22
Apr
16

๐Ÿ”ด Script 3:19 Cape May

 

๐Ÿ”ด Script: 3:19 Cape May

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 4/21/2016 in the US
Permalink: http://wp.me/pDKwi-2RN
Entertainment Weekly Recap: http://bit.ly/1YK9E6l
WSJ Summary: http://on.wsj.com/1WhVg68
Source: Raw Script from Forever Dreaming: http://bit.ly/1QciD0C [ dump of captioning ]

STATUS: โญ• Pending โญ• Rough โญ• Preliminary ๐Ÿ”ด FINAL
Last updated: 4/24/2016 6:40 am CT [ Central/Chicago time ]
 

เผบโœฆ โ™ค โœฆเผป
 
Director: Michael Watkins
Written by: Daniel Knauf
 
SERIES STARS:
 
Raymond ‘Red’ Reddington โ€“ James Spader
Elizabeth Keen โ€“ Megan Boone
Donald Ressler โ€“ Diego Klattenhoff
Harold Cooper โ€“ Harry Lennix
Tom Keen โ€“ Ryan Eggold
Aram Mojtabai โ€“ Amir Arison
Samar Navabi โ€“ Mozhan Marnรฒ
Dembe Zuma โ€“ Hisham Tawfiq

 
GUEST STARS:

Treasure Hunter โ€“ George Bartenieff
Officer Duncan โ€“ Reathel Bean
Mama Lu Chang โ€“ Norma Chu
Cab driver โ€“ Evander Duck, Jr
Nik Korpal โ€“ Piter Marek
Mysterious Woman โ€“ Lotte Verbeek

 

Note: Forever Dreaming or Springfield’s in the UK provides a raw version of each script. These typically are available by 7:00am the next day, but can be delayed by a day or more. I add the speakers, formatting, and descriptive material when called for. Red’s lines are bolded. I am sure there are mistakes. โ™ค = my favorite lines
 
image
 
 
 

๐Ÿ”ด Script 3:19 Cape May

Blurb: Grieving over the tragic death of Lizzie, Red is drawn to Cape May where he must come to terms with the past.

For S3 Episode 19: Cape May: ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐Ÿ“š โฃStorybookโฃ ยค ๐Ÿ“’ Script link: http://wp.me/pDKwi-2RN [ “you are here” ]
 

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[ Red is interrogating Nik, Liz’s ER doctor (and her ex-boyfriend). Nik tried to save Liz’s life but failed. The interrogation room is the same as the one Red used in 3:12 The Vehm to execute the man who had attacked Liz in a supermarket parking lot ]
โ‹˜โ‹™
Nik: Given her abrupt drop in blood pressure and pulse, I diagnosed a placental abruption. We performed a successful emergency C-section. She was having chest pains, shortness of breath… classic symptoms of an amniotic fluid embolism. Her lungs were no longer functioning. I had to get her to a trauma unit. We were losing her. And she went into arrest.
Red: That’s enough.
Nik: I kept her alive long enough to become a mother.
Red: What a desperate thing to say.
Nik: I don’t want to die.
Red: Everyone dies someday.

 
[ INDISTINCT TALKING ]
[ An elderly Chinese woman opens a secret wall in a restaurant and descends the stairs to an opium den. Red is sleeping fully clothed on a thin mattress recessed into the wall ]
Elderly Chinese woman: Time to go, Mr. Red. Time to go.
Red: [ Mumbling ] No. No, no, not yet. I want another one. I want another one. I paid and I want another.
Chinese woman: No. You go. It’s Friday. It’s too long for you. You go.
[ GROANS ] [ COUGHS ] [ COUGHS LOUDLY ]
[ Red gets up and heads out, leaving behind his pistol and fedora ]
Chinese woman: [ Calling him back: ] Mr. Red.
Red: Mm.
[ Red turns back and takes his hat but not the gun ]

 
[ Red seems to be in a stupor ] [ TIRES SCREECH, HORN HONKS as a car almost hits Red. The car has a sign “Taxi 4 hire” in the window.” The car has New York plates ]
Cabbie: [ Rolls down window and calls out ] You trying to get yourself killed?
[ Red gets in the cab ]
Red: Cape May. Cape May, New Jersey.
Cabbie: That’s 200 miles away.
[ Red counts out five $100 bills ]
Cabbie: Cape May it is.

[ Flashbacks: ]
[ MONITOR FLATLINES ] [ GASPS ]
Red: Don’t go, Lizzy. Please, don’t go.
โ‹˜โ‹™
[ BABY COOS ]
Tom: Now go. And stay away from us.

Red: Everyone dies someday.
Cabbie: You say something?

