The Blacklist Declassified

Brief (Where we’re at):

Red has put Liz “at the top of the Blacklist,” out of “fear she may – do something that – she can never recover from.” That’s because she tried – twice – to blow him up using 16 ounces of Semtex, a military-grade plastic explosive she procured from the FBI supply by forging Aram’s signature on a requisition form.

Liz is on a rampage after witnessing Red shoot her mother, Katarina Rostova. Katarina recorded her final discussion with Red on a phone message to Liz, which also identified Red (albeit crypticallly) as N-13, the elusive operative sought by numerous international intelligence agencies. Red had let the world think that Katarina was N-13, which resulted in a price being put on her head by the Townsend Organization. This means Red is likely in possession of a blackmail file, the Sikorsky Achive. As long as Townsend thought Katarina had it, it meant they would be looking for Katarina and not for Red. Once Katarina knew that N-13 was Red, he killed her to keep the secret. Liz played parts of the recording first for Cooper and then for Red; it’s unclear if she played for them the part about N-13. However, Red must know that the recording includes that tidbit of information which may provide a clue to his true identity.

Liz’s mission now is revenge. First she rigged the bomb to explode when Red opened the door of her car, but he was saved when he broke down in a fit of bloody coughing and had to be rushed to a public emergency room to save his life from the mysterious disease ailing him. When her first attempt to kill Red didn’t work, Liz enlisted Esi Jackson, who had once helped Liz search for Red’s friend Ilya Koslov but had been intercepted by Red and compelled to work for him. Liz convinced Esi that Red would end up killing her when Esi was no longer of use to him. So, cashing in on the confidence Dembe had in her, Esi (and Liz) created a distraction that gave Esi the opportunity to attach the bomb to Red’s bed. Only luck and quick thinking by Ressler saved Red’s life. Ressler smashed a window and threw the bomb outside. It exploded, overturning Red’s hospital bed and injuring both Red and Ressler, but not seriously. But Esi didn’t know that and reported back to Liz that both might be dead. Liz became emotional at the thought she might have killed Ressler.

After gleaning from Aram that Red had survived, she called Red to tell him “You don’t have it in you to kill me, and you never will, and that’s why I’m gonna win.” Later, she showed up at Ressler’s apartment and was relieved to find him battered but alive:

Liz: I’m sorry.
Ressler: Well, you should be. You nearly killed me.
Liz: I know. And when I thought I had – [ Sniffles ] – nothing else mattered. I’m a fugitive again– and you have to come for me, but before you do, before I start running – I need a rest. Even if it’s just for one night. Will you let me do that?
[ Ressler lets her in ]

 
For S8 Episode 8:4 Elizabeth Keen 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎹 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-aHR [ “you are here” ]

[ Flashback: ]
[ Liz appears at Ressler’s apartment to check on how he came through the blast that she arranged in her attempt to kill Red. She also has a request: ]
Liz: Before I start running, I need a rest. Even if it’s just for one night.

 
[ Liz rides in the back of a car, remembering the night before ]

[ Flashback: ]
[ Liz and Ressler kiss passionately and then make love, taking care on account of Ressler’s injured back ]

[ In the car, Liz smiles dreamily. Her reflections continue ]

[ Flashback: ]
[ It’s morning. Ressler, still bandaged, wakes up to find Liz is dressed, but is looking around for something ]
Ressler: You know how this ends.
Liz: I can’t find my sock.
Ressler: We’re gonna try and stop you.
Liz: It’s purple with little unicorns on it. Agnes thinks unicorns are good luck.
Ressler: Unicorn socks to protect against Reddington.
Liz: You got any better ideas?
Ressler: Yeah. Don’t go after him.
[ Ressler finds the sock by the pillow and hands it to her ]
Liz: Thanks for letting me stay.

 
[ Liz calls Esi Jackson ] [ Cellphone dialing ] [ Line rings ]
Liz: I’m texting you an address. Meet me there as soon as you can.
[ Cellphone beeps🔅]

 
[ At the address Liz texted to Esi ]
Liz: A few years ago, I found out my husband was living a double life.
[ Doors open, revealing a large screen surveillance system monitoring the streets around the flat ]
Esi: Whoa.
Liz: Yeah. He had secrets. Lots of them. Including this apartment.
[ Liz pulls down a heavy duffle bag ] [ Groans ] [ She removes two large packets of bills and offers them to Esi ]
Liz: I thought maybe we could find something here that could help you out a little bit.
Esi: Me?
Liz: Yeah. It’s not much, but it’ll get you out of the city.
[ Liz offers Esi the entire duffle ]
Liz: Go on, take it. I’ve already gotten you into enough trouble.
Esi: You do know we are gonna need more than that.
[ Liz plops the duffel down on the table. She acknowledges Esi’s offer to continue working together ]
Liz: We’re gonna need more of everything. Money. Weapons. People.
Esi: Do you have anybody in mind?
Liz: I have a list. First, I – we – Call everyone on it, and then we get my daughter.
[ Esi sees armed men streaming toward the apartment on the surveillance system ]
Esi: We’ve been made.
[ Liz suddenly sees, hanging on a chain, the washer Tom had used in lieu of an engagement ring to propose to her ]

[ Flashback: ]
[ Tom kneels down in front of then-blonde Liz. Chuckling, he slips the washer onto her finger ]
Tom: Elizabeth Keen, will you marry me?
[ She beams at him ]

Esi: Liz. We got to go. Now.
[ Liz grabs the keepsake and they leave in a rush ]

 
[ The unidentified armed men break into the apartment and search ]
— Clear.
⋘⋙
[ Outside, Liz smashes the window of a vehicle ] [✨Glass shatters✨]
[ Engine starts ] [⚡️Tires screech⚡️]
⋘⋙
[ Dembe enters the flat, followed by Red ]
Dembe: We’re too late.
[ Red looks at the live feed of the garage and sees the pile of shattered glass from the broken car window. He shakes his head ]

 
[ Cooper’s office ]
Cooper: I just spoke with Reddington. He says Keen just left a Kalorama address in a Ford Bronco. I want a BOLO on the car, not on Keen.
Aram: And when the cops find her in it?
Ressler: We’ll do what we can to protect her.
Agent Alina Park: Did she protect you when Reddington was in the hospital? She planted a bomb that nearly killed you.
Ressler: So it’s okay to protect an actual killer like Reddington, but not one of our own? Look, what Keen almost did once is nothing compared to what Reddington does on a daily basis.
Aram: And yet, he put her name on the Blacklist.
Cooper: Reddington wants her found, not hurt. But given her overwhelming desire to hurt him, I don’t know that she’ll leave him any choice. Which is why we have to find her first.
Park: I’ll put out the BOLO.
Cooper: Before you do, I want to say one more thing. As fond as we are of Agent Keen, I believe she’s equally fond of us. Given that, it wouldn’t surprise me if she were to reach out, solicit our help to find Reddington. If and when she does that, I know how tempting it’ll be to give her the help that she needs, but that would be a mistake. It would make matters worse for her, not better. So if she does call or show up on your doorstep, I need to know. Now Park, get on the BOLO. Aram, Ressler – Put eyes on Agnes. We may not know where Agent Keen is, but we do know she’s in the city, and she’s not gonna leave it without her daughter.

