Posts Tagged ‘Berlin

25
Jun
15

๐Ÿ”ด Script: 2:2 Monarch Douglas Bank

 

๐Ÿ”ด Script: 2:2 Monarch Douglas Bank

 
Last updated: 6/28/2015 12:25 pm CDT, Program air date: 9/29/2014 in the US
Script Status = FINAL; reviewed and additional edits made 7/6/2016
Permalink: http://wp.me/pDKwi-1e0
Slideshow: https://youtu.be/AvQnWSuwmjo (8/10/2015)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1Js7a9f
 
Blurb: Monarch Douglas Bank, the preferred bank of the criminal elite, has been robbed โ€“ but no money was taken. Red’s ex-wife, Naomi Hyland, has been captured by Berlin who promises to send her back “piece by piece.”
 
Created by: Jon Bokenkamp
Director: Paul A Edwards
Writers: Jon Bokenkamp, Kristen Reidel, Amanda Kate Shuman, Daniel Knauf
Continue reading ‘๐Ÿ”ด Script: 2:2 Monarch Douglas Bank’

21
Jun
15

๐Ÿ”ด Script: 2:3 Dr James Covington

 

๐Ÿ”ด Script: 2:3 Dr James Covington

 
Last updated: 6/25/2015 12:25 pm CDT, Program air date: 10/6/2014 in the US
Script Status = FINAL w Twitter Links
Permalink: http://wp.me/pDKwi-1cY
Slideshow: https://youtu.be/Gpu4xFPqa28 (pending 7/25/2015)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1frAiQX
 
Blurb: Illegal organ transplantation is keeping children โ€“ and criminals โ€“ alive. Red faces disloyalty in his ranks. Samar Navabi joins the Task Force. Liz has a dream. Red and Naomi Hyland reconnect after 20 years.
 
Created by: Jon Bokenkamp
Director: Karen Gaviola
Writers: Jon Bokenkamp, Lukas Reiter, JR Orci
Continue reading ‘๐Ÿ”ด Script: 2:3 Dr James Covington’

12
Jun
15

๐Ÿ”ด Script: 2:7 The Scimitar

 

๐Ÿ”ด Script: 2:7 The Scimitar

 
Last updated: 6/13/2015 1:15 am CDT, Program air date: 11/3/2014 in the US
Script Status = FINAL with Twitter image links
Permalink: http://wp.me/pDKwi-19T
Slideshow Link: http://youtu.be/MJ_yeQJNkdw
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1GA5XKl
 
Blurb: Samar killed one of Iran’s nuclear scientists and the Iranians are now out to kill one from the U.S. Liz is interrogating Tom on a rusty ship, and Berlin is about to receive a delivery which may alter his war with Red.
 
Created by: Jon Bokenkamp
Director:Karen Gaviola
Writers: Jon Bokenkamp, JR Orci, Lucas Reiter
Continue reading ‘๐Ÿ”ด Script: 2:7 The Scimitar’

28
May
15

๐Ÿ”ด Script: 2:8 The Decembrist

 

๐Ÿ”ด Script: 2:8 The Decembrist

 
Last updated: 5/28/2015 12:45 pm CDT, Program air date: 11/10/2014 in the US
Script Status = FINAL with Twitter image links (7/30/2015)
Permalink: http://wp.me/pDKwi-13k
Slideshow links: Part A: https://youtu.be/TvKqZEZd3HA & Part B: https://youtu.be/sDx2741TUoo (8/1/2015); (Earlier version, May:) http://youtu.be/aeD6oBAJxoE
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1PPGfHI
 
Blurb: Red and Berlin head to Moscow looking for The Decembrist, who falsely blamed Red for murdering Berlin’s daughter. Alan Fitch tells Red he will be in trouble with his alliance (later called “The Cabal”) if he does not possess The Fulcrum. Red confronts Liz about Tom.
 