 
[ Electric razor buzzes as Red shaves while leaving a message for his lawyer, Marvin Gerard ]
Red: Marvin, it’s Raymond. I’m taking a leave of indeterminate length. Suspend all transactions. Pay off all my outstanding debt. If you need additional funds to cover any shortfall, execute a wire transfer from Barbados. Dembe has a power of attorney letter on file should a signature be necessary.
Red: [ To the cabbie ] How much for the cab?
Cabbie: No, you’re good.
Red: No, no. How much do you want for the cab?
Cabbie: You’re kidding, right?
[ Red plops many thick stacks of bills on the car hood, hundreds of thousands of dollars, maybe millions ]
Cabbie: That’s plenty. Thank you.

 
[ Red stops for breakfast at a greasy spoon, orders bacon and eggs. He notices a woman seated in a booth by the window. She sees something and hurries out. A man comes into the restaurant and uses the rotary dial pay phone ]

 
[ Red arrives at an inn just behind the sand dunes. It is closed for the season. He pushes through the gate ]
[ DOOR OPENS ] [ KNOCK ON DOOR ] [ WIND CHIMES TINKLING ] [ DOOR OPENS ]

 
[ The beach at Cape May is deserted. Red takes a folding lounge chair and opens it on the beach. He looks out to sea. The day is dull and cold. Red suddenly sees the same red-haired woman from the restaurant sitting on the beach. She takes off her coat and a necklace and walks into the water a ways, then dives in ]
Red: Hey! Hey! No! Stop!
[ Red runs, shedding his coat, suitcoat and hat along the way, then runs into the 40 degree water, looking for the woman. A large wave tumbles over him. He rescues the mysterious woman and drags her onto the beach ]
[ CRIES ] [ COUGHS ] [ COUGHING ] [ GASPING ] [ GRUNTS ]

 
[ Red helps the woman walk to the white inn building, into an apartment, and helps her down onto a rug on the floor in front of a fireplace. He covers her with a sheet and places two decorator pillows under her head ]
Red: I’ll find a blanket.

 
[ BELL DINGS ]
Woman behind desk: May I help you?
[ Red has just taken a blanket and some matches from a closet in the lobby. He turns around. The woman is gone ]
Red: [ BREATHES HEAVILY ]

 
[ Red starts a fire in the fireplace, then he lies down on the floor next to the woman, pulling the blanket over both of them and cradling her head on his arm, his other arm pulling her close to him ]
Red. You’re okay. Talk to me.
Woman: [ In a whisper ] It’s not that he died. It’s not even the way he died. It’s in the things I said to him… just before he died.

 
[ Red wakes. It’s lighter outside. Red is alone on the floor. He is wearing a tee-shirt and shorts. He pulls his pants on and climbs the stairs. He finds the woman peering out of a window ]
Red: Hello? You okay?
Woman: [ GASPS ] There’s someone here. Outside. He’s here to kill me. There. There he is. See his shadow?
Red: Stay away from the window.
[ Red grabs an ax and heads outdoors ]
[ ROCKING CHAIR CREAKING, WIND CHIMES TINKLING ] [ GRUNTS ] [ GASPS ]
Red: I found the intruder. He put up a fight. I had no choice but to kill him. [ He has a torn black kite ]
Woman: You must think I’m crazy.
Red: No.

 
[ Red comes to the kitchen, still holding the ax behind his back ]
Red: We’ll have hot water soon.
Woman: There’s wine. And I can make a risotto. โ‹˜โ‹™ Do you think we’ll have hot water tonight?
Red: By the time we finish dinner, it should be hot.

 
Red: This is superb. The rice is just right.
Woman: Canned mushrooms. Best I could do.
Red: It’s excellent. You aren’t hungry.
[ ELECTRICITY CRACKLES ]
Red: Who’s trying to kill you? Does it have something to do with what you told me before?
Woman: I’m sorry?
Red: You said you lost someone. Harsh words were spoken. Words you regret.
Woman: I was out of my mind. There was no one. Just me.
Red: You don’t have to lie.
Woman: Neither do you. You’re no hungrier than I am. You’re not enjoying a single bite of that.
Red: I told you this is….
Woman: Superb. The quality of the cooking is wholly irrelevant in this case, isn’t it? Given the circumstances.
Red: And those are?
Woman: You tell me. Tell yourself. Say it out loud.
Red: [ Pause, then: ] It was a Hobson’s choice.* There was a woman and her child. Both were doomed. Both would die. I could either save one or lose both. I chose the child. It was… it was the worst thing I’ve ever had to do in my life. Worst thing by far.
Woman: You didn’t have a choice.
Red: There’s always a choice. I was arrogant. I presumed that there was an order to things, that there was… that if I nourished and protected and taught the child, she would be safe… …and happy.
Woman: And she was neither.
Red: No matter what I tried to do, all I brought her was misery and violence, and eventually…
Woman: Death.
Red: Yes.
Woman: And now you’re dead. You believe there’s nothing left for you.
Red: It’s that obvious?
Woman: Nothing about you is obvious. What brought you here?
Red: I honestly don’t know.
Woman: You’ve been here before.
Red: Once, a long time ago. I was a very different person then. You?
[ KNOCK ON DOOR ] [ DOOR BUZZES ]

