03
May
19

๐Ÿ”ด Script 6:20 Guillermo Rizal ๎Š

 

๐Ÿ”ด Script 6:20 Guillermo Rizal (โ„– 128)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 5/3/2019 in the US (8pm Central/Chicago Time)
Script Permalink: https://wp.me/pDKwi-9wO
Entertainment Weekly Recap: http://bit.ly/2XIUcwX
๐ŸŽถ Tunefind for Episode: http://bit.ly/2J1klUH
Source: Raw Script from Springfield: http://bit.ly/2R6MuxU [ dump of captioning ]

STATUS: โญ• Pending โญ• Rough โญ• Preliminary ๐Ÿ”ด FINAL
STATUS: ๐Ÿšซ Pending ๐ŸŒ’ Rough ๐ŸŒ“ Preliminary ๎Š Final
Last updated: 5/5/2019 at 10:00am CT [ Central/Chicago time ]

 

เผบโœฆ โ™ค โœฆเผป
 
Directed by: Cort Hessler
Written by: Noah Schechter

 
SERIES STARS:
 
Raymond ‘Red’ Reddington โ€“ James Spader
Elizabeth Keen โ€“ Megan Boone
Donald Ressler โ€“ Diego Klattenhoff
Harold Cooper โ€“ Harry Lennix
Aram Mojtabai โ€“ Amir Arison
Dembe Zuma โ€“ Hisham Tawfiq
 
GUEST STARS:
 
Brimley โ€“ Teddy Coluca
Mr Francis Cotton โ€“ Jason Cottle
Uniformed Officer โ€“ Lars Engstrom
Anna McMahon โ€“ Jennifer Ferrin
Dr Guillermo Rizal โ€“ Joel de la Fuenta
Heather Walker โ€“ Jessica Grant
Anne Mauler โ€“ Ellen Harvey
Mr Sandquist โ€“ Ben Horner
Mark Walker โ€“ Andrew Hovelson
Detective โ€“ Anthoula Katsimatides
Ronson โ€“ Rebecca Kling
Shirley โ€“ Cynthia Mace
Sen Chuck Christensen โ€“ Howard McGillin
Miles Gordon โ€“ Nick Mills
Sara Mitchellโ€“ Laura Shoop
Carlo โ€“ Hank Strong
Beemaster โ€“ Max Talisman
Ben Mitchell โ€“ Doug Trapp
Corinne Walker โ€“ Delyn Wall
Grace Draxton/Nora Mitchell โ€“ Keziah Wall

 

Note: Springfield’s in the UK provides a raw version of each script. These typically are available by noon the next day, but can be delayed by a day or more. I add the speakers, formatting, and descriptive material when called for. Red’s lines are bolded. Sound effects from the screen caps in ALL CAPS and my added action notes are in [ square brackets ]. I am sure there are mistakes.

 

 

 

๐Ÿ”ด Script 6:20 Guillermo Rizal (โ„– 128)

Brief (Where weโ€™re at): Resslerโ€™s search for the Redโ€™s true identity bore fruit. He did not find Lizโ€™s mother, Katarina Rostova herself, but he was able to trace a lead to a man who might be her grandfather. Showing Liz a grainy photo from surveillance footage, he says he came up short and was able to find no further information on the man. But Liz recognizes him as Dominic (Dom) Wilkinson, a former asset for Russian intelligence who she has met earlier in her search, but he did not let her know then he was her maternal grandfather. She knew where to find him in rural Upstate New York and what a tale he had to tell.

Katarina did not drown in the ocean at Cape May. She intended to, but it was instead a โ€œbaptism,โ€ according to Dom. She stumbled out of the ocean and landed at a womenโ€™s shelter where she recovered. Still hunted by the KGB, the Cabal and the Americans โ€“ all whom she had betrayed โ€“ she turned to a childhood friend, Ilya Koslov โ€“ who suggested a bold plan, for him to take on the identity of Raymond Reddington, with whom Katarina had had an affair โ€“ and a child (Masha, or Liz). During a fight over her, Masha had shot her father. Ilya had helped Katarina try to save Reddingtonโ€™s life and when that failed, to dispose of his body. Because Reddington had been Katarinaโ€™s asset, blackmail money โ€“ $40 million โ€“ had been deposited in various banks around Europe, but only could be withdrawn by Reddington personally. So, with the help of plastic surgeon Dr Hans Koehler (Blacklister #33), Ilya Koslov, a young bureaucrat at the Russian Embassy adept at creating fake documents, became Reddington to access the money which would allow Katarina and her parents to โ€œdisappearโ€ and begin new lives.

Katarinaโ€™s parents were saved, but Katarina herself disappeared with a passport identifying her as Anna Croft. Ilya stepped into the shoes of Raymond Reddington, a man destined to be an international pariah โ€“ with the KGB, the Cabal and American Intelligence all eager to disparage his reputation. But Ilyaโ€™s devotion to Katarina was unconditional and he readily agreed to watch over Masha until Katarina re-emerged. But she didnโ€™t. According to Dom, he last saw her 28 years ago, at the Postal Elite in Upstate Wilmington, New York, when he gave her the key to P.O. Box 642.

Liz flew to Hong Kong to inform Red of her knowledge of his true identity. He was not pleased, blaming her search for invading his privacy and for destroying his relationship with Dembe, who has left him. Red goes to Dom to confront him, insisting Dom tell him โ€œevery wordโ€ of what he shared with Liz and insisting that even so many years later, his story (and Katarinaโ€™s and Lizโ€™s) being โ€œthrown out there into the etherโ€ can only mean trouble.

 
For S6 Episode 6:20 Guillermo Rizal ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐ŸŽถ Music Videos ยค ๐Ÿ“’ Script link: https://wp.me/pDKwi-9wO [ “you are here” ]

 

เผบโœฆ โ™ค โœฆเผป

 
[ A childrenโ€™s arcade in Minneapolis MN ]
[ Crystal Fighters’ โ™ซ “Wild Ones” plays ]
[ โฌ‡ Go to Full Lyrics ] or [ โ™ช Tap square below twice to play โ™ช ]

โ™ช I thought I was a star
Until I started fading
From the sky I freefall
Every single day I
Go out, look up at where I’m from, ’cause
I thought I was a star (Oh oh)

[ INDISTINCT CONVERSATIONS ] [ Corinne Walker, a young girl about 9 or 10 years old wearing a dinosaur shirt, is playing a golfing game inside an arcade with her father ]
Mark Walker: You know what your problem is?
Corinne Walker: Yeah, my speed control suckโ€“
Mark: What sucks, besides your language, is the color of your ball. It’s blue. Your lucky color’s pink. Go find Mom by the DayGlo dinosaurs, and I’ll get you a pink one.
Corinne: The color won’t make a difference.
Mark: [ CHUCKLING ] Oh, really? Then why does Tiger Woods always wear red on Sundays?
Corinne: Because he’s superstitious. And superstition sucks.
Mark: Well, when you’ve won 15 majors, you can do without it. Meantime, try to get between here and Mommy without using the S-word, okay?

