27
Feb
23

šŸ”“ Script 10:1 The Night Owl

 

šŸ”“ Script 10:1 The Night Owl

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 2/26/2023 in the US (9pm Central/Chicago Time)
Permalink: https://wp.me/pDKwi-eg9
EntertainmentWeekly Recap: https://tinyurl.com/25asrxv6
šŸŽ¹ TuneFind: https://tinyurl.com/mwzbxbch
IMDb (Internet Movie Database): https://tinyurl.com/4k9ybzzh
Source: Raw Script from OurBoard: http://bit.ly/3EsoREs [ dump of captioning ]

STATUS: ā­• Pending ā­• Rough ā­• Preliminary šŸ”“ Final
STATUS: 🚫 Pending šŸŒ’ Rough šŸŒ“ Preliminary  Final
Last updated: 3/1/2023 at 1:50pm CT [ Central/Chicago time ]

 

༺✦ ♤ ✦༻
 
Directed by: Cort Hessler
Written by: Lukas Reiter

 
SERIES STARS:
 
Raymond ‘Red’ Reddington – James Spader
Donald Ressler – Diego Klattenhoff
Harold Cooper – Harry Lennix
Siya Malik – Anya Banerjee
Dembe Zuma – Hisham Tawfiq
 
GUEST STARS:
 
Billy (Firefighter) – Ryan Vincent Anderson
Aram Mojtabai – Amir Arison
Andrea Athens – Krista Braun
Agnes Keen – Sami Bray
Chin Yao – Grant Chang
Wujing – Chin Han
Sergeant Ed Pickford – Andy Hernandez
Chuck – Jonathan Holtzman
Assist US Atty Wendy Flynn – Gina Lamparella
Mrs Mario Ito – Anzu Lawson
Zhang Wei– Kenneth Lee
Richard Deever – Chris McKenna
Alban Veseli (The Freelancer) – Daniel Sauli
Tadashi Ito – Alex Shimizu
Group Leader – Vincent Tacali
Judge Roberta Vance – Karen Ziemba

 

Note: OurBoard provides a raw version of each script (the screen captions). These typically are available by noon the next day, but can be delayed by a day or more. I add the speakers, formatting, and descriptive material when called for. Red’s lines are highlighted as Red:; Cooper: is blue; Siya: is peach. Non-English dialogue with subtitles is italicized. I am sure there are mistakes.

 

 

 

šŸ”“ Script 10:1 The Night Owl

 

Brief (Where we’re at):

[Before Season 10:] After the task force captured Marvin Gerard – Red’s lawyer and the person behind Liz’s death – Red cornered him in the office of the FISA judge who was about to hand over to Marvin Red’s immunity deal. Red decided, in view of their history and past friendship, not to kill Marvin, but to give him the opportunity to take his own life, which he did after being released from prison. So the Attorney General had to reinstate Red’s deal because, as Panabaker said, ā€œWe need the Blacklistā€ (yes, we do!). The DOJ had decided not to charge Cooper for the crimes he committed while trying to track down his blackmailer, given that they’d found the culprit (also Marvin). Because Cooper had no control over Marvin’s suicide, the DOJ’s decision stands and he will not be charged with any crimes. So the Reddington task force will go on as before.

But, Marvin Gerard played one last trick before killing himself. In prison, he met an early Blacklister named Wujing [Blacklister #84, Episode 1:3], an assassin for the Chinese government, who he helped out with an escape plan. Worse, he told Wujing that Red was the reason Wujing was in prison in the first place (not really true, as it was Liz who caused his arrest), and also that Red was a confidential informant for ā€œthe feds.ā€ He gave Wujing a list of other criminals who are in prison because of Red. After making his escape, Wujing now plans to take revenge on Red, and to call upon the others on the list to help him if need be. [I marked these criminals on the list I keep of ā€œBlacklisters and Bad Guysā€ with an āŒ]

The team gathered at Liz’s grave on the third anniversary of her death. They shared memories of Liz, some tearful, some happy. Also shared were two announcements. Aram will be taking time off to live in Brooklyn in New York City. [Actor Amir Arison will be starring in the Broadway version of ā€œKiterunner.ā€] Alina Park [Laura Sohn’s character] announced she’s pregnant, so will also being taking time off. Red will be back, of course, after ā€œgoing away for a few weeks to take the sisters home, eat some peyote, set up the telescope, look at the night sky.ā€ Who knows, maybe he’ll see Polaris up there.

 

Questions we don’t have all the answers to yet:

 
ā­• MAJOR THEMES:

1. What is Red’s life story? What’s his true identity?
2. Who is Red’s family?
3. What’s the relationship between Red and Katarina?
4. How will Wujing use the list of Blacklisters? Who’s on it?
5. Why did Red start his criminal empire? What’s its purpose?
6. How will the series end?

šŸ”»Go to ā€œUnanswered Questionsā€ for more detailed discussion of Major Themes.

 
ā­• Other Questions/Loose Ends:
 
ā— Who is Red’s heir apparent now, with Liz and Marvin dead? Dembe? Agnes?
ā— What happened in Brasilia between Red and Dembe that Red said was ā€œa tragedyā€?
ā— Does Red have a continuing relationship with the Russian FSB/SVR/Vory?
ā— What’s in the box Red gave to Dembe?
ā— What happened to the Cabal?
ā— Was the date on the Swan Lake program significant?
ā— Why did Liz’s memory have to be erased twice?
ā— Will Mierce and Weecha return for Season 10? Where are they from anyway? What will happen
 to Red and Mierce’s relationship?

 
For S10 Episode 10:1 The Night Owl: šŸŽÆ EW Recap ¤ šŸŒ… Photo Gallery ¤ šŸŽ¹ Music Videos ¤ šŸ“’ Script link: https://wp.me/pDKwi-eg9 [ “you are here” ]

 

༺✦ ♤ ✦༻

 
[ New York City. Aram Mojtabai, a former member of the Reddington task force, exits the Metropolitan Museum carrying a red bag. He walks past a fountain and over to his bike and unlocks the lock. He looks up and sees a bearded man with shaggy hair looking for a cab. It’s Raymond (ā€œRedā€) Reddington. Aram waves at him ]
Aram: Hey! Hey!
[ A cab pulls up. Red walks over to it. He appears to look at Aram, but gets into the cab. The cab takes off. Aram gets out his cell phone and places a call ]

