30
Sep
16

๐Ÿ”ด Script 4:2 Mato

 

๐Ÿ”ด Script: 4:2 Mato (โ„– 66)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 9/29/2016 in the US
Permalink: http://wp.me/pDKwi-3l6
Entertainment Weekly Recap: http://bit.ly/2cFvwCA
Source: Raw Script from Forever Dreaming: http://bit.ly/1QciD0C [ dump of captioning ] at 6:45am CTu

STATUS: โญ• Pending โญ• Rough โญ• Preliminary ๐Ÿ”ด Final
STATUS: ๐ŸŒ’ Pending ๐ŸŒ“ Rough ๐ŸŒ” Preliminary ๎Š Final
Last updated: 10/2/2016 at 3:45pm CT [ Central/Chicago time ]
 

เผบโœฆ โ™ค โœฆเผป
 
Director: Andrew McCarthy
Written by: Jon Bokenkamp, Michael Cerone
 
SERIES STARS:
 
Raymond ‘Red’ Reddington โ€“ James Spader
Elizabeth Keen โ€“ Megan Boone
Donald Ressler โ€“ Diego Klattenhoff
Harold Cooper โ€“ Harry Lennix
Tom Keen โ€“ Ryan Eggold
Aram Mojtabai โ€“ Amir Arison
Samar Navabi โ€“ Mozhan Marnรฒ
Dembe Zuma โ€“ Hisham Tawfiq

 
GUEST STARS:

Katya โ€“ Irina Abraham
Baz โ€“ Bazzel Baz
Mr Kaplan (Kate) โ€“ Susan Blommaert
Captain Daly โ€“ Michael Park
Maisy โ€“ Jen Ponton
Romina โ€“ Joselin Reyes
Alexander Kirk / Constantin Rostov โ€“ Ulrich Thomsen
Young Masha โ€“ Lily Lewinter
Fishing Boat Captain โ€“ Jaime Tirelli
Little Nikos โ€“ Jack Topalian
Mato/Raoul โ€“ Raoul Max Trujillo
Katarina Rostova โ€“ Lotte Verbeek
Surgeon โ€“ Michael Winther

 

Note: ForeverDreaming or Springfield’s in the UK provides a raw version of each script. These typically are available by 7:00am the next day, but can be delayed by a day or more. I add the speakers, formatting, and descriptive material when called for. Red’s lines are bolded. Action notes are in [ square brackets ]. I am sure there are mistakes.
 
 
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๐Ÿ”ด Script 4:2 Mato (โ„– 66)

Blurb: Liz has been separated from her infant daughter Agnes, forced by Alexander Kirk (aka Constantin Rostov), a man claiming to be her father, to leave Cuba headed “home.” Red and Mr Kaplan rescue Agnes, only to have her taken again by the mysterious shamanic Mato.

For S4 Episode 2: Mato: ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐Ÿ“š โฃStorybookโฃ ยค ๐Ÿ“’ Script link: http://wp.me/pDKwi-3l6 [ “you are here” ]
 

เผบโœฆ โ™ค โœฆเผป
 
[ Kirk, who claims to be Liz’s father Constantin Rostov, has forced Liz to accompany him on a float plane to a place he tells her is “home.” ]
Kirk: He won’t find youโ€“ Reddingtonโ€“ if that’s what you’re hoping for or worried about.
Liz: Tom’s alive. You don’t have Agnes. I’m not worried about anything.
Kirk: I won’t apologize for trying to restore my family.
Liz: Even if it means destroying mine.
Kirk: Reddingtonโ€“ He took you from me.
Liz: And you hate him for it, for stealing your child. I know how that feels.
Kirk: You would’ve been with Agnes now if you hadn’t tried to escape.
Liz: Yes. But then again, so would you.
[ Cellphone rings, beeps ]
Kirk: Tell me.
Mato: I got the girl.
Kirk’s Find a way across the Straits, then contact my office in the Keys. Do it quickly. Agnes has been away from her mother too long.

 
[ Suddenly, Liz lunges at the pilot. The plane nosedives ] [ Gunshot ๐Ÿ’ฅ ]
Pilot: She’s gonna kill us! Aah!
[ Wind whistling ] [ Grunts ] [ Gunshot ๐Ÿ’ฅ โ€“ The pilot is fatally shot. Liz leans over the pilot to grab the controls of the plane tries to level it. The plane is about to hit the water โ€ฆ ]

 
[ The car with Dembe, Red, Mr Kaplan (“Kate”) and baby Agnes was rammed by Mato, who has taken Agnes. Tom drives up in a red pickup truck ]
Red: The child…
[ Truck stops ]
Red: No.
[ Grunts, groans ] [ Groans ] [ Sighs ]
Tom: Liz and Agnes.
Red: No. Please assist Mr. Kaplan.
Tom: You all right?
[ Red clears throat ] [ Dembe grunts ]
Tom: Where are they?
Red: In danger. How did you find us?
Tom: I had Aram tracking that car. I spent the better part of the day stuck in the trunk.
Red: Who was the driver?
Tom: Had to be one of Kirk’s hired hands. 6-foot, rough trade, dark skin. Likes Western wear.
Kate: Mato. I saw his face.
Tom: Who’s Mato?
Kate: A finder. A tracker. Killer when necessary.
Tom: How do we find him?
Kate: I don’t know.
Red: You don’t know or you won’t say?
Kate: We had a mutual friend. He gave Mato his start as a skip tracer. It was years ago.
Red: Little Nikos.
Kate: I can talk to him. If he knows anything, he’ll tell me.
Red: West Texas’ favorite bail bondsman. An Amarillo institution for 25 years to life. Dembe, call Edward. Tell him to ready the jet. We’re gonna pay a visit to Little Nikos.