โ™ช I thought we’d gone too far
We started walking on the water
Felt like we’d been reborn
When we woke up in nirvana
Up in the clouds, not coming down ’cause
I thought weโ€™d gone to far

Corinne: Mom? Hey. Mom?
[ Corinne looks for her mother. She turns a corner. A green stuffed dinosaur like the one on her shirt appears ]
[ OMINOUS MUSIC PLAYS ]
Mr Cotton: [ CHUCKLES ]
โ‹˜โ‹™
Mark Walker: I’m looking for my daughter. She’s 9. She has a turtle shirt?
Arcade Worker: You try the bathrooms?
Mark Walker: Anything?
Heather Walker: I’ve looked everywhere.
Mark: The bathrooms, too?
Heather: Mark, she’s gone!

 
Detective: Every patrol car has Corinne’s photo. Every bus and train station.
Heather Walker: Train station? You think she’s being taken somewhere?
Detective: We don’t know, but, as a precaution, we entered her into the nationwide database for missing children.
Mark Walker: Is it true that unless you find her within the first couple hours, odds are you never will?
Detective: We’re doing everything we can. And I promise, as soon as we have any more information, we’ll let you know.
[ Uniformed Officer enters ]
Uniformed Officer: We already do.
Mark: Did you find her?
Officer: I don’t know. It’sโ€“
Detective: Is everything all right?
Officer: It’s hard to explain. May I?
Detective: Sure.
[ The Officer uses the computer to pull up a file with the photo of a girl ] [ KEYS CLACKING ]
[ COMPUTER BEEPING ]
Heather: That’s her! That’s Corinne!
Officer: Yeah, that’s the thing. It’s not.
[ KEYS CLACKING ] [ Another photo comes up ]
Officer: That’s Corinne. And thatโ€“
Mark: Who’s Nora Anne Mitchell?
Detective: According to our records, she’s a missing child who was abducted 37 hours ago from her home a thousand miles away.

 
[ Liz enters a restaurant where Red sits in a booth. She sits across from him ]
Liz: Hey, stranger.
Red: Elizabeth.
Liz: It’s been a week.
Red: I haven’t had a case for you until now.
Liz: Okay, but the last time we spoke, it kind of changed everything, and I thought maybe we should talk about that.
Red: I thought we covered everything we needed to.
Liz: Oh, you mean, “I am what I am, Popeye the Sailor Man”? Come on. I know you don’t want to talk about it, but you should. We should.
Red: Why?
Liz: Because we’ve never been able to be completely honest with each other, and now we can.
Red: This case has twins who aren’t twins. Child abduction. And a mysterious connection to Anna McMahon. Care to hear about it?
Liz: No. Not until you tell me why you’re doing this. Are you upset?
Red: Conflicted.
Liz: About what?
Red: I live and work by a very strict code built on loyalty, justice, trust. I survive because I eliminate those who betray it. Up until now, no one has been spared, not even my closest associates. Not even Kate Kaplan.
Liz: So that’s what you’re conflicted about? Whether or not to kill me because I betrayed some “code”?
Red: You can mock it because you live in a world with institutionalized codes, where order has already been imposed by powerful forces outside of yourself, where there are laws and rules for everything. I live in a world with no laws, no rules, and certainly no order. So I have to impose my own. I’m not conflicted about killing you. I’m conflicted because I can’t. Because I can neither kill nor trust nor forgive.
Liz: You forgave Dembe.
Red: Dembe hid your misdeeds. Yours. Not his.
Liz: So where does that leave us?
Red: With a case. Until it’s solved, our conflict can wait.

 
[ Liz briefs the Task Force ]
Liz: Corinne Walker was abducted from a family arcade outside Minneapolis. 37 hours earlier, Nora Mitchell went missing from a park in Seattle.
Cooper: Twins. Living in different cities.
Liz: Twins who aren’t twins.
Aram: According to birth records, Corinne was born March 2, 2011, to a Heather and Mark Walker, and Nora was born a day later and over 2,000 miles away to a Sara and Ben Mitchell.
Ressler: How is that even possible?
Cooper: And what possible involvement could Anna McMahon have in it?
Liz: Reddington isn’t sure, but according to the surveillance team he has following Anna McMahon, she’s connected to the abductions.
Ressler: He’s got a surveillance team?
Liz: This photo was taken last week, and then this next one was taken yesterday outside the same arcade where Corinne Walker was abducted.
Ressler: It’s the same guy.
Cooper: Does Reddington know what his connection is with McMahon?
Aram: What does a top Justice Department official have to do with a series of child abductions?
Liz: He doesn’t know, but he said he has a line or two in the water.
Cooper: Then while he’s fishing off that pier, we’ll focus on the families. Ressler, Keen, talk to the parents. Something’s tying them together. Maybe they know what.

 
Ressler: Hey. Where have you been hiding?
Liz: What do you mean?
Ressler: You’ve been a ghost ever since I told you that I’ve been looking into who Reddington was. Thought maybe you were still pissed at me.
Liz: What? No. I’m grateful. You did what you thought was best for me. I’m grateful for that.
[ FOOTSTEPS DEPART ]