 
[ In the dining room of Harold and Charlene Cooper’s house, Cooper is playing a card game with Agnes Keen. Agnes, who is about 12 years old, is the daughter of Tom and Elizabeth Keen, but both of her parents are dead now, and the Coopers are Agnes’s guardians ]
[ Cooper has lost the card hand to Agnes. Agnes scoops up the cards ]
Cooper: No. No, no, no, no, no.
Agnes: That’s three in a row, Pops. Maybe we should go back to Go Fish.
Cooper: No. Shuffle up, deal again.
[ Cooper’s cell phone rings✨ ]
Cooper: Just give me a minute. I should grab this. [ On phone ] Aram, what a nice surprise.
Aram: Mr. Cooper.
Cooper: Charlene was just asking about you, and I couldn’t tell her anything– where you’re living, what you’re up to these days.
Aram: I know, I know. I’m sorry. I’ve been meaning to. I-I just– I’ve been getting settled, but I’m good. I’m really good. I’m great, actually.
Cooper: How’s New York?
Aram: Uh, well, maybe I could tell you in person. You guys are here, aren’t you? The Task Force is in New York?
Cooper: No, we’re not even up and running. Reddington took the sisters home to Guatemala. That was over six months ago. We’re just twiddling our thumbs till he gets back.
Aram: Well, Mr. Reddington is here.
Cooper: What? Where?
Aram: I just saw him.
Cooper: Saw him? In Manhattan?
Aram: Yeah. Outside the Met. Across the street from the museum. He was, uh– He was just walking.
Cooper: By himself?
Aram: Yeah, no security. No car, either. I called out to him, and he saw me, and then he just got in a cab.
Cooper: Aram, are you sure? You’re sure it was him?
Aram: Yeah, it was him. He looked kind of different. But it was– it was definitely him. ā‹˜ā‹™ Mr. Cooper? A-Are you still there?
Cooper: Yes, I’m sorry. It’s just– things were pretty good with Reddington before he left. We’d agreed to be more forthcoming with each other. If he were back–
Aram: He is.
Cooper: Okay, but if you’re right, why was he there? What was he doing?
[ A large šŸ’„šŸ”„ā€¼ļø Explosion ā€¼ļøšŸ”„šŸ’„ rips through the fourth or fifth floor of a building about half a block from Aram ]
— It’s a bomb!
Cooper: Aram, are you alright?! Aram? Aram, are you alright?
[ Aram just stares at the building ] [ 🚨 Sirens blare 🚨 ]

 
[ The Post Office black site ] [ Dembe Zuma is working on files relating to Red’s former lawyer, Marvin Gerard. Marvin was behind the murder of Elizabeth Keen and committed several other crimes to cover it up. When Red found out that Marvin was behind Liz’s murder, he was furious, but in view of their prior friendship, offered him the option of experiencing Red’s retribution, or committing suicide. Marvin chose the latter. Now Dembe has been assigned to complete the paperwork ]
[ Dembe’s phone buzzes «»»»» beepšŸ”…]
Dembe: Please tell me you’re coming in to help.
Cooper: You’re still at it? How much have you done?
Dembe: About half. I swear, it’s taking me longer to document Marvin Gerard’s case than it did to expose him in the first place.
Cooper: Take a break.
Dembe: I can’t. Raymond won’t be away forever. We need to take advantage of this downtime.
Cooper: You still haven’t heard from him?
Dembe: Nothing. There’s a bed and breakfast in Quezaltenango. He’s probably having a champurrado on the terrace.
Cooper: Hmm. Aram just saw him in New York.
Dembe: Say that again?
Cooper: Apparently, Raymond’s back. And probably connected to an explosion that happened a few minutes ago at a townhouse on the Upper East Side.
Dembe: I’ll give Chuck a call right away.
Cooper: I just tried. No answer. Which isn’t surprising. If he’s blowing up townhouses, he probably doesn’t feel like taking questions. No idea what it’s about?
Dembe: No. But it can’t be good.
Cooper: I’m coming in. I have to admit, I was getting used to the time off, being home with Charlene and Agnes. I feel old.
Dembe: You got this, old man.

 
[ Donald Ressler, another agent on the Reddington task force, is attending a Narcotics Anonymous (NA) meeting. He was romantically involved with Liz Keen in a relationship that developed in the years following Tom Keen’s death ]
Donald Ressler: Well, I’m good. ā‹˜ā‹™ I mean, the truth is… every day’s a struggle. Not just recovery, um, which so far, it’s– Look. I-I’m okay.
[ Ressler’s emotions well up ]
Ressler: It’s just mostly, uh… I have a hard time letting go of the past. I mean, it’s in my nature to want to fix things and…
Group Leader: Take your time, Donald.
Ressler: It’s just hard f-for me to accept. I lost someone I loved, and… it can’t be undone. I mean, I- I became an addict. I hit bottom. Uh… I wish it didn’t happen, but it did. [ Sniff ] And letting that go and leaving that be… it’s hard for me. But, uh… here I am. And today… I’m 311 days sober.
Group Leader: That’s wonderful. Good for you.
[ Applause ]

 
[ After the meeting, Ressler walks outside. Dembe is sitting on a bench, waiting for him ]
Dembe: You don’t answer your phone?
Ressler: I carried that Bureau phone for two months after Reddington left. It didn’t ring, I put it away. So, uh, is he back?
Dembe: Not exactly. Come on. I’ll explain on the way to New York.

 
[ Police radio chatter ] [ Crime scene tape surrounds the building where the explosion took place ] [ Ressler and Dembe duck under the tape ]
Sergeant Pickford: Ed Pickford. Sergeant.
Ressler: I’m Agent Ressler. This is Agent Zuma. Apologies for the big foot.
Sergeant Pickford: Man, you FBI guys work fast. My people were still clearing the area when the Bureau let us know a team was coming up from DC to run point.
Ressler: How are things looking?
Sergeant Pickford: A lot of damage. Fire’s saying a single device, detonated in a room on the top floor.
Dembe: Anyone hurt?
Sergeant Pickford: Unknown at this time.
Dembe: Suspects?
Pickford: Look, I’d love to be able to tell you we know what happened here, but to be honest, our hands are tied. Especially since we can’t enter the building.
Ressler: Why not?
Pickford: ’Cause it belongs to the Chinese government. It’s registered as an official annex of the Consulate.
Ressler: An annex?
Pickford: We’ve got over a hundred foreign missions in the city, plenty with multiple locations. No police inside without permission.
Ressler: [ To Dembe ] He blew up part of the Chinese Consulate?
Pickford: “He”? You fellas have a theory on who might’ve done this?
Dembe: No, not really, but how do we find the person that can give us permission?
Pickford: You won’t have to. Something tells me he’s about to find you.
Chin Yao: Excuse me. May I please speak to whomever’s in charge?
Ressler: Agent Ressler, FBI.
Chin Yao: My name in Chin Yao, head of this Consular Post.
Ressler: Mr. Chin, we’re just beginning our investigation, but we believe this explosion was a targeted attack.
Chin Yao: I see. And who do you believe was responsible?
Ressler: Well, we don’t know, but you can be sure that the Bureau will keep you informed of our progress.
Dembe: I see the building has security cameras. We’d appreciate you giving us access to that footage.
Chin Yao: I’m afraid that’s not possible.
Ressler: And why’s that?
Chin Yao: Because we are not requesting an American investigation.
Ressler: Someone set off a device in one of your buildings, and you don’t want to know who or why?
Chin Yao: If a crime was committed, my staff is more than capable of handling the matter on its own.
Ressler: How? Your staff has no law enforcement authority here.
Chin Yao: I’m not here to debate the matter, Agent Ressler. I’m informing you.
Billy (Firefighter): Eddie.
Sergeant Pickford: Yeah, Billy?
Billy: One down. This the Bureau?
Ressler: Yes.
Billy: Sir, you’re gonna want to see this.
Chin Yao: Agent Ressler, to be clear, the FBI is not authorized to enter the premises.
[ Ressler and Dembe leave with Billy ]
Chin Yao: [ Following them ] The property is inviolable. By authority of the Vienna Convention on Consular…