 
[ Liz find Red’s computer whiz kid, Tadashi Ito, working at a laptop at a table in a busy food court ]
[ Indistinct conversations ]
Tadashi: Liz, hi! What are you doing here?
Liz: I don’t have much time, Tadashi, so I’m gonna get to the point. I want you to come and work for me.
Tadashi: Thanks, but I already have a job. It’s got a great health plan. As long as I do it well, Mr. Reddington won’t kill me.
Liz: Reddington is dying. He’ll deny it, but it’s true. And when he’s gone, I’ll be in a position to give you all the work you’ll ever need because I’m getting everything. Call Marvin Gerard, he’ll confirm it. One more thing.
[ Liz shows Tadashi a list ]
Liz: These are all of Reddington’s associates that I’m aware of. I need their phone numbers.
Tadashi: I’m sorry, but I don’t have them.
Liz: I know. But you can hack them.

 
[ Tadashi sits next to Red in the back of his car ]
Tadashi: She said you were sick. Like pushing daisies sick.
Red: Aspirants are all the same. A little bit desperate, irrational, always impatient– They never wait for the body to cool.
Tadashi: I told her I was with you hot or cold, but since you mention it, are you, you know, cooling?
Red: Like a lion in winter I am both diminished and dangerous – As anyone who offers to help Elizabeth will quickly find out.
Tadashi: [ Breathes sharply ] Exactly how would you define help? Because she had this list–

 
[ Liz makes some phone calls … ]
Liz: I know it’s a shock, but it’s true.
Max Ruddiger, Red’s explosives expert: Raymond is a traitor?
Liz: A Russian spy codenamed N-13. He’s been playing us for years.
[ Max’s phone beeps🔅]
Max: One sec. Sorry. [ Line beeps🔅] Hello?
Red: Ruddiger, have you spoken with Elizabeth Keen?
Max: Yeah. I’m on with her right now. She says you’re a traitor. Not sure to which country.
Red: Ruddiger, please. I’m loyal to principle, not country. And the first principle I’m loyal to is loyalty. Do I have yours?
⋘⋙
Heddie: Now hold on, you gotta back up. Say that again for me.
Liz: He cut a deal.
Heddie: Yeah, a deal. What are you talking about? A deal with who?
Liz: With the FBI.
⋘⋙
[ The next call is to Mr Brimley, Red’s creative torture impresario, who is brushing a horned goat🐏 ]
Brimley: Are you telling me that son of a bitch is a snitch?
Liz: Yep. Which is why I want you to come and work for me.
Brimley: I’ll tell you who I won’t work for, and it’s that turncoat, that quisling, that– [ Phone beeps🔅] Hold that thought. Cellphone beeps🔅] [ Goat🐏bleats ] Someone’s ears were burning?
Red: You’ve spoken with Elizabeth.
Brimley: Pardon my French, but what a Yenta!
Liz: I can hear you both.
Red: Spreading rumors, are we?
Liz: Telling truths.
Brimley: Oy oy oy. I think I hit conference instead of call waiting.
Red: Who’s next on your list?
Liz: Wouldn’t you like to know?
⋘⋙
Liz: He’s the past, Morgan. I’m the future– [ *Click* ]
[ One by one, Liz is crossing names off her list ]
⋘⋙
Liz: That’s right, Tony, he works for Moscow.
⋘⋙
Liz: Sure, Glen, I’ll hold. …
⋘⋙
Liz: No, no, no, Chuck, before you take the other call, just hear me out. I mean– Chuck?
[ Liz sighs ] [ The last name has been crossed off ]

 
[ Red and Dembe are in the industrial kitchen of one of Red’s properties ]
Dembe: I got a message from our friend in the East. He wants to meet.
Red: He won’t be easily appeased. Put him off for the moment. I’m fighting a war on one front. I’m not sure I have the strength to fight it on two.
[ Cellphone buttons clicking ]

 
[ Aram and Ressler walk together in the hall of the apartment building where Liz’s friend, Merritt Marks, has been taking care of Agnes ]
Aram: So you’re saying you wouldn’t tell Mr. Cooper.
Ressler: I’m saying it depends.
Aram: Depends on what?
Ressler: I’m just saying, if she did reach out to you, if you actually saw her, you might think differently.
Aram: Did she reach out to you?
Ressler: No, she didn’t. But if she did– I’m just saying it might make a difference.
⋘⋙
[ Knock on door ] [ Door creaks lightly and opens ]
Merritt Marks: Can I help you?
Ressler: Mrs. Marks? [ Holds up badge ] We’re with the FBI. We work with Elizabeth Keen.
Merritt: Is everything alright?
Aram: We understand you’re looking after her daughter. Has she arranged a time to pick her up?

 
[ Red’s kitchen. As a treatment for his mysterious disease, Red is preparing a mix of pills from the 10 or so bottles of prescription medications arrayed in front of him ]
[ Door opens; Dembe enters ]
Red: In the old days, drug cocktails were decidedly more appealing.
Dembe: I spoke to our friend in the East.
Red: Ah. Thank you. That’s a relief.
Dembe: He expects you in Moscow the day after tomorrow. And it gets worse.
Red: Worse than Moscow at this time of year– at any time of year?
[ Pills rattle ] [ Red takes the meds with a glass of water ]
Red: Mmm. Oh! [ Glass taps lightly ]
[ Dembe hand Red a large manila folder. Red pulls out a thick folder with a large seal printed on the front: “Permanent Select Committee on Intelligence: House of Representatives”
Red: Ah, well. Looks like the second front has officially engaged.