 
Heather Walker: They look exactly the same.
Mark Walker: This other girl, Nora, is it possible that she is our daughter?
Liz: Fingerprint and hospital records confirm they are different girls. Nora’s parents are just as desperate to find their daughter as you are.
โ‹˜โ‹™
Ben Mitchell: Desperate’s an understatement.
Sara Mitchell: You said you had new information?
Ressler: Yes. We ran a DNA test.
Ben: And?
Sara: She looks exactly the same.
Ressler: The girls are identical twins.
โ‹˜โ‹™
Heather Walker: No. How can this be?
Liz: There’s more. There’s something else. And this isn’t going to be easy for you to hear.
โ‹˜โ‹™
Ressler: According to the report, the two of you are not genetically related to your daughter.
Ben Mitchell: What?
Sara Mitchell: No.
Ressler: I’m sorry, but we ran the test several times.
โ‹˜โ‹™
Liz: It isn’t just you. Neither you nor the Mitchells are biologically related to either of the girls.
Mark Walker: You’re telling us what?
Heather Walker: [ EXHALES SHARPLY ]
Mark: That we got some other couple’s eggs by mistake?
Liz: So you did conceive through IVF?
Heather: Yes.
โ‹˜โ‹™
Ben Mitchell: But now you’re telling us that Nora is someone else’s child?
Sara Mitchell: What sperm, what egg doesn’t matter. We want our daughter back.
Ressler: And we’re doing everything we can to find her.
โ‹˜โ‹™
Liz: Can you tell me the name of the IVF clinic you used?
Heather Walker: New Dawn, outside Minneapolis. Our doctor recommended it.
โ‹˜โ‹™
Ressler: New Dawn?
Sara Mitchell: It was nearby. I was finishing my degree at Saint Mary’s at the time.
โ‹˜โ‹™
Mark Walker: We’ll do whatever you need, but you need to be completely honest with me. I need to know, do you have any idea where our little girl is right now?
Liz: Completely honest? [ INHALES SHARPLY ] No. Not yet.

 
[ Van DOOR OPENS ]
Dr Guillermo Rizal: Hello, Corinne. My name is Doctor Rizal. I’m pleased to meet you. I know you’ve had a very long journey, so I got you a gift.
[ He holds up a blue bracelet ]
Corinne: I want to go home!
Dr Rizal: I know, sweetheart, and you will. Very soon. But let’s get you changed. There’s something I want to show you, something I built for you.
โ‹˜โ‹™
[ Dr Rizal and Corinne ascend sone steps into a jungle-like setting, like an arboretum, where Corinneโ€™s twin Nora awaits ]
Dr Rizal: Corinne, Nora. You’re both unique individuals. And together, we’re gonna change the world.

 
[ New Dawn Fertility Clinic, Minneapolis ]
Anne Mauler: Obviously, we’re horrified to think that there could have been any sort of improprieties here at New Dawn. We have stringent protocols that would render a mistake nearly impossible.
Ressler: Well, we have reason to believe this wasn’t a mistake.
Liz: The Walkers and the Mitchells, they were both clients?
Lawyer: Anne, before you answer thatโ€“
Ressler: We can subpoena medical records.
Anne Mauler: No. Please. I want to be clear we’re ready to cooperate in any way that we can.
The Walkers and Mitchells were both clients. In June of 2010.
Liz: And they shared the same doctor?
Anne Mauler: Actually, they had two different fertility specialists working with two entirely different staffs.
Ressler: So how does that explain the mix-up?
Lawyer: You do not have to answer this.
Anne Mauler: I’ve looked at their cases, every staff member, every person in the chain of command and the only possible wrinkle I can imagine might be in embryology.
Liz: Meaning?
Anne Mauler: On the day of transfer, the cultured embryo is taken from our incubators on site directly to the mother. Now, it’s possible, yet highly unlikely, that the embryologist could have swapped out the cultured genetic material with โ€“ I don’t know. Something else.
Liz: Like an embryo cultured off-site?
Ressler: Y-You said that the women had different teams, different doctors, but did they have different embryologists?
Anne Mauler: No. But his reputationโ€“
Ressler: We need a name.
Anne Mauler: He’s one of the best.
Ressler: Miss Mauler. A name.

 
[ Miles Gordonโ€™s apartment ]
Liz: [ Loudly ] Miles Gordon, FBI! [ Knocks ] I’m not gonna ask again!
[ FOOTSTEPS APPROACH ] [ Door cracks opens ]
Miles Gordon: Something going on? I had the TV on.
Ressler: Huh. Funny. I don’t hear a TV.
Liz: Mind if we ask you a few questions?
Miles Gordon: Right. Sure. Let me just, um โ€“
[ Door slams shut. Ressler breaks the door open ] [ Liz knocks Gordon down ]
Ressler: That was stupid. Now I get to arrest you.

 
[ A restaurant ]
[ STRING MUSIC PLAYING ] [ INDISTINCT CONVERSATIONS ]
[ Red sits down at a table with two gentlemen in suits ]
Red: Senator Christensen! I’m terribly sorry to interrupt. I know you’re very busy getting stroked here, but I only need a moment.
Senator Chuck Christensen: I’m in the middle of a meeting.
[ Red shows a photo of a bearded man ]
Red: Yes. I’m looking for this man.
Senator Christensen: I’m sorry. Do I know you?
Red: I’ve searched near and far, and it’s come to my attention he may be in your employ.
Senator Christensen: If you want to set a meeting, you call my office, just like everyone else.
[ The Senatorโ€™s lunch companion whispers to him ] [ TENSE MUSIC PLAYS ]
Red: Who is he?
Senator Christensen: I have no idea.
Red: Senator, unlike your lunch date here, I’m not interested in foreplay. I’ve spoken with a number of sources who tell me the man in the photo is in the business of finding difficult-to-find items and is presently trying to find something for you.
Senator Christensen: How could you possibly know that?
Waitress: Will the gentleman be joining?
Red: No. I-I will take a martini. Dry. Two olives.
Senator Christensen: [ HUSHED ] I met him through a friend. Look. This isn’t the place. Maybe if we went somewhere more discreet.
Red: [ LOUDLY ] Actually, I find indiscretion often works to my advantage. Please. Go on.
Senator Christensen: [ WHISPERING ] They call him Mr. Cotton. Francis Cotton. That’s not his real name. I hired him to find a missing work of art for my wife’s collection.
Red: How do I reach him?
Senator Christensen: You don’t. He contacts you after you place an ad in the wanted section of the Post. It took two months before he reached out. He has my number. He said he’ll contact me when he finds the piece.
Red: What is the piece? Of art?
[ Senator Christensen brings up the photo of a painting on his cellphone ]
Red: Ah! Vaisravana. Exquisite.
[ Red takes the Senatorโ€™s cellphone and walks away ]
Waitress: Uh, sir, are you leaving? I have your martini here.
Red: No, no, no. It’s for the Senator. He could use a good stiff drink.