 
[ A burned out room, still smoking. The body of a woman lies on the floor ]
Billy: Best we can tell, she was the only one on the floor at the time of the explosion, but we’ll keep looking.
Ressler: With that much force, why’s the body still intact?
Billy: We think the device was sitting on a mail cart in this area. Looks like she got partial coverage from the desk and this file cabinet. And there’s this.
[ Billy points with his flashlight ]
Billy: Looks like a laptop under her right arm.
Dembe: Can you identify this woman?
Chin Yao: Your presence here is unlawful!
Ressler: Yeah, we heard you, but you’re not here to debate the matter, remember? At this point, you’ll have to take that up with the Attorney General.
Dembe: Yeah, this is now a federal homicide investigation.

 
[ Wujing’s cell phone rings ✨]
Wujing: [ Speaking Mandarin ] Has the situation been contained?
[ Chin Yao is walking outside ]
Chin Yao: No, Wujing. Not at all. The FBI is inside. They have recovered your associate’s body.
Wujing: How? You were supposed to prevent them from gaining access.
Chin Yao: Don’t tell me what I was supposed to do. The Ministry doesn’t know I helped you.
Wujing: Remember who you’re talking to.
Chin Yao: I took a risk out of respect for our history. But you’re a fugitive. If our government knew anything about–
[ Wujing’s phone claps ✽ shut ]
Wujing: Moores is dead.
Zhang Wei (Driver): We needed her help.
Wujing: She told us enough. Everything stays on schedule. It was Reddington. He’ll do anything to keep me from proving the truth. But I will. And he will suffer for what he has done.

 
[ The Post Office war room ]
Ressler: Okay, you’re not gonna believe this. The body recovered from the Chinese Consulate? It was Jennifer Anne Moores.
Cooper: Moores. How do I know that name?
Dembe: Jennifer Moores was once on The Blacklist. She was a key member of a heist crew known as The Fribourg Confidence.
Ressler: Thieves who specialized in robbing criminals.
Dembe: Back then, Elizabeth hired them to steal a flash drive from one of Raymond’s safe deposit boxes.
Cooper: I remember. But we arrested them. So why isn’t she in prison?
Ressler: Because she cooperated with our investigation. And it seems like that went a long way with the US Attorney. She did 19 months at Hazelton and was paroled five months ago.
Cooper: I don’t get it. What’s a former Blacklister on parole doing at an annex of the Chinese Consulate in New York?
Dembe: Moores was a master thief. It’s reasonable to assume that she was hired to steal something.
Cooper: By the Chinese? Why would they look to her? And how’s all this connected to Reddington?
Ressler: I will say this – whatever she was doing, clearly Reddington didn’t want it done.
Dembe: We do have a lead. Problem is, we don’t have Aram.
Cooper: We could call the Lab, have them send another tech, but I don’t like flying blind. I’d prefer to keep this Task Force only until we know what we’re dealing with.
Ressler: You want to bring on a new agent?
Cooper: At least one. Cynthia’s having Main Justice send a list. Aram and Alina won’t be easy to replace, but we can’t do this just us.
[ Cynthia Panabaker, formerly of the Department of Justice, is now a US Senator ]
Dembe: In the meantime, I know someone who can help.
Ressler: One of Reddington’s people?
Dembe: Believe me, if you want to break into a computer, this is the guy.

 
[ Chuck, one of Red’s regulars, picks up a call ]
Chuck: Go for Chuck.
Dembe: Hey, Chuck. It’s Dembe. I need to speak to Raymond.
Chuck: Dembe. Hey, buddy. It’s been months. You don’t write. You don’t call.
Dembe: You were supposed to call me when Raymond got back into the States.
Chuck: And I will. As soon as I hear, you’ll be the first to know. Well, top five. Mm, maybe ten.
Dembe: So you’re not with him?
Chuck: Are you saying he’s already back? How do you know?
Dembe: How do you not know?
Chuck: Hey. It’s Reddington. I only know what he wants me to know. Sent me a postcard a few months back.
Dembe: A postcard?
Chuck: With a picture of the Tower of London. All it said was, “Quick visit to the Tower. Invited to the Key Ceremony. Super fun. Wimbledon tomorrow. Legoland Friday. Red.”
Dembe: He went to London?
Chuck: I guess so, but then the, uh, card was postmarked in Uruguay, and, uh, Dembe… you understand he signed it “Red.” šŸ”˜ [See Note]
Dembe: Yes, I heard. What’s going on? Why so many public places? And who’s handling his security? Chuck, make some calls, see if anyone has heard from him. I was gonna ask him for permission to go see Tadashi.
Chuck: Man, I can’t help you with that, but I’ll get on the rest of it. Hey, wish I could be more help, but I don’t know where the big man is or what’s doing.

 
[ The metal doors of the yellow elevator at the Post Officeāš”ļøclankāš”ļøopen. A livid Mrs Mario Ito emerges with her son Tadashi. They are flanked by two officers. Mrs Ito points at Dembe ]
Mrs Ito: You!! You had my son and me arrested?!
Dembe: Ms. Ito, you’re not under arrest. These agents were just–
Mrs Ito: These agents made us wear blindfolds and ride in the back of a van!
Dembe: There are security protocols. I’m very sorry.
[ Tadashi steps forward into the large room lined with computer displays ]
Tadashi: Whoa! Mom, are you seeing this?! It’s a war room. Do you have any idea what kind of systems must be powering a place like this?!
Mrs Ito: [ To Tadashi ] Don’t get excited. We’re not staying. [ To Dembe ] Where’s Raymond, hmm? I want to have a word with that man.
Dembe: Raymond doesn’t know you’re here. Please. Let me explain.
Mrs Ito: You left Raymond? You don’t work together anymore?
Dembe: No. I became a federal agent about two years ago.
Mrs Ito: And Raymond knows this?
Dembe: There’s nothing to worry about.
Mrs Ito: Nothing to worry about? You’re asking Tadashi to help the FBI! The FBI shouldn’t even know his name! He’s applying for business schools. Oh, my God. All the things he’s done for Raymond. You know about them? Oh, my God. All the things Raymond has done for him!
Dembe: Ms. Ito, we have a situation – a situation involving Raymond – and I need Tadashi’s help to help him.
Tadashi: Please, Mother. Stop worrying. I can do what they’re asking. Maybe. Probably.
Dembe: Look, we need to move quickly. You have my word. I promise. Nothing bad will happen to your son.
Mrs Ito: Raymond usually pays in cash.

