Posts Tagged ‘acting

04
Oct
19

๐Ÿ”ด Script 7:1 Louis T Steinhil

 

๐Ÿ”ด Script 7:1 Louis T Steinhil (โ„– 27)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 10/4/2019 in the US (7pm Central/Chicago Time)
Permalink: https://wp.me/pDKwi-9Rj
Entertainment Weekly Recap: http://bit.ly/32Xpd34
๐ŸŽน Tunefind for Episode: http://bit.ly/31MdZOx
IMDb (Internet Movie Database): http://imdb.to/33wd4lZ
Source: Raw Script from Springfield: http://bit.ly/2nnZ7XS [ dump of captioning ]
Continue reading ‘๐Ÿ”ด Script 7:1 Louis T Steinhil’

01
Feb
19

๐Ÿ”ด Script 6:5 Alter Ego

 

๐Ÿ”ด Script 6:5 Alter Ego (โ„– 131)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 2/1/2019 in the US (9pm Central/Chicago Time)
Script Permalink: https://wp.me/pDKwi-93f
Entertainment Weekly Recap: http://bit.ly/2BedrWG
๐ŸŽถ Tunefind for Episode: http://bit.ly/2DONzSJ
Source: Raw Script from Springfield: http://bit.ly/2R6MuxU [ dump of captioning ]
Continue reading ‘๐Ÿ”ด Script 6:5 Alter Ego’

22
Oct
15

๐Ÿ”ด Script: 3:4 The Djinn

 

๐Ÿ”ด Script: 3:4 The Djinn (โ„– 43)

 
NBC’s The Blacklist starring James Spader and Megan Boone
Last updated: 10/30/2015 2:50 am CT, Program air date: 10/22/2015 in the US
Script Status = FINAL (minor late edits)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1VtXhJ6 (dump of captioning)
Permalink: http://wp.me/pDKwi-1R8 ยค Slideshow link: http://youtu.be/t8iu_GOyQDY
Created by: Jon Bokenkamp
Continue reading ‘๐Ÿ”ด Script: 3:4 The Djinn’

23
Aug
15

๐Ÿ”ด Why I feature slideshows

 

๐Ÿ”ด Why I feature slideshows

 
Technology

I’ve settled upon using slideshows as a preferred form for visual media for this blog for a couple of reasons. First, I tweet a lot. After each show, I tweet screen shots from the show, trying to capture key moments, quotes and major plot points. It’s sort of like a graphic novel or a scrapbook. So I began including a list of these tweets at the end of each annotated script. These naturally included the links to the screenshots resulting in a very klutzy way to recreate the Twitter experience. So I started looking for some more elegant way to do this and discovered YouTube has developed an app for making slideshows out of photos, turning them into you videos. It’s located here:
Continue reading ‘๐Ÿ”ด Why I feature slideshows’

15
Jun
15

๐Ÿ”ด Review of Reviews

 

๐Ÿ”ด Review of Reviews

 
Nothing bothers me more than snarky reviews. Or reviews that seem intended to show how knowledgable the reviewer is rather than tell me something insightful about the show. So I thought I’d turn the tables and review the reviewers. I found all The Blacklist season finale [2:22 Tom Connolly] reviews that showed up on the my first two Google pages and graded them for how helpful and insightful I thought they were.

Maybe even more useful, I took at look at their internet sites and graded those, too. Here, I was looking for functionality as well as for organization and interest.
Continue reading ‘๐Ÿ”ด Review of Reviews’

24
Mar
15

๐Ÿ”ด For the Love of Lizzington

10
Mar
15

๐Ÿ”ด Season Two Review

 

๐Ÿ”ด Review: Season Two of The Blacklist is even

ยค better than Season One

 
March 10, 2015
 
The glue that holds this show together is the mysterious relationship between Elizabeth “Liz” Keen and the enigmatic, irreverent Raymond, “Red” Reddington. The second season is better in many ways than the first. The bad guys are more realistic and the plot lines explore the realm of international politics and important domestic issues. The research into the background of the procedural aspects of the show holds up well, making it “educational TV” for an America naive about matters like neurobiological research, human trafficking, the “down” side of capitalism and the dangers of secret international agendas (electronic surveillance, the various threats to national sovereignty and insidious threats to security) that threaten democracy. Red’s values come into better focus as matters from his past turn out to have national and international implications.
Continue reading ‘๐Ÿ”ด Season Two Review’