 
[ Liz and Esi sit in Liz’s parked car ]
Esi: No one said yes?
Liz: Not even an “I’ll think about it.”
Esi: Is there anyone else?
Liz: There is one other person, and he’s worth more than everyone on this list combined. If I could get him, we’d have a fighting chance.
Esi: Who’s that?
Liz: Marvin Gerard. Reddington’s lawyer. He may not know where all the bodies are buried, but I think he knows where a lot of the money is kept.
Esi: You got to assume Reddington’s already contacted him.
Liz: Which is why I need to talk to him in person. I need you to follow him and tell me when he’s somewhere safe to talk. Meanwhile, I’m gonna make arrangements to pick up Agnes. I can’t believe they pledged their lives, fortunes, and not-so-sacred honor to a traitorous sociopath. Are they all really that scared?
Esi: It’s fear.
Liz: Take this burner. It’s clean. Call me when you find a safe location.
Esi: About Agnes? Be careful. You know they’re gonna be watching her.
Liz: [ Whispering ] Yeah.

 
[ Red is riding in his Mercedes, talking on the phone ]
Cooper: [On phone] We found the Bronco. Abandoned in a parking garage.
Red: Have you gone outside the Task Force for help on this?
Cooper: We can clean up our own mess.
Red: Evidence would suggest otherwise, Harold.
Cooper: Broadcasting her fugitive status would ruin any chance Elizabeth has of putting this genie back in a bottle.
Red: Is she the genie or am I the genie? I’m confused.
Cooper: You know what I find confusing? The tape Elizabeth played me of you and Katarina where she accuses you of being a Russian spy.
Red: Oh, by all means, Harold, let’s take what Brunhilda says on that tape as gospel.
Cooper: N-13. What does that mean to you?
Red: It means you need to get your priorities straight. You picked up the telephone and now we’re talking. When was the last time you talked with Agent Keen? Elizabeth Keen is your target. Not me.
[ Phone clicks shut ]
⋘⋙
[ Red points toward a man walking on the sidewalk ]
Red: There he is.
[ Dembe pulls over ] [ Red motions to the man to get in, which he does ] [ Horns honk in distance ] [ The man’s name is Rakitin ]
Red: I’m not an errand boy. I won’t be ordered about.
Rakitin: Our friend has concerns about Keen.
Red: Elizabeth Keen is not to be touched. I accept our friend’s concern, nothing more.
Rakitin: You’re familiar with Scuti Global?
Red: Of course. Scuti Global It’s become quite the profit center.
Rakitin: Which it will continue to be as long as I have their trust.
Red: [ Chuckling ] And you’re a little concerned that trust may be broken now that your name has surfaced as part of this House Intelligence Committee investigation.
Rakitin: Before you go to Moscow, we’d like you to make this go away.
Red: I see. So I came here to be interrogated and solicited.
Rakitin: I like to think you came here to do the right thing.
Red: [ Laughs ]
 
[ Tchaikovsky’s ♫ “Sleeping Beauty Waltz” (piano version) plays ]
[ No Lyrics ] [ ♪ Tap square below to play ♪ (starts slow) ]

[ Merritt Marks drops Agnes off at her ballet lesson ]
Merritt: Oh! Alright. So, go and change. And I’ll be right in.
[ Agnes runs off ] [ Door closes ]
⋘⋙
[ Ressler and Aram walk up behind Merritt ]
Merritt: Is this really necessary?
Ressler: Well, you said that Liz didn’t tell you when she was gonna come and pick up Agnes, so we have to assume that she could pick her up anytime.
Merritt: So you’re just gonna follow us everywhere we go?
Aram: We don’t want to frighten Agnes, but we have to find Liz.
Merritt: So you can take her away from her daughter?
Aram: That’s the last thing we want.
Merritt: Then promise me you won’t.
[ No response ]
Merritt: [ Scoffs ]
⋘⋙
[ Merritt walks into the changing room to get Agnes. She sees Agnes’s shoes behind the drapes of a changing stall ]
Merritt: Hey, girl. Need any help?
[ Merritt opens the drapes. Standing behind Agnes is Liz ]
Merritt: What are you doing here?
Liz: Just admiring my beautiful girl.
Merritt: There are agents in the lobby.
Agnes: I already told her.
Liz: How about you go to class and I’ll tell Merritt about our plan, okay?
Agnes: Okay, Mommy. See you tonight?
Liz: Yes, you will. I can’t wait. [ Hug ]
[ Agnes scampers away]
Merritt: Your plan? What plan?
[ Liz’s cellphone chimes ✨ ] [ A text from Esi reads: “Eyes on Gerard. Lou’s Diner” with an address ]
Liz: [To Merritt ]You’re working the night shift at the hospital tonight, right?
Merritt: Liz, the FBI is following me.
Liz: Not anymore. Not if you do exactly as I say. Now, listen carefully.

 
[ Lou’s Diner ] [ Birds chirping ]
[ Inside the restaurant, Marvin Gerard sits in a booth across from Skip Hadley, discussing accounts Skip has prepared on an electronic tablet ]
Marvin: Even if Reddington liked you, which I suspect he doesn’t. And even if he trusted you, which I am positive he doesn’t, he wouldn’t hesitate to kill you if you showed him this.
Skip: I thought you wanted me to organize the accounts.
Marvin: I did. But digitally? He insists on analog accounting. A book. A ledger. Something offline.
[ Liz walks up ]
Liz: Marvin.
Marvin: The answer is no.
Liz: [ To Skip ] Hi. I’m Liz.
Skip: Skip. I know who you are. Sort of a legend around the office.
Marvin: I know who you approached.
Liz: Mm.
Marvin: Brimley. Heddie. Ruddiger. Morgan and Chuck. And I also know that they all turned you down.
Liz: They turned me down because they don’t know the truth. You do. You know he’s sick. You know that when he’s gone I’ll be in power because you wrote the will.
Marvin: That’s right. You wait, you get everything. So wait.
Liz: I can’t.
Marvin: Why, because he killed your mother? You’re declaring war to defend the honor of a woman who abandoned you as a child and murdered your grandfather.
Liz: If you help me, you write your own ticket. We’ll be partners. 50/50. I could make you ridiculously rich.
Marvin: Red’s my friend.
Liz: Sure, if you can help him out. But if you can’t, you’re out. He’s not loyal, he’s transactional. You really think if he were sitting where you are now, knowing that the balance of power was shifting in my direction, he would really choose you over me?
[ Cup thumps lightly ]
Skip: Maybe you should think about it.
Marvin: Law review at Yale. Moron.
Liz: He seems pretty smart to me.
Marvin: Alright. I’ll think about it.