 
[ Cooper’s office. He’s just hanging up the phone. Ressler knocks ]
Ressler: Hey. You looking for me?
Cooper: How’s it going with Reddington’s tech guy?
Ressler: Good. Dembe just made a deal with his rep, who also happens to be his mother. The guy’s barely 19.
Cooper: 19 and already as good as Aram? Well, I hope so, because he needs to work fast.
Ressler: Why? What’s up?
Cooper: I just got off with Main Justice. That man from the Consulate you spoke with in New York? He just filed a motion in District Court to preclude us from searching Moores’ laptop.
Ressler: At least we know we’re looking in the right place.
Cooper: Judge Vance wants all parties in Chambers in half an hour.
Ressler: We drew Vance?
Cooper: If we lose–
Ressler: No, we can’t lose. I think Reddington took out Jennifer Moores, and right now that laptop’s the only lead we have to tell us why.
Cooper: I’ll do my best, but on the merits, this could go either way. Let’s just hope the kid cracks it before we get shut down.

 
[ Tadashi is clicking away at the laptop ]
Dembe: Tadashi, I don’t mean to add any pressure, but it’s possible we’re running out of time.
Tadashi: The drive’s a disaster! Any worse, and this would’ve been impossible.
Dembe: Does that mean you can read it?
Tadashi: It’s not just the damage from the explosion, it’s heat from the fire. Expose a drive to over 300 Celsius, and you get damage to the platters and the ROM chip. Add to that the water damage from the sprinklers and the Fire Department hosing down the building?! You get oxidation and a warped drive chassis!
Dembe: Can you read them?
Tadashi: No, but I’m close, so stop stressing me out. Dude. Go hang with my mom.

 
[ Judge Roberta Vance’s chambers ]
Judge Vance: Alright. Why don’t we get started?
Assist US Atty Wendy Flynn: Wendy Flynn for the United States. I’m here with Assistant Director Harold Cooper of the FBI.
Cooper: Good afternoon, Your Honor.
Judge Vance: Don’t be so sure, Director Cooper. I read Mr. Chin’s motion. This may not be a “good afternoon” for the Bureau after all.
Chin Yao: Thank you, Your Honor. For the record, Chin Yao on behalf of the Consulate.
Judge Vance: I’m listening.
Chin Yao: Your Honor – this matter falls squarely within the provisions of the Vienna Convention on Consular Relations, a treaty to which 182 nation states are party, including the United States and China. As you know, the principle of property inviolability is well established and requires that the consular state consent to any entry by the receiving authority.
Judge Vance: Not any entry, Mr. Chin. They’re allowed to enter for an emergency requiring prompt protective action. I’m gonna guess that you’re not upset about the Fire Department risking their lives to protect your staff and your precious annex?
Chin Yao: No, and we’re grateful for their assistance. But the FBI is another matter.
AUSA Wendy Flynn: Your Honor, if I could be heard–
Judge Vance: No. Him. Director Cooper, these were your agents acting as part of a Task Force that you oversee?
Cooper: That’s right, Your Honor.
Judge Vance: And those agents were told, in clear and unambiguous terms, that their entry was not authorized?
Cooper: Yes.
Judge Vance: And they proceeded anyway. And not only did they enter, they removed the laptop in question.
Cooper: They seized evidence.
Chin Yao: Which they had no right to do.
Judge Vance: Let him talk.
Cooper: I’d refer Your Honor to Article 55 of the VCCR. Anyone enjoying consular privileges has a duty to respect the laws of the receiving state. Consular premises can’t be used in a way that’s incompatible with consular functions.
Judge Vance: And this was? Incompatible?
Cooper: Absolutely. The woman killed at this “annex” was a career criminal on parole. An American with no official consular mission. Bottom line – we believe she was there in furtherance of a crime.
Chin Yao: You believe, but your agents had nothing to even suggest as much at the time.
Cooper: If Mr. Chin were operating a drÕ½g lab on the premises, we’d have a right to seize the drÕ½gs.
Judge Vance: But this wasn’t a drÕ½g lab, Director Cooper. DrÕ½gs are contraband on their face. Your agents were investigating a crime, not seizing proof of one.
Cooper: I’ll ask Mr. Chin point blank. Why was Jennifer Moores inside that building? What was her legitimate purpose for being there?
Chin Yao: And I’m telling Director Cooper point blank, I do not have to answer your questions.

 
[ The Post Office. The damaged laptop beeps šŸ”…šŸ”…šŸ”…šŸ”… ]
Tadashi: Yes, yes, yes! I’m in. Looks like there were – five active files in use when the drive was disabled.
Dembe: Can you access them?
Tadashi: Not all of them. Three so far. But I should be able to get the other two.
[ Dembe’s phone buzzes «»»»» ]
Dembe: We’re close.
Cooper: Close, but no cigar. It’s over. Vance just ordered us to stop any search and return the laptop.
Dembe: Tadashi, we have to stop.
Tadashi: Stop? Now? I’m almost there. I can get the other files.
Dembe: No, you can’t. Tadashi! I know you’re used to working for Raymond, but this is different. I’m an agent now, and we have rules.

 
[ The Post Office war room ]
Dembe: Okay, we may not have a full picture, but the files we recovered before Vance’s orders tell us a lot about what was going on. Apparently, Jennifer Moores was casing Luxe International. It’s a private company that specializes in fine art storage and logistics.
Ressler: According to their website, they “store and transport expensive and priceless works of art for a global clientele.”
Dembe: They’re headquartered on Montserrat, one of the British Overseas Territories in the Caribbean.
Cooper: So Moores was planning a heist?
Ressler: Definitely. Luxe operates as a freeport, which means it’s a tax haven for the wealthy.
The stuff in there is worth billions.
Dembe: Of course, nobody is supposed to know what’s in there, because the list isn’t public. But Jennifer Moores had one, and she was focused on one item in particular – a sculpture called ā€œThe Night Owl.ā€
Cooper: By Picasso? I’m not expert, but sculpture’s not the first thing I think about when I hear that name.
Dembe: He made over a thousand. And a lot of owls. Some say he became obsessed over them after he found a wounded owl in his studio.
Ressler: ā€œThe Night Owl.ā€ Luxe just got the shipment. It was part of a woman’s estate, and when she died, they put it in storage.
Cooper: Any idea what it’s worth?
Dembe: The Met just sold a Picasso sculpture for over $48 million.
Cooper: So, what are we saying? That the Chinese hired Moores, a former Blacklister, to help them steal this ā€œNight Owlā€?
Ressler: Maybe Reddington wants it for himself. I mean, at this point, we have three-fifths of the story.
Cooper: So we stay on it. You two, get to Luxe. Make sure they know they’ve been targeted.