Created by: Jon Bokenkamp
Director: Michael Watkins
Writers: Jon Bokenkamp, John Eisendrath
Continue reading ‘๐Ÿ”ด Script: 2:8 The Decembrist’

04
May
15

๐Ÿ”ด What is “The Cabal”?

01
May
15

๐Ÿ”ด Script: 2:20 Quon Zhang

 

๐Ÿ”ด Script: 2:20 Quon Zhang

 
Last updated: 6/21/2015 6:10 am CDT, Program air date: 4/30/2015 in the US
Script Status = FINAL (w image-linked Tweets added)
Permalink: http://wp.me/pDKwi-RL
Slideshow link: https://youtu.be/xVlAjrRDngs (8/4/2015)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1FCxquK
 
Blurb: Liz prevails on Red for information about the photo of the woman with the small girl she found in Red’s secret flat. Red captures a cabal member to get information on an upcoming attack and a smuggler of dead bodies reveals he’s just smuggled in one very much alive.
 
Created by: Jon Bokenkamp
Director: Karen Gaviola
Writers: J.R. Orci, Lukas Reiter
Continue reading ‘๐Ÿ”ด Script: 2:20 Quon Zhang’

13
Mar
15

๐Ÿ”ด Script: 2:15 The Major

 

๐Ÿ”ด Script: 2:15 The Major

 
Last updated: 5/30/2015, Program originally aired 3/12/2015 in the US
Status: FINAL
Permalink: http://wp.me/pDKwi-It
Slideshow link: https://youtu.be/E5lrQRMY1Tw (8/3/2015)
Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1Fb1w7m
 
Blurb: Red wants compensation from The Major, the man who provided Tom for him to keep an eye on Liz โ€“ but not to get involved. Liz testifies in chambers about the Harbormaster’s murder. Dembe cautions Red that it’s time to tell Liz.
 
Created by: Jon Bokenkamp
Director: Michael Watkins
Writers: Jon Bokenkamp, John Eisendrath, Lukas Reiter
Continue reading ‘๐Ÿ”ด Script: 2:15 The Major’

21
Jan
15

๐Ÿ”ด “Dramatus Interruptus”

20
Jan
15

๐Ÿ”ด Biomimetics Bibliography

28
Dec
14

๐Ÿ”ด James Spader as Outsider

 

๐Ÿ”ด James Spader as Outsider

โ€“โ€“ Boston Legal to The Blacklist

 
Jan 7, 2015
 
In Boston Legal (ABC, 2004-2008), James Spader played Alan Shore, an often politically incorrect advocate in many cases involving “lost causes” (most of which, in the make-believe world of the Crane, Poole & Schmidt law firm, he actually won). His penchant for clarity and honesty was his weakness & his strength. In perhaps the most memorable episode, he even told “The Court Supreme” exactly what they needed to hear about the death penalty. Even his sexism was funny & endearing because it was โ€“ hey! โ€“ sincere. During the Bush years, Alan Shore’s truth-telling buoyed many a despondent liberal in the face of what Stephen Colbert dubbed “Truthiness”.
Continue reading ‘๐Ÿ”ด James Spader as Outsider’

19
Dec
14

๐Ÿ”ด Fathomless Eyes

โ€œโ€ฆ a submissive, sorrowful contemplation of the great irremediable things โ€ฆโ€
Caption source: Jerusha McCormack (2013): Poem on the Mountain: A Chinese Reading of Yeatsโ€™s โ€˜Lapis Lazuliโ€™ http://bit.ly/1AzmRTu

 

๐Ÿ”ด Fathomless Eyes: Neurobiology of the Gaze

 
Jan 7, 2015
 

“Love pierces the heart through the gaze of the eyes”

โ€“ Medieval http://bit.ly/1z2LeMn

 