 
[ Outside an interrogation room ]
Ressler: You want to help Aram in there or should I?
Liz: He seems to have it under control.
Ressler: Looks can be deceiving.
Liz: What I said earlier was true. I’m grateful that you’re a good friend. But, um, I’m also grateful for what you did, for telling me about my grandfather. [ WHISPERING ] I found him, and he told me about Reddington, about who he was.
Ressler: Wait. You- You know?
Liz: His name was Ilya Koslov. He and Katarina were childhood friends, and then they were in the Cabal together.
Ressler: But why take on Reddington’s identity?
Liz: After the fire, after I shot my father and the world was after Katarina, the only way for her to survive was to access the funds they used to frame Reddington.
Ressler: Yeah, but they couldn’t do it without Reddington.
Liz: Since he was already dead, Ilya Koslov brought him back to life.
Ressler: That’s the answer that Reddington killed people to keep quiet? โ€“ I mean, why?
Liz: I don’t know. To protect me somehow? To protect himself. Ilya Koslov and Katarina Rostova disappeared after betraying powerful people with long memories who were willing to kill to find out information about their whereabouts.
Ressler: Or try to. A couple of weeks ago, I got the drop on some KGB mook who had heard that I was looking into Katarina. Wanted to know what kind of leads I had.
Liz: That’s why he’s keeping it a secret. That’s why we can’t tell anyone.
Ressler: Yeah, but we got to tell Cooper and Aram.
Liz: Whoever he was, he is Reddington. Cooper will understand that, but he might feel obliged to tell someone in the Bureau who doesn’t. Anna McMahon does not trust the Task Force, and she hates Reddington. She’s looking for any excuse to shut us down.
Ressler: You’re worried that they’ll void his immunity agreement.
Liz: I’m pretty sure I had the right to know the truth, and I’m absolutely sure no one else does.
Ressler: Look, I get that, but is it the truth? I mean, does it make sense that this is the answer he’d kill to keep quiet? That so many people have died trying to find out?
Liz: It’s because so many people died that I gave up my child. To protect Agnes until I learned the truth. Am I sure I know why he guarded his secret? No. Is it possible that I’m overlooking some of the holes in the story because there’s a sweetness to it? Yes, it’s possible. But it’s more possible that it’s true.
Ressler: “More possible.”
Liz: Ilya Koslov had motive and opportunity. If this were a crime, you’d say it was solved, and you’d believe you were right.

 
[ Aram interrogates Miles Gordon ]
Aram: Well, you and New Dawn are the only thing connecting the abductions, so if you didn’t take them, who did?
Miles Gordon: I told you I have no idea.
Aram: You had some legal trouble before your time at New Dawn, right?
Miles Gordon: I was working at a clinic in Boston after I finished my degree. There was a power outage. Core temperatures never moved outside the acceptable range, but one child was born very sick.
Aram: That must have been a very difficult time for you. Plus, the large settlement, legal fees, school debt โ€“
Miles Gordon: It was difficult, yes. It’s why I moved to Minneapolis. But, look, I didn’t โ€“
Aram: The thing is, is five months later, you signed a mortgage and bought a new car.
Miles Gordon: That- That wasโ€“ I โ€“
Aram: I’d like to think it was a lucky break, the lottery, a bequest, even. But come on. I’m guessing that wasn’t it. Someone approached you, offered you money?
Miles Gordon: No, it’s not like that.
Aram: Those parents just want their girls back. If you tell us the truth, we can help you. Who approached you?
Miles Gordon: I don’t know his name. Justโ€“ He said the parents would never know, that it was a simple swap.
Aram: You switched the embryos.
Miles Gordon: It was a lot of money. And the chances of all three embryos implanting successfully wasโ€“
Aram: I’m sorry. Did you say “three”?
Miles Gordon: Yes. All three embryos we swapped were carried to term.
Aram: The third child โ€“ remember her name?

 
[ Grace Daxtonโ€™s school ]
Liz: Grace Draxton. We’re here to take her into protective custody. FBI.
Principal: FBI? I don’t understand. Is this connected to the CPS complaint?
Ressler: CPS?
Principal: Agent Cavali from Child Protective Services got here maybe thirty minutes ago. He said he needed to speak with Grace about some problems at home. He’s in with Grace and the school counselor.
Ressler: You need to take us there. Now.
[ FOOTSTEPS APPROACH ] [ HANDLE RATTLES ] [ Ressler forces the door open ] [ The school counselor is on the floor, his temple bloody, possibly shot ]
Liz: Call 9-1-1. Tell them a child has been abducted from your school.

 
[ CARTOON MUSIC PLAYING ] [ BELL JINGLES ] [ MUZAK PLAYING ]
[ Grace Dexter is in back of a van being driven by Mr Cotton ]

 
[ Red arrives at a shop where Shirley is working on a clock ]
Red: Good afternoon. I have an item for your catalogue.
Shirley: Got the wrong place. I fix clocks.
Red: Fat Joe says you do more than that.
Shirley: Don’t know any Fat Joe.
Red: He told me to tell you there are moles in your garden.
Shirley: He say what I should do with them?
Red: Call the exterminator.
[ CLOCK WINDING ]
Shirley: Let me see the item.
[ Red shows a photo of the Vaisravana painting ]
Shirley: That’s a photo of the item.
Red: And this is a suitcase filled with $50,000 in unmarked bills for putting it in your catalogue.
Shirley: I fence items, not photos of items.
Red: There’s another suitcase for letting me use your back room to talk to the buyer.
Shirley: You got a lot of suitcases.
Red: Do you know who I am?
Shirley: Yeah, a guy with a lot of suitcases.
Red: How many will it take for you to circulate the photo?
Shirley: Do you have the item, or are you just using me to smoke out the guy who wants to buy it?
Red: Four suitcases, no questions, and you throw in the mantle clock. I’m a sucker for Limoges.