 
[ Luxe International, on Montserrat, British Overseas Territory ]
[ Dembe and Ressler present themselves at Security ]
Richard Deever: Richard Deever. I’m head of security here at Luxe. This is one of my associates, Siya Malik.
Ressler: Thanks for agreeing to see us.
Deever: Well, we’re the ones saying thanks. Our clients trust us with their most treasured possessions, so obviously we take any credible threat seriously.
Siya Malik: In your call to corporate, you said you think we’ve been targeted?
Dembe: We know you were. By a career criminal and master thief. This specific person is no longer a danger, but we don’t know who else she was working with.
Ressler: From what we can tell, she was targeting a specific sculpture. A Picasso called ā€œThe Night Owl.ā€
Dembe: Which we understand was recently delivered here.
Deever: It was, but that information was never made public. Obviously, we keep the content of all our shipments strictly confidential.
Siya Malik: ā€œThe Night Owlā€ā€™s not one of Picasso’s better-known works. The fact that it even exists was a closely guarded secret.
Deever: Can I ask where you got this?
Ressler: I’m sorry. I can’t disclose that. It’s part of an ongoing federal investigation.
Deever: We can’t protect ourselves if we don’t understand what– Fine. Then I’d like to speak to the agent in charge.
Ressler: That “agent” is Harold Cooper, the Assistant Director of the FBI.
Siya: You- You work for Harold Cooper?
Ressler: That’s right.
Siya: [ To Deever ] Harold Cooper runs a secret Task Force. So secret, most FBI agents don’t know about it.
Dembe: And you do?
Siya: Yes, because my mother used to work for Harold Cooper. Her name was Meera Malik.
Dembe: You’re Meera’s daughter?
Siya: You knew her?
Ressler: We not only knew her. She was a friend. And a-a very fine agent.
Siya: Perhaps you could give us a minute.
[ Siya nods for Ressler and Dembe to step out of the room, which they do ]
Siya: [ To Deever ] If we can verify what we just heard, I think we should show them around.
Deever: Bad idea. We can handle this ourselves. Thank them for the intel and let them go.
ā‹˜ā‹™
[ Siya steps out to talk to Ressler and Dembe ]
Ressler: Hmm. Let me guess. Your boss says thanks for the tip, but, uh, you should give us the brush.
Siya: A guy with Harold Cooper’s connections could change that with one phone call. One “inter-agency” phone call.
[ Ressler takes out his phone ]
ā‹˜ā‹™
[ Siya returns with Deever ]
Deever: You two don’t take no for an answer. Apparently, your boss made a phone call.
Siya: Follow us, please.
[ They step into an elevator ] [ Siya turns to address Dembe and Ressler ]
Siya: As you may have guessed, this facility is a front. It functions as a black site.
Ressler: International?
Siya: Yes. Used by a number of allied agencies. High-end art storage is a strong cover. It explains the heavy security, shipments coming in and out, and all interactions with the public are by appointment only.
Deever: I’m with the Agency. Most of the other operatives on site are also CIA. Agent Malik is with MI6.
[ The elevator dingsšŸ”…and stops. When they step out, there are heavily armed guards ]
Siya: You were right. We did just receive The Night Owl, but it’s not a sculpture. It’s a code name for a prisoner we recently transported.
Deever: We brought him here to be interrogated. It would seem that somehow your thief found out.
[ The prisoner is wearing an orange jump suit. He’s seated, leaning with his head against the wall ]
Siya: His name is Al–
Dembe: Alban Veseli.
Siya: You know him?
Ressler: We call him The Freelancer. (Episode 1:2 The Freelancer)

 
[ Back in the United States, Red is being shown around a vacuous property by a real estate broker named Andrea Athens. Red is clean shaven with his customary short haircut ]
Red: This just isn’t gonna work. I mean, all of this would have to come out. It’s ridiculous. It looks like a cruise ship. Like, what’s this? A balcony?
Andrea Athens: Yes, it’s a balcony on the mezzanine level.
Red: Is that where the water slide and the wave pool are? On the mezzanine level?
Andrea: Mr. Reddington, this place checks a lot of your boxes. 30,000 square feet, no windows, high ceilings.
Red: I don’t need high ceilings, Andrea. I need at least two stories, not just a mezzanine.
Andrea: They do fully catered events, which means it has a working kitchen. I know you didn’t request that–
Red: You’re right. I didn’t. A kitchen is nice, but I don’t need it.
Andrea: You need to work with me here. Two or more stories means stairs, elevators. This is more efficient. And it’s a beautiful kitchen.
Red: Oh, stop with the kitchen already. There’s nothing I love more than a great kitchen. We could get in your car right now and I could take you to any number of fabulous kitchens and cook you a gorgeous meal. A lovely roast chicken, a duck breast. But for our purposes here, what I’m looking for – I don’t need a kitchen. And this has been open to the public. The place I need has to be discreet. I need it to be invisible.
Andrea: That doesn’t exist.
Red: You mean you haven’t found it yet.
Andrea: No, I mean it doesn’t exist! A vacant space that large in this area? Remember, I can only show you what’s available.
Red: Okay, well, don’t take this the wrong way, Andrea, but that’s the first helpful thing you’ve said. So it does exist. It’s just being used by somebody else.
Andrea: Maybe. Yes. Are you saying you want to buy someone out?
Red: How about I buy you lunch and you tell me everything you know about the companies that have factories in the area?

 
[ Back at the offices of Luxe International, which is actually an international black site ]
Siya Malik: About two years ago, a natural-gas pipeline ruptured just outside the town of Glennshire, 80 miles north of London. The blast leveled four blocks and killed 17 people.
Dembe: You’re talking about the blast that killed Randall Ames.
Siya: Yes, a member of Parliament and the UK’s Anti-Corruption Champion. He was on holiday in Glennshire with his wife. At first, we thought it was just a tragic accident, but a closer look made us believe the pipeline was sabotaged.
Richard Deever: A mass accident designed to cover up a single murder.
Ressler: We’re familiar with the M.O.
Deever: Veseli was briefly out of prison around that time.
Ressler: That’s when Keen got him released.
Siya: MI6 made a request, and the Agency brought him here for questioning. But to be honest, we haven’t had much luck. He hasn’t said a word.
Dembe: He’ll talk to us.
Deever: And why would he do that?
Ressler: Let’s just say, uh, we have a history.

