17
May
19

🔴 Script 6:22 Robert Diaz îŠ

 

🔴 Script 6:22 Robert Diaz (№ 15)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 5/17/2019 in the US (8pm Central/Chicago Time)
Script Permalink: https://wp.me/pDKwi-9Ei
Entertainment Weekly Recap: http://bit.ly/30vWiCz
🎶 Tunefind for Episode: http://bit.ly/2Jr3NWe
Source: Raw Script from Springfield: http://bit.ly/2R6MuxU [ dump of captioning ]

STATUS: ⭕ Pending ⭕ Rough ⭕ Preliminary 🔴 FINAL
STATUS: 🚫 Pending 🌒 Rough 🌓 Preliminary  Final
Last updated: 5/19/2019 at 11:25am CT [ Central/Chicago time ]

 

🔆 Help❗️⋙ Unanswered❓Questions❓ ~ As in previous years, I’m am asking for your help with a list of Unanswered Questions at the end of Season 6. Here is the link to the List of Unanswered Questions for Season 6. (Note: It starts with commentary.)

 

༺✦ ♤ ✦༻
 
Directed by: Bill Roe
Written by: Jon Bokenkamp, John Eisendrath, Lukas Reiter

 
SERIES STARS:
 
Raymond ‘Red’ Reddington – James Spader
Elizabeth Keen – Megan Boone
Donald Ressler – Diego Klattenhoff
Harold Cooper – Harry Lennix
Aram Mojtabai – Amir Arison
Dembe Zuma – Hisham Tawfiq
 
GUEST STARS:
 
Morgan – Genson Blimline
The Stranger – Brett Cullen
Anna McMahon – Jennifer Ferrin
Chuck – Jonathan Holtzman
Mr Milian Sandquist – Ben Horner
Jurgen – Stephan Käfer
Agnes Keen – Emily/Sarah Kell
Debate Moderator – Patricia Lawrence
Cynthia Panabaker – Deirdre Lovejoy
President Robert Diaz – Benito Martinez
Kat Carlson – Theodora Miranne
Katarina Rostova – Laila Robins
Captain Philip Hyde – Michael Rose
First Lady Miriam Diaz – Regina Schneider
Tadashi Ito – Alex Shimizu
Vontae Jones – Coy Stewart
Maxwell Ruddiger – Dikran Tulaine
Eric Copeland – John Wojda

 

Note: Springfield’s in the UK provides a raw version of each script. These typically are available by noon the next day, but can be delayed by a day or more. I add the speakers, formatting, and descriptive material when called for. Red’s lines are bolded. Sound effects from the screen caps in ALL CAPS and my added action notes are in [ square brackets ]. I am sure there are mistakes.

 

 

 

🔴 Script 6:22 Robert Diaz (№ 15)

Brief (Where we’re at): Just as the Task Force had nailed down proof of a plot against the United States led by players in the Department of Justice, Homeland Security, the Secret Service and President Robert Diaz himself, the tables were turned. Assistant Attorney General Anna McMahon (Blacklister #60) is going to blame the plot on the Task Force and has had DHS agents arrest Cooper, Ressler and Aram. Liz was out of sight so she avoided arrest for the time being.

The plot was described in a dossier left by Christopher Miles, a former MI6 Agent who shared his findings with the head of German Intelligence Ana Ziegler. Both were murdered at the behest of McMahon by Bastien Moreau (Blacklister #20). McMahon has been desperate to round up the sole remaining physical copy of the dossier. She failed and the Task Force got to it first. It was at that point that she hatched the plan to turn the tables and blame the whole plot on the Task Force.

Inexplicable is the fact that the plot described in the dossier involves the assassination of the president. Yet the president is one of the plotters. Does he not know this particular detail? Is it a suicide arrangement of some kind? Is the plan to fake an assassination? The possibilities boggle the mind. But this seems irrelevant at this point, since the Task Force itself has suddenly been de-commissioned. Except for Liz and Red, of course, who have not been apprehended – yet. Dembe is out of the picture, having left Red’s employ. Will he reappear? Red still has some leverage over President Robert Diaz – knowledge that he took $300 million in illegal campaign contributions from “a Russian oligarch” – Liz’s stepfather, Alexander Kirk (aka Constantin Rostov) (Blacklister #14), who was married to her mother Katarina Rostova when Liz was born. Rostov disappeared after Red whispered something to him in Episode 3:23. What did he whisper? That Red is not the “Raymond Reddington” that Rostov so despised? – a fact that we now know (or at least think we do).

What we know are hints and clues. The plot against America that is in play is code-named the “The Princip Initiative,” named for Gavrilo Princip, the Bosnian Serb who assassinated Archduke Ferdinand of Austria. “That single act set into motion the chain of events that ignited the First World War,” says Red. The First World War led inexorably to World War II which led to the Cold War which led the the collapse of the USSR, which puts Liz’s birth at the nexus of a hundred years of world history. 🔘 [See Note] As Red tells Liz about her mother:

She was a young woman trying to make sense of a world that was falling apart around her. She was on one side of an unbridgeable divide. Your father was on the other. And you were in between.

 
For S6 Episode 6:22 Robert Diaz 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎶 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-9Ei [ “you are here” ]

 

༺✦ ♤ ✦༻

 
[ ⋙ Note: German dialogue from subtitles is in italics ]

 
[ The remaining personel are escorted from the central area (war room) of the ‘Post Office’ black site. Cooper, Ressler and Aram were arrested earlier ]
— This way.
— Come on.
— Let’s go.
[ Senior DOJ official Anna McMahon makes a call from Cooper’s office, now vacant, to President Robert Diaz ]
Anna McMahon: It’s handled.
President Diaz: Except Keen and Reddington.
McMahon: The less you know, the better.
Diaz: Anna, I believe we’re way past plausible deniability.
McMahon: They’ll come for their friends, and then we’ll have all the traitors.
Diaz: You say that like it’ll be easy to prove. These are honest people–
McMahon: Who have killed Secret Service Agents investigating a plot against the President. Whose work has made Reddington stronger. They’re in league with him, and he hates you. I’m not worried about making a case against them. The question I have is you. Do you want this?
Diaz: We’ve talked about this.
McMahon: I know. Before. But this is it. It’s your last chance to say no.
Diaz: It’s what has to be done.
McMahon: I can’t imagine how hard this must be for you.
Diaz: One shot. A kill shot. That’s my instruction and I want it clearly conveyed.
McMahon: A kill shot.
Diaz: I’d like this to be as painless as possible.
[ PHONE BEEPS ]

 
[ First Lady Miriam Diaz walks up to her husband ]
Miriam: Tomorrow’s a big day for you.
Diaz: For both of us. What you’ve wanted me to do, I’m gonna take care of it tomorrow at the debate.
Miriam: Do you mean that?
Diaz: This has haunted us for too long.
Miriam: [ EXHALES SHAKILY ] I’m relieved to hear you say that.
Diaz: Ohh. It’ll shock the world.
Miriam: I don’t care about the world. I care about you. I know you’re conflicted, but this is the right thing to do. [ SIGHS ] And I’m proud of you for doing it.
[ Hug ]

 
[ Cooper is locked in an interrogation room ] [ INTERCOM BEEPS ]
Anna McMahon: Agent Cooper. It’s over. Agent Keen’s badge was swiped. We know she’s in the facility, and we will find her. Main Justice has evidence that your Task Force is working with Reddington on a coup d’etat. Reddington will be hunted. Your team will be tried and convicted. But I’m willing to help you, Harold, only you – if you reach out to her. Bring her in.
[ McMahon holds up the flash drive with the dossier compiled by former MI6 Agent Christopher Miles detailing the assassination planned by McMahon and members of the Secret Service ]
McMahon: The Miles dossier. We recovered it from Agent Mojtabai’s computer. Without it you have nothing. Make the call. Bring her in.
Cooper: Good luck.
McMahon: Good luck?
Cooper: You’re gonna need it if you hope to dismantle my team.
McMahon: Your team is going to prison.
Cooper: Then I’m going with them.
McMahon: And Agent Keen? She won’t make it out of here alive.
Cooper: You don’t know Agent Keen.