 
[ Liz wakes in the crashed plane. Kirk is unconscious ] [ Water lapping ] [ Gasps ] [ Grunts ] [ Metal creaking ] [ Object thuds, water pouring ]

 
[ Aram runs up metal stairs still the Post Office ]
Aram: Excuse me. Sorry. It’s Mr. Reddington.
Red: [ On phone ] We have two targetsโ€“ Elizabeth Keen and Agnes Keenโ€“ traveling separate paths to an unknown location. Constantin Rostov, also know as Alexander Kirk, fled with Elizabeth in a private seaplane that departed from Playa Larga… mm, less than an hour ago, due west.
Aram: What about Agnes?
Red: I have a lead on Agnes. She was abducted by one of Kirk’s private contractors, a high-priced tracker known only as Mato. He missed the flight off the island.
Samar: Then he’s trapped in Cuba. There’s no way he’ll make it past the PNR after the international incident you just caused there.
Red: Ordinarily I would agree with you, Agent Navabi, but Mato isn’t your garden-variety mercenary. From what I’m told, he’s an Indianโ€“ part Sioux, part I don’t know what, son of a Shaman. Mato could sneak up on a deer in a glade and smack it on the rump. He’ll find his way off the island.
Cooper: We’ll notify the seaports just in case. Good luck. And let us know what you turn up. [ Receiver beeps ] Contact Customs and Border Patrol. They work with the Coast Guard to monitor the air and waters around Cuba.
Samar: Sir, I don’t understand why we’re going to such extremesโ€“
Cooper: Agent Ressler is on a return flight from Cuba. It’s time to set aside your personal feelings and help out this investigation.

 
Kate: This is my fault. If anything happens to Elizabeth or the baby…
Tom: You have nothing to apologize for. You tried to help us find a normal life. I’d take that risk again. [ To Red ] I don’t regret trying to get away from you.
Red: Of course you don’t. Regret requires age or wisdom.
Tom: We were trying to protect Agnes.
Red: I guess that didn’t work out. When we get to Amarillo, I think it would be best to do as I say, both of you.

 
Liz: Mayday, mayday, mayday. Plane down off the coast of Havana. 23 degrees, 52 minutes north.
[ Water pouring ]
Liz: 82 degrees, 49 minutes south. Mayday, mayday, mayday. Can anyone hear me?
Kirk: My sat phone.
Liz: Gone.
[ Static crackling ]
Kirk: You need to untie me, Masha.
Liz: Mayday, mayday, mayday, is anyone there?
[ Loud clank ]
Kirk: What was that? You need to know that Agnes is safe. She’ll be cared for.
[ Metal creaking ]
Kirk: You see anything?
Liz: One of the pontoons is taking on water. We don’t have long.
Kirk: Untie me! Masha, I’m your father. You can’t let me drown.
Liz: Watch me.
[ Static ]

 
Captain Daly: We’ve got every sonar operator in the Miami district working on this. We launched the search as soon as I received your call.
Samar: Any chance the plane is still in range?
Daly: A light aircraft, flying low and slow? We’ll find it. We monitor 2 million square miles of ocean from Miami.
Samar: Agent Ressler, welcome back. This is Captain Daly. He’s our liaison with the US Coast Guard.
Daly: I’m authorized to give you full access to our radar screens.
Ressler: If that seaplane is flying low, won’t it avoid detection?
Daly: Most radar transmitters are on the ground, aimed at the sky. Ours float in the sky on balloons, looking down. They’re designed to detect small aircraft, like the one you described. If you don’t mind me asking, who’s on the plane?
Ressler: Friend.
Samar: [ At the same time as Ressler ] A fugitive.
Daly: Sounds complicated.

 
[ Red and Kate get out of the car ]
Kate: When we get inside, let me talk to him. He and I have history.
Red: He and I don’t. I’ll be more persuasive.
Kate: Is that what this has come to? The chance for you to punish me by hurting someone I care about?
Red: You are not my concern. Agnes is. If someone you care about is hurt in the process of finding her, so be it.
Kate: Do you remember what I looked like that night? Lying in the street, my head torn open… Annie’s body in front of me.
Red: You know I don’t know what you looked like. I was away.
Kate: Right, but he does. Little Nikos sat by my bed in the hospital. When I healed, he gave me work, a reason to push on. He’s a decent man. I’m only here to serve you today because of his kindness.
Red: You may speak to him first. Briefly.
โ‹˜โ‹™
[ Door bell jingles ]
Maisie: Afternoon. Can I help you?
[ Door closes ]
Kate: Little Nikos, please.
Maisie: Oh, wish I could oblige, Miss…
Kate: Mr. Kaplan, an old friend.
Maisie: Mr. Kaplan, I wish I could oblige, but Nikos is takin’ a little nap.
Red: Perhaps it’s time for a wake-up call.
Maisie: Uh, I’m afraid that’s not possible. He’s in surgery.
Red: Where?
Maisie: His stomach.
Red: And where might we find his stomach?

 
[ Red and Kate burst into an operating room where a laparoscopic surgery is underway ]
Ellen: I told him he couldn’t come in.
Red: Oh, my. Me and my timing.
Surgeon: What the hell is going on?
Red: Is this a lap band? I knew all those desserts would catch up with Little Nikos one day. I think I see some baklava in there.
Surgeon: Put that down. Helen, get him out of here. Call building security.
Red: I need your capable team here to wake up your patient.
Surgeon: What? Call security right now.
Red: Wake him up.
Surgeon: I can’t. We’re in the middle of a procedure. I’d be putting his life in danger.
Red: His life’s already in danger. [ Draws gun ] How ’bout yours?
[ Monitor beeping steadily ]

 
Kirk: There are no life vests, no inflatable rafts. We’re gonna flip. Our only chance is out there, holding onto the pontoons.
Liz: You mean my only chance. [ Unzips pocket ] You’re not going anywhere. [ Seat belt clicks ] [ Exhales sharply ] [ Gunshot (flare) ๐Ÿ’ฅ ]
Kirk: We’re not gonna survive unless we trust each other.
Liz: I’ll never trust you.
[ Kirk has gotten the gun when Liz was distracted with the flare. He points it at her ]
Kirk: We’re a family. Not Reddington. Us. If you wanna hold your child in your arms again, we need to trust each other.
[ Kirk hands the gun to Liz ]

 
Ressler: The Coast Guard just picked up a brief ELT signal from a light aircraft west of Havana, somewhere in the Gulf of Mexico.
Cooper: An ELT signal? Are you telling me their plane went down?
Samar: It appears that way, sir.
Cooper: But we have a location for them.
Ressler: It’s not that simple. This ELT signal’s an older model. Analog frequency.
Aram: No digital signal to carry GPS coordinates.
Samar: ELTs are notoriously unreliable, especially if they’re… submerged underwater.
Captain Daly: We’ve narrowed the search field to 220 square miles. SAR teams are gearing up now.
Aram: I know this is not about me, it is about Agent Keen, but I don’t know if I have the strength to lose her again.
Samar: None of us do.
Cooper: Stay on it. Say a prayer. And notify me the minute you have an update.

