„ Glass shatters ]
Husband: Ohh!
Red: Josephine. Josephine. [ Breathing heavily ] Josephine, no, no.
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Red: I bought this flat four years ago. So that some day I could bring you here to the scene of your crime. Josephine Molire. Now, listen. Josephineās father was the most prolific criminal arms dealer in Eastern Europe. But for all his success, he had a problem, an enemy. An aggressive and lethal competitor named Stockwell.
Alistair Pitt: I had nothing to do with what happened to that poor girlā
Red: Yes, you did. Perhaps not directly, but very much by your hand. You arranged a marriage. The youngest Molire daughter to the only Stockwell sonā a burgeoning psychopath with a long and troubling history of violence. To guarantee peace and profit for all, you arranged her marriage to this man.
Pitt: Please. Donāt. Donāt do this.
Red: I held her in my arms and watched the life disappear from her eyes. You destroyed a creature more beautiful than you could ever comprehend.
[ š„š„š„ Shell casings clatter ]
[ āŖ Robert Forsterās āDemon Daysā plays ]
āŖ in these demon days
weāre pulling our pay
Liz: Theyāre not coming.
āŖ the lights on the hill
Adoption Agency lady: Thereās been a bump.
āŖ are freezing us still
Liz: Theyāre rejecting my baby?
Adoption Agency lady: No, not exactly. They still want the baby.
āŖ stretch out and take
us to a night ā
āŖ but somethingās not right
Liz: Theyāre rejecting me.
āŖ somethingās gone wrong
Liz: But I thought you said on the phoneā
Adoption Agency lady: They hadnāt put it together that you were that Elizabeth Keen. Iām sorry, but theyāll only take the baby if itās a closed adoption.
Liz: Meaning I would never know my child? My baby would never know who I am? [ Voice breaking ] I canāt do that.
Adoption Agency lady: I underestimated how difficult this was gonna be. But if you are intent on giving up your child, I think you have to accept that youāre not gonna be able to be in its life.
[ Exhales sharply ]
āŖ somethingās gone wrong
in these demon days
weāre pulling our pay
the lights on the hill
are freezing us still
the fingers of fate
stretch out and take
us to a night
but somethingās not right
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[ Josephine is seated upright in a wheelchair. She is mute, possibly paralyzed, her face scarred, her eyes blank. Red is standing next to her with his hand on her shoulder. He kneels down, looks into her eyes, presses an animal blown of glass into her hand for her collection. ]
Red: Josephine itās done.
[ A single tear trickles down her cheek. ]
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āāā 3:13 End Alistair Pitt
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For S3 Episode 3:13 Alistair Pitt: šÆ EW recap ¤ š
Photo Gallery ¤ š Storybook ¤ š Script (āyou are hereā): http://wp.me/pDKwi-2rb
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ā« Before Today
by Everything but the GirlāŖ I donāt want excuses
I donāt want your smiles
I donāt want to feel like weāre apart a thousand miles
I donāt want your attitude
I donāt want your things
I donāt want a phone that never rings
I want your love, and I want it now
I want your love, and I want it nowāŖ I donāt want your history
I donāt want that stuff
I want you to shut your mouth
That would be enough
I donāt care if youāve been here before
You donāt understand
Tonight, I feel above the law, Iām coming in to land
I want your love, and I want it now
I want your love, and I want it nowāŖ My heart is that much harder now
Thatās what I thought before today
My heart is that much harder now
And I thought that it would stay that way, before todayāŖ Before today
I donāt want a phone that never rings
I want your love, and I want it now
I want your love, and I want it now
I want your love
I want your love
I want your love
I want your love
I want your love
I want your love
I want your loveLyrics and Credits: http://bit.ly/20nonEd
YouTube: http://bit.ly/1Xhf5cV
YouTube play: http://youtu.be/Nei8tPxN_l4
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ā« Demon Days
by Robert ForsterāŖ In these demon days
Weāre pulling our pay
The lights on the hill
Are freezing us still
The fingers of fate
Stretch out and take
Us to a night
But somethingās not right
Somethingās gone wrongāŖ The half whispered hopes
The dreams that we smoked
Puffed up and ran
As only dreams can
Dreamt by the young
Sparks to be sung
In places so bright
But somethingās not right
Somethingās gone wrongLyrics and Credits: http://bit.ly/1Q2UxFw
YouTube: http://bit.ly/1W0yiOT
YouTube Play: http://youtu.be/6p1uZbzFk1s
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ā Episode Songs ā and Photos ā
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Trivia: The writer of this episode, Nicole Phillips, also writes the stories for The Blacklist comic, produced by Titan comics in conjunction with the show.