 
[ Liz calls Red from somewhere within the black site. Red is in his Mercedes ]
Liz: Reddington.
Red: Elizabeth.
Liz: McMahon has them. Cooper, Ressler, and Aram. Everyone. She has her people sweeping the building looking for me. I need your help. I have an idea.
Red: You’ve gotten out of there before. You can do it again.
Liz: I am not leaving them.
Red: There’s nothing you can do for them right now.
Liz: I don’t think you get it. I am getting my team out of here. We are stopping the President from killing himself – and then I am going to the store for every princess pillow, comforter, backpack, toothbrush, and pajamas I can find so my apartment’s ready when Agnes gets home. Do you understand me?
Red: Tell me what you need me to do.
Liz: Put me in touch with your friend. Uh, the kid whose mother hates you.
Red: Tadashi Ito.
Liz: Yeah. Tadashi. That’s it. Have him call me.
Red: I’ll try. [ CHUCKLES ] But my arrangement with Mariko is weekends only. What else?
Liz: How long do you think it’ll take Ruddiger to get here?
Red: Ruddiger? I am not sure he’s even in the country.
Liz: It isn’t just Ruddiger. He’s gonna need help.
Red: Elizabeth, slow down. If I’m going to involve Ruddiger, I need to know exactly what you’re planning.

 
[ Red goes to see Maxwell Ruddiger, a munitions wizard ]
[ RADIO TUNING ]
Red: Where the hell is everyone?
Ruddiger: Ah. It’s, uh- It’s a work in progress.
Red: A work in progress? Ruddiger! We don’t have time! I was very clear–
Jurgen: Where are the heatshrink connectors?
Ruddiger: I told you if they’re not with the pulse reset counters, then they are going to be in my strip-it bag.
Red: Who’s this guy?
Ruddiger: Jurgen.
Red: Does Jurgen work at the airport?
Jurgen: [ In perfect English ] Part time. Customer service.
Ruddiger: He’s bilingual.
[ A Tall Man and another man enter ]
Ruddiger: Where the hell have you been? I needed you here fifteen minutes ago!
Tall Man: We had to get the gear.
Red: Ruddiger.
Ruddiger: You said you needed a team.
Red: And this is them?
Ruddiger: Yeah.
Red: Who are these guys?
Ruddiger: This is Dieter. Till. Horst. Little Udo. And, Jurgen, you have met.
— Hello.
Ruddiger: You said you need to get through concrete and steel. These five are the best.
Red: What? Wait. Five? The Shadow Five?
Ruddiger: Yeah.
Red: [ CHUCKLING ] Oh, my God! These guys robbed the Banco Central. How do you know them?
Ruddiger: Till and I met in rehab.
Red: And they know what we’re doing?
Ruddiger: My friend wants to know that you all approved of this plan.
Bearded Man (v-neck): No maps. No plan.
Ruddiger: We drill. We get out. Everyone onboard?
[ LAUGHTER ]
Bearded Man (v-neck): Tell your friend we think he’s nuts. This will be a blast!
Jurgen: Let’s go get crazy with the American! We’re all very excited by this.
— Hey, hey, hey!
— Yo!

 
[ Sofi Tukker’s ♫ “Best Friend” PLAYS ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below twice to play ♪ ]

[ PHONE UNLOCKS, BEEPS ]
Liz: Tadashi, it’s me. I found the Access Control System.
Tadashi: Where have you been?! I’m missing the entire prom!
Liz: Tadashi, I promise you, I’m gonna make this up to you, but, right now, I need you to forget about that dance and walk me through this like your life depends on it.
Tadashi: Fine. I’m looking at a map of the controller hub now. Give me names.
Liz: Okay, in the war room on the upper deck, there should be a holding cell. It’s probably called holding T-6. Or maybe just Bay Six.
Tadashi: T-6. I see it. On the distribution panel, you’re gonna find port 18. There should be a CAT5 wire feeding that slot. Do you see it?
Liz: Port 18. I’ve got it.
Tadashi: Pull it.
[ Liz pulls a cord from a panel ] [ BEEP, LOCK CLICKS ]
Liz: Okay. What about interrogation on the B subfloor? C-2.
Tadashi: That’s port 27.
[ Liz pulls another cord ] [ BEEP, LOCK CLICKS ]
Liz: Interrogation C-1?
Tadashi: Port 6.
[ BEEP, LOCK CLICKS ]
Liz: Okay, Tadashi. Stay with me. I’m gonna go fast, so pay attention. War room south corridor, south exit, R3.
Tadashi: Port 38.
Liz: Annex fire lane.
Tadashi: Port 20.
Liz: West mechanical room.
Tadashi: Port 14.
[ BEEP, LOCK CLICKS ]

♪ I think that I’ll keep loving you, way past 65

[ BEEP, LOCK CLICKS ]

♪ We made a language for us two, we don’t need to describe
Every time you call on me, I drop what I do

[ BEEP, LOCK CLICKS ]
[ Cooper, Aram and Ressler hear the the locks on the rooms they are in click and realize they are no longer locked. They cautiously exit ]
⋘⋙
Tadashi: Oh, my God.
Liz: What? What is it?
Tadashi: My date’s favorite song. This girl, she’s way out of my league.
Liz: Tadashi, one day you’re gonna write a book about how you skipped the school dance to prevent a conspiracy and save the President’s life, and then you’ll be in a league of your own. Now, do you remember what we talked about?
Tadashi: The ultrasonic system.
Liz: How do I activate it?