 
[ Red opens the door ]
Red: What can I do for you, Officer… Duncan?
Officer Duncan: We got a call from a neighbor. He noticed lights inside.
Red: Oh, Yeah. I was afraid that might happen. That’s why the candles… didn’t want to alarm anyone.
Duncan: I take it you’re not trespassing.
Red: Oh, good God, no. Jack and Ida are old family friends. Offered the place for the weekend.
Duncan: Mind showing some identification?
Red: No, no, no. No problem. I’ll be right back.
Duncan: If you don’t mind, I’d prefer waiting inside.
Red: Of course. My mistake. Please, please. It’s a bit chilly out. Wait here. I’ll get my I.D.
[ Red goes into another room and selects from a set of driver’s licenses under various names, then returns to the front room ]
Red: I’m sorry you had to come all the way out here on such a cold night.
[ The officer looks in the kitchen and sees the candles, food and wine from dinner ]
Duncan: Didn’t mention you had a friend.
Red: Yeah. My wife, Abigail. She’s feeling a little under the weather.
Duncan: Didn’t touch a bite, it looks like.
Red: No. I can go upstairs and wake her, if you’d like.
Duncan: No. No, that’s okay. Everything appears in order. You said you’re a friend of Jack and Ida’s.
Red: Yes, I said I was a friend. Poor Jack. Miss the hell out of that man.
Duncan: Yeah, yeah. It’s a crying shame. Ida just hadn’t been able to keep the place up since he passed. Enjoy your stay, Mr. Donnelly.
Red: Thank you, Officer.
[ Officer leaves ]
Woman: He knows.
Red: I don’t think so. He’d have to be very good at hiding it. We’ll see. Water should be hot.

 
[ The woman is bathing. Red is seated on a couch some distance away ]
Woman: [ SIGHS ] How did you know Jack was dead?
Red: I didn’t say he was dead. I said I missed him.
Woman: Still, why would you miss him?
Red: State of the place. Hasn’t been maintained. A man wouldn’t let that happen if he was around.
Woman: You said “Poor Jack”?
Red: “Jack’s Shack.” He took pride in that. Decorated it, carved his name on it. It’s falling apart. I figured he was either sick or dead.
Woman: Could have been Ida.
Red: I went with Jack. Men don’t usually last as long as women.
Woman: You sound like an actuary.
Red: I am, in a way.
Woman: Have you ever killed anyone?
Red: That’s an odd question.
Woman: Have you?
Red: Yes. Many. But never anyone who didn’t deserve it.
Woman: Me, too.
Red: I know.
Woman: How?
Red: There aren’t a lot of us. You learn to recognize it.
Woman: Yes.

 
[ GLASS SHATTERS ] [ Red looks for the perpetrator ]
Woman: Behind you.
[ GRUNTING ] [ Red and the man fight inside the bathroom ]
Oh!
[ GRUNTING ] [ Woman grabs the man from behind and slams his head against a mirror, then the sink โ€“ several times. He collapses dead onto the bathroom floor ]
[ Red coughs ]
Woman: You all right?
Red: Yeah. Thank you. You know him?
Woman: It doesn’t matter. He’s one of them. Not the first, not the last.
[ They wrap the body in the plastic shower curtain and clean up the blood ]

 
[ The woman is playing รฉtudes on the grand piano ]
Red: Why did you go into the water? What made you decide?
Woman: You’ve never killed anyone who didn’t deserve it.
Red: Yes.
Woman: That is a fine thing. A noble thing. But not terribly difficult.
Red: That’s true.
Woman: Have you ever spared someone who deserved to die?
Red: There was a woman I loved. She was… my life. My heart. And she died. She left behind a little girl. One last, precious piece of herself.

[ Flashback ( or Flashforward โ€ฆ )]
Red: She’ll need protection.
Tom: Only if you’re in her life. Go. Stay away. I won’t let you make the same mistake with her… …that you made with Liz.

Red: I would give anything to be a part of that child’s life, but a man made it clear I would never see her… hold her… watch her grow. And I knew in that moment, I would never be any part of that beautiful little girl’s life. Because…
Woman: He was her father.
Red: And to harm him would be to harm her. A mortal sin. Her mother is gone. The father is what she has left in the world.
Woman: Her father.
Red: Yes.
[ CELLPHONE VIBRATES ]

Man: [ On cellphone ] Gregory, do you copy? Did you copy that?

[ Woman breaks the phone in half ]
Woman: We don’t have much time. They’re coming.