 
[ The Post Office ] [ Liz enters ]
Liz: The triplets they’re not the only ones who’ve been taken.
Cooper: What makes you say that?
Liz: I went back into the database and found this โ€“ kids taken from Miami, Chicago, Dallas. There are more. Twins and triplets, all of them born to different parents, all of them reported missing in the last 18 months.
Ressler: You think this is some sort of sick, sci-fi version of human trafficking?
Aram: No. I think this is some sick, sci-fi version of human experimentation. I had the girls’ DNA sequenced. The differences are 90,000 base pairs. Now, that sounds like a lot, but when you consider that the human genome has about 3 billion base pairs, it’s nothing. My guess is that the person we’re looking for took a fertilized egg, split it into three embryos, and then made changes.
Cooper: Resulting in identical triplets who are genetically unique.
โ‹˜โ‹™
[ Dr Rizalโ€™s jungle-like lab ]
Dr Rizal: Grace, this is Nora and Corinne. Can you say hello? Now that you’re all here, we can begin. How exciting.
โ‹˜โ‹™
Ressler: Genetic differences. You think they could be random?
Aram: I would, except the insertions and deletions around the effected areas suggest that someone used a virally delivered editing tool to rewrite Corinne and Nora’s DNA.
Cooper: Rewriting DNA? Who can do that?
โ‹˜โ‹™
[ Control Room ]
Dr Rizal: Are the devices active?
[ COMPUTER BEEPS ]
Ronson: Bringing subjects online now.
โ‹˜โ‹™
Corinne: Hey! Look!
[ Each girl has a colored bracelet (blue, yellow, red), all buzzing ] [ SOFT BUZZING ]
โ‹˜โ‹™
Dr Rizal: Begin at 95 degrees. Set humidity to 50%.
[ BEEPING ]
โ‹˜โ‹™
Liz: You said two girls had their DNA altered. What about the third?
Aram: Preliminary samples taken from her home suggest it wasn’t edited, which is what leads me to believe it’s some kind of experiment.
โ‹˜โ‹™
[ Mist enters the jungle enclosure through a vent ]
Nora: What’s happening?! Why are you doing this to us?
Corinne: Let us out!
โ‹˜โ‹™
[ Control room ]
Dr Rizal: Increase it to 100.
โ‹˜โ‹™
Ressler: It’s a control group. They created identical triplets to restrict outside genetic factors and left one embryo unedited so they could establish a baseline, a way to measure the effect of the changes.
Cooper: But who? And for what?

 
[ A park in DC ]
Senator Christensen: Are you out of your mind? What the hell is wrong with you?
Anna McMahon: Excuse me.
Senator Christensen: You think I want my picture above the fold on the Post? More bad press. He could’ve killed me.
McMahon: Senator. Slow down. What’s wrong?
Christensen: What’s wrong? How about lunch with a fugitive?
McMahon: I don’t understand what you’reโ€“
Christensen: Reddington. He came to see me.
McMahon: Okay. Hold on. What did he want?
Christensen: Your friend. The Finder. Mr. Cotton. He wanted me to put him in touch.
McMahon: And what did you tell him?
Christensen: What did I tell him? Anna, it doesn’t matter what I told him. All that matters is what I’m telling you. You introduced me to Cotton in exchange for my vote on the farm bill. Well, guess what. You’re not getting my vote.
[ Christensen walks away ]
[ PHONE SPEED-DIALING, RINGING, CLICK ]
McMahon: Did you talk to Cotton?
Mr Sandquist: Less than an hour ago. Good news. He had the information we were lookingโ€“
McMahon: Doesn’t matter. Listen to me.
Sandquist: I’m sorry. “Doesn’t matter”?
McMahon: I need you to reach out to Cotton, bring him in.
Sandquist: What’s going on?
McMahon: Reddington knows. I don’t know how, but he knows. He’s looking for Cotton. If he gets to him, I guarantee you he’ll get him to talk about our plans. You need to find Cotton before Reddington does.
[ BEEP ]

 
[ BELL JINGLES ] [ MUZAK PLAYING ] [ DOOR CLOSES, BELL JINGLES ]
Mr Cotton: [ CLEARS THROAT ] I heard you have moles in the garden.
Shirley: Yeah. So?
Mr Cotton: Have you considered calling the exterminator?
[ He holds up a photo of the painting ]
Shirley: It’s in the back.
[ DOOR OPENS ]
Cotton: I’m here about the Vaisravana.
Red: No, you’re here for a little chat. Let’s hope the conversation is fruitful.
[ Brimley COUGHING ] [ A beemaster enters ] [ BEES BUZZING ]
Brimley: The britches! I’m gonna need you to take them off!

 
Red: You do know this is a matter of some urgency, right?
Brimley: Bite of the wife’s Reuben?
Red: Teddy, I need to know where he took the children and what he’s doing for Anna McMahon, and I need to know now.
Brimley: Corned beef’s as lean as a dog in lent.
Shirley: [ Calls over ] If I end up needing an actual exterminator, you’re paying.
Brimley: If Demby was here, he’d take a bite.
Red: Ah, here we go.
Brimley: What? If he was here, he’d take a bite. He’s not here, so he won’t. That’s all I’m saying.
Red: That’s all you’re saying.
Brimley: The man loves a Reuben. For all we know, he’s having one now. Only we don’t know, because you fired him.
Red: [ CHUCKLES ] I didn’t fire him. In fact, I forgave him. And he doesn’t eat meat!
Brimley: Forgave him for what? For not following your rules, your do’s, your don’t’s?
Red: There’s a code of ethics! Why is that so difficult for people to understand?
Brimley: How ’bout ’cause you got a guy in the next room getting his avocados pollinated? The code’s like the suit and the hat. You feel good wearing it. Look good, too. Million bucks. But โ€“ and I gotta think deep down you know this โ€“ it’s like lipstick on a pig. It can cover a lotta sins. End of the day, it’s still trayf.
[ DOOR OPENS ]
Red: Anything?
Beemaster: The man who hired him to abduct the kids. He coughed up a name.

 
[ The Post Office ]
Liz: Guillermo Rizal. Reddington says he’s the one responsible for the abductions.
Cooper: Does he have a location?
Liz: No. Ressler’s working on that now.
Cooper: What do we know about this guy?
โ‹˜โ‹™
[ Control Room at Dr Rizalโ€™s lab ]
Ronson: Heart rate’s slightly elevated, perspiration rate increasing.
Dr Rizal: Bring the temperature to 105. Introduce hydration.
โ‹˜โ‹™
Aram: Okay, so, Rizal basically invented gene mapping. At 24, he wrote the code that runs the gene-sequencing software used by every hospital, laboratory, and university in the world.
Cooper: If anyone knows how to rewrite DNA, it would be him.
โ‹˜โ‹™
[ The triplets are in their jungle setting, unhappy. Two are showing signs of hyperthermia ]
โ‹˜โ‹™
Aram: The IPO was launched 12 years ago, and he resigned later that year.
Cooper: And a year after that, the first set of twins was born.
โ‹˜โ‹™
[ BEEPING ]
Ronson: You want to back it off?
Dr Rizal: No. They may be scared, but these girls are pioneers. In many ways, humanity depends on them. Introduce the solution.
[ METAL CLANGING ]
โ‹˜โ‹™
Ressler: Real-estate records show that Rizal has a warehouse in Howard County.
Cooper: What makes you think that’s where he took the girls?
Ressler: Well, the guy’s got houses in New York, London, Bermuda. But Reddington said the Finder handed off the girls in a roadside exchange somewhere in rural Maryland.
Liz: Howard County.
Cooper: Get there. Aram, notify HRT and pull a warrant. I want it issued by the time they arrive.
โ‹˜โ‹™
[ The triplets run to get the water on a cart that was pushed into their enclosure. Two end up COUGHING. The third, Corinne, runs to the doors of the enclosure but it is locked ]

 
Red: Try again.
Beemaster: I’m telling you, Mr. Reddington. He won’t give it up.
Red: Anna McMahon. I need to know what she’s instructed him to find.
Beemaster: I know that’s what you want, but whoever this Anna McMahon is, she put the fear of God in him.
Brimley: So much for making this a family business.
Beemaster: Dad, I’m telling you.
Brimley: Hand it over. Hood, hive, the works.
Red: Thank you, Teddy.
Brimley: [ To Red ] You want something done right, you gotta do it yourself. [ Whispers ] Nothing hurts so bad as when a child disappoints. Like being impaled by a unicorn.