♪ We got a lot in common
We can talk ’bout nothin’
Shoot the ish [sh*t], we got ish to shoot

[ BEEP, LOCK CLICKS ]
[ Cooper, Ressler and Aram find each other in the hallway ]
Aram: Okay, this is, uh- This is weird, right?
Ressler: No. It’s Keen. She’s here.
Aram: We need a plan.
Cooper: Agent Keen is our plan.
⋘⋙
Tadashi: I know you and Mr. Reddington have a plan, but–
Liz: Tadashi. The ultrasonic system.
Tadashi: The router clamp. Pull it.
⋘⋙
[ 🚨ALARMS BLARING🚨, Lights flashing ]
Aram: Pretty sure that’s not part of Agent Keen’s plan.
Ressler: All right. Move. Let’s go.
⋘⋙
[ INDISTINCT SHOUTING ]
Anna McMahon: Hey! They’re gone.
Mr Sandquist: Not gone. They’re in the facility.
⋘⋙
Cooper: If we can make it to the boiler room, access the security module, we may be able to open one of the south delivery gates.
[ Suddenly, guards appears ]
— Hands on your heads! Hands!
— Don’t move!
— Hands!
[ Cooper, Aram and Ressler raise their hands ]
⋘⋙
Female Guard: [ On phone ] Copy That. [ To McMahon ] Ma’am, all three are in custody. South annex, Block C.
McMahon: Please tell me you have a space in this facility that’s better suited at housing criminals.
Female Guard: Yes, ma’am. Matter of fact, we do.
⋘⋙
[ BEEPING ] [ RUMBLING ] [ Cooper, Aram and Ressler are herded into the red containment unit or ‘Red Box’ ]
Anna McMahon: Don’t go anywhere, boys. This’ll all be over soon enough.
[ DOOR THUDS ]
⋘⋙
Liz: [ On phone ] Hey. It’s me.
Red: Did it work?
Liz: Yeah, they’re in the box, right where we want them.
Red: Fantastic. I’m on my way to you now with Ruddiger and the boys. Tell the fellas we’re a go.
Ruddiger: Boss man says we’re a go!
— I like this crazy guy. He’s fun!
— Let’s get to work. Let’s light it up!
[ SHOUTING IN GERMAN ] [ ALL CHEERING ]
– Yeah!
– Whoo!
Shadow Five: Hey, hey, hey, hey, hey, hey, hey!

 
[ Inside the Red Box ]
Ressler: This brings back memories. None of them good.
[ INTERCOM CLICKS ]
Anna McMahon: I gave you a chance, Harold. I tried to extend an olive branch. But this? You chose this.
Cooper: Have you found her yet? Agent Keen. I asked if you’ve found her yet.
McMahon: We will.
Cooper: Huh. I sort of doubt that.
[ Intercom CLICKs off ]
⋘⋙
McMahon: [ To Sandquist ] I don’t care if you have to tear this place down. Find her!

 
[ BRAKES SQUEAL ] [ A postal delivery truck pulls up to the delivery entrance of the Post Office. Red’s man Morgan is driving ]
Guard: We’re in lockdown. Nothing in, nothing out.
Morgan: Couple packages is all I got. I’m trying to finish my route. Can I just leave ’em with you?
Guard: Fine. Make it quick.
[ They go to the back of the truck. Morgan rolls up the door ]
[ GUNS COCK ]
Red: Special delivery.
[ The guard is forced inside ]
[ Red’s man Chuck gets into the booth and opens the gate. The truck drives through ]

 
[ The Red Box ] [ Intercom comes on ]
Liz: Guys. Can you hear me, guys?
Aram: Agent Keen? Wait. Can they hear us?
Liz: No. I bypassed the monitor relay. Aram, listen to me. I need your help. Reddington and I directed you to the box for a reason. If we can bypass the CCTV on our control server, piggyback the RSS – could someone remotely view our internal feed?
Aram: They’d have to be very capable.
Liz: If they were capable?
Aram: Well, yeah, but if you bypass the signal, the war room monitors will stream the same data over and over again. They’d be blind. – Oh!
Cooper: Assuming that Aram can walk you through the process remotely, what then?
⋘⋙
[ KEYS CLACKING, STUDENTS SHOUTING IN DISTANCE ]
Tadashi: Okay. I’m good on my end. The video feeds are looping.
Liz: He’s in. The war room’s blind. Reddington, you’re on.
[ Red walks down in corridor with his men ]
[ Sofi Tukker’s ♫ “Batsh*t” Plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below twice to play ♪ ]

♪ Oh, you’re bad enough to me
Bad enough that we
Always have something to get over

Red: Cameras are down. You’re clear. Gentlemen. Thank you all. Lots of luck.

♪ I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come over

[ The Post Office sublevel ]
[ BUZZING ] [ The Shadow Five begin cutting into the ceiling with blow torches ]
⋘⋙
Liz: [ On intercom ] Guys, hang tight. Reddington’s on site. Cavalry’s on its way.
Ressler: Reddington? What’s he gonna do?
Aram: He doesn’t think he can blow through The Box, does he? It’s titanium-gold alloy.

That’s it, I’m crazy! [ Spoken ]
♪ That’s it, that’s it

Red: Tadashi, can you hear me?
Tadashi: Mr. Reddington! Yes! Uh, I mean, copy that. I’m gonna guide you. You ready?
Red: Right as rain. Ready for Roger.
Tadashi: I don’t know what that means.
Red: It means yes. Yes, I’m ready. Which way do I go?
⋘⋙
[ Meanwhile, the Shadow Five work on the ceiling from below the Red Box ]
Ruddiger: Undo. Undo. Watch your slipknots. You’re getting sloppy like a schoolboy.
⋘⋙
Tadashi: On your right there should be a door. Take it and move down the hallway.
⋘⋙
Aram: Listen. Even if he could blow through the foundation, which is impossible, he’d likely kill us in the fall.
Cooper: Nobody’s killing anybody.
⋘⋙
Tadashi: In 30 feet, there’s a door. Agent Keen says the code is 71-6324.
Red: [ On phone ] We’re there. Bring the feeds back online.
Tadashi: Okay. Here goes nothing.

♪ That’s it, that’s it, that’s it, yeah, you’re crazy

[ ⚡️STATIC⚡️ CRACKLING ]

♪ Yeah, you’re crazy
That’s it, that’s it, you’re crazy
That’s it, that’s it, you’re crazy

⋘⋙
[ The landing over the Post Office war room ]
Agent Rudolph: They’re inside. Hit the alarm.
Anna McMahon: What’s going on?
Agent Rudolph: We have a breach.
[ 🚨ALARMS BLARING🚨 ] [ Sandquist and guards run through a hall ]
⋘⋙
Red: Ruddiger, we’re back online. Show’s over. Get your men out.
⋘⋙
— The boss man says pack it up!
[ Ruddiger’s men pack up and leave ]
⋘⋙
[ 🚨ALARMS BLARING🚨 ]
⋘⋙
Tadashi: Mr. Reddington, you’re almost there. 100 yards. Maybe less.
⋘⋙
[ Sandquist arrives at the site where Ruddiger’s men had been working. They are gone ]
Mr Sandquist: [ Over comms, to McMahon ] It’s a diversion.
[ He heads back toward the war room with his contingent ]
⋘⋙
[ Liz meets Red in the hall ]
Red: Fancy meeting you here.
[ Liz keys in a code, KEYPAD BEEPS, LOCK CLICKS ]
[ GUN COCKS ] [ Between them, Liz and Red and Red’s men commandeer the remaining guards ]
Red: On the ground, now!
[ They reach the Red Box ]
Liz: Put your weapons down! Hands!
— Don’t move.
Liz: Show me your hands!
— Don’t even try.
[ Red, Liz and their men arrive at the Red Box ]
Red: What’s the passcode?
Aram: Passcode. It’s- It’s “Samar.”
Red: I’m not sure I’d associate a high-security containment cell with my girlfriend, but I guess love is blind.
[ KEYPAD BEEPS, LOCK CLICKS ]
[ 🚨ALARMS BLARING🚨 ] [ Door opens ]
[ Cooper, Ressler and Aram get out of The Box ]
Red: Good to see you, Harold. Hold your gratitude and appreciation till later. We’re in a bit of a rush.
[ KEYPAD BEEPING ] [ 🚨ALARMS BLARING🚨 ] [ KEYPAD BEEPING ]
[ McMahon’s guards are herded into The Box ~ which is where McMahon finds them ]