 
Red: This’ll work. I’ll drive.
[ Red loads the man’s body into back of a black SUV in the garage. The mysterious woman turns to walk away. Red grabs her arm ]
Red: I’m not leaving without you.
Woman: Yes, you are.
Red: No. I’m not.
Woman: Those men are after me. It’s my problem, not yours.
Red: You made it my problem the moment you walked into the ocean.
Woman: I didn’t ask for your help. Let me go.
Red: No.
Why not? What difference does it make to you?
Red: Have you ever seen the aftermath of a suicide bombing…
Woman: We’re wasting time.
Red: I have. June 29, 2003. I was meeting two associates at the Marouche restaurant in Tel Aviv. As my car was pulling up, a 20-year-old Palestinian named Ghazi Safar entered the restaurant and detonated a vest wired with C4.
Woman: Let me go.
Red: The shock wave knocked me flat, blew out my eardrums. I couldn’t hear. The smoke… It was like being underwater. I went inside. A nightmare. Blood. Parts of people. You could tell where Safar was standing when the vest blew. It was like a perfect circle of death. There was almost nothing left of the people closest to him. 17 dead, 46 injured. Blown to pieces. The closer they were to the bomber, the more horrific the effect.
Woman: Stop.
Red: That’s every suicide. Every single one. An act of terror perpetrated against everyone who’s ever known you… Everyone who’s ever loved you. The people closest to you… the ones who cherish you… are the ones who suffer the most pain, the most damage. Why would you do that?
Woman: [ WHIMPERS ]
Red: Why would you do that to people who love you?
Woman: I have no choice.
Red: There’s always a choice.
Woman: Is there? That little girl. The one you told me about? The one whose father you spared? What would you do if you knew… knew… that as long as you drew breath, as long as you continued to exist, her life would be in danger? She would be hunted, and she would be killed. What would you do?
Red: What would you do?
Woman: My child is being raised by someone else. I am her mother… and I am death to her. [ Tears ] So this is what I’m doing. I never wanted this.
Red: I know.
Woman: Then go.
Red: I can’t.

[ Together, Red and Woman booby-trap the house. A bomb made from a propane tank. A live electric cable left in a sink with the water left to overflow. A mantrap made from cable and piano wire. Pounding music heightens the tension ]

[ VEHICLE APPROACHES ] [ There are six or seven men ]
Woman: You still have time to go.
Red: I don’t know your name.
Woman: Don’t be ridiculous, Raymond.

 
[ Action sequence. In brief, the interlocutors are all dispatched, some by the booby traps. The woman pushes one man off a balcony. There is a brief gunfight. Red slashes one man’s throat. The woman stabs one man in the chest. One man is hung in the mantrap. ]
[ AIR HISSING ] [ GROANS ] [ YELLS ] [ GRUNTS ] [ GRUNTS ] [ CHOKING ] [ GRUNTS ] [ โœ› All the while, suspenseful, pulsing music ]

 
Woman: You okay?
Red: We need to clean up and clear out.
Woman: You get the car.
Red: There’s something wro… [ Red sees that the kitchen and other rooms are immaculate, untouched, as though he had just arrived. He goes to the staircase and shouts up: ]
Red: Hello?
[ Red climbs the stairs, searching for the woman ]
Red: Where are you?
[ Red looks out the window. He sees the woman again walk into the ocean, exactly as before ]
Red: No. No, no, no. [ Red runs down the stairs, out of the inn and across the beach. He looks at the surf pouring in. This time, the woman is nowhere to be seen ]

 
[ An old man has been using a metal detector to look for treasure under the sand. He is now digging for something ]
Red: Hey! Did you see a woman walk into the water?
Treasure hunter: No. I didn’t see no woman.
Red: You sure?
Treasure hunter: Yeah. I’m sure. Mister, the only living soul I’ve seen on this stretch in over two weeks is just you.
Red: Just me.
Treasure hunter: Yep.
[ Red recalls moments he had with the woman, but this time he speaks woman’s words ]

Red: “Canned mushrooms. Best I could do.”
โ‹˜โ‹™
Red: “Behind you.”
โ‹˜โ‹™
[ Red plays รฉtudes on the grand piano ]

[ Returning to the present, Red queries the treasure hunter ]
Red: Just me.
Treasure hunter: Yep. Just you.
[ The treasure hunter finds a necklace buried in the sand ]
Treasure hunter: Hello.
[ Though it is almost completely encased in sand, Red recognizes the necklace ]
Red: Could I, please? Please. I want to buy it. [ Brings out a thick wad of bills ]
Treasure hunter: Ain’t worth anywhere near that.
Red: It is to me.
Treasure hunter: Okay, then.

 
[ Red goes to the water’s edge and lets a wave wash over the necklace ]
[ Red reads aloud the Russian inscription on the back of the necklace: ]

Red: To Katarina, love Papa.