 
[ Door buzzes «««»»» ] [ Ressler and Dembe enter Alban Veseli’s cell ]
[ Veseli sees Dembe’s badge and laughs ]
Veseli: I swear. Now I’ve seen everything. You’re telling me the FBI gave you a badge?
Dembe: Things change, Alban. Although, you seem like the exact same man you always were. I should’ve known that pipeline in Glennshire was you.
Veseli: A little work I took on the side. Agent Keen had no idea. I was, uh– I was sad to hear about her passing.
Ressler: Watch what you say about Keen.
Veseli: What am I supposed to say? She set me up, just like Reddington. Got me out of prison, sent me to crash a plane, then warned the FBI so that the Bureau could re-arrest me.
Ressler: Well, we’ll have to walk down memory lane another time. I want to know about Jennifer Anne Moores.
Veseli: Wow. Didn’t see that coming. Mostly because I have no idea who that is.
Dembe: She was working on a plan to set you free.
Veseli: Oh, I like her already.
Ressler: What’s your connection to the Chinese Consulate?
Veseli: Fellas. I’m willing to play. But it would help if I at least knew the game.
Ressler: We’re supposed to believe that you don’t? Jennifer Moores was tracking your movements, casing the black site where you were being sent, and you’re telling us that you knew nothing about that?

 
[ Wujing sits in the back of a van driven by Zhang Wei. With Wujing are several other men. No one speaks. Wujing recalls the first time he suspected that Red might be working with the FBI (Episode 1:3 Wujing). Red had managed to get Liz Keen into Wujing’s secret operations center deep underground to try the retrieve the name a man Wujing had been ordered to kill ]

[ Flashback: ]
[ 🚨 Blaring 🚨]
Wujing: Lock it down.
[ Red and Liz try to escape by the elevator ]
Wujing: Stop! You were right. Maybe that was the FBI outside. In fact, maybe they’re not just outside. Maybe they’re right here in this room.
Red: Think hard before you accuse anybody of anything.

[ Wujing’s musings are interrupted by Zhang Wei ]
Zhang Wei: Wujing. Wujing. Two minutes out.
Wujing: Tell our people to proceed.
Zhang Wei: Clear to proceed.
ā‹˜ā‹™
[ At the Luxe International black site, people are talking in a small group ]
— I think you’ll be pleased.
[ The message from Wujing is received. Suddenly, Wujing’s men on site jump the others, injecting them with needles that come out from their shirt cuffs. Those injected fall to the ground ]
ā‹˜ā‹™
[ Ressler and Dembe’s interrogation of Alban Veseli ends with the sound of rapid gunfire in the distance ]
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Ressler: Did you hear that?
Veseli: [ Calmly ] Automatic rifle. Hundred bucks it’s an M-16.
Dembe: We have to get him out of here.
— Watch your back!
— Code four!
ā‹˜ā‹™
[ Wujing enters the reception area with the operatives from the van ]
Wujing: Alban Veseli is somewhere in this building. Find him.
ā‹˜ā‹™
Dembe: We have to go.
Deever: Go? We have full security on site, with military training.
Ressler: Well, whoever’s coming knows that. They wouldn’t have attacked the building unless they knew that they had the manpower to overrun your security.
Siya: Overrun? You mean kill everyone in the building?
Dembe: They want him, and they won’t leave without him.
Ressler: There must be another way out of here.
Deever: Yes. Motor pool. We have cars stationed there, but it’s all the way on the other side of the building.
Dembe: Get Veseli ready to move. We have to assume they know where to look, and we need to be gone when they get here.
[ They head out ] [ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
[ Ressler gets a call from Cooper ]
Cooper: Agent Ressler?
Ressler: Cooper, we’re under attack. We’re taking heavy fire.
Cooper: How’s that possible? You’re at an Agency black site.
Ressler: It was Alban Veseli. ā€œThe Night Owlā€? The heist Jennifer Moores was planning – it was a rescue op to recover Veseli.
[ šŸ’„šŸ’„šŸ’„ Gunfire šŸ’„šŸ’„šŸ’„ ]
Cooper: Can you get out?
[ šŸ’„šŸ’„šŸ’„ Gunfire šŸ’„šŸ’„šŸ’„ ]
Ressler: [ Excitedly ] There’s a motor pool. If we can make it there, maybe we can still get out!
Cooper: So it’s Veseli’s people behind the attack?
Ressler: [ Panicky ] Look, whoever you called, call them back! Tel them their teams on the ground need reinforcements now!
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ā€¼ļø Gunfight ā€¼ļø šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„]
Dembe: [ To Siya and Deever ] They’re too close! We’ll try to keep them back! You two keep going! Get him
[ Veseli ] out of here!
Siya: We can’t just leave you!
Dembe: Nobody’s leaving anybody. We’ll be right behind you.
[ šŸ’„šŸ’„šŸ’„ Gunfire šŸ’„šŸ’„šŸ’„ ]
Veseli: A tad optimistic. I want a hug goodbye.
Ressler: Go! Move! Go, go!
[ Siya and Deever go ahead with Veseli ]
[ Ressler and Dembe continue firing šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Dembe: What are the chances of backup?
Ressler: Getting here on time? Slim to none! We’re at a covert black site on a Caribbean island.
[ šŸ’„šŸ’„šŸ’„ Gunfire šŸ’„šŸ’„šŸ’„ ]
Dembe: Then how do they know?!
Ressler: What do you mean?
Dembe: Whoever’s doing this, how did they get that intel?!

 
[ Deever and Siya have made it to the motor pool site with Veseli ]
ā‹˜ā‹™
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Ressler: There! We gotta get out of here!
Dembe: Something’s wrong. They have too much info.
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Ressler: We gotta make a run for it! Come on!
Dembe: Maybe they figured out where Veseli was being taken, but how did they know the code name? And where’d they get the list of the art?
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Ressler: [ Suddenly understanding ] It was someone on the inside.

 
[ At the car pool site, Deever suddenly draws his gun and points it a Siya ]
Deever: Sorry, Malik. I’ll take it from here.
Siya: Richard?!
Deever: I know. I didn’t see it coming myself. I’m a clichĆ©. A spy who turned for the money.
All I can tell you is — it is a whole lot of money.
[ Siya pulls her gun ]
Siya: I can’t let you take him.
Veseli: Good for you.
Deever: Drop the gun, Siya. Believe me, this guy is not worth dying for. Drop it.
[ Siya slowly lowers her gun toward the concrete floor, but at the last minute tries to shoot Richard, but he is quicker. Both guns go off (šŸ’„šŸ’„) Siya falls ]
[ Deever gets in a car with Veseli and it speeds away ]
ā‹˜ā‹™
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
Ressler: [ To Dembe ] Go! Go! Come on — Go!
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
[ Dembe goes ahead ]
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
[ As Ressler dashes across a corridor, he sees Wujing ]
[ šŸ’„šŸ’„šŸ’„ šŸ’„šŸ’„šŸ’„ ]
ā‹˜ā‹™
[ Dembe arrives at the motor pool site and find Siya. She is unconscious, but Dembe checks and she is alive ]
[ Ressler catches up ]
Ressler: Wujing’s here! We gotta go!
Dembe: It was Deever. She was hit, but she’s wearing a vest.
ā‹˜ā‹™
[ Wujing and his crew arrive at the motor pool site as a vehicle speeds away ]