 
[ A pleasant room with a large dining table ]
Ressler: That was the easy part?
Red: The most predictable.
Aram: Uh, we just broke out of a black-site facility.
Cooper: And now we have to break in to the most secure building in America – the location of a presidential debate. FBI. DHS. MPD. Eyes in the sky.
Red: Everyone, this is Roxanne, the maître d’ at Delmar’s. I thought it best to discuss our next move on a full stomach.
Aram: Um, are those- Are those French toast kabobs?
Red: With Vermont maple syrup butter dipping sauce. Please.
Ressler: The debate’s tonight.
Red: Yes, and, by then, we’ll need to figure out a way to infiltrate the protestors outside the arena, start a riot, pose as law enforcement coming to quell the insurrection, slip inside during the commotion, hack into the facility’s surveillance feeds to find the shooter before he kills the President.
Cooper: And you think we have time to eat?
Red: Have you had(!) their Ethiopian porridge? Who will be the first responders to a disturbance outside the arena?
Cooper: Local police will maintain command.
Red: Then we’ll need Elizabeth and Donald assigned to the MPD.
Liz: You are aware that we’re wanted fugitives.
Ressler: And that our pictures have been posted to the MPD website.
Red: Harold? Any favors you can call in?

Flash forward:
Cooper: Thanks, Phil.
Captain Philip Hyde: You said it was urgent.
Cooper: A warrant has been issued for my arrest in connection with a crime I did not commit.
The only way to prove my innocence is for you to let two of my agents work perimeter security for the debate. I need this, Phil. I can’t think of anything I’ve needed more.

Red: Next, surveillance feeds.
Aram: Well, the debate’s taking place at Fillmont University, and campus security is in the same building as the student union.
Red: Aram, looks like you’re going back to college.

Flash forward:
[ Aram registers for classes ]
Aram: So, uh, what’s with all the, uh, security?
Roxanne: Presidential debate. Anyone tries anything, they’re gonna shoot first, ask questions later.
Aram: How comforting.
[ Aram acquires a new student ID ]

Red: Lastly, The Third Estate. They have a permit to protest outside the debate. Fervent subversives that they are, I’m certain they and their colleagues will offer full-throated outrage. But to get inside that hall, we don’t need a protest. We need an insurrection.
Cooper: And you have someone that can make that happen?
Red: I do.

Flash forward:
[ Vontae Jones walks up the a group of friends in a booth at a restaurant ]
Vontae Jones: Yo, yo, yo! So, who wants to go to a presidential debate, huh? That would be no one.
All: [ LAUGHTER ]
Vontae: Okay. Okay. Let me rephrase that. Who wants to cause trouble at a presidential debate?
Young woman: [ CHUCKLES ]
Vontae: Look. Your democracy needs you. And it’ll pay if you heed the call.
Friend: How much?
Vontae: Ah, well, that depends on how much trouble you cause.

Red: And that’s the plan.
Liz: And the sooner we execute it, the sooner I bring Agnes home.
Aram: Wait. Wait. Is that true?
Liz: It is.
Cooper: This is wonderful news. She must be absolutely thrilled. When did you decide this?
Red: Donald, a word?
Aram: This is amazing.
Cooper: When is she coming home?
⋘⋙
[ Red pulls Ressler aside ]
Red: Elizabeth told me you had a run-in with a few Russians recently.
Ressler: She told you that?
Red: Yes. When you were investigating my identity.
Ressler: [ SIGHS ] I was looking for information about, uh, Katarina Rostova. I don’t know how they found out, but they were anxious to know what I knew.
Red: Did you get a name?
Ressler: No. But a friend of theirs drove a vehicle with diplomatic plates, so I figure some pretty powerful people want answers.
Red: As for answers, I believe Elizabeth has given you one.
Ressler: She has. And it stays with me.
Red: Good.
⋘⋙
[ COOPER SPEAKING INDISTINCTLY ]
[ Red and Ressler rejoin the group ]
Liz: Everyone seems to have a part to play. Except you.
Red: I have an important meeting.
Liz: More important than saving the President’s life?
Red: I couldn’t care less about saving the President’s life. I’m just trying to get your old job back. Have some fun. It’s gonna be a riot.

 
[ Outside the Presidential debate venue, the Third Estate is chanting. Most protestors are young, but an older man cues them on a megaphone. He is Eric Copeland, the man Red threatened at gun point trying to find out Anna McMahon’s connection to the Third Estate ]

Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!

[ Cooper coordinates over comms with Aram who has gained access to the college’s blueprints and surveillance, Liz and Ressler in police riot gear, and Vontae Jones and his friends who are among the protestors ]

[ CHANTING ]
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!

 
Aram: Okay. Mr. Cooper? Mr. Cooper, I think I may have found something. I’m in their network now, and– This is weird, but one of their cameras is down.
Cooper: How does that help us?
Aram: Well, the system says it’s offline for a self-diagnostic, but according to their blueprints, the room that it’s watching is some sort of lighting booth on the fifth floor.
Cooper: Meaning it has a direct line of sight to the stage?
Aram: That’s gotta be it, right? I mean, that’s our shooter.

 
[ DOOR OPENS AND CLOSES ]
[ Miriam and Robert Diaz are backstage at the debate venue when Anna McMahon and Mr Sandquist arrive ]
Miriam Diaz: Oh. You just made it. Protestors have all the streets locked off. It’s a madhouse.
Anna McMahon: Is he okay?
Miriam: He’s a good man. Today I think he’ll be great.
Mr Sandquist: It’ll be a day to remember.
Moderator: Ladies and gentlemen, the President of the United States.
[ APPLAUSE ] [ CAMERA SHUTTERS CLICKING ]

 
[ THUNDER RUMBLING ] [ Red sits with a man about his age at an oceanside weather shelter. It’s off-season so they are alone ]
Red: The consulate is on alert, which means everyone’s is.
Stranger: We’ve been in worse situations. Those worked out. This will, too.
Red: They’re actively looking for Katarina.
Stranger: [ SIGHS ] Masha was bound to find out you aren’t who you say you are. What I can’t figure out is Dom.
Red: Umh.
Stranger: Why would he tell her all that?
Red: In an attempt to help her move on.
Stranger: And she believed him?
Red: She did. So much so that she’s decided it’s safe to bring her daughter home.
Stranger: [ SIGHS ] I know Dom meant well. He shouldn’t have told her that story.
Red: If Moscow is looking for Katarina – if Agent Ressler’s inquiry has reignited their search–
Stranger: Then I know that could be bad.
[ THUNDER RUMBLES ]
Red: I want this done before Masha’s daughter comes home.
Stranger: Have I ever let you down?
Red: Once. When we were children.
Stranger: You wouldn’t give back the truck. [ LAUGHS ] I’ll get this done.
Red: You’re always so optimistic.
Stranger: I thought that’s why you loved me.
Red: I love you because I can trust you.
[ THUNDER RUMBLES ]
 

Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Get back! – Fight back! – Get back! – Fight back! – Get back! – Fight back! –

Ressler: Okay, we’re on site.
Liz: Ready on your go.
Cooper: Jones?
Vontae: [ BEEP ] Yeah. We’re here. We’re ready.
Ressler: Guys, the entire Secret Service is looking for us. Anytime soon would be great.
Cooper: Jones, let’s go! Make some noise!