[ Suddenly, the mysterious woman appears at Red’s side ]
Woman: You had no choice. It was me or Masha.
Red: I’m sorry.
Woman: Raymond, you did save me. Through her. It was the only way. You chose well.
[ The woman reaches out and places her palm against Red’s cheek, stroking it ]
Treasure hunter: Hey, Mister!
[ Red turns around ]
Treasure hunter: You okay? Seem a little lost.
[ The mysterious woman is gone ]
โ‹˜โ‹™
Red: There’s someone I need to see. [ Red turns and walks away from the shore ]

 
โฌ† go to top

 
โŒโŒโŒ 3:19 Cape May
 

เผบโœฆ โ™ค โœฆเผป

 
For S3 Episode 19: Cape May: ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐Ÿ“š โฃStorybookโฃ ยค ๐Ÿ“’ Script link: http://wp.me/pDKwi-2RN [ “you are here” ]

 
 

เผบโœฆ โ™ค โœฆเผป
 
Note: *A “Hobson’s choice” is a free choice in which only one thing is offered. Because a person may refuse to accept what is offered, the two options are taking it or taking nothing. In other words, one may “take it or leave it.” The phrase is said to have originated with Thomas Hobson (1544โ€“1631), a livery stable owner in Cambridge, England, who offered customers the choice of either taking the horse in his stall nearest the door or taking none at all.” โ€“ Wikipedia

Hobson’s Choice (1953) is also a film by David Lean starring Charles Laughton who plays a bookmaker named Henry Horatio Hobson. James Spader has cited the film as a formative film for him.
 

เผบโœฆ โ™ค โœฆเผป

My take:

I’ve long felt that for The Blacklist to succeed artistically, it would not be by coming down on one side or the other in the “shipper wars” (“Lizzington” vs “daddygaters” etc) but by eclipsing all that and revealing how both how paternal, nurturing feelings and loving, erotic feelings could be so combined in Red’s psyche. Here we see that dynamic emerge. Several times in this episode we think we know that Red is talking about Katarina/Masha when he is talking about Liz/Agnes, and vice versa. Tom becomes Liz’s father. Katarina (as lover) becomes Liz (as “daughter”). And forgiveness from Katarina implies forgiveness from Liz as well. Perhaps Red can emerge as a more integrated individual, and move on from there (but would it be as fun?). Who knows where this show can go next?

The one thing I don’t like about this episode is that it is over. I know there cannot be a show like this every week. It would be simply unsustainable, not to mention too emotionally overpowering. And that’s just for us viewers! Spader once told the NYT “too much of me is like too much ice cream.” Lol. Still, this episode was “all ice cream”, and I’m not even close to being full!

 

เผบ โœฟโŠฐ โ™ค โŠฑโœฟเผป
 
 
There were no songs in this episode, but the soundtrack is incredible. From the Entertainment Weekly recap:

This episodeโ€™s instrumental score composed by Dave Porter, which seemed to run through nearly the entire episode was so, so different but absolutely just as compelling as The Blacklistโ€™s normally impeccable musical cues.


 
 

โญ• Episode Photos โ‡Š and โ‡ˆ Songs

 
Episode 3:19 Cape May is also available as a Twitter “Moment” (two, actually). The Twitter software is a bit skittish still (results vary by browser and app). Advantages are it’s chronological and the photos and captions are together. Also, Twitter photos are higher resolution than the WordPress photos on this blog.

Or you can continue using the Twitter links in “Episode in Tweets” below.

Here are the links to the Twitter Moments files:
 

เผบโœฆ โ™ค โœฆเผป
 

 

 

 

 

Twitter collage โ‡ˆ created by Twitter Search โ‹™ from:@BlacklistDCd since:2016-09-15 until:2016-09-17 [3:19
 
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GENERAL ๐Ÿ”ท

๐Ÿ”ด Script: 3:19 Cape May http://wp.me/pDKwi-2RN w Photos & Songs #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776872584218423296/photo/1

๐Ÿ”ด Storybook 3:19 Cape May http://wp.me/PDKwi-1f3#capemay Best Scenes in Story Form #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776872835021058048/photo/1

๐Ÿ”ด Script: 3:19 Cape May http://wp.me/pDKwi-2RN ๐Ÿ”ดStorybook http://wp.me/PDKwi-1f3#capemay โ™ก เฝฒโ€ขฬฎอกโ€ข เซ‚ เพ€ โ™ก https://twitter.com/BlacklistDCd/status/776917224061673472/photo/1

๐Ÿ”ด Easy-Search Scripts for Season 3 http://wp.me/pDKwi-1Tj updated through Episode 3:19 Cape May #TheBlacklist @NBCBlacklist

๐Ÿฃ There have been more look-ups on my blog for the Cape May episode than any other. The next closest was for Mr Solomon2, with just ยฝ as many.