I can’t stop looking at James Spader’s face. I’ve noticed I am not alone in this… It’s as though there were 1000 masks, each one capturing *perfectly* an emotion you didn’t even know existed but that you instantly recognize, and he moves flawlessly from one to the next, sometimes donning several in a second. There must be a name for what he does โ€“ micro-acting? I think I saw “close camera acting” somewhere. Anyway, he has nailed it. I am riveted.
Continue reading ‘๐Ÿ”ด Fathomless Eyes’

02
Dec
14

[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)

[cross-posted rom WSJ Speakeasy blog http://on.wsj.com/1ranJJc search by time stamp]

@BC wrote (7:24 pm November 26, 2014): “…Liz has something ‘living’ under her scar. If she dies, then so does whats under there. Why she’s the ‘chosen one’ and why Red said he’s going to make her famous is because she’s the one who has the ANTIDOTE to the evil plan being hatched by the Alliance in 2017…”
Continue reading ‘[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)’

29
Nov
14

[Hiatus:] Tom and Red, again (11/29/2014)

@Belle, I re-read your post on how/why Tom may have worked for Red. It definitely lays out as good a case as can be made. The writers love to “surprise” (jerk around?) the viewers, so I think there is a good chance they may being choosing this route. I found your walk-through soothing in a way.
Continue reading ‘[Hiatus:] Tom and Red, again (11/29/2014)’

27
Nov
14

๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption

@Belle My take on the return of the Stewmaker: Fitch had the Stewmaker send the picture to Red to make him let him know that someone (turns out, Berlin) would be coming after him for the supposed death of “the girl” (Zoรซ). It may have been that threat that prompted Red to leave Liz with Sam to protect her and to flee because he “believed his life was in danger.”
Continue reading ‘๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption’

26
Nov
14

2:8 Decembrist: Stories, Dreams & Spoilers (11/24/2014)

@A.M. @Belle The long post I did on “what happened Red’s family?” (Nov 23 at 3:00 am!) also reached the conclusion that the year of “Bloody Christmas” may have been earlier, perhaps 1987 when Liz was four. I also speculated that Naomi might have had something to do with it and that the memory of “Bloody Christmas” may been why Red didn’t show up in 1990. Remember when he told Madeline Pratt that it was “the reason I haven’t shown up a lot of places over the years.” I’m glad we’re independently reaching the the same general idea. It still doesn’t synch with the age of the little ballet dancer. Who she is remains a mystery. Military academy attendees are not allowed to be married or have dependents. But the writers may not have known that.
Continue reading ‘2:8 Decembrist: Stories, Dreams & Spoilers (11/24/2014)’

26
Nov
14

๐Ÿ”ด What happened to Red’s family?

 

๐Ÿ”ด What Happened to Redโ€™s Family?

ย 
http://bit.ly/2FiKAzC

What happened to Red’s family? Here’s what I know.

โ‹™ Diane Fowler: I know the truth, Red, about that night โ€“ about what happened to your family. Do you want to know the truth?
Red: More than anything in the world. But if you know the truth, Diane, then somebody else does, too. [shoots her several times] http://bit.ly/1HzBdsu

 
The biggest overarching question in the story is what tragedy happened to Red’s family, and also, importantly, who that ‘family’ was. It can’t be Naomi & Jennifer โ€“ they’re alive. Did Red marry Naomi later? Was the second marriage a ‘cover’?
Continue reading ‘๐Ÿ”ด What happened to Red’s family?’

25
Nov
14

2:8 Decembrist: Fitch & Tom? Huh? (11/16/2014)

@Belle I had also concluded that Fitch was doing the surveillance. It would make sense that Fitch would be surveillancing Liz because of his interest in Red, but this dialogue threw me off:

[ Door opens where they are monitoring video feeds from Liz & Tom’s house ]
โ€“ Oh, the one night you’re on time. I was really looking forward to the make-up sex.
โ€“ Do you believe he’s innocent?
โ€“ It can’t be that simple, right? The only thing that’s clear to me is that he [Tom] doesn’t work for Reddington.[!]
โ€“ Well, then, who the hell DOES he work for?
Continue reading ‘2:8 Decembrist: Fitch & Tom? Huh? (11/16/2014)’