Protestors: The people, united, will never be divided!
The people, united, will never be divided!
The people, united, will never be divided!
The people, united, will never be divided!

[ Vontae gets a Molotov cocktail out of his backpack. He lights it and throws the bottle ] [ ⚡️ GLASS SHATTERS ⚡️~ 🔥 FLAMES RUSH 🔥 ]

Woman on loudspeaker: Leave the grounds immediately. We are ordering you to leave the grounds immediately.

[ Another Molotov cocktail is thrown ] [ ⚡️ GLASS SHATTERS 🔥 ] [ CROWD SHOUTING ]

Woman on loudspeaker: Disperse immediately, or we will give you tear gas.

Ressler: We’re gonna have a crowd crush on our hands. Call in the gas!
Liz: We can’t hold the line!
Ressler: We’ve got a situation here on the south perimeter! If these people breach, we’re gonna lose this position. Hey, you two, help me secure that door!
[ INDISTINCT SHOUTING ]
[ Liz and Ressler go to a door being watched only by campus security, who lets them in ]
Liz: We’ve got a problem. We need your help. Lock these doors and redirect any additional staff.
You, notify the Control Center, tell them we need to issue a lock-out.
Ressler: [ Over comms ] Aram, we’re in.
[ Ressler and Liz run up an emergency stairs ]
Aram: [ Computer KEYS CLACKING ] All right. I’m bringing up the blueprints now. I’m gonna guide you.
⋘⋙
Moderator: Healthcare has been a central question in the campaign. Senator Trotter, what’s your position on single-payer healthcare?
⋘⋙
[ Offstage ]
Agent Randolph: [ To McMahon ] This is the final question before closing remarks. He’s getting into position now.
[ Another Agent appears and shows the Wanted Posters for Liz and Ressler on his cellphone ]
Agent: Randolph, it’s them. They’re here.
⋘⋙
Moderator: –I think we can all agree on–
⋘⋙
[ MODERATOR SPEAKING IN DISTANCE ]
[ Ressler and Liz climb more stairs ]
Ressler: Aram! Talk to us!
Aram: Okay, when you exit the stairwell, there is a service hallway to your left.
[ KEYS CLACKING ]
⋘⋙
[ Mr Sandquist ascends a stairs and enters the lighting room. He takes off his tourniquet and pulls out the black case containing his high-powered sniper’s rifle that was hidden in the room ] [ LATCHES CLICKING ] [ He assembles the rifle ]
⋘⋙
Aram: All right, when you get to the fifth floor, make a right. The lighting room is about 40 yards down the hall, top of the stairs.
⋘⋙
President Diaz: But here it is the bottom line. I’m very proud of the work we’ve done, but that work is far from finished. I believe that there’s progress to make on jobs and education, on military spending, and financial deregulation. I’m asking the American people to give me the chance to finish what we started. Thank you.
[ CHEERS AND APPLAUSE ]
[ JP Sousa’s ♫ “The Stars and Stripes Forever” plays]
⋘⋙
[ The scope of Sandquist’s rifle focuses on Diaz ]
⋘⋙
[ Miriam Diaz joins her husband on the stage ]
Miriam: [ Whispers ] What happened, Robert? I thought you were gonna do the right thing.
⋘⋙
Aram: Right there. Straight ahead.
⋘⋙
[ Liz and Ressler arrive at the sniper’s nest. They startle Sandquist ]
[ GUNSHOT 💥]
[ Miriam Diaz falls, hit in the shoulder ] [ AUDIENCE SCREAMING ]
Secret Service: Get him out of here! Let’s go!
[ President Diaz is rushed away ]
[ MIRIAM GASPS, BREATHING SHAKILY ]
⋘⋙
[ Ressler fights with Sandquist ] [ Both grunting ]
[ Secret Service agents arrive ]
Agent Randolph: Hands up! Right now! Drop it! Put the gun down!
Ressler: This is a mistake! This is a mistake!
Sandquist: He got a shot off before I could stop him.
Agent Randolph: [ On comms ] Command into control. Two under. Suspects in custody.
Liz: He’s the one you should be taking into custody! He’s the shooter!

 
[ SIRENS WAILING ] [ Back of police wagon ]
Liz: No one’s gonna believe we tried to assassinate the President.
Ressler: It’s more believable than the alternative.
Liz: That he tried to assassinate himself? ‘Cause that’s what he did.
Ressler: Is it? Because I know we think that’s what happened–
Liz: Because that’s what happened! We’re being accused of trying to assassinate a man whose life we saved.
[ SIRENS WAILING ]
[ Aram is brought into the wagon ] [ CHAINS CLINKING ]
Ressler: You okay?
Aram: Not really, no.
Liz: He didn’t do anything.
[ The guard hits her ]
Guard: You’re traitors. To your badge and your country.
Ressler: You don’t have to beat the truth out of us. We’re telling you. He’s the shooter.
Sandquist: Save it for trial.
Ressler: You’re never gonna let us get to trial.
[ Doors close ]

 
Cooper: [ On phone ] They’ve been arrested.
Red: And the President?
Cooper: He’s fine. The plan worked. They stopped the assassination.
Red: And then got blamed for it.
Cooper: They’ve been taken. I don’t know where, and I’m in no position to find out.
Red: Who’s the controlling authority?
Cooper: Homeland. Do you have DHS on the payroll? – I’m in no mood for opaque. Do you have them on the payroll or not?
Red: Yes. Some.
Cooper: Call them. You got them into harm’s way. I need you to get them out.

 
[ A line of police vehicles speeds down a highway ] [ McMahon and Sandquist are in the back seat of one of the vehicles ]
Diaz: Is my wife all right?
McMahon: She is, Mr. President.
Diaz: Put Sandquist on.
[ PHONE BEEPS ]
McMahon: He’s here.
Diaz: Wanna tell me what the hell happened?
Sandquist: The Task Force.
Diaz: You told me they’d been neutralized!
Sandquist: They’ll be held responsible.
Diaz: For what? Wounding my wife? That wasn’t the plan.
Sandquist: No, sir.
Diaz: Do they know what the plan was?
McMahon: We don’t think so, sir.
Diaz: You don’t think so? You don’t think so?! You know how much comfort that brings me? Absolutely none! Before today, I had one problem. And now, thanks to you, I’ve got two. Deal with them.
[ PHONE BEEPS ]

 
[ In the back of the police wagon ]
Ressler: He got the shot off.
Liz: After we surprised him. That’s why he missed.
Ressler: I’ve seen his file. Sandquist was a Green Beret. His unit won the Army’s Special Ops Sniper Competition. Beat 40 other teams from around the world.
Aram: Shooting a clay pigeon’s a lot easier than killing a President.
Ressler: [ SIGHS ]
Aram: Maybe he got cold feet.
Ressler: Then why take the shot?
Liz: Okay, so the President wasn’t his target. Who was? I mean, think about it – an assassin goes to all the trouble to take a shot at a presidential debate, and his target isn’t the President? Does that make any sense to you?
Ressler: No, it doesn’t. But I’m telling you that’s what happened.