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Robo-collage created by Twitter Search ā from:BlacklistDCd since:2016-2-13 until:2016-2-15 [3:13
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ā Episode Photo Tweets
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GENERAL š·
š“ Script 3:13 Alistair Pitt http://wp.me/pDKwi-2rb w Photos & Songs #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/775047539196178433/photo/1
š“ Storybook 3:13 Alistair Pitt http://wp.me/PDKwi-1f3#pitt Best Scenes in Story Form #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/775047764388438016/photo/1
š“ Script 3:13 Alistair Pitt http://wp.me/pDKwi-2rb š“ Storybook http://wp.me/PDKwi-1f3#pitt #TheBlacklist https://twitter.com/BlacklistDCd/status/775047764388438016/photo/1
š“ Easy-Search Scritpts for Season 3 http://wp.me/pDKwi-1Tj updated through Episode 3:13 Alistair Pitt #TheBlacklist @NBCBlacklist
š£ @nicoledphillips Thank you for giving us the āAlistair Pittā episode ā it brought a much needed glimpse Redās tortured past w women to light
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PORTRAITS
š£ Happy Birthday, James Spader ā Americaās greatest actor #TheBlacklist @NBCBlacklist http://pic.twitter.com/TVBCpntaz0
// on phone
š£ Happy Birthday, Mr James Spader ā Americaās greatest actor [3:13 Alistair Pitt] #TheBlacklist @NBCBlacklist http://pic.twitter.com/SWa2zbAc6y
// next to badly-beaten Josephine
š£ His face a raw landscape of chilling & sorrowful emotions #TheBlacklist no words can capture it or pry its secrets http://pic.twitter.com/7wEMDN8Nxu
š£ Agony [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/uqFKop7vZV
š£ āIām getting marriedā āDo you love him?ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/aUnDHla7yk
š£ Intercession [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/i92Wl2yDzQ
// six-panel: burst through door; drop to floor; battered soul & body; enquiry panic; enquiry horror; husband dispatched
š£ Aftermath [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/fPDWXLFXOw
// agón, profile with column
š£ Merry Christmas (little late) [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/sNYu26F6ef
Ā
EPISODE-SPECIFIC
š£ āOur fatherās not seeing anyone.ā Alistair Pitt: āOh, heāll see meā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/y5coVTAiwG
š£ āThis symbolā I saw it once. Said to be the mark of the man who can do the impossible.ā [3:13 Pitt] #TheBlacklist. http://pic.twitter.com/5VR23tlKRM
š£ Red: āItās Germanā pre-war. Survived the Allied bombing in ā45. Miracle.ā [3:13 Alistair Pitt] #TheBlacklist http://pic.twitter.com/wJH7aTUAks
š£ Josephine. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/NKjz4eulzR
š£ āIām getting married.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/KXZyfbzxk2
š£ āDo you love him?ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/YUrZGZZZz4
š£ Christmas. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/zqgvH9DGWY
š£ Red and Josephine. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/JiRq1WeZBD
š£ Battered. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/gOVlVne2Eg
š£ Red: āI can protect youā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd pic.twitter.com/SGVo11RlZb
š£ The Erikssonās youngest sonās fiancĆ© is shot in a drive-by. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/FRohPWpAwK
š£ āHe wasnāt after the son. The fiancĆ© was the target. Heās brokering a marriageā [3:13 Alistair Pitt] #TheBlacklist http://pic.twitter.com/0NjiIRClN4
š£ Danny Vacarro: āWe kill them tomorrow. All of them.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/owMLZ1KlPj
š£ The FBI listens & watches as the Erikssons and Vacarros gather. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/84TEw9iUbl
š£ The bride and groom. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/yfRd2Aju5p
š£ āLadies and gentlemen as the father of the bride ⦠ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/TIBwSHaYpC
š£ āI am but a humble guest, but please permit me to raise a glass ⦠ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/kjU4TxVBQO