 
[ The Post Office ]
[ Dembe is finishing up a call ]
Dembe: Okay. Thank you.
[ He hangs up ]
Dembe: Nothing yet. We issued a BOLO on all three – Wujing, Veseli, and Deever. But they could be anywhere in the world by now.
Ressler: What about flights off the island?
Dembe: Three private flights left Montserrat within an hour of the attack. We’re checking manifests, but Wujing knows better than to leave a paper trail.
Cooper: So Meera’s daughter became an MI6 agent?
Ressler: Her name is Siya.
Cooper: I met her once. After Meera was killed, I flew to London to pay my respects to her family.
Dembe: She couldn’t have been older than 15.
Cooper: That trip was one of the hardest things I’ve ever had to do in this job. Her husband and kids asking what happened. I couldn’t tell them anything.
Ressler: Well, she has to see you. She insisted on flying back with us.
Cooper: I’d like that.
Dembe: That bullet banged her up pretty good, so we took her over to DC General first, just to make sure she’s okay.
Ressler: There’s a lot of names from the past. Jennifer Moores, Alban Veseli, and now Wujing.

[ Flashback: (Episode 9:22 Marvin Gerard Conclusion, Part 2) ]
Driver: The ministry has a plane waiting. You’ll be in Beijing this time tomorrow.
Wujing: Oh, we’re not going home. Not until I find and kill Raymond Reddington.
Driver: Reddington? Wujing, you can’t do that alone.
Wujing: We won’t have to. I have a list of others who will be glad to join the fight.

Dembe: That’s three former Blacklisters connected to this case.
Cooper: We were notified when Wujing escaped. The Bureau’s got a dozen agents on it, but they never picked up a trail.
Ressler: Well, apparently, he was working with Moores to break Veseli out of custody.
Dembe: Why? Wujing is an assassin. What’s the connection?
[ Cooper’s cell phone chimes✨]
Cooper: You’ve got to be kidding. Guess who just cleared security.
Ressler: Hmm. Reddington.
Cooper: He’s on his way down.

 
[ The yellow elevator doorsāš”ļøclangāš”ļøopen and out steps Red ]
Red: Ah. [ Chuckles ] The gang’s all here. Well, not much of the gang. More of a — coffee klatch.
Cooper: Raymond, we’ve been trying to reach you.
Red: Yes? Well, apologies. I’ve been – busier than expected.
Ressler: Busy? As in blowing up former Blacklisters at foreign consulates?
Red: No, Donald. That didn’t take much time at all. But if you know about Jennifer Moores, then you know a serious threat has arisen. I didn’t reach out, Harold, because I thought – I hoped that I could contain the matter myself, but now, unfortunately, that seems unlikely.
Cooper: You’re talking about Wujing. He’s the threat.
Red: Wujing is the weapon – fired in my direction as a last parting shot by Marvin Gerard.
Ressler: Marvin’s behind this?
Dembe: They could have met at Coolidge. They were both housed on the same cellblock.
Cooper: I’m aware, but Wujing’s escape happened after Marvin’s death. I didn’t make the connection.
Red: Wujing’s been asking questions about me, about any relationship with the FBI.
Dembe: Marvin must have told him. So Wujing knows about the Task Force.

[ Flashback: ]
Marvin: I didn’t have to ask, Wujing. I didn’t have to ask because Raymond is not your friend. He’s the reason you’re in here.
Wujing: What do you mean?
Marvin: He’s a confidential informant. He has an immunity deal with the feds. He feeds them criminals like you, and he keeps his freedom.

Red: He knows whatever Marvin told him, but, still, that isn’t the same as having proof, so –
Ressler: He doesn’t just want to kill you. He wants the criminal world to know about us.
Cooper: Jennifer Moores. Veseli. Wujing’s approaching Blacklisters, criminals we sent to jail.
Red: Some of our former targets are now his targets. You should increase their security. Because – this is only the beginning. [ Chuckles ] Well, that’s all I have for you.
[ Red turns and walks toward the elevator. Dembe follows him ]
Dembe: Raymond. Where’s Chuck?
Red: I don’t know.
Dembe: Who’s in charge of your security? Weecha’s not with you?
Red: No.
Dembe: Where are you living?
Red: New York, mostly.
Dembe: How did you get here?
Red: Took the train. What a nap. Slept the whole way.
Dembe: Where are you going? Is there a car waiting for you?
Red: Dembe, I’m fine. I’ll just grab a cab.
Dembe: Raymond. What’s going on?
Red: Nothing. Well ā‹˜ā‹™ nothing and everything. Watch your head.
[ Elevator doorsāš”ļøclangāš”ļøshut ]

 
[ Cooper’s office. Knocks ✽ ✽ on door ]
Ressler: She’s here.
Cooper: Great. Siya. Please, come in.
Siya: Blindfold. Black-out van. You guys have more security protocols than the White House.
Cooper: We’ve had some issues. We’re being more careful these days. Harold Cooper.
Siya: Siya Malik. It’s been a while.
Cooper: It has. Sorry for that. I wish we’d kept in touch. It’s nice to see you. You know, even all these years later, I sometimes think of the day we met.
Siya: So do I. But I’m guessing we remember it differently.
Cooper: How do you mean?
Siya: You may not realize it, but you made a big impression on the teenage me. I’ve always been incredibly grateful for how you spoke to us that day. You couldn’t tell us anything, but we knew. That was as hard for you to say as it was for us to hear.
Cooper: You became an agent. I had no idea. And MI6. You’re not just an agent. You’re a spy.
Siya: You sound surprised.
Cooper: I’m thinking about your father. He must be the one who was surprised.
Siya: And terrified. But he’s coming around. I don’t make a practice of talking with him about my day-to-day.
Cooper: What made you choose this kind of life?
Siya: Just too many secrets. When my mother died, you couldn’t tell me who she worked with, what she did, or even how she was killed. I think I decided right then and there, I’d do whatever it took to get in the room where the secrets are revealed.
Cooper: And you’ve done it.
Siya: Well, not completely. That’s why I’m here. Maybe it wasn’t an accident, us crossing paths like this.
Cooper: It wasn’t?
Siya: Maybe it’s time for me to finally know more about the work my mother did. If it was that important, maybe it’s time for me to continue what she started.
Cooper: Siya, that’s complicated.
Siya: Please, just hear me out. I’m involved now, yeah? I lost colleagues and friends in that attack. And Deever? I will find him.
Cooper: The secrets you spoke of are only shared with members of this Task Force. I’m in the same position now as I was back then.
Siya: You are, but I’m not. I can talk to my superiors at SIS. They could loan me to your Task Force, just until this case is done.
Cooper: Let me think about it.
Siya: I don’t know what this place is, but something tells me it only exists for the people who work here.
Cooper: I’ll be in touch.
Siya: I hope so. You need agents you can trust. I’m one.