 
[ TIRES SCREECH ] [ GEAR SHIFTER CLICKS, ENGINE SHUTS OFF ]
[ Sandquist opens the back door of the police wagon ]
Sandquist: Time to go.
Liz: Where are we?
Sandquist: The end of the line.
Aram: If it’s, uh- If it’s all the same to you, I-I think we’re good here.
Sandquist: Feel free to resist. After all, you’re gonna be killed when you try to escape.
Aram: But, um, w-we’re not trying to escape.
Sandquist: You didn’t try and assassinate the President, either. Let’s go.
[ TIRES SCREECH, ENGINE REVS ] [ Red’s Mercedes speeds from around a bend and 💥‼️CRASHES‼️💥 into the police wagon, turning it on it’s side. Some of Sandquist’s men are trapped ]

 
[ 💥💥💥 Gunfight 💥💥💥 between Red’s crew and police and Secret Service] [ Slow motion ]
[ Lissom’s ♫ “Mascaron” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below twice to play ♪ ]

[ RESSLER GRUNTS ]
Liz: Aram! Hold him down!
– Aah!
Liz: Gun.
[ Ressler, Liz and Aram subdue the police and get their guns ]
Aram: How many are you?
[ GROANING ]
Aram: How many?
Agent: My leg!
[ 💥💥💥 GUNFIRE 💥💥💥 ]
Aram: Come on!
Agent: Six!
Aram: There’s six of them! Ressler.

♪ … you threw me down a rope,
It killed me,
Endowed, you shut me–

[ Morgan is hit ]
Morgan: [ SCREAMS ]

♪ If only I could float …

[ Gasoline pours from the bottom of the overturned police wagon ]
Liz: Cover!
[ Chuck is also hit ]

♪ Are there, maybe
Are there, maybe
Are there, maybe
Breaks in me

[ Red pulls Morgan away from the wagon ]
Morgan: [ GROANING ]

♪ Breaks in me
And are there, maybe
And are there, maybe

[ Sandquist gets out a grenade ]
Aram: Drop it!
[ Sandquist pulls the pin from the grenade and rolls it toward the police wagon ]

♪ Breaks in me

Aram: Go, go, go! Go!
[ Aram and Liz run. So does Ressler ] [ The police wagon 🔥💥‼️Explodes‼️💥🔥 ]
[ Ressler turns and runs back toward the burning police wagon. Sandquist stoops to picks up his gun. When he straightens up, Ressler shoots him in the chest 💥💥💥 ]
⋘⋙
[ Red is kneeling next to Morgan ]
Red: We need an ambulance! Quickly!
[ Liz gets out her cellphone ] [ KEYPAD DIALING ]
[ GUN COCKS ] [ Anna McMahon presses a gun to Red’s neck as he is bowed down over Morgan ]
Anna McMahon: Put the phone down! And the gun! You, too, Agent Ressler!
Ressler: Not gonna happen.
McMahon: You thought that we were trying to hurt this country. We weren’t. We were trying to save it.
Red: With a coup d’etat. That’s original.
Liz: You have no play here.
McMahon: I know! But neither do you. No more games! No more cheating death!
Ressler: Don’t do it. If you kill him, I kill you.
McMahon: I hope so!
[ GUNSHOT 💥 ] [ Suddenly McMahon is shot through the head from behind by – Dembe! ]
[ Red looks back at Dembe in amazement ] [ Dembe breathes deeply ]

 
[ In the basement of Delmar’s, the tv plays in the background. Ressler is arranging objects on the table, salt and pepper shakers, water glassss ]

Woman on tv: And while authorities have yet to make–

Ressler: Hey, Aram. Pass me that.

–what we can confirm is this the shootout occurred as the suspects were being transferred to a federal detention facility.

[ Ressler gathers more items ]
Ressler: Sorry. Don’t mind me.

Sources tell us that as many as six federal officers were wounded in the shootout.

Aram: That’s us. Wanted in connection with shooting at the President.
Liz: And without the dossier, we can’t prove otherwise.
Ressler: Except – no one shot at the President.
Cooper: What exactly are you doing?
Ressler: Diaz wasn’t the target.
Liz: Then who was?
⋘⋙
[ In an adjacent alcove, Red has been on the phone ]
Red: Okay.
[ PHONE BEEPS ] [ PHONE CLOSES ]
Dembe: Will they be okay?
Red: Chuck will be. Morgan, it could go either way.
Dembe: Morgan is strong.
Red: So, are you back? Does this mean I’m forgiven?
Dembe: The Townsend Directive. Our friend in Miami says it’s in play.
Red: Is that why you’re here?
Dembe: He says it’s very important.
Red: It’s critical. But not as critical as knowing why you’re here.
Dembe: I said I needed to follow my own path. I did. It led me back to you.
[ Red clasps Dembe’s hand ]

 
[ Red and Dembe join the others as Ressler explains the arrangement of objects he’s laid out ]
Ressler: So, this is the debate stage and everyone who was on it when the shot was fired. The moderator, the Senator, her husband, their son, the President, and the First Lady.
Cooper: And the shooter?
Ressler: Here. World-class sniper with a clean shot at the President.
Liz: Who he would’ve killed if we hadn’t surprised him.
Ressler: But why? And why wait, then? Why not shoot during the debate when he’s not moving?

Woman on tv: Meanwhile the outpouring of sympathy from around the world continues for the President and his injured wife.

Cooper: You think he arranged all this to boost his poll numbers?
Ressler: A crack shot misses an easy target? It’s the only explanation that makes sense.
Red: Except for the real explanation.
Cooper: And what’s that?
Red: He didn’t miss.