25
Nov
14

2:8 Decembrist: Rant โ€“ Character vs Plot (11/14/2014)

@Belle Thank you for your thoughtful response and entirely plausible theory. I regretted posting that as soon as I did. It was late, I was tired. It’s true I stopped watching Downton Abbey and Game of Thrones, but there other reasons, too. The fact is, I will likely keep watching The Blacklist just to watch Spader’s incredible acting. I am annoyed at the long hiatus and at something Jon Bokenkamp said in an interview: essentially, that the showrunners try to constantly upend viewers’ expectations. Sure, that keeps it engaging to watch, but it seems to go against character development, Liz’s bizarre (and unbelievable) imprisonment of Tom being a great example. I’m not the only one:

“NBC, plots are one thing. You can draw people in with interesting plots. But itโ€™s the CHARACTERS AND THEIR RELATIONSHIPS that keep people interested. Itโ€™s Writing 101. Pretty sure half of your fanbase is better at it than you. If you keep this shit up, I guarantee you, the ratings are going to drop tremendously once you make the shift to Thursday nights.” http://bit.ly/1uf1PrB

You likely have read The Rolling Stone interview about James Spader’s upending the production schedule over what the writers were doing with his character in the Anslo Garrick episodes last year http://rol.st/XJRtDS. I guess I sense a lot of tension between Spader and the creative staff. I also saw a series of tweets between Megan Boone and a reviewer with her expressing concerns about the way her character was written. I don’t know what the proper mix is. My background is literary criticism, where you’re always dealing with a finished work. The stresses of doing a TV series of this caliber must be enormous. I really want this show to be a great success. It has all the potential. I just hope they keep the characters coherent and relatable. They could have done more with both the Fitch and Berlin characters and it’s a shame they’ve made it impossible to revive them while literally resurrecting Tom from the dead and โ€“ according to one interview, signed up for next season http://rol.st/XJRtDS. I actually find Tom boring and un-sexy and stupid as an antagonist to Red. (I realize there are those on this blog who really like Tom…)

I hope the showrunners decide on whether they want the audience to be more engaged than startled. This blog has been all about engagement, trying to use the clues the show provides to guess where it’s going. The question of Zoรซ’s identity is a good example (timeline issues aside). An attentive, engaged viewer could pretty much figure it out from the clues provided. But, when they do things like Pepper’s key, with no context so the NBC staff have tell us it’s important, or like turning what Red took from Fitch from “some very damaging information” to an enigmatic “thing” in the course of a single episode โ€“ it reeks of too much emphasis on goofy plot twists that leave character coherence and thematic development in the lurch.

I hope the actors โ€“ who really have to put the meat on the bones of these characters โ€“ continue to make their voices heard, especially Spader. Usually, I’d say the writers should have creative control, but if they treat characters like sacks of flour to toss around, actors like Spader need to speak up. He can easily find another project at this point. I would primarily be afraid he’d leave TV entirely for film or the stage (as he has in the past). It would be a great loss for TV, but he would either get paid more (film) or not have to work as hard (stage) โ€“ both of which he deserves. Better than spending Thanksgiving on the phone arguing with Jon Bokenkamp.

Rant over โ€“ I hope โ™ก เซ‚เฝฒโ€ขฬฎอกโ€ข เซ‚ เพ€โ™ก…
P.S. Why doesn’t Red just kill Tom?