š£ āIām dying to hear how he did it. How he brought you two jackals together.ā [3:13 Alistair Pitt] #TheBlacklist http://pic.twitter.com/8q9mKl8Z6V
š£ Mads tries to explain why he had his sonās fiancĆ© killed: āFor the family!ā [3:13 Alistair Pitt] #TheBlacklist. http://pic.twitter.com/9pIVDHpWom
š£ The Vacarros attack. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/V47Lz7JxL4
š£ The FBI and DEA join the meleĆ©. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/eN1wmcuQ1u
š£ Red grabs Alastair Pitt and leaves through the kitchen. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/jO00MHF2ZR
š£ Liz: āThis was so you could get to him. Thatās what this whole thing was about.ā [3:13 Alistair Pitt] #TheBlacklist http://pic.twitter.com/WqXPWIxwwE
š£ āMight I suggest we have this conversation on the move?ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/5Y2xgID0Tt
š£ DEA Agent Tucker: āSheās not going anywhere.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/hTHLgn94BZ
š£ āI knew it. Heās your informant. Thatās why you have so much juice, why they let you offā [3:13 Pitt] #TheBlacklist http://pic.twitter.com/qYlxXujVtc
š£ āIsnāt that right, Comrade Rostova?ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/Wc1kie11QT
š£ āI told you not to call me that.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/UaLL7PcFeX
š£ Tucker: āComradeā ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/eTWYp7g1KW
// clutches neck
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/61hKgzsI3i
// slides down wall, clutches bleeding neck
š£ āHe knows. He knows about us.ā [3:13 Alistair Pitt] #TheBlacklistn@BlacklistDCd http://pic.twitter.com/shh7tzYGqb
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/cF0sPIyLeR
// Red breaks down door
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/2tjpzwoK5h
// Red runs to Josephine
š£ āJosephine? Josephine? No. Josephine.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/MoQelIF3QH
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/MVOq15bd8j
// wide-eyed
š£ Husband: āYou! Get out! What are you gonna do?ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/7NGRJ3TUTI
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/lq77VcyzPF
// Red shoots him
š£ āJosephine. Josephine. Josephine, no, no.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/kviNdZyUjT
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/3MLw1BZu8C
// 6-panel
š£ Red has been remembering. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/M9eS7pms2n
š£ āI had nothing to do with what happened to that poor girlā ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/ZXdg4A0aRV
š£ āYes, you did. Perhaps not directly, but very much by your hand.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/XwZlwUODOH
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/HRQfc24nUW
// Red aims
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/mzJZYduZmA
// 6-panel #1
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/myHCSyMI0w
// 6-panel #2
š£ Aftermath. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/foZel0s33L
// profile against column
š£ Itās over. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/cwUfe5pqDt
// with Dembe
š£ āMeaning I would never know my child? My baby would never know who I am?ā [3:13 Alistair Pitt] #TheBlacklist http://pic.twitter.com/i98kQuYR4N
š£ Gina and Tom [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/oAPrfTIWyz
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/fxWiWhnesy
// Red standing next to Josephineās wheelchair
š£ Red brings Josephine an animal for her glass menagerie. [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/pDy2D9Q0Fs
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/1ECejJUATc
// Josephine in wheelchair unresponsive
š£ āJosephine, itās done.ā [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/f5Bd29ASIT
š£ ⦠[3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/dAgxomvfhE
// a single tear
š£ Josephine [3:13 Alistair Pitt] #TheBlacklist @BlacklistDCd http://pic.twitter.com/O2hU29Kgpm as I will remember her
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