 
[ Lock disengages, door creaks ] [ Door creaks ] [ Lock clicks ] [ Keys jingle ]
[ Guinevere Claflin has arrived home from work ] [ She puts her purse down near a shelf of romance novels by Danielle Steel and hangs up her coat ]
Guinevere: [ Sighs ]
[ A man comes up behind Guinevere carrying a moving box ]
Guinevere: [ Gasps ] Who are you? What are you doing here?!
[ Red appears with a vinyl garment bag of dresses from Guinevere’s closet ]
Red: Getting you ready for the big move.
Guinevere: I’m calling the police.
Red: To say what– A group of strangers made all your dreams come true?
[ Tadashi Ito appears with a set of decorator pillows featuring Raphael’s “Two Cherubs” ]
Tadashi: Hey. Is this making the move?
Red: Heaven forbid. Tadashi, say hello to Guinevere.
Tadashi: Hi. Personally, I like a good cherub.
Red: Taste aside, Tadashi will make the task ahead of you quick and easy.
Guinevere: The task. What task?
Red: Erasing certain information from the computer server of the House Committee on Intelligence. Tadashi has a skillset and, as counsel, you have the access. As I said, quick and easy.
Guinevere: What makes you think I would do something like that?
Red: Danielle Steel. You have 16 hardcovers. No one has that many romance novels and wants to live alone in Cleveland Park.
Guinevere: And if I say no?
Red: Keep up, Gwen. Tomorrow you’ll go to work as usual, except that when you’re alone and the moment provides, you’ll contact Tadashi who will walk you through the steps of inserting the thumb drive into the server which will contaminate and eliminate the data on said server.
Guinevere: Absolutely not. I would be fired. I would go to prison for treason.
Red: Not if it was a mistake.
Tadashi: The malware kit’s designed to mimic liquid contamination, a leak in the gasket around the head assembly and corrosion on the platter surface.
Red: You’ll spill a cup of coffee to cover our tracks.
Guinevere: And I’d be fired.
Red: Yes. Walking out of your old life and into your better life.
[ Red hands Guinevere a real estate pamphlet on “Kauai Coastal” ]
Red: Go on, have a look. I guarantee it’s a plot twist worthy of “Passion’s Promise.”
Guinevere: What is it?
Red: A home on a beach. Money in the bank. A happy ending to your story. If you’re smart enough to take it.
[ Guinevere hands the material back ] [ Paper rustles ]
Guinevere: Please leave.
Red: Guinevere, Tadashi tells me you’re something of a scofflaw. He says you haven’t paid all your taxes. Some, but not all.
Guinevere: [ Gasps ]
Red: Not even close to all in– What?
Tadashi: Four years federal, three state.
Guinevere: My mother is sick. She doesn’t have insurance.
Red: Listen, don’t get me wrong. I couldn’t be more understanding and supportive of a righteous tax dodge– Or not righteous [ Chuckling ] for that matter. But I doubt the FBI will share my sympathies, which is why I suggest you carry out the task ahead. What do you say? Comedy or tragedy? How this story ends is entirely up to you.

 
[ It’s dark. A blue compact car pulls up and parks. A woman with long wavy dark hair wearing Liz’s signature knit cap and boots walks toward the car. Merritt Marks gets out of the car with Agnes ] [ Suddenly, two police vehicles appear, sirens wailing and 🚨lights flashing🚨 ] [ ⚡️Tires screech⚡️ ] [ Aram and Ressler jump out ]
Aram: Liz! Liz, I’m sorry. Liz, it’s over.
[ Vehicle doors closing ] [ Radio chatter ]
[ The woman turns around; it’s not Liz, but a look-alike ]
Ressler: Who are you? Where’s Keen?
Woman: I don’t know. I swear. A woman, she paid me to wear this hat and approach the car.
Merritt: [ Whispering to Agnes ] It’s okay.
[ Liz peers out at the scene from behind a tree ]
Ressler: [ To police ] Fan out. Scan vehicles, scan faces, coordinate with the hospital security.
Liz isn’t here, but her daughter still is. She’s gotta be close by.
⋘⋙
[ Aram gets down and tries to make Agnes comfortable ]
Aram: Agnes. My name is Aram. I don’t know if you remember me, but, um, I have known you since you were born. In fact, I was at your christening. You couldn’t have even been a– a few months old, so if you did remember me that would be, like, super cool, or– or weird probably.
Agnes: [ Giggles ]
Aram: But, anyway, what I remember, that you– you are incredibly brave, which came as no surprise since your mom is just about the bravest person I’ve ever known.
[ Agnes smiles ] [ Radio chatter ] [ Insects chirping ] [ Horn honks in distance ]
⋘⋙
Liz: [ Breathes deeply ]
[ Dialing ] [ Line ringing ]
Liz: Ressler. I need my girl.
Ressler: And she needs you.
Liz: So let me have her.
Ressler: She’s coming to the post office with us. CFSA has already been notified.
Liz: She doesn’t need a social worker. She needs her mother.
Ressler: What, on the run? As a fugitive. Is that what you really want for her?
Liz: My mother abandoned me when she was a fugitive. I’m not gonna make that same mistake.
⋘⋙
[ At a distance, the Liz look-alike is being questioned ]
Officer: Allison?
Woman: Yeah.
⋘⋙
Ressler: Hey.
Liz: Yeah?
Ressler: Why’d you call?
Liz: I don’t know. I guess– because every time we say goodbye, I’m afraid we might actually mean it.
[ Cellphones beep🔅🔅]

 
[ A train pulls in to a station ]
[ Al Hazan’s ♫ “Long as I Have You” (feat. Myrna Rowlands) plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

[ Liz sits inside the train station, fingering the washer Tom gave her as an engagement ring, which she now is wearing on its chain as a necklace ]

♪ I won’t care, I won’t cry
If you’re there, I’ll get by
I won’t care
Long as I
Long as I have you ♪

[ Woman speaking indistinctly on P.A. ]

♪ And if the sky should shatter and fall ♪

[ Esi walks over with two cups and hands one to Liz. She sits down ]
Esi: You gonna tell me about it? The washer.
Liz: Oh.
Esi: Back at the apartment. We nearly got caught because of it. I think you owe me an explanation.
Liz: It’s my engagement ring.
[ Woman on P.A.: Attention, Metro travelers– ]
Liz: Tom used to have this boat he was always tinkering with, you know, repairing. And one day he just pulled this out of his tool box and got down on one knee and asked me to marry him.
Esi: How sweet.