 
[ Wujing sits in a van. The side door opens. There stand Richard Deever and Alban Veseli. Veseli gets in and sits alongside Wujing ]
Wujing: Mr. Deever. You have lived up to your word. If you give us a moment, my associate will transfer your money and discuss your next assignment.
[ Deever closes the van door ]
Veseli: Do I know you, friend?
Wujing: My name is Wujing. We’re not friends, Mr. Veseli. But we do have a common enemy.

 
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āŒāŒāŒ 10:1 End Night Owl

 
For S10 Episode 10:1 The Night Owl: šŸŽÆ EW Recap ¤ šŸŒ… Photo Gallery ¤ šŸŽ¹ Music Videos ¤ šŸ“’ Script link: https://wp.me/pDKwi-eg9 [ “you are here” ]

 

༺✦ ♤ ✦༻

 
 
Trivia:

This is odd because Red invariably signs notes ā€œRā€ not ā€œRed.ā€ Curious.

šŸ”˜ [Return]

 

༺✦ ♤ ✦༻


 

šŸ”“ Episode Songs

 
♫ ā‹™ Check Tunefind for any additional music for this episode

♫ Just Say Goodbye
By Petula Clark

♪ Just say goodbye
And let me walk away
There′s nothing more to say
When love like ours can die

♪ Just say goodbye
Forget the life we knew
The memories of you
Will only make me cry

♪ Just say goodbye
To leave me on my own
To face the world alone
Yet never knowing why

♪ Just say goodbye
And though I don’t know how
I couldn′t hate you now
No matter how I tried

♪ Just say goodbye
It’s sad that you must go
You loved me once I know
This much I can’t deny Oh, my love
My only love
Where did we go wrong
Oh, my love
My only love
How can I
Oh, how can I go on

♪ Just say goodbye
It′s sad that you must go
You loved me once I know
This much I can′t deny

♪ Just say goodbye
And please don’t turn around
Another love you′ve found
Now, spread your wings and fly

♪ Just say goodbye, yeah yeah
Just say goodbye

Lyrics and Credits: https://tinyurl.com/mvavtx79
YouTube: https://youtu.be/lxVaPgQVikM

 

 

ā¬†ļø This son was listed by someone on the TuneFind site for this episode, though I can’t find it in the episode. As this is the final season, as a parting song, I actually prefer this one. ā¬‡ļø
 

♫ The Parting Glass (Irish trad.) (Bonus Song)
Sung by George Donaldson
 
♪ Of all the money that e’er I had
I’ve spent it in good company
And all the harm that e’er I’ve done
Alas it was to none but me
And all I’ve done for want of wit
To memory now I can’t recall
So fill to me the parting glass
Good night and joy be with you all
 
♪ Of all the comrades that e’er I had
They are sorry for my going away
And all the sweethearts that e’er I had
They would wish me one more day to stay
But since it falls unto my lot
That I should rise and you should not
I’ll gently rise and I’ll softly call
Good night and joy be with you all
 
♪ A man may drink and not be drunk
A man may fight and not be slain
A man may court a pretty girl
And perhaps be welcomed back again
But since it has so ought to be
By a time to rise and a time to fall
Come fill to me the parting glass
Good night and joy be with you all
Come fill to me the parting glass
Good night and joy be with you all
 
Lyrics and Credits: https://tinyurl.com/fh7deraf
YouTube: https://youtu.be/GRNZfV8rKQM

 

 

༺✦ ♤ ✦༻

 

šŸ”“ General

 
ā­• Script 10:1 The Night Owl https://wp.me/pDKwi-eg9 Status: FINAL @NBCBlacklist #TheBlacklist My site: BlacklistDCd.com https://twitter.com/BlacklistDCd/status/1631020623131553793?s=20/photo/1

ā­• Easy-Search Scripts updated thru Episode 10:1 The Night Owl https://wp.me/pDKwi-e2T#nightowl #TheBlacklist @NBCBlacklist My site: BlacklistDCd.com https://twitter.com/BlacklistDCd/status/1631094926216765441?s=20/photo/1

 
 

 
 

šŸ”“ Episode Photos

 
ā­• Gallery Photos

 
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♤ A Blog about the NBC Series

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šŸ”“ā™¤ā™¤ ALL Blacklist Scripts ā¬…īŠ
šŸ”“ā™¤ā™¤ ALL Blacklist Songs ā¬…īŠ
šŸ”“ Blacklisters & Bad Guys 
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šŸ”“ S1 Easy-Search Scripts
šŸ”“ S2 Easy-Search Scripts
šŸ”“ S3 Easy-Search Scripts
šŸ”“ S4 Easy-Search Scripts
šŸ”“ S5 Easy-Search Scripts
šŸ”“ S6 Easy-Search Scripts
šŸ”“ S7 Easy-Search Scripts
šŸ”“ S8 Easy-Search Scripts
šŸ”“ S9 Easy-Search Scripts
šŸ”“ S10 Easy-Search Scripts 
ą¼ŗ ♤ ⊱✨༻༺✨⊰ ♤ ą¼»
šŸ”“ Season 1 Highlights šŸæ
šŸ”“ Season 2 Highlights šŸæ
šŸ”“ Season 3 Storybook šŸ“—
šŸ”“ Season 4 Storybook šŸ“—
šŸ”“ Season 5 Storybook šŸ“—(15 secs load)
šŸ”“ Twitter Episode Threads S1-6 🧵
šŸ”“ Season 6 Photo Gallery šŸ–¼
šŸ”“ Season 7 Photo Gallery šŸ–¼
šŸ”“ Season 8 Photo Gallery šŸ–¼
šŸ”“ Season 9 Photo Gallery šŸ–¼ 
šŸ”“ Season 10 Photo Gallery šŸ–¼
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šŸ”“ 🧩 TAG/PHRASE INDEX (Scripts) āœ³ļøīŠ
šŸ”“ šŸŽ¹ Clickable TAG INDEX (Songs)
šŸ”“ šŸ”¦ Search Assistance (w Lists)
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šŸ”“ šŸ”„ Red Hot šŸ”„ Fan Fiction 
šŸ”“ šŸ”„ Red Hot šŸ”„ Spader Pics (w ♫) 
šŸ”“ ‘Dramatus Interruptus’ (Poetics)
šŸ”“ Fathomless Eyes (“Love Gene”)
šŸ”“ For The Love Of Lizzington
šŸ”“ James Spader As Outsider
šŸ”“ Passion & Passivity: Four Spader Films
šŸ”“ What Is “The Cabal”?
šŸ”“ Archive of All ARTICLES

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