 
[ Ressler and Liz pull up to Dr Rizalโ€™s facility in Howard County MD ]
Ressler: This doesn’t look very friendly.
Liz: He’s not alone. Three guards in the booth, two more at our six, and another watching from the west.
[ They drive forward to a booth ]
Ressler: [ To Guard ] Agents Ressler, Keen. FBI. We have a warrant.
Guard: I, uhโ€“ I don’t have the authority to let you inside.
Ressler: My warrant’s your authority.
Guard: Right. I just need to notify Mr. Rizal’s general counsel.
Ressler: No, you’re not notifying anyone. You’re gonna open that gate right now.
Liz: Our SWAT team is en route. Is this gonna be a problem?
Ressler: [ To another guard ] Hey, you! Put the phone down. Who are you talking to?

 
Ronson: Subject one’s numbers plummeted. Subject three is radiating down.
Dr Rizal: Subject two? BP stable, pulse-ox normal, perspiration steady.
[ COMPUTER BEEPING ]
Dr Rizal: That can’t be.
Ronson: She’s steady.
โ‹˜โ‹™
[ Inside the enclosure, two of the girls have collapsed ]
Corinne: Please! She needs help! Please!

 
Ressler: Look, we have reason to believe that you have children being held inside against their will, so you’re gonna open that gate right now.
Liz: Hey! Not a good idea. Put the gun down.
Ressler: You want to be arrested for obstruction? Is that what you want?
Guard: It’s okay. Open it up. They’re police. Let them inside.

 
[ POUNDING ON DOOR ]
Ressler: Open the door.
[ A guard buzzes them in ] [ BUZZER ]
Ressler: FBI.
โ‹˜โ‹™
[ Guard command ]
Lead Guard: Radio the lab. Tell them we have a breach. Code White.
Guard: But the police areโ€“
Lead Guard: I said Code White.
โ‹˜โ‹™
[ Liz and Ressler walk past twins and triplets in pleasantly decorated rooms ]
Ressler: The hell is this place?
[ ALARMS begin BLARING. Lights flashing ]
โ‹˜โ‹™
[ ALARM BLARING loudly ] [ Dr Rizal is being escorted by guards when suddenly he stops ]
Dr Rizal: Hey. Corinne. I’m not leaving without her. We have to go back.
Carlo: We need to get you out of here.
Dr Rizal: I don’t think you understand how significant that little girl is to my work. She’s coming with us. You understand?
Carlo: Take him. I’ll clear observation.
โ‹˜โ‹™
[ Liz speaks to a set of triplet boys through the locked glass door ]
Liz: It’s okay. I’m with the police. We’re gonna get you out of here.
[ PHONE UNLOCKS, SPEED-DIALS, RINGS ]
Liz: [ On phone ] Aram. Listen to me. We got kids at the Rizal property. A dozen. Maybe more. I need you to send a medic, protective services.
Ressler: Keen.
[ Ressler has come to a deck overlooking multiple pods of jungle settings ]
[ ALARMS BLARING ]
Ressler: I’ll go check it out. You stay with the kids, get them help.
Liz: Copy that.

 
[ Dr Rizal enters the pod with the three girls. Two are flushed and unconscious ]
Dr Rizal: Corinne.
Corinne: What did you do to them?!
Dr Rizal: I’ll explain everything later, but right now we have to go with these men.
Corinne: No!
Dr Rizal: Corinne, please.
[ ALARM BLARING ]

 
[ Control Room ] [ COMPUTERS BEEPING ] [ Carlo enters ]
Carlo: What’s going on? Feds are on site. You gotta go.
Ronson: The system’s wiped. Nothing can be traced.
Carlo: Good.
[ ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ ] [ Carlo shoots all the techs ]

 
[ Ressler hears RAPID GUNSHOTS IN DISTANCE ] [ ALARMS BLARING ] [ He runs toward the sound ]
โ‹˜โ‹™
[ The SWAT team comes upon Liz ]
Liz: FBI! I’m gonna show you my credentials.
โ€” We’re hearing gunfire.
Liz: Last door on the left! There’s another agent down there!
[ ALARMS BLARING ]
โ‹˜โ‹™
[ Ressler enters the pod with the two unconscious girls. Carlo comes up behind him] [ GUN COCKS ]
[ Ressler spins around ] [โšก๏ธFightโšก๏ธ] [ Gun discharges ๐Ÿ’ฅ๐Ÿ’ฅ ] [ Carlo throws Ressler off, but loses his gun. Ressler shoots him ] [ GUNSHOTS ๐Ÿ’ฅ๐Ÿ’ฅ ]
[ SWAT team comes up ]
โ€” One down!
Ressler: Where’s the girls?
โ€” They’re back there!