 
[ Walter Reed Medical Center ]
[ Red and Cooper are in an elevator along with Cynthia Panabaker of the CIA and two heavily armed guards. Red is in handcuffs ]
Panabaker: [ Angrily ] In no world is this okay.
Cooper: We’ll keep it brief.
Panabaker: Two minutes. I told them we had information on the assassination and that it was a matter of national security, and they gave me two minutes!
[ ELEVATOR DINGS ]
[ They walk to Miriam Diaz’s hospital room ]
Miriam Diaz: I agreed to talk to you, but this– My God. What’s he doing here?
Red: Mrs. Diaz, for the sake of brevity, please allow me to get right to the point. I understand you’ve been harboring a powerful secret. I need to know what that secret is.
Miriam: What is this? Why is he here?
Red: Because of your husband. You and I both know that about four years ago, he accepted hundreds of millions of dollars from a Russian oligarch named Constantine Rostov. I blackmailed him about it at the time, but there’s more to the story, isn’t there, Mrs. Diaz?
Miriam: I have no idea what you’re talking about.
Red: The assassination attempt. It wasn’t aimed at the President. It was orchestrated by the President to kill you. A plot by a desperate man trying to get rid of his wife, while disguising her murder in the mess of what appeared to be a botched assassination.
Miriam: What would make you think–
Red: Why?
Miriam: That can’t be.
Red: Mrs. Diaz. Why does your husband want you dead?
Panabaker: It’s all right, Miriam.
Miriam: Four months before the primaries, we were at my parents’ place at Indian Lake. We’d been out. We’d been drinking. There was a woman. And her son. Robert, he’d had so much to drink, he thought he hit a deer. We talked about going to the police. We didn’t. Robert said he knew a man, a fixer.
Red: The Russian money wasn’t used to buy the election. It was used to buy your husband’s reputation.
Miriam: I was fine. I thought I was. I- But I couldn’t sleep. I-I couldn’t eat. I wanted –
Red: What did you want?
Miriam: I wanted him to tell the truth. To go public. I didn’t care what it meant. I wanted us to do the right thing. But he refused. So I put together documents. From the fixer. I made recordings.
Red: Proof.
Miriam: That bullet. You really think it was intended for me? This is not some horrible mistake?
Red: Horrible, yes. But this was not a mistake, Mrs. Diaz.

 
[ President Robert Diaz stares out a window at the White House ]

On TV:
Announcer: The President will announce his resignation in a prime-time address to the nation.
Male Reporter: The attempt on the First Lady was allegedly orchestrated by the President.
Female Reporter: A stunning fall from grace –
Female Reporter #2: – as an attempt on the First Lady’s life –
Announcer: – prime-time address

[ Panabaker and Cooper are with Diaz ]
[ Kevin Morby‘s ♫ “Nothing Sacred / All Things Wild” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below twice to play ♪ ]

Cooper: Sir, did you hear what I said? Mr. President?
Diaz: Yes, I heard you. Upon my resignation, the Bureau will open a criminal investigation. Reddington did this.

♪ Bitter earth, bitter sea

Panabaker: No, sir. You did this to yourself.
Diaz: How does a wanted fugitive bring down a President?
Cooper: [ INHALES DEEPLY ] With pleasure.
 

♪ You’re gone now for so long
You grown a child

[ Liz waits at home with Red and Dembe for Agnes ]
Liz: Ah, I feel anxious. I don’t know why.
Red: It’s a new beginning.
Liz: Anxious isn’t really the right word. It’s more like heightened. Like, I can feel every breath. I’m not used to that.
Red: You’re doing the right thing, Elizabeth.
Liz: Well, it’s only because I finally know. I know who you are. I know that you care. I know that I’m safe. I know that my mother cared.
Red: She’d be proud of you.

♪ Ooh-ooh

[ A young blonde woman, Kat, shows up with Agnes ]
Agnes: Mommy! Ooh!
[ Hug ]
Liz: Welcome home, Agnes.
Agnes: Mommy!
Liz: Oh, I’ve missed you. Kat, hi.
Kat: Scottie wanted me to tell you she’ll bring over the rest of her things in the morning.

♪ Bitter dirt, bitter tea
Everything we do is a mess

Red: Well, we’d better get going. [ To Kat ] May we walk you out?

♪ But, oh, honey

Liz: You’re not gonna stay for dinner?
Red: And intrude on your mother-daughter reunion? I don’t think so. And we need to be someplace.

♪ We knew everything

Agnes: Mommy, who’s that funny-looking man?
Liz: [ CHUCKLES ] It’s a long story. But we finally have time to tell it.

♪ Ooh

Liz: Hey, do you want a lemon bar?
Agnes: Yes.
[ LIZ CHUCKLES ]
[ Hug ]

♪ All things sacred
Ooh-ahh
Nothing wild

 
[ Red meets the Stranger again ]
Stranger: I found her.
Red: Where?
Stranger: Paris.
Red: You’re sure?

♪ Bitter you, bitter me

[ The Stranger shows Red a photo ]
Red: Oh, my God.
Stranger: It’s her. I’m telling you, Raymond. Paper trails. The passports. The travel. It’s her.
Red: [ SIGHS ] You have an address?

♪ –won’t be sorry long

Stranger: Raymond, are you sure about this? If you’re not sure–
Red: I’m sure.

♪ Dumb and mean
What did you mean when you’d scream?
Nothing’s sacred
Ooh-ahhhh

 
[ A darkened Paris street on a rainy evening ]
[ A woman in heels with her light-colored hair in a bun walks along the sidewalk. Red walks behind her, catching up until he’s within a few meters ]
Red: Katarina.
[ She stops, then turns around ]
Katarina: Raymond.
[ She walks to up him. They kiss ]
Katarina: Are they watching?
Red: It’s not safe. You’re not safe.
[ They kiss again ] [ Then she takes out a hypodermic needle and jabs him ] [ Red GRUNTS ] [ Katarina pulls out the needle. Red looks at it, then collapses ]
[ Cream’s ♫ “I Feel Free” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below twice to play ♪ ]

♪ Bomp, bomp, bomp, bomp, bomp-bomp
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)

[ A car pulls up. Men get out and load Red into the car and drive away ]

♪ Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)

[ Katarina picks up Red’s fedora and, twiddling it, continues on her walk, smiling slightly ]

♪ Feel when I dance with you,
We move like the sea.
You, you’re all I want to know.
I feel free, I feel free, I feel free.

 
⬆ go to top

 
❌❌❌ 6:22 Robert Diaz

 
For S6 Episode 6:22 Robert Diaz 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎶 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-9Ei [ “you are here” ]

 

༺✦ ♤ ✦༻

 
 
Trivia: On July 13, 1990, The 28th Congress of the Communist Party of the Soviet Union announced the end of its monopoly of power. I remember this vividly. I was 9 months pregnant. I remember thinking, “My son will be born into a world of peace.” My son Benjamin was born on July 29. Then, on August 2, 1990, Saddam Hussein invaded Kuwait, beginning the next ‘Forever War’ that we are in to this day.
🔘 [Return]

 

༺✦ ♤ ✦༻


 

🔴 Episode Songs

 
🎶 ⋙ Check Tunefind for any additional music for this episode

♫ Best Friend (feat. Alisa Ueno, The Knocks & NERVO)
By Sofi Tukker

[Sofi Tukker:]
♪ I think that I’ll keep loving you, way past sixty-five
We made a language for us two, we don’t need to describe
Everytime time you call on me, I drop what I do
You are my best friend and we’ve got some shit to shoot

[The Knocks & Sofi Tukker:]
♪ Yo, you wanna meet me at the bar? YAWP!
Yo, you wanna meet me at the lounge? YAWP!
Yo, you wanna meet me at the club? YAWP!
Yo, you wanna meet me downtown? Okay!
Yo, you wanna meet me in the east? YAWP!
Yo, you wanna meet me in the west? YAWP!
Yo, you wanna meet me on the block? YAWP!
Yo, you wanna meet me at the spot? Okay!