[Cross-posted at WSJ speakeasy]

24
Nov
14

2:8 Decembrist: What’s up with Tom & Red? (11/12/2014)

@JBlitz Are you saying Red was also interrogating Tom when he was in the boat? I always thought Red knew Liz had Tom & I suppose the idea that Red wouldnโ€™t figure out where Tom was and pay off the guard for access to him strains credulity. But Red seemed pretty shocked by the mess in the boatโ€ฆ Sometimes I feel like the writers throw in something gratuitous for shock value and figure theyโ€™ll deal with it laterโ€ฆ.
Continue reading ‘2:8 Decembrist: What’s up with Tom & Red? (11/12/2014)’

24
Nov
14

2:8 Decembrist: Tom was working for Red? (11/11/2014)

Tom’s having worked for Red doesn’t make much sense. Twice he was about to kill him:
Continue reading ‘2:8 Decembrist: Tom was working for Red? (11/11/2014)’

24
Nov
14

2:7 Scimitar: Misc Q&A (11/4/2014)

@Hanna The spot after The Voice’s super-high ratings gives a boost to new shows. They are moving The Blacklist to Thursdays because they think it has developed its own strong viewership that will follow it to the new time slot. That lets them use the coveted Monday slot for State of Affairs.
Continue reading ‘2:7 Scimitar: Misc Q&A (11/4/2014)’

24
Nov
14

2:7 Scimitar: Finally, an answer… about Zoรซ (11/4/2014)

Great episode. We finally got an answer to Something: Berlin in Zoรซ’s father. The scene where Zoรซ told Red about her father doing terrible things was really moving. Red knew he had to deliver her to Berlin to stop the “war” despite what her feelings about it might be, or his own. Best delivered two lines in the episode: “What have you done?” “I’m not going to hurt you.” The words seem pretty plain, โ€“ until you see them acted.

So Red is Lizzie’s father (?) based on his discussion first with Zoรซ and, later, with Berlin โ€“ though we’re told it’s still “complicated.” I guess it’s still vaguely possible he’s talking about Jennifer, but we have not even been introduced to her. With Berlin no longer a threat to Lizzie, will Red tell her? Or do other threats remain. Does Lizzie even want to know? There must be a surprise or two planned for next week. (Will Red ask Liz if she likes anchovies?)

The story of ‘what happened to Red’s family’ that Diane Fowler knew about is still unknown. Was the Christmas story with “blood everywhere” true? Where was the fire that burned Lizzie & Red? Why did Red leave his former life? Lots of big questions still. More immediately: who came up with story that Red killed Zoรซ, and why?

Meanwhile, Samar has become a murderer and Lizzie is considering it.

I will miss The Blacklist while it’s on break very much. Without question, this is the best drama series I have ever seen, and the competition (eg The Sopranos, Homeland, House of Cards, etc), in my view, isn’t even close. Vikings is an exceptional show, but a very different genre. I especially like how the ‘scaffolding’ of the blacklist knits together the episodic procedural elements with the show’s serial mythology. This gives the show a density that magnifies the intensity and authentic feel of the acting. James Spader’s Red is riveting, engaging, seductive & remains deeply mysterious.

Amazon Season 2
251/302 83% 5-star ratings

Amazon Season 1
1715/2061 83% 5-star ratings

[Cross-posted at WSJ Speakeasy]

24
Nov
14

2:6 Mombasa: In which I get it half wrong… (11/3/2014)

We didn’t get to hear Red’s little talk with Pepper about the Apopha Strain. We also don’t know how Beck found out about the painting, but my guess is it has something to do with Berlin, who is not done with Red, & who is very handy with viruses.

Red: “I suspect this [Cullen virus] incident at the bank is not what it seems, but rather the first shot in a larger, coordinated assault aimed directly at me… a plan devised by someone who doesn’t care how many people die, as long as I’m one of them.”

The urgency of Red’s hunt for “the girl” โ€“ which he describes as ‘critical to his war with Berlin’ โ€“ implies Berlin is on mission that hasn’t ended. My guess is Berlin was behind the Apopha strain attack. Maybe Pepper (who knew things Beck didn’t) got the painting or information on it from Berlin. Perhaps Pepper was going to return the key to Berlin for a reward after spreading the plague. But Red now has the skeleton key โ€“ ‘the key that opens all doors.’ And he has found “the girl” โ€“ Zoรซ, “key” to this extended plot line.