♪ So let the oceans all turn to sand ♪

Liz: He was – much better at this than I am. He never would have let Agnes get taken into custody.
Esi: You know what you got to do.

♪ I won’t care, I won’t cry ♪

Liz: Yeah.

♪ If you’re there, I’ll get by ♪

Liz: I wish he would have gotten to know her. Seen the person she’s becoming.

♪ Long as I have you ♪

[ Woman on P.A.: Attention, passengers. The escalator– ]
Esi: Come on. It’s time.

♪ Long as I, long as I have you ♪

Liz: Okay.
[ Liz follows Esi up the elevator ]

 
[ Guinevere Claflin has decided to go along with Red’s plan to erase the server containing the report of the House Select Committee on Intelligence. She enters her office early in the morning with a cup of coffee. She has a comms link with Tadashi Ito ]
Guinevere: Okay. [ Sighs ] How long is this gonna take?
Tadashi: On average, I’d say two hours.
Guinevere: Two hours?
[ Keys clacking ]
Guinevere: People will be here by then.
Tadashi: You know the Gutman Data Sanitizing Algorithm? No? Nothing? Anyway, I used a keylogger to gain access to it, tweaked a few lines of code and as a result this baby should be sanitized right about – now.
Guinevere: Do you even know what was on those files you just erased?
Tadashi: Me? No. My boss and I are strictly don’t ask, don’t tell. Okay, we’re clear. Pull the thumb drive and cue the coffee. Hey. Question. You ever have AOC sightings? That’d be so cool.
[ Guinevere pours the coffee ]
Guinevere: I can’t believe I’m doing this. Okay, I’m hanging up now. I got to go. I’m about to be fired.

 
[ Red takes a seat in Cooper’s office ]
Red: What’s happening with her daughter?
Cooper: Elizabeth has walked away from her. I never thought she would. I was mistaken.
⋘⋙
[ Aram takes on the task of keeping Agnes occupied ]
Aram: Okay, while the grownups figure out all the boring grownup stuff, you and I are going to play a paper airplane contest. Sound good?
Agnes: I suppose.
Aram: You suppose? You suppose? [ Enthusiastically: ] There’s no supposing. The goal is to figure out who can fly the most paper airplanes into that garbage can. You do know how to make a paper airplane, right?
[ Agnes shakes her head “no” ]
Aram: Okay. That’s alright. I’ll make them. You fly them. Sound good?
[ Ressler gets off the elevator ]
Aram: Here we go. Okay.
[ Aram begins folding paper airplanes ]

 
[ Ressler’s cellphone chimes✨] [ It’s a text message from Liz with a shopping list of foods Agnes likes and her favorite tv shows {
[ Phone rings ] [ Beeps🔅]
Ressler: Ressler.
Liz: How is she?
Ressler: This text. It’s from you.
Liz: Is she okay?
Ressler: Sure looks like it. [ Chuckling ] Her and Aram are making a mess of the office.
[ Liz is calling from the train station ]
Liz: I got Marvin Gerard to turn. So I have the resources I need to get out.
[ A voice on the P.A. is heard in the background ]
Ressler: What about Agnes?
Liz: You were right. Being on the run is no place for her.
Ressler: And the mistake your mother made?
Liz: I guess I’m more like her than I care to admit.
Ressler: So these lists of TV shows and food– They’re what Agnes likes.
Liz: And the address is a self-storage unit. There’s a locker there with her favorite clothes and books.
Ressler: She’s gonna be okay.
Liz: Promise?
Ressler: I do. Until you’re back, she’s gonna have lots of doting uncles.
[⚡️Train brakes screech⚡️]
Liz: I got to go.
Ressler: No, you don’t.
Liz: I do. And this time I have to mean it.
[ Cellphones beep🔅🔅]
⋘⋙
[ Ressler knocks on the glass by Aram’s workstation, beckoning Aram ]
Aram: Oh. [ To Agnes ] I’ll be right back.
[ Aram walks over to Ressler ]
Aram: What’s up?
Ressler: Keen called me. I couldn’t run a trace, but I did record it.
Aram: Liz called you?
Ressler: Look, I don’t know from where, but there were some muffled sounds in the background. I need you to enhance the audio.
Aram: Okay. I may not be able to beat a 6-year-old in a paper plane contest – Seriously, she’s destroying me, she’s like a- she’s like a mini Chuck Yeager – But I do know that when you say “Keen called me” what you’re really saying is “Keen called me again.”
Ressler: Look, I know what Cooper said–
Aram: He didn’t “say,” he ordered.
Ressler: Yeah, but I told you, if you saw her you’d think differently.
Aram: You saw her?! When? Where? Was it at your apartment? Please. Please tell me it wasn’t at your apartment. Was it at your apartment?
[ Ressler gives Aram his cellphone ]
Ressler: [ Sternly ] The audio. Enhance it.

 
[ Cooper’s office. Red is still there. Ressler and Aram enter ]
Ressler: We know where Keen is.
Aram: The Silver Spring train station.
Ressler: She called me to ask about Agnes. There was noise in the background. Aram was able to enhance it.
[ Ressler plays the enhanced audio: ]

Woman on P.A.: – now arriving on Track One, the Blue Ridge, en route to Washington, this is the Silver Spring stop.

Cooper: I’ll inform Montgomery County PD. You get a TAC team and roll out.
Red: Any fingers crossed, Donald? Toes?
Ressler: [ Annoyed ] What’s got your goat?
Red: It’s not a goat, it’s a wild goose. The one I fear you have us all chasing.
Ressler: Now, what’s that supposed to mean?
Red: You’re a good agent. But I wonder if maybe you’re an even better friend.
Ressler: You think I’m helping her. I mean, that this is some sort of a trick, a false lead to draw us one way while she goes the other.
Red: I think it’s a possibility.
Ressler: [ Chuckles ] That’s rich coming from you. When the only reason she may get away is because she turned one of your people. Marvin Gerard’s giving her all the resources she needs.
Red: Elizabeth told you that?
Ressler: She did. And I believe her.
Red: I believe you do. That’s what worries me.
[ Red walks past Ressler and leaves ]
⋘⋙
[ Cooper motions for Aram to close the office door ]
Cooper: Well?
Aram: Well what?
Cooper: Is there anything to it?
Ressler: Well, she trusts me. And that’s not a problem. I mean, it’s why we have a lead.
Cooper: Has there been other contact?
Ressler: Well, she called me twice, and, um, she came to my apartment.
Aram: [ Quietly ] Called it.
Cooper: We’ll talk about this when we get back from the station.
Ressler: What do you mean “we”?
Cooper: This is clearly complicated. For all of us. If this is a chance to apprehend Elizabeth, it appears we may need to give each other the strength to do it.

