Posts Tagged ‘freedom

04
May
15

๐Ÿ”ด What is “The Cabal”?

03
Apr
15

๐Ÿ”ด Red’s Moral Code

 

๐Ÿ”ด Red’s Moral Code

 
April 22, 2015
 
It’s a good question where Red’s sense of “justice” comes from. I’ve been thinking about this a lot. We know the Greeks came up with our Western idea of “justice” โ€“ but did they invent it or simply write down what is implicit in human nature?
Continue reading ‘๐Ÿ”ด Red’s Moral Code’

14
Mar
15

๐Ÿ”ด Tom & the “Risk-Taking” Gene

 

๐Ÿ”ด Tom Keen and the “Risk-Taking” Gene

 
March 14, 2015
 
There is a genomic marker (SNP) sometimes called “the love gene” (GG variant for SNP rs53576) http://bit.ly/1wniMDR About 40% of Westerners have this variant. When combined with another gene (AA or AG for rs2254298) http://bit.ly/18nPCKM, what results, for males who grew up in non-nurturing early childhood environments, is a higher likelihood that a person will develop psychiatric disorders AND/OR that he will be a risk-taker. Both “genes” or SNPs are located on the Oxytocin molecule. The psychiatric disorders include depression, borderline personality, sociopathy and psychopathy.
Continue reading ‘๐Ÿ”ด Tom & the “Risk-Taking” Gene’

04
Jan
15

๐Ÿ”ด Passion & Passivity: Four Films

 

๐Ÿ”ด Passion & Passivity

 
Jan 18, 2015
 

Crash, directed by David Cronenberg (1996).
sex, lies and videotape, directed by Steven Soderbergh (1990).
Bad influence, directed by Curtis Hanson (1990).
Secretary, directed by David Shainberg (2002).
 
I’ve been watching some James Spader films from the 1980s and 1990s (to fill the time until The Blacklist starts up again). My response has not been what I expected, especially to Crash, ‘sex, lies & videotape’ and also, Bad Influence and Secretary. This group seems to have a certain coherence, thematically. In all of these, I would say James Spader plays an innocent, even a sexual innocent. I am not saying he is sexually naive, but rather is caught up in situations in which sexuality is an externalized, even emasculating force with which he is trying to cope. In both Crash & sex, lies & videotape, he struggles with impotence; also in both of these, he is just gorgeous, almost feminized at times. He is, in both, more the subject of seduction than its perpetrator. In key scenes in each the camera lingers on his wavy blonde hair and handsome face.
Continue reading ‘๐Ÿ”ด Passion & Passivity: Four Films’



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