 
Surgeon: He’s awake and in excruciating pain. I gave him a self-administering morphine drip to manage his discomfort. Even that won’t be enough unless you get what you want quickly and leave.
Red: [ To Kate ] Remember… we’re getting what we need, one way or another.
[ Monitor beeping steadily ] [ Nikos groans softly ]
Little Nikos: Kate. What are you… What’s happening?
Kate: We only have a minute. Raymond Reddington is here. [ Nikos grunts ] He wants Mato.
[ Breathing heavily ] [ Groans ] [ Click ] [ Groans ]
Kate: Tell me how to find Mato.
Little Nikos: No.
Kate: He’ll kill you if you don’t.
Little Nikos: He’ll kill Mato if I do.
Red: I’m not gonna hurt you, Nikos. You’re a good man. Loyal. Protective of those who are protective of you. I admire that in a person. Unfortunately for you, I’m surrounded by people who don’t. Tom, I’d like to introduce you to Little Nikos, the man who’s protecting the sociopath who stole your baby. Good luck with that surgery, Nick.

 
[ Kirk and Liz are clinging to the pontoons of the overturned float plane ]
Kirk: Don’t let go. No matter what, don’t let go.
Liz: They’re looking. The FBI, the Coast Guard. They’ll find us.
Kirk: They’ll find you… [ Gasps ] …which is enough.
[ Kirk exhales sharply, then loses his grip and slips under the water ]
Liz: No. No!
[ Liz dives down and saves Kirk ]
[ Grunts ] [ Inhales deeply ] [ Gasps ] [ Grunts ] [ Exhales sharply ]
Kirk: I told you not to let go.
Liz: I can help you.
Kirk: It’s too much.
Liz: You said we have to trust each other. Do you trust me?
Red tape recorder files qqqqaaaqKirk: Yes.
Liz: Then hold on. They will find us. They will find us.

 
[ Tom shows Little Nikos a small photo of baby Agnes ]
Tom: Here’s my little girl. That’s Agnes. I’m gonna put this right… here, because she is the reason I am doing this. Remember that.
[ Tom puts the photo on the adjustable surgical light where Little Nikos can see it ]
[ Little Nikos reathing heavily ]
Tom: I’ll just take this. That’s enough, yeah. ร‘ n
[ Grunts, exhales sharply ]
Tom: Tell me how to find Mato.
Little Nikos: I… I can’t do that.
Tom: Well, you do have guts.
[ Nikos breathing shakily ] [ Instrument whirs ]
Tom: What do you think this does? [ Whirring ]

 
[ Red and Kate are sitting in the waiting room ]
[ In the next room, Nikos screams, cries ]
Red: I’m sorry it had to be Nikos.
Kate: If there’s no sincerity behind your words, don’t waste them.
[ Nikos screaming ]
Red: What would you have me say, Kate?
Kate: Say that you understand. I didn’t just give you my friend as an act of contrition. I’m not sorry for what I did. I betrayed you for the same reason I just betrayed Nikosโ€“ to keep Elizabeth safe, just like you asked me to all those years ago, when you first put her in my arms as a baby girl, only now she has a baby girl of her own, and your existence in their lives puts them in constant danger. โ‹˜โ‹™ Say that you understand or don’t say anything at all.
[ Nikos screaming ]

 
Liz: Hey, stay awake. Stay with me. Talk to me. Tell me, uh, about your parents. What were their names?
[ Ship horn blows ]
Liz: Help! Over here! Help!
[ Horn blows ] [ Liz waves to get the boat’s attention ]

 
[ Door opens ]
Tom: I got a phone number and a password.
Red: Nakaidoklini?
Tom: It’s a famous medicine man. I don’t know. You text that name to that number using Nikos’ cellphone, and Mato will show up in person at the bail office. It’s how they do it.
[ Kate goes to Nikos’ bedside. Monitor beeping steadily ]
Kate: I’m so sorry, Nikos.
Red: [ Beckoning her: ] Kate.

 
Liz: Oh, thank you. Thank you. Uh, he needs medical attention. First aid? Uh, do you understand? Medicina.
Boat Captain: ยฟMedicina? Sรญ. I have a first aid kidโ€“
Liz: Good, good. Show me. He needs it right now. Right now.
Kirk: Why did you save me? Why?
Liz: Because you know where Agnes is.
Kirk: Is that the only reason?
Liz:You need to keep pressure on that leg. You’ve lost a lot of blood.
[ Groaning ]
Liz: I saved you because of Agnes, but… also maybe because you might be telling the truth.
โ‹˜โ‹™
[ Liz talks to the boat captain alone ]
Liz: Me llamo Elizabeth Keen. I’m with the FBI. That man was in my custody when our plane crashed.
Captain: ยฟMedicina?
Liz: No, no, no, no. Uh… Seรฑor… terrorist. Muy malo. Muy malo.
Captain: ยฟTerrorista?
Liz: [ Whispers ] Shh, shh, shh, yes. Uh, necesito un radio.
Captain: ยฟRadio? Sรญ, sรญ.
[ Switch clicks ]
Liz: [ Speaking Spanish ] Do you have a gun? ยฟPistola?
Captain: ยฟPistola? The gun is in the toolbox. [ Speaks in Spanish ]
Liz: Uh, I don’tโ€“ No comprendo.
[ Switch clicks ]
Captain: [ Speaks in Spanish; no subtitles ]
Liz: No, slow down. Please slow down…
[ Gunshot ๐Ÿ’ฅ โ€“ the captain is hit ] [ Groans ]
Kirk: I believe he said the pistol is in the toolbox.