 
[ The Silver Spring Maryland train station ]
Woman on P.A.: Please allow passengers to exit the train before you board.
[ aYia’s ♫ “Ruins” (feat. Ásta Fanney Sigurðardóttir) plays ]
[ ⏺ Full lyrics unavailable ] [ ♪ Tap square below to play ♪ ]

♪ Boat by lake I fleet it down
Down to the ruin ♪

[ Cooper, Ressler and Park search the train station for Liz, but come up short ]
Park: She’s gone.
Cooper: You saw the security feeds?
Park: She was here for over an hour. Along with Esi Jackson.
Ressler: But the train’s still here. Maybe they’re already on it.
Park: Liz didn’t get on. The feeds show her leaving the station.
Ressler: When?
Park: What time did she call you?
Ressler: 11:33.
Park: Two minutes later, she walked out the front door.
Ressler: Why would she come to train station and not get on a train?

♪ Way down ♪

[ Cooper looks at his phone ]
Cooper: Oh, my God.
Park: What?
[ Cooper turns to leave. Park and Ressler follow ]

 
[ The Post Office. Aram is holding a stopwatch ]
[ Beeps🔅]
Aram: 30 seconds. Halfway to a new world record.
[ Agnes is walking from one pile of papers on the floor to another ]
Aram: Can she go all the way without putting a toe on the floor?
[ Cellphone ringing ]

♪ Woul way down ♪

[ Cellphone beeps🔅]
Aram: Mr. Cooper, did you find her?
Cooper: [ On phone ] No. The train was a diversion.
Aram: A diversion from what? Why would she want you to go there?
Cooper: So she could get her daughter.
Aram: But her daughter’s right here.
Cooper: Yes. And Agent Keen just swiped into the Post Office.
[ Elevator door opens. It’s Liz ]
Agnes: Mommy!
[ Agnes runs to Liz who lifts her up and hugs her ]
Aram: I’ll have to call you back.
[ Cellphone beeps🔅]
Liz: [ Laughs ] Oh, look at you. Oh, my gosh, you busy bee.
Agnes: I got all the way across without touching the floor.
Liz: All the way?
Aram: [ Seriously ] A new world record.
Liz: We got to go, honey.
Aram: Can I try it one more time?
Liz: I’m afraid not, honey. Go get your shoes on, okay? Go on.
[ Agnes prances off ]
Liz: [ To Aram ] I saw you in the parking lot. The way you talked to her. And now this – thank you.
Aram: I didn’t do it for you.
Liz: I have to take her now.
[ Liz pulls back her jacket to show her gun ]
Liz: And you have to let us go.
Aram: Who are you?
Liz: You know who I am and why I have to do this.
Aram: You forged my signature to get 16 ounces of Semtex. You nearly killed Mr. Reddington and Ressler. I knew who you were, Liz. But I don’t recognize who you’ve become.
[ Agnes returns ]
Liz: Say thank you to Aram, honey.
[ Agnes gives Aram a hug ]
[ 🚨Alarm blaring🚨 ]
Liz: The security section’s already been alerted. We need a two-minute head start to get out through Level C. Two minutes. That’s all I ask. [ To Agnes, whispering ] Come on. Let’s go. Let’s go.
[ Liz and Agnes dash off, leaving Aram standing there ]

 
[ Red, Marvin Gerard and Skip Hadley sit around a small table in a basement. Dembe stands nearby ]
Marvin: Sure, I said I’d think about throwing in with her. And I did. For all of two seconds. As a courtesy. Then I turned her down.
Skip: That’s true, Mr. Reddington. I was there. I saw it.
Red: You saw it.
Skip: Yes, sir, I did.
Red: Did you also see Marvin buy airline tickets to Switzerland?
Marvin: Of course he didn’t. Because I didn’t buy airline tickets to Switzerland.
Red: My mistake. You bought tickets to Switzerland and booked a suite at the Kupfer Grand in Zurich.
[ Red hands Marvin a copy of the paperwork ]
Marvin: [ Scoffs ] You don’t see it. It’s staring you in the face and you’re so puffed up with anger that you don’t see it.
Red: Enlighten me.
Marvin: My name. It’s on the reservation. You think I’d throw in with Keen and make getaway plans using my own name? That I’d steal from you without even attempting to hide it?
Red: I think you never forgave me for the three years you spent in prison.
Marvin: I went to prison because I was loyal to you!
Red: Yes. And now that you know my days are numbered, your loyalty has shifted. I understand. You’re just looking ahead, playing the long game.
Marvin: You’re the one who’s being played. Getting you to hurt me is her way of getting you to hurt yourself.
Red: Except I won’t be hurt, not with the adorable Skip stepping up to fill the void.
Marvin: I’m sorry, what?
Red: [ To Dembe ] Has Marvin been locked out of the accounts?
Dembe: As of 20 minutes ago.
Red: Excellent.
Marvin: You’re making a huge mistake.
Red: Please, let’s bring Skip up to speed and have his biometrics synced for account access in Nevis and the Caymans.
Skip: Mr. Reddington, I’m- I’m honored, but Marvin – I promise you he wasn’t disloyal.
Red: Yes, well, we’ll see about that.
[ Brimley enters with the goat🐏 ]
Brimley: You’re in luck. Yesterday was Benji’s spa day. He’s shampooed, rubbed, rested, and ready.

 
[ Elevator door creaks ] [ Door thumps ] [ Cooper, Ressler and Park step out ]
[ Aram is sitting, his head down and hands clasped ]
Aram: You were right. It is different.

 
[ Liz is riding in the back of a vehicle with Agnes, talking on the phone to Esi ]
Liz: Anything. Contacts. Safe houses. She even mentioned an asset named Mr. French. Whatever resources of my mother’s you can find, we’re gonna need them. You, too, thanks, Esi.
[ Cellphone beeps🔅]
Agnes: Aram’s nice.
Liz: Yeah, he is. The nicest.
Agnes: Will we ever see him again?
Liz: I don’t know, honey. I hope so. I just– don’t know.