20
Jan
15

๐Ÿ”ด Biomimetics Bibliography

04
Jan
15

๐Ÿ”ด Passion & Passivity: Four Films

 

๐Ÿ”ด Passion & Passivity

 
Jan 18, 2015
 

Crash, directed by David Cronenberg (1996).
sex, lies and videotape, directed by Steven Soderbergh (1990).
Bad influence, directed by Curtis Hanson (1990).
Secretary, directed by David Shainberg (2002).
 
I’ve been watching some James Spader films from the 1980s and 1990s (to fill the time until The Blacklist starts up again). My response has not been what I expected, especially to Crash, ‘sex, lies & videotape’ and also, Bad Influence and Secretary. This group seems to have a certain coherence, thematically. In all of these, I would say James Spader plays an innocent, even a sexual innocent. I am not saying he is sexually naive, but rather is caught up in situations in which sexuality is an externalized, even emasculating force with which he is trying to cope. In both Crash & sex, lies & videotape, he struggles with impotence; also in both of these, he is just gorgeous, almost feminized at times. He is, in both, more the subject of seduction than its perpetrator. In key scenes in each the camera lingers on his wavy blonde hair and handsome face.
Continue reading ‘๐Ÿ”ด Passion & Passivity: Four Films’
19
Dec
14

๐Ÿ”ด Fathomless Eyes

โ€œโ€ฆ a submissive, sorrowful contemplation of the great irremediable things โ€ฆโ€
Caption source: Jerusha McCormack (2013): Poem on the Mountain: A Chinese Reading of Yeatsโ€™s โ€˜Lapis Lazuliโ€™ http://bit.ly/1AzmRTu

 

๐Ÿ”ด Fathomless Eyes: Neurobiology of the Gaze

 
Jan 7, 2015
 

“Love pierces the heart through the gaze of the eyes”

โ€“ Medieval http://bit.ly/1z2LeMn

 

I can’t stop looking at James Spader’s face. I’ve noticed I am not alone in this… It’s as though there were 1000 masks, each one capturing *perfectly* an emotion you didn’t even know existed but that you instantly recognize, and he moves flawlessly from one to the next, sometimes donning several in a second. There must be a name for what he does โ€“ micro-acting? I think I saw “close camera acting” somewhere. Anyway, he has nailed it. I am riveted.
Continue reading ‘๐Ÿ”ด Fathomless Eyes’

03
Dec
14

[Hiatus] Transcript: JS Talk Stoop Interview (9/2/2014)

Interview w Talk Stoop

I’ve seen this interview quoted in fragments in several places (especially on Tumblr), but the NBCNewYork Site does not have a transcript, nor could I find one anywhere else, so I transcribed it below:
Continue reading ‘[Hiatus] Transcript: JS Talk Stoop Interview (9/2/2014)’

02
Dec
14

[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)

[cross-posted rom WSJ Speakeasy blog http://on.wsj.com/1ranJJc search by time stamp]

@BC wrote (7:24 pm November 26, 2014): “…Liz has something ‘living’ under her scar. If she dies, then so does whats under there. Why she’s the ‘chosen one’ and why Red said he’s going to make her famous is because she’s the one who has the ANTIDOTE to the evil plan being hatched by the Alliance in 2017…”
Continue reading ‘[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)’

29
Nov
14

[Hiatus:] Tom and Red, again (11/29/2014)

@Belle, I re-read your post on how/why Tom may have worked for Red. It definitely lays out as good a case as can be made. The writers love to “surprise” (jerk around?) the viewers, so I think there is a good chance they may being choosing this route. I found your walk-through soothing in a way.
Continue reading ‘[Hiatus:] Tom and Red, again (11/29/2014)’

26
Nov
14

2:8 Decembrist: Sam & Liz and Red & Liz Parallels (11/25/2014)

Episode 1:22 Berlin (Conclusion) โ€“ 2013-2014 Season Finale:

1) Liz: You still haven’t told me how Sam was involved in this.
Red: The way Sam told the story was that one night, an old friend showed up at his door scared. The friend told Sam he was leaving town, that he was in danger and that he needed someone to care for a little girl that her father had died that night in a fire. So Sam took the little girl in, and he raised her as his own always sheltering her from the truth about her biological father.