 
[ Ressler knocks on door ]
Cooper: Come in.
Ressler: Coast Guard just intercepted a distress call on the Gulf. Some Cuban fishing vessel. Keen was on board.
Aram: So she’s alive?
Cooper: You can come in, Aram.
Aram: Sorry, I just wanted to hear the update, which is… the greatest update ever.
Cooper: Did you talk to her?
Ressler: No, but we heard her voice. The pilot was in the middle of giving the coordinates when the transmission cut out.
Cooper: The signal cut out? Why? Could you get it back?
Ressler: All that matters is that the search teams have a target now. They’re gonna find that boat.
Cooper: Agent Ressler… the signal. What aren’t you telling me?
Ressler: Keen’s voice. The last thing we heard was her asking if there was a gun on board.

 
[ A wooded site. Agnes lies on a blanket on the ground. Mato performs a Native American ritual over her as Romina watches ]
Mato: Honor the sacred, Honor the Earth, and everyone who shares it. Honor the elders… โ™ช …the 4-legged, the 2-legged, the winged ones, the plant and animal people. Walk in beauty and balance. Oy, kak krasivo!
[ Two men with Russian accents walk in on the scene ]
Russian: I take photo for Facebook, yeah? [ Chuckles ] You don’t want your money?
[ Russian tosses black leather bag to Mato ]
Mato: I need to know that you’re gonna safely deliver that baby to Kirk.
Russian: His jet is waiting at MIA.
[ Velcro rips: Mato checks contents of satchel ]
Mato: [ To Romina ] Put the girl into Kirk’s hands only.
Romina: I understand.
[ Cellphone chimes. Mato checks the text message. It’s from Nikos ]

 
[ Motor whirring ]
Liz: If this man diesโ€“
Kirk: It’ll be your fault. You got him involved. [ Click: Kirk speaks into phone ] I need an ETA.
Man: Intercept team should reach your position in 20 minutes. They want to know how many passengers, over.
Liz: Three passengers, and make sure there’s a medical team standing by.
Kirk: [ Click ] Two passengers. Over.
[ Static hisses ]
Kirk: I know you were lying about believing in me. But I promise, once we reach our destination, you’ll know that everything I’ve told you is true.
Liz: Of course you believe that. You’re a classic narcissist. You were, what, abused as a child? Abandoned? Made to feel powerless? You must’ve suffered some sick, traumatic, dark event to believe that the sick, traumatic dark things you’ve done to me and everyone I care about could ever result in me loving you.

 
[ In the bail office, Maisy sighs, is sweaty, appears stressed ]
Red: You’re doing fine, Maisy.
Dembe: He should be here any minute.
โ‹˜โ‹™
[ In the car, waiting outside for Mato ]
Tom: Sorry about Nikos.
Kate: You did your job.
Tom: I know, but… I didn’t mean to… He knew where my baby was, all right? That’s the only reason I pushed so hard.
Kate: Why are you telling me this?
Tom: Because he’s your friend.
Kate: So you want me to make you feel better? Everyone wants me to make things easier for them. Cleaner. That’s what I am, after all, the Cleaner.
Tom: Just forget I brought it up.
Kate: In my desire to make life easier for your baby, I betrayed Raymond, and now he doesn’t know what to do with me. Well, he knows what he has to do, and he wants me to make it easier for him. But I won’t. I’m not here to make him feel better, and I’m not here to make you feel better, Tom.
[ Footsteps approaching. Mato pauses at door of office ]
Kate: I need some air. [ She gets out of the car ]
โ‹˜โ‹™
[ Maisy humming ]
[ Mato walks up to door of Nikos’ office. Kaplan sees him. He sees Kaplan and takes off running. Tom takes off after him. Dembe soon follows ]
[ Chase scene ]
Man: Watch yourself!
[ Door bangs opens ] [ Tires screech as Kate drives the car into Matoโšก๏ธ] [ Grunts ]
Tom: Where’s my daughter?! Where’s my daughter? [ Punches Mato ]
Mato: Uhh!
Tom: Huh? Where is she?! Whereโ€“ where’s my daughter? Huh? Where is she?
Red: Tom!
[ Mato grunts ]
Red: Let’s get out of the heat. [ To Kaplan: ] Thank you.
Kate: Of course, Raymond.

 
Captain Daly: Found your boat near Madeira Bay, a few miles offshore. It’s being escorted to a nearby marina.
Ressler: Was there anyone on board?
โ‹˜โ‹™
[ Ressler and Samar are at the marina ] [ Indistinct conversations ]
Samar: Where’s the survivor?
[ The boat captain is receving medical attention on the pier for his gunshot wound ]
Ressler: Excuse me. FBI. We need a minute. [ To the boat captain ] Sir, the woman, the one who was with you, where is she?
Captain: I don’t understand.
Samar: [ In Spanish, no subtitles ] Where is the woman?
Captain: [ In Spanish ” ” ] He took her. On a speedboat. They took her away in a speedboat.
Samar: Who took her away? Quien se la llevo?
Captain: The terrorist.
Ressler: Where the hell are they?

 
Kirk: Put Romina on the phone. I want Agnes to see her mother.
Liz: Where is she?
Kirk: We’ll all be together soon.
[ Kirk gives Liz his cellphone ]
[ Agnes appears on cellphone, coos ]
Liz: Hi, Agnes. Hi.
[ Agnes babbling ]
Liz: Did you hear that? We’re gonna be together soon.
[ Agnes coos ]
Liz: I love you.