 
[ The basement ] [ In the background: Marvin screaming, goat🐏bleats ]
Dembe: [ To Red ] To meet our friend as scheduled, we have to be in the air free now within an hour.
Red: I’m not leaving without an answer.
Dembe: Tadashi did his job. The files have been erased.
Red: Besides you, Marvin is my oldest colleague.
[ Blow lands ] [ Marvin screaming ] [ Goat🐏bleats ] [ Screaming continues ]
Dembe: I want to ask you a question. When I do, I need you to give me an honest answer.
Red: Of course.
Dembe: Did you want Elizabeth to see you shoot her mother? Knowing that if she did, it would send her to a place so dark she would never go back to her old life.
Red: Why would I ever do that?
Dembe: Because you live in that dark place. And she can’t take over your empire without living there, too. You mock the FBI for being conflicted about arresting someone they love, but you love her, too, and I’m not sure you want her arrested, either.
Red: I never said I wanted her arrested. But I do want her found.
Dembe: You can see what it’s done – You keeping so much from her. It– It’s hardened her. Made her worthy of the Blacklist. What I want to know is if this was your plan all along.
Red: I – didn’t — I didn’t have a plan.

 
Banker: If I could just ask you to place your hand here.
[ Skip Hadley does so ] [ 🔅Beeping🔅 ] [ Chimes ✨ ]
Banker: The transfer is now complete. Is there anything else I can do for you, Mr. Hadley?

 
[ Liz and Agnes are flying in a private plane ]
Liz: You sure I can afford this?
[ Skip Hadley is in the plane with them ]
Skip Hadley: I’ve told you 10 times already.
Liz: I know. I’m sorry. I’m just having a hard time believing it.
Skip: 35 million. That’s how much we transferred out of Reddington’s account.
Liz: 35 million.
Skip: Yeah. In euros. That’s 41 million in dollars. So, yeah, this I think you [ Chuckling ] can afford.
Liz: [ Sighs ]
[ Until The Ribbon Breaks’ ♫ “One Way or Another” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

♪ One way or another, I’m gonna find you ♪

[ Liz dialing, line ringing ]

♪ I’m gonna get you ♪

Liz: You’re wrong about Marvin Gerard.
Red: [ On phone ] Elizabeth, for someone looking to go off the grid, you continue to be quite chatty.
Liz: Suisse Capital. You had one account. Now you have none.
Red: What does this have to do with Marvin?
Liz: And all this time I thought you knew how to think like a criminal.
Red: Skip Hadley.
Liz: My knight in shining armor.
[ Skip lifts his glass to Liz ]

♪ And I will drive past your house ♪

Liz: Marvin was my last hope. When he turned me down, I thought I was finished. No money, no support. It was over.

[ Flashback: ]
[ Skip runs up to Liz ]
Skip: Hey.

Liz: But then–

[ Flashback: ]
Skip: He’s in the bathroom so I only have a minute but, uh– I’m in.

♪ One way or another ♪

Liz: [ On phone, to Red ] I thought using Marvin’s real name to book the plane tickets and hotel room might be a red herring that someone clever would detect. But I guess I’ll have to try it on someone clever to find out.
Red: As my third grade teacher Mr. Threet used to say – One swallow doesn’t mean spring is here.
Liz: Yeah, but 35 million euros sure feels like spring break.
[ Beeps🔅]

♪ And if the lights are all down ♪

[ Red rushes into the torture chamber. Marvin is sitting on the floor, shirtless, bruised and bloody. His hands are tied. The goat🐏is chewing on a shirt ]
Red: Oh, my God.
Brimley: We’re almost there.
[ Red gets down by Marvin and wraps his coat around him ]
Red: Marvin, I am so sorry. Will you ever forgive me? [ To Brimley: ] Is he alright?
Brimley: Should be fine. Though Benji did go a touch Hai Karate. I’m guessing it was his aftershave.
Red: Smells like grapefruit. Or blood orange. Is it blood orange?
Marvin: Go to hell, Raymond.
Red: I think it’s blood orange.
[ Red unties Marvin and grabs a blanket and wraps it around him ]
Red: Oh! There. Okay.

 
[ Cooper’s office. Ressler and Aram are there ]
Cooper: Agent Keen played you both. She played on your feelings for her. As an agent. A friend. A mother. She used you.
Ressler: Yes, she did.
Cooper: Given that, you should recuse yourselves from the case.
Aram: We agree. Which is why we prepared our letters of resignation.
[ Aram lays an envelope on Cooper’s desk ]
Ressler: The Task Force has one job now– To bring Keen in. And we’ve proven that we’re not up to that job.
Cooper: You both agree this is for the best?
Ressler: We do.
Cooper: As do I. But if I ask you to leave then– if I’m honest, I’d have to as well.
Aram: Why? You’ve done nothing to compromise this investigation.
Cooper: No, but I’ve felt like compromising it. I’ve wanted it to be compromised. Would I have taken Agent Keen into custody if she’d been at the train station? Yes, I would have. Was I relieved that I didn’t have to – You’re damn right I was. Was I angry that she tricked us into going there so she could come here to get her daughter – absolutely. Am I glad they’ve been reunited, of course I am.
Aram: So – what do we do now?
Cooper: I tell you what we’re not gonna do – Let total strangers go after one of our own.
[ Cooper takes the envelope with the resignation letters and puts it in his desk drawer ]
Ressler: I do not look forward to having Reddington find out that we let her slip through our fingers once again.
Cooper: I spoke to him just before you came up here. I doubt he’ll do much gloating. It seems he misjudged Marvin Gerard.
Ressler: Yeah, Keen told me he flipped.
Cooper: So you’d tell Reddington. So he’d empower Gerard’s number two– Who turns out to be in her pocket.
Aram: When you say empowered–
Cooper: Reddington gave him account access. Which he used to transfer 35 million euros to Elizabeth.
 

♪ I’ll walk down the mall, stand over by the wall
Where I can see it all, find out who you call ♪

 
[ Liz and Agnes are snuggled up together on a couch in the airplane. Agnes sees that Liz is wearing the socks with the unicorns of them ]
Agnes Did they bring you luck?

♪ Stand over by the wall, where I can see it all ♪

Liz: Oh, yeah. They did, honey. So much.

 
Ressler: So Keen used me to steal Reddington’s money. [ Chuckles ] It feels strangely, uh, therapeutic.
Aram: This is, uh, all well and good, but seriously, what if we don’t catch her? What if our concern for her gets in the way and she succeeds and kills Mr. Reddington?
 