 

โŠฐ โ™ค โŠฑ
 
 
PORTRAITS

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/2y5Infcptg
// Lotte Vermeer

๐Ÿฃ The quality of the cooking is wholly irrelevant, given the circumstances” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/LvNbWodGrf
// Lotte Vermeer

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/euRjbiquDF
// Red, wow

๐Ÿฃ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/5D8xTRNNtP
// Red, glowering

 
 
EPISODE-SPECIFIC

๐Ÿฃ [3:19 Cape May] #TheBlacklist @NBCBlacklist I did not do the action scenes (too dark & difficult), sorry http://pic.twitter.com/McaFb4zuDG
// cover sheet

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/euRjbiquDF
// Red, wow

๐Ÿฃ Nik: “I kept her alive long enough to become a mother” [3:19 Cape May] #TheBlacklist @NBCBlacklist

๐Ÿฃ “What a desperate thing to say” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/1bYV1Coe8H

๐Ÿฃ Red [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Xqbx3KE6Lw

๐Ÿฃ Nik [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/GjEiUWjCET

๐Ÿฃ Nik: “I don’t want to die” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/uy9Vh1UPID

๐Ÿฃ “Everyone dies someday” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/by7kxWdIkt

๐Ÿฃ Cab screeches to a stop, honks [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/HTuz2MWZHU

๐Ÿฃ “You trying to get yourself killed?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ttR4mGD8g0

๐Ÿฃ Red: “Cape May, New Jersey” Cabbie: “That’s 200 miles” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/lqa3dFJHPR

๐Ÿฃ $500. Cabbie: “Cape May it is” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/wIcbRXFr6D

๐Ÿฃ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/5D8xTRNNtP
// Red, glowering

๐Ÿฃ Red arrives at a seaside inn [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/3FDncNGrth

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776881489996689408/photo/1

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist https://twitter.com/BlacklistDCd/status/776882284137811968/photo/1
// opens beach chair, long view

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/lP1SJBSbuM
// sits in beach chair, long view

๐Ÿฃ Looking out to sea [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/lKdTZ45e2Q
// (tongue)

๐Ÿฃ An old man searches for treasure in the sands [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/FgCye1DzvU

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/VGrL8A1NYO
// Red, side view, close

๐Ÿฃ A young woman removes her necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/RVyTQyOhW1

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/yIYCBhgvql
// the woman grabs Red’s attention

๐Ÿฃ (Lotte Vermeer guest stars) [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/6WrFOOLllQ

๐Ÿฃ The necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/eK4YMqnJwb

๐Ÿฃ The woman walks into the water and dives in [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/2wAxTt4e6A

๐Ÿฃ “Hey! Hey! No! Stop!” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/0goFrAkESH

๐Ÿฃ (Spader had no stunt double for this scene) [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/sinU9o8rO4

๐Ÿฃ Red rescues the young woman [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/tYwFGgwjuN

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vOwJrFVtDT
// dat ass doh

๐Ÿฃ Red helps the woman into the inn which is closed for the season [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/LI95ccKq01

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/SGWBBWYL4a
// helps woman onto rug

๐Ÿฃ Red places a sheet over the woman and looks for a blanket [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vTAEPyO8Wh

๐Ÿฃ Red lights a fire [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/gKUtcwNLQi

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/WWcydp40w8
// Red lies beside woman, puts his arms around her

๐Ÿฃ Red: “Talk to me” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/iSy9FKofHK

๐Ÿฃ “It’s not that he died. It’s not even the way he died” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/DZLbV0hV8V

๐Ÿฃ “It’s in the things I said to him… just before he died” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/2qBfwQ7tF6

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/cIZCLKKEu8
// sleep #1

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ZAjQ3IZVzx
// sleep #2

โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚ 40

๐Ÿฃ Red is startled awake. He is alone [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/D5sYep0rVn

๐Ÿฃ Red looks for the young woman: “Hello?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/iS63zwgrNe

๐Ÿฃ The woman says someone outside is trying to kill her. Red investigates [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Sc1kLbqn55

๐Ÿฃ Red takes an axe after the intruder, but it was only a Batman kite [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/W8J19CxJd7

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Rd8TUJSnt3
// woman enters lighted bathroom

๐Ÿฃ “Do you think we’ll have hot water soon?” [3:19 Cape May] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776890899586351104/photo/1

๐Ÿฃ “By the time we finish dinner, it should be hot” [3:19 Cape May] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776891219678892033/photo/1

๐Ÿฃ Woman: “There’s wine. And I can make a risotto” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Rub8wLN99y

๐Ÿฃ Red: “This is superb. The rice is just right” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/b75Mu3Onhj

๐Ÿฃ Red: “Who’s trying to kill you?” “I was out of my mind. There was no one. Just me.” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/i87pEPZi3b

๐Ÿฃ Red: “You don’t have to lie.” The woman says Red lied saying the risotto was “superb” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/3lpQm1xvzM

๐Ÿฃ “The quality of the cooking is wholly irrelevant, given the circumstances” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/LvNbWodGrf
// Lotte Vermeer

๐Ÿฃ Red: “And those are?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/aA45Cvo6n1

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/PT7gzBne1X
// Red puzzled, thinking