The performance of Swan Lake on March 22, 1987 would have been when Zoรซ was 8-12. She would have been 10-12 in the Stewmaker’s picture (faked?). My guess: she is Berlin’s granddaughter and Red’s stepdaughter. Lizzie is Red’s daughter by the same woman, who was the love of his Iife; Liz & Zoรซ are half-sisters. Berlin blames Red for his daughter’s death, for killing her or for letting it happen. He doesn’t go after Liz because he has found out she is also his granddaughter. (Tom let Berlin know Red was sending money to Sam.)

After a long pause, Red said “No” when Lizzie asked if he was her father because “I will always do what I have to do to keep you safe.” The music box is important.

Red has lied to Liz. In 1:22 Berlin, when Red gets the call from Fitch to say he’s found Berlin and Lizzie asks him if they found Berlin, Red says, “We’ll have keep looking.” Granted, that’s not a direct “No” and Red has a tendency to respond with non sequiturs when asked a direct question (“That’s a nice tie.” “Who decided on this paneling?”) but it’s clear he means her mislead her. He doesn’t want her going with him because it is dangerous. But Tom shows us, takes Liz at gunpoint and they encounter Red where he’s tied up fake-Berlin.

Red’s first wife was killed by someone who hated Red (or someone who wanted him for herself). Red rescued Liz but not now-Zoรซ. He had thought now-Zoรซ died, too. Maybe she was on The Alchemist’s list. Naomi can’t be Berlin’s daughter, obviously, and I doubt Jennifer is Red’s daughter. That marriage had to come later. Was Naomi waiting in the wings? She said the FBI had suspected her.

I’m sure at least half of this is wrong…

Swan Lake is about true love foiled by deception. The Prince is tricked into pledging love to the wrong woman. In dismay, the true lovers agree to die and meet again after death. The beautiful dance we saw at the end of “Mako Tanida” is called “The Dying Swan.”

24
Nov
14

2:6 Mombasa: Is Red Zoรซ’s father? โ€“ reconsidered (10/27/2014)

Why I thought “the girl” could not be Red’s daughter & why that may be wrong (dates, dates, dates):
Continue reading ‘2:6 Mombasa: Is Red Zoรซ’s father? โ€“ reconsidered (10/27/2014)’

24
Nov
14

2:6 Mombasa: Zoรซ, Berlin & Stewmaker (10/27/2014)

I posted a photo montage to Twitter. Here’s the link http://pic.twitter.com/B1dc4lLWV0 It shows the photo from the Stewmaker’s album, the photo in Berlin’s watch and the photo Red gave to Aram (very fuzzy). To me, they all look like the same girl. Red told the guy at the DMV that finding “the Girl” was crucial to [resolving?] his “war with Berlin.” I did not see the photo Red gave to DMV-guy, but I assume Red gave DMV-guy and Aram the same photo.
Continue reading ‘2:6 Mombasa: Zoรซ, Berlin & Stewmaker (10/27/2014)’

11
Jan
13

๐Ÿ”ด All Blacklist Scripts โฌ…๏ธ

 

๐Ÿ”ด All Blacklist Scripts

 

๐Ÿต Below are links to Each Individual Script,* including cast list, lyrics and YouTube videos for songs, photos and Twitter links. “Episode in Tweets” includes links to all the photos (with narration) I post on Twitter.
 
๐Ÿต Or you can select the “Easy Search” option, which includes all scripts for a season, stripped-down for easy searching.
 
๐Ÿต Finally, the “Storybook” (Seasons 3, 4 and 5) provides recaps of episodes, based on the scripts themselves, with photos. For Seasons 1 and 2, there are “Highlights” with photos along with selected quotes. In addition, there are slideshows with captions of entire episodes and, for Season 1, of special scenes.
 
*Exception: There are no individual full scripts for Season 1 (with the exception of the Pilot), as I only began watching the show in Season 2. Instead, the links below take you to the right script in the Easy-Scripts file for Season 1.