♪ Where I can see it all, find out who you call ♪

Liz: You want to see what else brings me luck?

♪ Drive by your house ♪

[ Liz shows Agnes the washer that was her engagement ring, that she now wears on a necklace ]
Agnes: What is that?
Liz: Did I ever tell you how your Daddy asked me to marry him?

♪ And I’ll see who’s around ♪

 
[ Moscow, Russia ]
[ Red sits at a table across from a man referred to by Red and Dembe as their “Friend in the East” ]
[ They speak in Russian ]
[ A man pours tea into Red’s cup ]
Red: Thank you.
Eastern Friend: You did well.
Red: I did my part.
Eastern Friend: Our friends at Scuti Global are quite pleased.
Red: [ Sighs ] [ Cup taps lightly ] I couldn’t be less interested.
Eastern Friend: Well, perhaps this will interest you. Fresh from the archive.
[ The Eastern Friend places a thumb drive on the table ]
[ They switch to speaking in English ]
Red: What interests me is why after nearly 30 years you suddenly act as if I work for you. I don’t.
Eastern Friend: We know about Keen. What she’s saying. That you’re N-13.
Red: An allegation no one believes.
Eastern Friend: A fact no one knows is true. We must do whatever we can to keep it that way.
Red: I flew 15 hours so I could look you in the eye and tell you what I told Rakitin – Elizabeth Keen is off limits.
Eastern Friend: And I asked you to fly here so I could look you in the eye and tell you I agree.
[ The Eastern Friend looks down ]
Eastern Friend: For now.
[ He takes a bite of food. Red stares at him ]

 
⬆ go to top

 
❌❌❌ 8:4 End Elizabeth Keen

 
For S8 Episode 8:4 Elizabeth Keen 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎹 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-aHR [ “you are here” ]

NatSec: Foreign Policy, National Security, Defense, Intelligence, Cyber

Link: https://twitter.com/i/lists/1336406604808380419

It includes some of my favorites such as @john_sipher @JuliaDavisNews @AshaRangappa_ @CindyOtis_ @McFaul @mashagessen @TimothyDSnyder @IgnatiusPost @SpyTalker @talk_spy @selectedwisdom @juliaioffe @spiesvespers @AnneApplebaum @nedprice (@statedeptsprox) @emptywheel and a lot of former and current @CIA and @FBI folks and diplomats, and many institutional accounts and think tanks

The list is under my @Auriandra account

🔴 Episode Songs

 
♫ ⋙ Check Tunefind for any additional music for this episode

♫ Sleeping Beauty Waltz
By Tchaikovsky

🎹 Return to where this song occurs in script above
Lyrics and Credits: [ No Lyrics ]
YouTube: https://youtu.be/p_K28V0pTs4

Long as I Have You
by Al Hazan (feat. Myrna Rowlands)

♪ I won’t care, I won’t cry
If you’re there, I’ll get by
I won’t care
Long as I, long as I have you

♪ If the rivers should run dry
And every star tumble down from the sky
I won’t care, I won’t cry
If you’re there, I’ll get by
I won’t care
Long as I, long as I have you

♪ And if my dreams never do come true
And every plan what i’ve made falls through
I won’t care, I won’t cry
If you’re there, I’ll get by
I won’t care
Long as I, long as I have you

♪ And if the sky should shatter and fall
And tumble down to the sea
You just, just let it fall or it would not matter at all
If you still,
Still believe in me

♪ So let the oceans all turn to sand
Just as long as our love will stand
I won’t care, I won’t cry
If you’re there, I’ll get by
I won’t care
Long as I, long as I have you

♪ Long as I, long as I have you
Long as I, long as I have you

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/3rbirmj [lyrics edited by me to match script]
YouTube: https://youtu.be/olE2sdlqEGU

♫ Ruins (feat. Ásta Fanney Sigurðardóttir)
By aYia

[ Full lyrics unavailable as of 2/1/2021, however, this is offered at the link: ]

A thumping, eerie, dark wave track that creates a sense of urgency, tension, and anxiety to the very core. “Ruins” consists of minimal synth melodies, a guttural pounding bass line and twitching, creepy overtones. This looming tune is then glazed to perfection with the ghostly breathy vocals of poetess Ásta Fanney Sigurðardóttir.

The song’s lyrics reflect the suspense created by the production itself, being about “the abstract brutal truth of our surreal existence,” according to Ásta. “There is a long tension of a looming danger, bad mistakes that lead astray,” she continues. “You are sailing down the river of bad luck, resistance is useless against the stream, you have to learn how to use it, to bend it, to turn it in the other direction. Not by fighting it, but by fooling it.”

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/3rbD81p
YouTube: https://youtu.be/QvgdSKXQgUU

♫ One Way Or Another
By Until The Ribbon Breaks

♪ One way or another, I’m gonna find you
I’m gonna get you
One way or another, I’m gonna win you
I’m gonna get you, get you
One way or another, I’m gonna see you
I’m gonna meet you
One day, maybe next week
I’m gonna meet you, I’m gonna meet you

♪ And I will drive by your house
And if the lights are all down
Then I’ll see who’s around

♪ One way or another, I’m gonna find you
I’m gonna get you
And one way or another, I’m gonna win you
I’m gonna get you, get you
One way or another, I’m gonna see you
I’m gonna meet you, meet you
One day, maybe next week
I’m gonna meet you, I’m gonna meet you

♪ And if the lights are all out
Oh I will follow your bus downtown
Then I’ll see who’s around, who’s around

[ Repeat X6 ]
♪ I’ll walk down the mall
Stand over by the wall
Where I can see it all
Find out who you call

♪ I will drive by your house
And if the lights are all down
Then I’ll see who’s around

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2M86vDd
YouTube: https://youtu.be/xOCDUQ2zuXE

🔴 General

 
⭕ Script 8:4 Elizabeth Keen https://wp.me/pDKwi-aHR Status: FINAL @NBCBlacklist #TheBlacklist My site: BlacklistDCd.com https://twitter.com/BlacklistDCd/status/1356081712682446848?s=20/photo/1

⭕ Easy-Search Scripts updated thru Episode 8:4 Elizabeth Keen https://wp.me/pDKwi-awu#lizkeen #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/1356334588650541056?s=20/photo/1

🔴 Episode Photos

 
⭕ Gallery Photos
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

⬆ go to top