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/2y5Infcptg
// Lotte Vermeer

๐Ÿฃ “It was a Hobson’s choice โ€ฆ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/kiEyGYXgQC

๐Ÿฃ “There was a woman and her child. Both were doomed. Both would die” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Fv1SLfq0Mz

๐Ÿฃ “I could either save one or lose both. I chose the child โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/v31uejXxzi

๐Ÿฃ “It was… it was the worst thing I’ve ever had to do in my life. Worst thing by far” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/ZrV8CEyBr9

๐Ÿฃ You didn’t have a choice” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/pJGQ6kKni0

๐Ÿฃ “There’s always a choice. I was arrogant.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/JpZYqe0FWF

๐Ÿฃ “I presumed that there was an order to things โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/QxB6osRsEE

๐Ÿฃ ” โ€ฆ that if I nourished and protected and taught the child โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ZmBQ6prZRx

๐Ÿฃ ” โ€ฆ she would be safe โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vg6jQ3t90y

๐Ÿฃ ” โ€ฆ and happy” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/4taCZKToM7

๐Ÿฃ “And she was neither” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/k66FyVPsBW

๐Ÿฃ “No matter what I tried to do, all I brought her was misery & violence & eventuallyโ€ฆ” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/oQXkaL7cJF

๐Ÿฃ Woman: “Death.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/X0yyh8E5Uh

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/QlEqG0I8il

๐Ÿฃ “Yes” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/OdgTX7iEY0

๐Ÿฃ “And now you’re dead. You believe there’s nothing left for you” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/WKIVhrAyFt

๐Ÿฃ Red: “It’s that obvious?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/qDUDXI5Cy3

๐Ÿฃ Later โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/oG3gZIAhWn

๐Ÿฃ “Have you ever killed anyone?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/W3r9qMYqRA

๐Ÿฃ “Yes. Many. But never anyone who didn’t deserve it.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/d6HJ2nzGZ6

๐Ÿฃ Woman: “Yes” [3:19 Cape May] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/776900354742947840/photo/1

๐Ÿฃ The woman is playing รฉtudes on the grand piano when Red enters [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ZReRvxGjoE

๐Ÿฃ Red: “Why did you go into the water? What made you decide?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/hYmJTVYQCk

๐Ÿฃ Woman: “You’ve never killed anyone who didn’t deserve it.” Red: “Yes” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/pBn7Me81wi

โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚ 80

๐Ÿฃ Woman: “That is a fine thing. A noble thing. But not terribly difficult” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/4h6qUD42rz

๐Ÿฃ Red: “That’s true.” Woman: “Have you ever spared someone who deserved to die?” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/mHufPtxQ5r

๐Ÿฃ Red: “There was a woman I loved” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/fDfTZEtA5X

๐Ÿฃ “She was my life โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/BmtwSXwo5B

๐Ÿฃ ” โ€ฆ My heart โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/5tXupbTfnX

๐Ÿฃ Red: “โ€ฆ And she died.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/sHWdOcDsol

๐Ÿฃ “She left behind a little girl. One last, precious piece of herself.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/h91FtcHCsj

๐Ÿฃ [ Flashback: ] Red: “She’ll need protection” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/rcdA0IOcqU

๐Ÿฃ [ Flashback: ] Tom: “Only if you’re in her life. Go. Stay away.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/OyAg0yqluc

๐Ÿฃ “But a man made it clear I would never see her… hold her… watch her grow” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/Tc1fyWDb6y

๐Ÿฃ Red: “And because โ€ฆ to harm him would be to harm her. A mortal sin.” [3:19 Cape May] #TheBlacklist @NBCBlacklist pic.t

๐Ÿฃ โ€ฆ[3:19 Cape May] #TheBlacklist @NBCBlacklist http://twitter.com/BlacklistDCd/status/725807146042945536/photo/1
// the woman

๐Ÿฃ Action scene (impressionistic) [3:19 Cape May] #TheBlacklist @NBCBlacklist single action pic is this set โ€ฆ http://pic.twitter.com/LImpiekzAe

๐Ÿฃ Red: “I’m not leaving without you” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/v5MoDEdgXt

๐Ÿฃ “Yes, you are.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ROqDZfHbaA

๐Ÿฃ “No. I’m not.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/T5q66Nhz9W

๐Ÿฃ Red: “Have you ever seen the aftermath of a suicide bombing… I have” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vxaO7kQHhJ

๐Ÿฃ “It was like a perfect circle of death” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/keJfdttoUz

๐Ÿฃ “There was almost nothing left of the people closest to him” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/JBIU0kLRsE

๐Ÿฃ Woman: “Stop” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/02rDNMMYUa

๐Ÿฃ Red: “That’s every suicide. Every single one. An act of terror โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/0MbYFyOPmI

๐Ÿฃ “โ€ฆperpetrated against everyone who’s ever known youโ€ฆ Everyone who’s ever loved youโ€ฆ” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/uvRwTqarWn