 
Red: This’ll be quick, as I have no time and less patience. Tell me where Alexander Kirk took Elizabeth Keen and her daughter. [ Silence ] The strong silent type. You’re not doing much to break down stereotypes here.
Mato: I’m not afraid of pain.
Red: Mm. Or dying, I’m sure. You know, some years back, I was hiking Devils Tower for a bracing dip in the spiritual vortex, when who did I run into but the tribal leader of the Lakota Nation, a man of vast responsibility. He invited me to witness the extreme version of the Sun Dance ritual.
Mato: Not just anyone can attend the Sun Dance.
Red: True, and you can’t get a table at The Fat Duck without a reservation. But I find in either case, a generous donation gets you in the teepee. I watched a tribal member, much like yourself, suspend himself from a cottonwood tree with flesh hooks through his chest. Three hours he dangled, skin stretched like salt water taffy, while he left his body to communicate with the Great Spirit. Like you, the man on that tree didn’t fear death. But you know what terrified him? The thought of eternity on earth, trapped in a dark box, surrounded by rotting flesh, forever. I hear that’s why some Native people leave spirit holes in their caskets, to allow their souls to pass on to the next great hunting ground in the sky.
[ Cuckoo clock chiming ]
Red: After I shoot you, sir, you will be locked in an airtight, concrete crypt, unless you tell me what I need to know before those figures stop dancing.
[ Music playing ]
Mato: Kirk said they’re going to the Summer Palace. That’s all I know.
Red: Yes. I know the Summer Palace.
[ Music continues playing ]
[ Heard from next room where Tom and Kate wait: Gunshot ๐Ÿ’ฅ ] [ Thud ]

 
[ Turns off engine ]
Liz: What is this place?
Kirk: It’s yours. It belongs to you and Agnes, of course. It’s a lovely location to raise a little girl, don’t you think?
Liz: The armed goons don’t do much for the landscape.
Kirk: Well, the coercion was necessary and temporary. All I ever intended to do was show you, prove to you who you are, who I am. And then you can choose for yourself.
Liz: Like a Russian fairy tale.
Kirk: That’s right. Excuse me, Elizabeth. I have much more to show you, but my physician is waiting for me.
Katya: Hello, Elizabeth. My name is Katja. You can think of me as the Palace Keeper.
Liz: Palace? The Summer Palace. It’s what Mr. Kirk calls the cottage. Anything you need during your stay, let me know.

 
[ Telephone rings, beeps ]
Cooper: Director Cooper.
Red: I know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton Island, Nova Scotia. Kirk owns a cottage there where he would go to escape the dreary summers in Novosibirsk.
Cooper: Are they hurt? Injured?
Red: I don’t know and I can’t find out. I’m deep in the heart of Amarillo, Texas. How quickly can your people get there?
Cooper: Agents Ressler and Navabi are flying back from Miami. I can redirect their plane.
Red: I’ll send you a location.
Kate: [ Referring to cleaning up the death scene: ] I’ll handle this quickly.
Red: You always do, Kate.

 
[ Door closes ]
Katya: Can I get you something else?
Liz: Yes. My daughter.
Katya: I understand, Elizabeth. I know some of what you’ve been through, but little Agnes will be here soon. And when she’s here, you will need your strength.
Liz: Tell me about Kirk. How long have you known him?
Katya: I have worked here for nine years. I took over from my mother. She worked my entire childhood maintaining the Summer Palace.
Liz: So you know him well?
Katya: No, actually, I don’t. He hasn’t visited here in years. It’s been… too painful for him. Until now.

 
[ Liz investigates the cottage. She finds a Russian children’s book on a table in a library ] [ Floorboards creak ] [ She walks past the room where Kirk is receiving medical care ]
[ Doorknob squeaks ]
[ Liz enters a room for a young girl. On a child-sized table with dolls seated on small chairs, she finds a drawing of a little girl holding hands with her parents. It is the same painting seen in her memories of the fire evoked during the memory recall session and in flashbacks. But it is whole, unscorched, pristine ]
[ Footsteps approach. It is Kirk ]
Liz: This was my bedroom.
Kirk: Welcome home, Masha.
โ‹˜โ‹™
Kirk: I promised you the truth.
Liz: But… there was a fire. I… I shot my father. I remember.
Kirk: What’s the memory of a small child? You didn’t remember me or your mother or this room. Reddington lied to you, Masha. He told you your father was dead, but thanks to youโ€“ what you did on the waterโ€“ I’m very much alive. All the stories Reddington’s told you about who he is and his connection to youโ€“ he knew you were looking for answers and he took advantage of that to re-enter your life. But the answers you’ve been looking for are here.

Reddington, he was in love with your mother and he’s obsessed with you.

Liz: But it can’t be true.
Kirk: [ Whispers ] But you know it is. [ Normal voice ] I’m sorry. I said too much. You must be feeling overwhelmed. I’ll go and check on your daughter’s arrival. Do you know why I call this cottage the Summer Palace? We came here for a vacation one July, and my little princess loved it. It’s been a palace ever since.
[ Jono McCleery’s โ™ซ “Where Are You?” playing ]
[ โฌ‡ Go to Full Lyrics ] or [ โ™ช Tap square below twice to play โ™ช ]

โ™ช can you โ™ช
โ™ช or me โ™ช
โ™ช save anyone โ™ช
โ™ช from disappearing? โ™ช

โ™ช the shape โ™ช
โ™ช of time โ™ช
โ™ช a shade of light โ™ช
โ™ช receding โ™ช

[ Liz finds a copy of the photo of herself as a child on a swing with her mother. She flashes to: A small, dark-haired girl peering out the window to see the very swing in the photo. Liz goes outside and the swing is there. She walks up to it. She recalls her mother telling her (in Russian) that she is burying a “time machine” (in a coffee tin) in the garden near the swing. Young Liz has brought “treasures” including a Russian nesting doll. Her mother adds her own yarn bracelet to the tin, puts the cover on, and buries it. In the present time, Liz digs and finds the tin. She takes our her mother’s yarn bracelet and puts it on. ]

[ Russian dialog with subtitles: ]
Katarina: There you are. Did you bring some treasures? โ€“ Oh, these are beautiful! This is a time machine. One day you will come back here, open it, and remember me.
Masha: Yes, Mommy.