Continue reading ‘๐Ÿ”ด All Blacklist Scripts โฌ…๏ธ’

12
Jan
12

๐Ÿ”ด Easy-Search S1 Scripts โฌ…๏ธ

 

๐Ÿ”ด Easy-Search Season 1 Scripts

 

NBC’s series The Blacklist created by: Jon Bokenkamp

 

Continue reading ‘๐Ÿ”ด Easy-Search S1 Scripts โฌ…๏ธ’

01
Jan
10

๐Ÿ”ด Songs โ™ซ S1 (Eps 11-22)

 

๐Ÿ”ด The Blacklist Songs

 

โ™คโ™ค Season 1B (Episodes 11-22)

 
From 1:11 The Good Samaritan Killer through 1:22 Berlin, Part 2
 
Continue reading ‘๐Ÿ”ด Songs โ™ซ S1 (Eps 11-22)’

01
Jan
10

๐Ÿ”ด Clickable โ™ซ Song Index โ™ซ

 

๐Ÿ”ด Clickable Song Index

 
To use this clickable index, CLICK ON any INDEX TERM โ‡ˆ Above โ‡ˆ. It will take you a the song files indexed with that term. Try to be as specific as possible to limit the number of files that come up. (Included are: Episode Numbers and Titles, Song Titles and the names of the Artists performing the songs.)
 
Continue reading ‘๐Ÿ”ด Clickable โ™ซ Song Index โ™ซ’

22
Jan
00

1:22 Berlin, Part 2: Tags

 

๐Ÿ”ด Episode 1:22 Berlin, Part 2

 
โญ• Press here for the โž” Script for the Episode

 
Explanation: This file contains just the tags for the episode. To get to the script, just press the link above.

I first set up Season One just as a file for personal use before I dreamed of starting a blog. So I put all the scripts in one file, which eventually became the format of the โ€œEasy Search Scripts.โ€ This was in the summer after the first season, when I binged the season.

Unfortunately, itโ€™s not feasible to pull the episodes apart now. In fact, itโ€™s essentially impossible.

So what I did instead was set up the tags separately, linked to the scripts. If youโ€™ve landed here, you likely used the Search Bar, which is very unpredictable. I hope that someday, WordPress will provide a better one.

In the meantime, consider using the โ€œTag/Phrase Index for Scriptsโ€ instead of the Search Bar. You use it with your Page Search function. Itโ€™s basic, but I find it works best for me.

 
 

เผบ โ™ค โŠฐ ๐Ÿ”ด โŠฑ โ™ค เผป
 
 

21
Jan
00

1:21 Berlin: Tags

 

๐Ÿ”ด Episode 1:21 Berlin

 
โญ• Press here for the โž” Script for the Episode

 
Explanation: This file contains just the tags for the episode. To get to the script, just press the link above.

I first set up Season One just as a file for personal use before I dreamed of starting a blog. So I put all the scripts in one file, which eventually became the format of the โ€œEasy Search Scripts.โ€ This was in the summer after the first season, when I binged the season.

Unfortunately, itโ€™s not feasible to pull the episodes apart now. In fact, itโ€™s essentially impossible.

So what I did instead was set up the tags separately, linked to the scripts. If youโ€™ve landed here, you likely used the Search Bar, which is very unpredictable. I hope that someday, WordPress will provide a better one.

In the meantime, consider using the โ€œTag/Phrase Index for Scriptsโ€ instead of the Search Bar. You use it with your Page Search function. Itโ€™s basic, but I find it works best for me.

 
 

เผบ โ™ค โŠฐ ๐Ÿ”ด โŠฑ โ™ค เผป
 
 

18
Jan
00

1:18 Milton Bobbit: Tags

 

๐Ÿ”ด Episode 1:18 Milton Bobbit

 
โญ• Press here for the โž” Script for the Episode

 
Explanation: This file contains just the tags for the episode. To get to the script, just press the link above.