๐Ÿฃ “Why would you do that?” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/EJkGPbrj2j

๐Ÿฃ Woman: “I have no choice” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/9297GNvQoX

๐Ÿฃ Red: “There’s always a choice.” Woman: Is there? That little girl โ€ฆ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ujfS8xSuD5

๐Ÿฃ “What would you do if you knew… knew… that as long as you drew breath, โ€ฆ ” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/RkrkJUnO8w

๐Ÿฃ Woman: “โ€ฆ as long as you continued to exist, her life would be in danger?” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/T2nRvSuuTG

๐Ÿฃ Woman: “I am her mother… and I am death to her.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/U08FyXSaWV

๐Ÿฃ Red nods slightly. He understands. [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/udWC8abDAj

๐Ÿฃ Woman: “Then go.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/gFA4FKOWqS

๐Ÿฃ Red: “I can’t. โ€ฆ I don’t know your name” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/XAMrbXQvL8

๐Ÿฃ “Don’t be ridiculous, Raymond” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/sjXiQlIVcD

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/22y2NTAJjo
// Red, mostly silhouette

๐Ÿฃ “You get the car” [3:19 Cape May] #TheBlacklist @NBCBlacklist (after they dispatch 6 or 7 bad guys) http://pic.twitter.com/kWkpKvNptx

๐Ÿฃ Red: “Something’s wroโ€“ ” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/jV3cU9z5Al

๐Ÿฃ The kitchen and living room are exactly as they were when he first arrived โ€ฆ [3:19 Cape May] #TheBlacklist http://pic.twitter.com/N5LJ9Tluek

๐Ÿฃ Red runs upstairs looking for the mysterious woman [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ICDHUbrlPH

๐Ÿฃ Red looks out the window at the beach [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/rhMJAp4MyX

๐Ÿฃ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/CMRVvBGR0H
// the mysterious woman walking into ocean

๐Ÿฃ “No. No, no, no” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/mCCEZR0wvi

โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚โ–‚ 120

๐Ÿฃ Red runs down the hall, descends the stairs, runs out of the inn โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ha1EcEzH8Z

๐Ÿฃ โ€ฆ And across the beach [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/GlwxbTJCFw

๐Ÿฃ This time, the woman is nowhere to be seen [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/5rzLyBfhPf

๐Ÿฃ Red runs up to the old man digging for treasure in the sand [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/pG8z5iWZ39

๐Ÿฃ Red: “Hey! Did you see a woman walk into the water?” Man: “No. I didn’t see no woman” [3:19 Cape May] #TheBlacklist http://pic.twitter.com/DdEB6YATW4

๐Ÿฃ The old man has dug up a necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/sPGvkqjt0v

๐Ÿฃ Red recognizes the necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vRjkPvC8Uk

๐Ÿฃ Red: “Could I, please? Please. I want to buy it.” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/m1V6niHFjP

๐Ÿฃ Red goes to the water’s edge and lets a wave wash over the necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/xm1VywqXwQ

๐Ÿฃ Red: [ Reading ] “To Katarina, love Papa” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/S93K0O2S0O

๐Ÿฃ The necklace [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Fr9rcfKY7B

๐Ÿฃ The mysterious woman appears. “You had no choice. It was me or Masha” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/8xysvNjeUx

๐Ÿฃ Red: “I’m sorry” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/MC6fCVqO7L

๐Ÿฃ Woman: “Raymond, you did save me. Through her” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/NsPUEtIUfD

๐Ÿฃ “It was the only way. You chose well” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/rpZzj513Lq

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/camfyvleBB
// she holds her palm against his face

๐Ÿฃ Treasure hunter: “Hey, Mister. You okay? Seem a little lost” [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/uHeOoK4tmD

๐Ÿฃ โ€ฆ [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/c5fmWPbNGX
// Red looks at the breakers

๐Ÿฃ The woman is gone [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/ugrq6HMxQ3

๐Ÿฃ Red: [ To the Treasure hunter:] There’s someone I need to see [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/8WxGw7FXG0

๐Ÿฃ That’s all. Hope you all enjoy tonight’s episode! [3:19 Cape May] #TheBlacklist @NBCBlacklist http://pic.twitter.com/xdG9YZVzou

 
โฌ† go to top

 
 

เผบ โ™ค โŠฐ ๐Ÿ”ด โŠฑ โ™ค เผป
 
 


1 Response to “๐Ÿ”ด Script 3:19 Cape May”


  1. 1 Rick Seconds
    04/24/2016 at 5:15 pm

    Loved this episode! The girl he “met” was excellent.

    Liked by 1 person


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Thank you, everyone โ™กโ™คโ™ก

๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ ๐Ÿ‡ง๐Ÿ‡ฉ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ณ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ด ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡พ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง ๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ผ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡ธ ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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