โ™ช where I sleep โ™ช
โ™ช in your arms โ™ช
โ™ช what I see โ™ช
โ™ช shut all paths โ™ช

โ™ช where they lead โ™ช
โ™ช where you are โ™ช
โ™ช all I need โ™ช
โ™ช home โ™ช

[ Suddenly, an FBI helicopter appears overhead ]
[ Shouting ] [ Tires screech, car doors close ]
[ Ressler and other agents run toward the front of the cottage ]
Ressler: Spread out! Come on, let’s go!
[ Man shouts indistinctly ] [ Gunshots ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ]
Ressler: Return fire!
[ Gunshots ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ]
Guard: Aah! [ One of Kirk’s guards tumbles off a balcony ]
FBI: [ Shouts indistinctly ] Move in! Move in!
[ An armed agent encounters Liz in the house, points his rifle at her ]
FBI: Hands in the air! In the air!
Ressler: Stand down! Stand down, she’s one of ours. Secure the house. Find Kirk. Find that child.
[ Liz and Ressler stare at each other for an endless second ]
โ‹˜โ‹™
Man: [ Speaks indistinctly ] I got hot.
[ Birds chirping ] [ Men speak indistinctly ] [ Radio beeps ]
Samar: He’s gone, and if Agnes is with him, she’s gone, too.
[ Radio beeps ] [ Men shouting indistinctly ]
[ Liz is being led toward a police vehicle when she sees Ressler ] [ They hug ] [ Liz sobs ]

 
[ A black SUV pulls up in front of an industrial-looking building. Liz and Ressler get out. Baz is there ]
Baz: He’s waiting for you inside.
Liz: Where are we?
Baz: Home. Your home.
โ‹˜โ‹™
[ Red has been observing Liz’s arrival from his car. Briefly, Red and Liz make eye contact. He offers a faint hint of a smile. Her look is chilly ]
Red: [ Turns away ] [ To Dembe ] Let’s go.
[ Red rolls up his window ]
โ‹˜โ‹™
[ Baz escorts Liz through the almost-empty building ]
Liz: What is this place?
[ A warm light appears, an apartment in a remote part of the facility ]
[ Tom is there ] [ They embrace ]
[ Exhales sharply ] [ Crying ] [ Exhales sharply ]
Tom: I’m gonna find her.
[ Sniffles ]

 
[ Dembe drives Red and Kate through a deeply wooded area ]
[ Gordon Lightfoot’s โ™ซ “If You Could Read My Mind” playing ]
[ โฌ‡ Go to Full Lyrics ] or [ โ™ช Tap square below twice to play โ™ช ]

โ™ช if you could read my mind, love โ™ช
โ™ช what a tale my thoughts could tell โ™ช
โ™ช just like an old-time movie โ™ช
โ™ช ’bout a ghost from a wishin’ well โ™ช
โ™ช in a castle dark โ™ช
โ™ช or a fortress strong โ™ช
โ™ช with chains upon my feet โ™ช
โ™ช you know that ghost is me โ™ช
โ™ช and I will never be set free โ™ช
โ™ช as long as I’m a ghost that you can’t see โ™ช

โ™ช if I could read your mind, love โ™ช
โ™ช what a tale your thoughts could tell โ™ช

Red: [ To Dembe ] Stay with the car.
[ Red and Kate walk into the woods ]

โ™ช just like a paperback novel โ™ช
โ™ช the kind the drugstores sell โ™ช
โ™ช when you reach the part where the heartaches come โ™ช
โ™ช the hero would… โ™ช

Red: There are places back here that have never borne a human footprint. 53,000 acres of virgin wilderness, all but one owned by the Bureau of Land Management. One acre, a jewel. A single buildable acre. Like a flawless diamond set in a sea of emeralds. The real estate equivalent of a unicorn. I acquired it some years ago from a family who had held it in trust for over a century and a half.
Kate: Beautiful.
Red: Yes. [ He stops ] You understand, Kate, that Iโ€“
Kate: Have no choice? Isn’t that the speech, Raymond? That I know too much? Every single one of your weaknesses, all your faults, all your secrets. I dedicated my life to you. You entrusted me with everything you valueโ€“ your freedom, your life, a child. I have never failed you. What you see as a betrayal of trust was actually a fulfillment of your wishes, to protect your interests. No more, no less.
Red: You presumed to decide what was best for me. Even if I resolve the anger, the pain you caused… I can’t trust you. Ever. I’m standing before a stranger. And yet, I know you believe what you did was best for Elizabeth, which is why I brought you here. You’ve told me you’ve always wanted a pristine, unspoiled place to live out your days in peace. So the acre is yours. For all eternity.
[ Red cocks gun ] [ Gunshot ๐Ÿ’ฅ ] [ Kate spins and collapses, face first, arm outstretched ] [ Red turns around and walks away ]

โ™ช if you could read my mind, love โ™ช
โ™ช what a tale my thoughts could tell โ™ช
โ™ช just like an old-time movie โ™ช
โ™ช ’bout a ghost from a wishin’ well โ™ช
โ™ช in a castle dark โ™ช
โ™ช or a fortress strong โ™ช
โ™ช with chains upon my feet โ™ช
โ™ช you know that ghost is me โ™ช
โ™ช and I will never be set free โ™ช
โ™ช as long as I’m a ghost that you can’t see โ™ช

[ Kate’s right hand moves, grasping a handful of grass ]

 
โฌ† go to top
 
โŒโŒโŒ 4:2 Mato
 
For S4 Episode 2: Mato: ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐Ÿ“š โฃStorybookโฃ ยค ๐Ÿ“’ Script link: http://wp.me/pDKwi-3l6 [ “you are here” ]

 

เผบโœฆ โ™ค โœฆเผป

Episode Songs

 

โ™ซ Where Are You?”
By Jono McCleery

โ™ช can you?
or me?
save anyone?
from disappearing?