2) Red: Lizzy, there’s something I want you to understand about your father Sam. That night when he took you inโ€“โ€“ without hesitationโ€“โ€“ Sam made a difficult choice that changed the course of his life. And that’s where you find yourself now. You can turn away and run from it. You can hide from it. And if you choose to do that, I’ll fly away. Or you can face it and confront it engage it. And maybeโ€“โ€“ maybe you prevail and rise above it. <<>> I understand. I’ll be on a plane tonight.
Continue reading ‘2:8 Decembrist: Sam & Liz and Red & Liz Parallels (11/25/2014)’

24
Nov
14

2:6 Mombasa: Megan Boone’s acting is fine (10/27/2014)

Megan Boone’s acting is just fine. In the comment version of the first season pilot, it was said that when they showed a first cut to an audience, the audience wanted a “softer” Liz, so they softened her character. I wouldn’t want her like Claire Danes in Homeland for instance. Whatever Red & Liz’s relationship ends up being, it’s the inexplicable fascination of an intriguing older man for a capable but inexperienced (and lovely) younger woman that gives the show its mystery and tension.
Continue reading ‘2:6 Mombasa: Megan Boone’s acting is fine (10/27/2014)’




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๐Ÿ”ดโ™คโ™ค ALL Blacklist Songs โฌ…๎Š
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๐Ÿ”ดโ™คโ™ค ALL Blacklist Moments โฌ…
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๐Ÿ”ด Blacklisters & Bad Guys ๎Š
๐Ÿ”ด S1 Easy-Search Scripts
๐Ÿ”ด S2 Easy-Search Scripts
๐Ÿ”ด S3 Easy-Search Scripts
๐Ÿ”ด S4 Easy-Search Scripts
๐Ÿ”ด S5 Easy-Search Scripts
๐Ÿ”ด S6 Easy-Search Scripts
๐Ÿ”ด S7 Easy-Search Scripts
๐Ÿ”ด S8 Easy-Search Scripts
๐Ÿ”ด S9 Easy-Search Scripts
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด Season 3 Storybook โฃ
๐Ÿ”ด Season 4 Storybookโฃ
๐Ÿ”ด Season 5 Storybookโฃ
๐Ÿ”ด Twitter Episode Threads S1-6 ๐Ÿงต
๐Ÿ”ด Season 6 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 7 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 8 Photo Gallery ๐Ÿ–ผ ๎Š
๐Ÿ”ด Season 9 Photo Gallery ๐Ÿ–ผ
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๐Ÿ”ด Search Assistance (w Lists)
๐Ÿ”ด TAG/PHRASE INDEX (Scripts) โœณ๏ธ๎Š
๐Ÿ”ด โ™ซ Clickable TAG INDEX โ™ซ (Songs)
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Fan Fiction ๎Š
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Spader Pics (w โ™ซ)
๐Ÿ”ด ‘Dramatus Interruptus’ (Poetics)
๐Ÿ”ด Fathomless Eyes (“Love Gene”)
๐Ÿ”ด For The Love Of Lizzington
๐Ÿ”ด James Spader As Outsider
๐Ÿ”ด Passion & Passivity: Four Films
๐Ÿ”ด What Is “The Cabal”?
๐Ÿ”ด Archive of All ARTICLES
๐Ÿ”ด News About The Blacklist ๎Š

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๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ง๐Ÿ‡ฉ ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ซ๐Ÿ‡ง๐Ÿ‡ฎ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฆ ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ซ๐Ÿ‡น๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฌ๐Ÿ‡จ๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ด๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ถ๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฟ๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ฐ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท ๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ผ๐Ÿ‡ฌ๐Ÿ‡พ ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ฝ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ท๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ผ ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡ท๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ธ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ผ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฒ ๐Ÿ‡ธ๐Ÿ‡น๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช ๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ด๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ง ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡บ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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