 
Corinne: Let go! Let go of me!
Dr Rizal: Be careful with her.
Corinne: Stop it! No!
โ‹˜โ‹™
[ Ressler sees Dr Rizal and the Guards. He signals to the SWAT team ]
โ‹˜โ‹™
Guard: [ On phone ] They have a vehicle waiting for you at the south entrance. Take the girl.
Make your way on foot. Move!
Ressler: FBI! Hands! [ He shoots the Guard ๐Ÿ’ฅ๐Ÿ’ฅ ] [ The Guard falls, his automatic rifle spraying wildly ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ ]
Ressler: Cover him.
[ Ressler runs past the fallen Guard ]
โ‹˜โ‹™
[ Dr Rizal is carrying Corinne ]
Dr Rizal: Hang on. You’re almost home. Corinne.
[ Dr Rizal sees Corinne is bleeding ]
Dr Rizal: Ohh.
[ Ressler bursts through a door ]
Ressler: Hands. Show me your hands!
Dr Rizal: Don’t shoot! Please!
Ressler: Put your hands in the air. Step away from the girl. I said put her down!
Dr Rizal: I can’t! She’s been shot.
Ressler: Okay. All right. Back away. Put the girl down.
[ Dr Rizal carefully puts Corinne down ]
Ressler: I said back away! [ On comms ] I got a minor with a gunshot wound. We need an emergency Medevac now. 3121 South Broxton.
[ Ressler checks Corinne ]
Ressler: She’s not breathing.
Dr Rizal: She can’t die. I’m begging you. Please. She cannot die!
[ Ressler gives Corinne CPR ]

 
[ An interrogation room ] [ DOOR OPENS ]
Dr Rizal: How is she?
Ressler: In surgery, if you care.
Dr Rizal: Of course I care. I created her. I created all of them.
Ressler: To be human guinea pigs. Why?
Dr Rizal: Because you eat meat. Waste water. Guzzle gas. You like riddles?
Ressler: Not particularly, no.
Dr Rizal: How many SUVs does it take the FBI to bring in a single suspect? I counted six. You think I’ve committed a crime? You’re killing the planet.
Ressler: And I suppose that you’re trying to solve it by, uh, experimenting on children.
Dr Rizal: 50,000 years ago, a relative of the modern-day human lived on the Indonesian island of Flores. Because resources were scarce, people adapted by becoming smaller. Adults were only three feet tall. As a result, they consumed less, had a smaller carbon footprint. If we’re going to survive climate change, we have to adapt to our environment the same way Homo floresiensis adapted to theirs. I want us to survive. To do that, we have to evolve. And since we don’t have time to wait on natural selection, I figured out a way to speed up the process.
Ressler: Oh, by changing their DNA?
Dr Rizal: As temperatures increase, fresh water will become scarce. Rivers will dry up, springs and aquifers will become contaminated by the rising seas. People will die of thirst. Unless their
kidneys become more powerful, capable of processing the higher salt content.
Ressler: Yeah, CSI said that you forced those little girls to drink salt water.
Dr Rizal: And expose them to extreme heat. The genetic changes I made to Corinne’s DNA increased her tolerance to both by 12%. Multiply that by 7 billion people, and you begin to see a glimmer of hope.
Ressler: So, Corinne, the little girl you tried to save, she’s she’s your chosen one.
Dr Rizal: First of a new breed. Homo solvos. The savior of humankind.

 
[ Lizโ€™s office ]
[ The Lumineersโ€™ โ™ซ โ€œThis Must Be The Placeโ€ (Naรฏve Melody) plays ]
[ โฌ‡ Go to Full Lyrics ] or [ โ™ช Tap square below twice to play โ™ช ]

Cooper: I just spoke with the hospital. Corinne’s out of surgery. She’s gonna be okay.
Liz: That’s great. And the others?
Cooper: Corinne’s sisters are in stable condition. All the other children have been released.
Aram: Any word from Mr. Reddington? We still don’t know how any of this connects to Anna McMahon.
โ‹˜โ‹™
[ DOOR OPENS, BEES BUZZING ]

โ™ช Home is where I want to be
Pick me up and turn me round

[ Brimley emerges ]
Red: So?
Brimley: Sang like the Mormon Tabernacle during Vespers!
Red: Why did McMahon hire him?
โ‹˜โ‹™
Liz: If he knows anything, he hasn’t told me. Given how angry he is with me, I think I’d be the last to know.
Cooper: Why’s he angry with you?
Aram: Family squabble?

โ™ช The less we say about it the better

Liz: Family? Is that what we are? I’m not so sure.

โ™ช Weโ€™ll make it up as we go along

Liz: I’ve been thinking about it a lot recently, and, uhโ€“ I don’t think I know what “family” even means. [ VOICE BREAKING ] Before we had Agnes, I thought Tom and I were gonna adopt, that family had nothing to do with biology.
Cooper: If this case taught us anything, it’s that it doesn’t. Family isn’t about bloodlines. It’s about commitment and love and a whole lot of faith. The parents of Rizal’s children. No one would blame them for walking away from those kids.
โ‹˜โ‹™
[ Corinne and her sisters are happily reunited with their parents ]
โ‹˜โ‹™
Cooper: But I’m guessing that learning biology isn’t what’s keeping them together is a powerful reminder of all the other things that do. Every family has challenges. God knows yours with Reddington has more than most. No one would blame you if you chose to walk away from them, but you never will. And not because you can’t. Because you don’t want to. Because in spite of hisโ€“
Aram: His way or the highway.
Cooper: In spite of everything, he’s committed to you, he loves you, and he has faith in you. And I think you have the same for him.

โ™ช Like ay-eee
Like ay-eee

 
[ CHILDREN LAUGHING, SHOUTING PLAYFULLY ] [ CAROUSEL MUSIC PLAYING ]
[ Red joins Liz on a park bench while Agnes rides the carousel with Scottie ]
Liz: Thank you for coming.
Red: I came because I have news. About Anna McMahon.
Liz: I’ve been thinking a lot about what you said. About your code.
Red: She hired Mr. Cotton to find the dossier. We thought she had it. She doesn’t.
Liz: Did you find out who does?
Red: Yes. A child. A random child that Bastien Moreau gave the dossier to in the moments before he was killed. A child who has no idea that they possess a detailed description of a plot against the United States.
Liz: If Mr. Cotton told you, then he told McMahon.
Red: He did. Just before I got to him. Which means she has a head start.
Liz: I have a code, too. I don’t kill people who violate it, but it’s every bit as important to my life as your code is to yours. Do you want to hear it?
Red: She’s gotten so big.
Liz: Love wins.
Red: That’s not a code. It’s a greeting card.
Liz: You won’t stay angry with me. I know you think you will, but you won’t. Parents don’t stay angry with their children. Or their grandchildren. And that’s who you are to us. It doesn’t matter who you were. This is who you are and who you’ll always be.
Red: Because you believe love wins?
Liz: Every day and twice on Sundays. Says so on the greeting card. When I was little, did you train me for everything you knew I’d have to face?
Red: If you’re asking whether it was a surprise that you became an FBI agent, the answer is no.
Liz: I want to know what you did for me so I can do the same thing for Agnes. To train her for everything I know she’ll have to face.
Red: Sam did what I told him to. Will Scottie do the same for you?
Liz: She won’t have to.
Red: She will if Agnes is to get what she needs.
Liz: I left Agnes with Scottie because I was afraid of who you were. But I’m not anymore. Scottie won’t have to train Agnes. Because Agnes won’t be with her. I’m bringing her home.