โ™ช the shape
of time
a shade of light
receding

โ™ช i… i…see
in your eyes
i… i…see
shine all bright
i… i…see
in your eyes
i… i’ll be
whole

๐ŸŽน Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2cVgwPm
YouTube link: http://youtu.be/LaTlb-bDFOk

 


 

โ™ซ If You Could Read My Mind
By Gordon Lightfoot

โ™ช If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
‘Bout a ghost from a wishin’ well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as I’m a ghost that you can’t see

โ™ช If I could read your mind, love
What a tale your thoughts could tell
Just like a paperback novel
The kind the drugstores sell
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you won’t read that book again
Because the ending’s just too hard to take

โ™ช I’d walk away like a movie star
Who gets burned in a three-way script
Enter number two
A movie queen to play the scene
Of bringing all the good things out in me
But for now love, let’s be real
I never thought I could act this way
And I’ve got to say that I just don’t get it
I don’t know where we went wrong
But the feeling’s gone and I just can’t get it back

โ™ช If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
‘Bout a ghost from a wishin’ well
In a castle dark or a fortress strong
With chains upon my feet
But stories always end
And if you read between the lines
You’ll know that I’m just tryin’ to understand
The feelings that you lack
I never thought I could feel this way
And I’ve got to say that I just don’t get it
I don’t know where we went wrong
But the feeling’s gone and I just can’t get it back

๐ŸŽน Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2dyut48
YouTube link: http://youtu.be/v5tr_L31StI

 


 
โฌ† go to top
 

โญ• Episode Songs โ‡ˆ and Photos โ‡Š

 
Episode 4:2 Mato is also available as a Twitter “Moment”. Results vary by browser and app. Advantages are it’s chronological and the photos and captions are together. Also, Twitter photos are higher resolution than the WordPress photos on this blog. Disadvantages: Each Moment can include no than 100 Tweets (so there are sometimes more than one Moment per episode). And, for best results, you will want a Twitter account. (You can do what Red would do and use an alias: the only real info it requires is a phone number to make sure you’re not a bot.)

Or you can continue using the Twitter links in “Episode in Tweets” below.

Here is the link to the Twitter Moments file:
 

เผบโœฆ โ™ค โœฆเผป
 
(Reverse chronological)
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file-oct-06-11-28-41-pm
 
img_1265
 
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file-oct-06-11-29-15-pm
Robo-collage โ‡ˆ created by Twitter Search โ‹™ from:BlacklistDCd since:2016-10-1 until:2016-10-6 [4:2
 
เผบโœฆ โ™ค โœฆเผป
 
img_0835
 
img_1247
 
img_1127
 
img_1043
 
img_1232

 
 
GENERAL ๐Ÿ”ท

๐Ÿ”ด Script [4:2 Mato] http://wp.me/pDKwi-3l6 ๎Š FINAL ๎Š #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816030028433649665/photo/1

๐Ÿ”ด Storybook Season 4 updated through Episode 4:2 Mato http://wp.me/PDKwi-3iR#mato #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/782686886854660097/photo/1

๐Ÿ”ด Easy-Search Scripts for Season 4 http://wp.me/pDKwi-3lZ#mato updated through Episode 4:2 Mato #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/782686886854660097/photo/1

๐Ÿ”ด Script 4:2 Mato http://wp.me/pDKwi-3l6 ๐Ÿ”ด Storybook http://wp.me/PDKwi-3iR #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816030028433649665/photo/1

โšก๏ธ #TheBlacklist 4:2 Mato ~ A Twitter “Moment”: All my Tweets on this episode in a collection @NBCBlacklist https://twitter.com/i/moments/849785619006066688?lang=en

 
 
PORTRAITS

๐Ÿฃ Red: “Remember… we’re getting what we need, one way or another.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704145175400448/photo/1

๐Ÿฃ Kate: “We only have a minute. Raymond Reddington is here. He wants Mato.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784174194485370882/photo/1

๐Ÿฃ Tom shows Nikos a photo of Agnes. He then gets the info by prodding Nikos w a surgical saw [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784177036973576192/photo/1
// silhouette

๐Ÿฃ Mato blesses Agnes before turning her over to Kirk’s men [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704793644105728/photo/1

๐Ÿฃ “I know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton, Nova Scotia” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784188488857989120/photo/1
// Red, 3/4, heavy shading

๐Ÿฃ Katarina: [ In Russian ]: “There you are. Did you bring some treasures?” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194273243570176/photo/1

๐Ÿฃ Red: “Even if I resolve the anger, the pain you caused… I can’t trust you” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202981906403329/photo/1

๐Ÿฃ Liz: “I’ll never trust you.” Kirk gives the gun back to Liz. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784170734159474688/photo/1
// Liz, sad and pouty

 
 
THE EPISODE IN TWEETS (chronological)

๐Ÿฃ Claiming to be her father, Alexander Kirk leads Liz to struggle for control of the plane [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849769001916002304/photo/1

๐Ÿฃ Mato rammed Red’s car with Kate, Dembe and Agnes inside. Red tells Tom Mato took Agnes [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784168037284843521/photo/1

๐Ÿฃ Kate saw tracker Mato take Agnes. “Little Niko” can lead them to Mato [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784168738241208321/photo/1

๐Ÿฃ Tom has no regrets. Red: “Of course you don’t. Regret requires age or wisdom” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784169145579417600/photo/1

๐Ÿฃ The float plane is down. Kirk: “Untie me! Masha, I’m your father. You can’t let me drown.” Liz: “Watch me.” https://twitter.com/BlacklistDCd/status/784169756894957568/photo/1

๐Ÿฃ Kirk frees himself and grabs the gun. “We’re not gonna survive unless we trust each other.” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849770223607721984/photo/1

๐Ÿฃ Liz: “I’ll never trust you.” Inexplicably, Kirk gives the gun back to Liz. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784170734159474688/photo/1

๐Ÿฃ Kate: “When we get inside, let me talk to him. He and I have history.” “You may speak to him first. Briefly.” [4:2 Mato] https://twitter.com/BlacklistDCd/status/784171287648145408/photo/1

๐Ÿฃ Maisie: “Nikos is takin’ a little nap.” Red: “Perhaps it’s time for a wake-up call.” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849771598710222849/photo/1

๐Ÿฃ Red: “Oh, my. Me and my timing. I need your capable team here to wake up your patient.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772017314394115/photo/1

๐Ÿฃ Red: “I think I see some baklava in there.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772352632225792/photo/1

๐Ÿฃ Red: “Remember… we’re getting what we need, one way or another.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772761102917633/photo/1

๐Ÿฃ Kate: “We only have a minute. Raymond Reddington is here. He wants Mato.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784174194485370882/photo/1