I first set up Season One just as a file for personal use before I dreamed of starting a blog. So I put all the scripts in one file, which eventually became the format of the โ€œEasy Search Scripts.โ€ This was in the summer after the first season, when I binged the season.

Unfortunately, itโ€™s not feasible to pull the episodes apart now. In fact, itโ€™s essentially impossible.

So what I did instead was set up the tags separately, linked to the scripts. If youโ€™ve landed here, you likely used the Search Bar, which is very unpredictable. I hope that someday, WordPress will provide a better one.

In the meantime, consider using the โ€œTag/Phrase Index for Scriptsโ€ instead of the Search Bar. You use it with your Page Search function. Itโ€™s basic, but I find it works best for me.

 
 

เผบ โ™ค โŠฐ ๐Ÿ”ด โŠฑ โ™ค เผป
 
 




โ™ค A Blog about the NBC Series

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๐Ÿ”ดโ™คโ™ค ALL Blacklist Scripts โฌ…๎Š
๐Ÿ”ดโ™คโ™ค ALL Blacklist Songs โฌ…๎Š
๐Ÿ”ด Blacklisters & Bad Guys ๎Š
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด S1 Easy-Search Scripts
๐Ÿ”ด S2 Easy-Search Scripts
๐Ÿ”ด S3 Easy-Search Scripts
๐Ÿ”ด S4 Easy-Search Scripts
๐Ÿ”ด S5 Easy-Search Scripts
๐Ÿ”ด S6 Easy-Search Scripts
๐Ÿ”ด S7 Easy-Search Scripts
๐Ÿ”ด S8 Easy-Search Scripts
๐Ÿ”ด S9 Easy-Search Scripts
๐Ÿ”ด S10 Easy-Search Scripts ๎Š
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด Season 1 Highlights ๐Ÿฟ
๐Ÿ”ด Season 2 Highlights ๐Ÿฟ
๐Ÿ”ด Season 3 Storybook ๐Ÿ“—
๐Ÿ”ด Season 4 Storybook ๐Ÿ“—
๐Ÿ”ด Season 5 Storybook ๐Ÿ“—(15 secs load)
๐Ÿ”ด Twitter Episode Threads S1-6 ๐Ÿงต
๐Ÿ”ด Season 6 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 7 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 8 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 9 Photo Gallery ๐Ÿ–ผ ๎Š
๐Ÿ”ด Season 10 Photo Gallery ๐Ÿ–ผ
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด ๐Ÿงฉ TAG/PHRASE INDEX (Scripts) โœณ๏ธ๎Š
๐Ÿ”ด ๐ŸŽน Clickable TAG INDEX (Songs)
๐Ÿ”ด ๐Ÿ”ฆ Search Assistance (w Lists)
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Fan Fiction ๎Š
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Spader Pics (w โ™ซ) ๎Š
๐Ÿ”ด ‘Dramatus Interruptus’ (Poetics)
๐Ÿ”ด Fathomless Eyes (“Love Gene”)
๐Ÿ”ด For The Love Of Lizzington
๐Ÿ”ด James Spader As Outsider
๐Ÿ”ด Passion & Passivity: Four Spader Films
๐Ÿ”ด What Is “The Cabal”?
๐Ÿ”ด Archive of All ARTICLES

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Thank you, everyone โ™กโ™คโ™ก

๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ง๐Ÿ‡ฉ ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ซ๐Ÿ‡ง๐Ÿ‡ฎ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฆ ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ซ๐Ÿ‡น๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฌ๐Ÿ‡จ๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ด๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ถ๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฟ๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ฐ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท ๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ผ๐Ÿ‡ฌ๐Ÿ‡พ ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ฝ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ท๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ผ ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡ท๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ธ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ผ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฒ ๐Ÿ‡ธ๐Ÿ‡น๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช ๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ด๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ง ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡บ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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