 
[ CELLPHONE RINGING ]
Mr Sandquist: [ EXHALES DEEPLY ] [ Cellphone BEEPs ] Yeah.
Anna McMahon: So, did you find him?
Sandquist: Not yet.
McMahon: Which means Reddington did.
Sandquist: I’m still working a fewโ€“
McMahon: And if he found him, he got Cotton to talk. Which means he knows where the dossier is.
Sandquist: You don’t know that.
McMahon: I do know that. That’s the one thing I know. Did Cotton tell you where the dossier is?
Sandquist: Yes.
McMahon: Then he told Reddington. This is it, everything we have worked for. You need to mobilize your men right now. Find the dossier before Reddington does, and we finish this. Let him beat you, we’re no better than dead by morning. Now go.
[ BEEP ]

 
โฌ† go to top
 
โŒโŒโŒ 6:20 End Guillermo Rizal

 
For S6 Episode 6:20 Guillermo Rizal ๐ŸŽฏ EW recap ยค ๐ŸŒ… Photo Gallery ยค ๐ŸŽถ Music Videos ยค ๐Ÿ“’ Script link: https://wp.me/pDKwi-9wO [ “you are here” ]

 

เผบโœฆ โ™ค โœฆเผป

 
 
[ Embed : ] ๐Ÿ”˜ [See Note]
Trivia:
๐Ÿ”˜ [Return]

 

เผบโœฆ โ™ค โœฆเผป


 

๐Ÿ”ด Episode Songs

 
๐ŸŽถ โ‹™ Check Tunefind for any additional music for this episode

โ™ซ Wild Ones
By Crystal Fighters

โ™ช Yeah yeah yeah
Yeah yeah yeah yeah

โ™ช I thought I was a star
Until I started fading
From the sky I freefall
Every single day I
Go out, look up at where I’m from, ’cause
I thought I was a star (Oh oh)

โ™ช How long
Tell me how long
Can this go on?
Like we’re floatin’ in the arms of God
With the wild ones
With the wild ones
And we rage on
Till we’re blazing in the sun

โ™ช La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la

โ™ช I thought we’d gone too far
We started walkin’ on the water
Felt like we’d been reborn
When we woke up in Nirvana
Up in the clouds, not comin’ down, ’cause
I thought we’d gone too far (Oh oh)

โ™ช How long
Tell me how long
Can this go on?
Like we’re floatin’ in the arms of God
With the wild ones
With the wild ones
And we rage on
Till we’re blazing in the sun

โ™ช La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la

โ™ช We’ve got hearts
Hearts they’ll never tame
That’s who we are
We’ll burn the night away
We’ll ride this wave
And no we’ll never fall
Can you hear the call
Can you hear the call

โ™ช Of the wild ones
With the wild ones
And we rage on (Let’s go)
Till we’re blazing in the sun

โ™ช La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la

โ™ช La la la la la la la
(How long)
La la la la la la la
(Tell me how long)
La la la la la la la
(Can this go on?)
La la la la la la la
(Like we’re floatin’ in the arms of God)
La la la la la la la
(With the wild ones)
La la la la la la la
(With the wild ones)
La la la la la la la
(And we rage on)
La la la la la la la
(Till we’re blazing in the sun)

๐ŸŽน Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2IZqNeV
YouTube: https://youtu.be/b-aANP6ldM4

 


 

โ™ซ This Must Be The Place (Naรฏve Melody)
By The Lumineers

โ™ช Home, is where I want to be
Pick me up and turn me round
I go numb, born with a weak heart
I guess we must be having fun
The less we say about it the better
Weโ€™ll make it up as we go along
Feet on the ground
Head in the sky
It’s alright, I know nothing’s wrong.. nothingโ€™s wrong

โ™ช Hey, I got plenty of time
Hey, you got light in your eyes
And you’re standing here beside me
I love the passage of time
Never for money
Always for love
Cover up say goodnight… say goodnight

โ™ช Home, is where I want to be
But I guess I’m already there
I come home she lifted up her wings
I guess that this must be the place
I can’t tell one from the other
Did I find you, or you find me?
There was a time
Before we were born
If someone asks, this is where I’ll be… where I’ll be

โ™ช Hey, we drift in and out
Hey, sing into my mouth
Out of all those kinds of people
You got a face with a view
I’m just an animal looking for a home, and
Share the same space for a minute or two
And you love me till my heart stops
Love me till I’m dead
Eyes light up, I see through you
Cover up your blank spot
Hit me on the head like ay-eee
Like ay-eee
Like ay-eee

๐ŸŽน Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2Ww3SL2
YouTube: https://youtu.be/XsUAt5Z1fcs

 

 

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๐Ÿ”ด General

 
โญ• Script 6:20 Guillermo Rizal https://wp.me/pDKwi-9wO Status: ๎ŠFINAL๎Š @NBCBlacklist #TheBlacklist https://twitter.com/BlacklistDCd/status/1125055323419623425/photo/1

โญ• Easy-Search Scripts updated thru Episode 6:20 Guillermo Rizal https://wp.me/pDKwi-8Mi#rizal #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/1125187138352549889/photo/1

โญ• 6:20A Guillermo Rizal ~ A Twitter “Moment” https://twitter.com/i/moments/^
โญ• 6:20B Guillermo Rizal ~ A Twitter “Moment” https://twitter.com/i/moments/^

 
 

 
 

๐Ÿ”ด Episode Photos

 
โญ• Gallery Photos
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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โญ• Twitter Moment
 
The photo collection from this episode is available in Twitter “Moments”. You do not need a Twitter account. Just follow the link.

Twitter photos are higher resolution (1024 pixels vs 655 pixels or less on WordPress). Not all my edited photos can bear such scrutiny, but sometimes the WordPress results disappoint me.

I am not doing the Storybook or the Twitter โ€œEpisode in Tweetsโ€ feature for Season 6 due to the compressed broadcast schedule. But I love photo editing more than anything, so Iโ€™ll focus on photos from my โ™ก favorite โ™ก scenes.

These are the links to the Twitter Moment for this episode:
 
The Blacklist 6:1A Guillermo Rizal
The Blacklist 6:1B Guillermo Rizal

 

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โญ• Twitter Collage

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โ‹™
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โ™ค A Blog about the NBC Series

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Thank you, everyone โ™กโ™คโ™ก

๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ ๐Ÿ‡ง๐Ÿ‡ฉ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ณ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ด ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡พ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง ๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ผ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡ธ ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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