๐Ÿฃ Kate: “Tell me how to find Mato.” Little Nikos: “No.” “He’ll kill you if you don’t.” “He’ll kill Mato if I do.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849773888355676160/photo/1

๐Ÿฃ Kirk lets go, but Liz dives down & saves him. Liz: “You said we have to trust each other.” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849774352392433664/photo/1

๐Ÿฃ Tom shows Nikos a photo of Agnes. He then gets the info by prodding Nikos w a surgical saw [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784177036973576192/photo/1
// silhouette

๐Ÿฃ At last, a fishing boat sees Liz and Kirk and picks them up. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784177450527760384/photo/1

๐Ÿฃ Kirk shoots the captain when he hears Liz ask for a gun [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784178095276199936/photo/1

๐Ÿฃ “Honor the sacred, Honor the Earth, and everyone who shares it. Honor the elders…” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784178547963244544/photo/1

๐Ÿฃ Mato blesses Agnes before turning her over to Kirk’s men [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704793644105728/photo/1

๐Ÿฃ Kate: “I betrayed Raymond, and now he doesn’t know what to do with me.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816047065436487680/photo/1

๐Ÿฃ Mato shows up at Little Nikos’ office, but he recognizes Kate and takes off. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784179896973037568/photo/1

๐Ÿฃ Tom and Dembe chase Mato. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180240679522304/photo/1

๐Ÿฃ Kate drives the Mercedes into Mato and stops him. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180577293303808/photo/1

๐Ÿฃ The fishing boat captain says Kirk and Liz escaped in a motorboat. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180941539250177/photo/1

๐Ÿฃ Kirk gives Liz his cellphone. Agnes appears on cellphone, coos. Liz: “Hi, Agnes. Hi.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784182160517320704/photo/1

๐Ÿฃ Agnes babbles and coos. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784182425853173760/photo/1

๐Ÿฃ “Tell me where Alexander Kirk took Elizabeth Keen and her daughter.” Mato: “I’m not afraid of pain” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849777807878180865/photo/1

๐Ÿฃ Red threatens Mato w something he fears more than pain, more than death: that his spirit will be trapped [4:2 Mato] https://twitter.com/BlacklistDCd/status/849778096156925952/photo/1

๐Ÿฃ Mato: “Kirk said they’re going to the Summer Palace. That’s all I know” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784183962578980864/photo/1

๐Ÿฃ Kirk & Liz arrive at a lovely cottage deep in the woods. Liz: “What is this place?” Kirk: “It’s yours” [4:2 Mato] https://twitter.com/BlacklistDCd/status/784184605670637569/photo/1

๐Ÿฃ “Hello, Elizabeth. My name is Katja. You can think of me as the Palace Keeper.” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849778935978176513/photo/1

๐Ÿฃ Liz: “Palace?” Katya: “The Summer Palace. It’s what Mr. Kirk calls the cottage” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784185331880906752/photo/1

๐Ÿฃ “I know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton, Nova Scotia” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784188488857989120/photo/1

๐Ÿฃ Liz explores and finds a girl’s bedroom full of familiar things. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784188834858737664/photo/1

๐Ÿฃ Liz: “This was my bedroom.” Kirk: “Welcome home, Masha” https://twitter.com/BlacklistDCd/status/784189382085320704/photo/1

๐Ÿฃ “Reddington, he was in love with your mother and he’s obsessed with you” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784190132823797765/photo/1

๐Ÿฃ Liz finds a drawing of a girl holding hands with her parents, signed “Masha” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784190975107182593/photo/1

๐Ÿฃ The photo of Katarina and Liz on a swing โ€“ the same as the photo in Red’s secret flat [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784191370722283520/photo/1

๐Ÿฃ Liz looks outside and there is the swing [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784191767667089408/photo/1

๐Ÿฃ Liz walks outside toward the swing [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784192065978576896/photo/1

๐Ÿฃ Liz becomes Masha [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784192562068279297/photo/1

๐Ÿฃ โ€ฆ [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784193134355886080/photo/1
// Masha in garden

๐Ÿฃ Katarina: [ In Russian ]: “There you are. Did you bring some treasures?” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194273243570176/photo/1

๐Ÿฃ Katarina: “This is a time machine. โ€ฆ” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194699619774464/photo/1

๐Ÿฃ ” โ€ฆ One day you will come back here, open it, and remember me.” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194993254567936/photo/1

๐Ÿฃ Collage. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784195355046924288/photo/1

๐Ÿฃ Abruptly, the FBI storms the cottage. Kirk disappears. Liz reunites with Ressler. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784196973066760192/photo/1

๐Ÿฃ Ressler escorts Liz to a warehouse. Red is watching from a distance [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784198328858791936/photo/1

๐Ÿฃ Red and Liz make eye contact. He offers a faint hint of a smile. Her look is chilly [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784198757915037697/photo/1

๐Ÿฃ โ€ฆ [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199045287817216/photo/1
// Red, crestfallen

๐Ÿฃ Red: [ To Dembe ] “Let’s go.” He rolls up his window. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199417226080256/photo/1

๐Ÿฃ In an apartment in a corner of the warehouse, is Tom. Tom: “I’m gonna find her” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199729697521664/photo/1

๐Ÿฃ Dembe drives Red and Kate miles and miles into a pristine forest [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784201999831085056/photo/1

๐ŸฃRed: “You understand, Kate, that Iโ€“ ” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202402454908928/photo/1

๐Ÿฃ Kate: ” โ€“ Have no choice? Isn’t that the speech, Raymond? That I know too much?” [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784202693225046016/photo/1

๐Ÿฃ Red: “Even if I resolve the anger, the pain you caused… I can’t trust you” [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202981906403329/photo/1

๐Ÿฃ (Gordon Lightfoot’s โ™ซ “If you could read my mind” โ™ซ plays) [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784203392935612417/photo/1

๐Ÿฃ Minutes later, Kate’s right hand moves, grasping a handful of grass. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784204497551634432/photo/1

 
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๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ ๐Ÿ‡ง๐Ÿ‡ฉ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ณ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ด ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡พ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง ๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ผ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡ธ ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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