[Sofi Tukker:]
♪ I think that I’ll keep loving you, way past sixty-five
We made a language for us two, we don’t need to describe
Everytime time you call on me, I drop what I do
You are my best friend and we’ve got some shit to shoot

[NERVO:]
♪ That’s the way it is
That’s the way it goes
It’s just us two, it’s deja-vu, it’s what we know
That’s the way we like it, don’t complicate
No need to fight it, just invite it
Yea-a-ah

[Alisa Ueno:]
♪”Datte bare-bare” we’re in love
Ain’t nobody loved me like you’ve done
I might have first “dai ren’ai kitto saisho de saigo” in my life
Alisa from Tokyo
I’m so addictive like some Pokémon
“Aimai nante iranai nai”
Like “ichi ni san de” bye bye bye

[Sofi Tukker:]
♪ Wanna be my new friend? We got a lot in common
We can talk ’bout nothin’, shoot the shit, we got shit to shoot

[The Knocks & Sofi Tukker:]
♪ Yo, you wanna meet me at the bar? YAWP!
Yo, you wanna meet me at the lounge? YAWP!
Yo, you wanna meet me at the club? YAWP!
Yo, you wanna meet me downtown? Okay!
Yo, you wanna meet me in the east? YAWP!
Yo, you wanna meet me in the west? YAWP!
Yo, you wanna meet me on the block? YAWP!
Yo, you wanna meet me at the spot? Okay!

[Sofi Tukker:]
♪ I think that I’ll keep loving you, way past sixty-five
We made a language for us two, we don’t need to describe
Everytime time you call on me, I drop what I do
You are my best friend and we’ve got some shit to shoot

[The Knocks:]
♪ Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2HD3cO5
YouTube: https://youtu.be/4Vx7MTU-UVE

 


 

♫ Batshit
By Sofi Tukker

♪ Oh, you’re bad enough to me
Bad enough that we always have something to get over
Oh, you dress up so happy
Looking so fancy
I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come over

♪ Batshit, batshit
Batshit
I’m batshit crazy

♪ I’m batshit crazy
Batshit, batshit
Batshit
I’m batshit crazy
Batshit, batshit
Batshit

♪ Oh, but when the night is deep
You find me in the streets
Asking me to come over

♪ I’m batshit crazy

Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy

♪ Oh, you’re bad enough to me
Bad enough that we always have something to get over
Oh, you dress up so happy
Looking so fancy
I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come over

♪ Batshit, batshit
Batshit
I’m batshit crazy
Batshit, batshit
Batshit
I’m batshit crazy
Batshit, batshit
Batshit
I’m batshit crazy
Batshit, batshit
Batshit
I’m batshit crazy

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2Q6MZ7B
YouTube: https://youtu.be/VDndE432GpU

 


 

♫ Mascaron
By Lissom

♪ I see doubt built upon it,
Be thinned-out, spilt upon it,
Easy vows built upon it,
Be without, guilt upon it.

♪ Toy with the rest of my lung,
My lung.
Feign attention,
I won’t – you know,
I couldn’t cope.
I couldn’t cope.

♪ Deep in doubt,
Wilt on it,
Be worn down,
Linger on it.

♪ Toy with the rest of my lung,
My lung.
Feign attention,
I won’t – you know,
I couldn’t cope.
I couldn’t cope.
I couldn’t cope.
I couldn’t cope.

♪ And proud, you threw me down a rope,
It killed me,
Endowed, you shut me in a ‘home’,
If only I could float.

♪ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?

♪ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?

♪ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?

♪ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?

🎹 Return to where this song occurs in script above
Lyrics Google: lyrics mascaron by lissom
YouTube: https://youtu.be/LoFfXjdwEWQ

 


 

♫ Nothing Sacred/All Things Wild
By Kevin Morby

♪ Bitter garden, bitter leaf
Bitter earth, bitter sea
Nothing here is sacred, dear, all things wild
You’re gone now for so long, you grown a child
And when you were young
You used to plea
And when you were young
You used to plea to make me believe

♪ Nothing sacred, all things wild
Nothing sacred, all things wild

♪ Bitter water, bitter sea
Bitter dirt, bitter tea
Everything we do is a mess
But oh, honey, may this mess be blessed
And when we were young
We knew everything
And when we were young
We claimed to sing and kick and scream

♪ All things sacred, nothing wild
All things sacred, nothing wild

♪ Bitter blue, bitter green
Bitter you, bitter me
Sorry for poisoning you with my song
I’m sorry now but I won’t be sorry long
And when you were young
Dumb and mean
What did you mean when you’d scream

♪ Nothing sacred, all things wild
Nothing sacred, all things wild

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2JTqORj
YouTube: https://youtu.be/e-GDoK1LK6Q

 


 

♫ I Feel Free
By Cream

♪ ah, ah, ah, ah, ah, ah, I feel free. [x8]

♪ Feel when I dance with you,
We move like the sea.
You, you’re all I want to know.
I feel free, I feel free, I feel free.

♪ I can walk down the street, there’s no one there
Though the pavements are one huge crowd.
I can drive down the road, my eyes don’t see,
Though my mind wants to cry out loud.

♪ I feel free, I feel free, I feel free.

♪ I can walk down the street, there’s no one there
Though the pavements are one huge crowd.
I can drive down the road; my eyes don’t see,
Though my mind wants to cry out loud,
Though my mind wants to cry out loud.

♪ Dance floor is like the sea,
Ceiling is the sky.
You’re the sun and as you shine on me,
I feel free, I feel free, I feel free.

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2Vwx8QT
YouTube: https://youtu.be/Qb_Uu0eTNWk

 

 

༺✦ ♤ ✦༻

 

🔴 General

 
⭕ Script 6:22 Robert Diaz https://wp.me/pDKwi-9Ei Status: FINAL @NBCBlacklist #TheBlacklist https://twitter.com/BlacklistDCd/status/1130175133841338368/photo/1

⭕ Easy-Search Scripts updated thru Episode 6:22 Robert Diaz https://wp.me/pDKwi-8Mi#diaz #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/1130305244829822978/photo/1

⭕ 6:22 Robert Diaz ~ A Twitter “Moment” https://twitter.com/i/moments/^

 
 

 
 

🔴 Episode Photos

 
⭕ Gallery Photos
 

 

 

༺✦ ♤ ✦༻
 

⭕ Twitter Moment
 
The photo collection from this episode is available in Twitter “Moments”. You do not need a Twitter account. Just follow the link.

Twitter photos are higher resolution (1024 pixels vs 655 pixels or less on WordPress). Not all my edited photos can bear such scrutiny, but sometimes the WordPress results disappoint me.

I am not doing the Storybook or the Twitter “Episode in Tweets” feature for Season 6 due to the compressed broadcast schedule. But I love photo editing more than anything, so I’ll focus on photos from my ♡ favorite ♡ scenes.

These are the links to the Twitter Moments for this episode:
 
The Blacklist 6:22 Robert Diaz

 

༺✦ ♤ ✦༻
 

⭕ Twitter Collage

(Reverse chronological)
⋙
Robo-collage ⇈ by Twitter. Search ⋙ from:BlacklistDCd since:2019-05-18 until:2019-05-31 [6:22

 

༺✦ ♤ ✦༻
 

⭕ Links to Individual Tweets

🐣

🐣

 
⬆ go to top

 
 

༺ ♤ ⊰ 🔴 ⊱ ♤ ༻
 
 



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