Posts Tagged ‘serial

01
Jun
16

๐Ÿ”ด S3 Unanswered Questions

 

๐Ÿ”ด Unanswered Questions/Loose Ends

 
Continue reading ‘๐Ÿ”ด S3 Unanswered Questions’

02
Dec
15

๐Ÿ’ž Megan is Pregnant! “Liz” shouldโ€“?

 
December 2, 2015
 
Guess whatโ‰๏ธ ๐Ÿ‘ถ Megan Boone ๐Ÿ’ is expecting ๐Ÿ‘ถ๐Ÿผโ€ผ๏ธ
 

๐Ÿ’ž Poll: Megan is pregnant! “Liz” should โ€“ ?

 
The options below all assume that if the show includes a pregnant Liz, Tom is the father. A couple weeks ago, Megan was reported to be 3 months pregnant. This would mean she is due in May or June. It is unclear whether Megan wants to return or how long she wants to work. Also, see what Jon Bokenkamp said about this to Entertainment Weekly below.

Continue reading ‘๐Ÿ’ž Megan is Pregnant! “Liz” shouldโ€“?’

27
Nov
15

๐Ÿ”ด All BlacklistDCd Polls โฌ…๏ธ

06
Oct
15

๐Ÿ”ด Whose “intentions” matter?

 

๐Ÿ”ด Whose “Intentions” Matter?

October 6, 2015

Essay on Artists’ Intentions: 3:2 The Troll Farmer

Continue reading ‘๐Ÿ”ด Whose “intentions” matter?’

04
May
15

๐Ÿ”ด What is “The Cabal”?

04
Apr
15

๐Ÿ”ด Script: 2:18 Vanessa Cruz

 

๐Ÿ”ด Script: 2:18 Vanessa Cruz

 
Last updated: 4/4/2015 10:00 pm CDT, Program originally aired 4/2/2015 in the US
Script Status = Final + minor edits
Permalink: http://wp.me/pDKwi-MT
Slideshow link: https://youtu.be/I9CabpwQpk4 (8/4/2015)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1DLkwtn
 
Blurb: A serial killer is framing members of the one percent. Tom and Liz toy with rekindling a relationship. Red attempts to convince members of the Cabal (formerly known as the alliance) to undergo a restructuring.
 
Created by: Jon Bokenkamp
Director: Guy Ferland
Writers: Vincent Angell, Daniel Knauf
Continue reading ‘๐Ÿ”ด Script: 2:18 Vanessa Cruz’

24
Mar
15

๐Ÿ”ด For the Love of Lizzington

10
Mar
15

๐Ÿ”ด Season Two Review

 

๐Ÿ”ด Review: Season Two of The Blacklist is even

ยค better than Season One

 
March 10, 2015
 
The glue that holds this show together is the mysterious relationship between Elizabeth “Liz” Keen and the enigmatic, irreverent Raymond, “Red” Reddington. The second season is better in many ways than the first. The bad guys are more realistic and the plot lines explore the realm of international politics and important domestic issues. The research into the background of the procedural aspects of the show holds up well, making it “educational TV” for an America naive about matters like neurobiological research, human trafficking, the “down” side of capitalism and the dangers of secret international agendas (electronic surveillance, the various threats to national sovereignty and insidious threats to security) that threaten democracy. Red’s values come into better focus as matters from his past turn out to have national and international implications.
Continue reading ‘๐Ÿ”ด Season Two Review’

02
Mar
15

๐Ÿ”ด Script: 2:13 The Deer Hunter

 

๐Ÿ”ด Script: 2:13 The Deer Hunter

 
Last updated: 6/7/2015 1:00 am CDT, Program originally aired 2/26/2015 in the US
Script Status: FINAL with Twitter image links
Permalink: http://wp.me/pDKwi-Fs
Slideshow link: https://youtu.be/-CJLQGBzFf4 (8/2/2015)
Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1HSqQwR
 
Blurb: A serial killer appears be a man โ€“ and a woman. Red tries to reach the man whose number was in the safe in St Petersburg. Red scolds Liz for taking too many risks. She tell him she has the Fulcrum. Aram worries about his hair.
 
Created by: Jon Bokenkamp
Director: Andrew McCarthy
Writers: Jon Bokenkamp, Amanda Kate Shuman
Continue reading ‘๐Ÿ”ด Script: 2:13 The Deer Hunter’

21
Jan
15

๐Ÿ”ด “Dramatus Interruptus”

20
Jan
15

๐Ÿ”ด Biomimetics Bibliography

04
Dec
14

Review: The Inscrutible Red Reddington [Hiatus]

โ€œI have thought enough about myth and history, fact and fiction, to know truth cannot be told. There is always another way to tell the story” โ€“ Norman O. Brown http://bit.ly/1qo9R3n

“If you don’t make any attempt to show the audience anything, then the audience wants to look further and further and further and further… And I think that’s what [Red] does โ€“ he doesn’t show a great deal, but he draws you to look further in…”
โ€“ James Spader, Talk Stoop interview (9/2/2014) http://bit.ly/1zlb232
Continue reading ‘Review: The Inscrutible Red Reddington [Hiatus]’

03
Dec
14

[Hiatus] Transcript: JS Talk Stoop Interview (9/2/2014)

Interview w Talk Stoop

I’ve seen this interview quoted in fragments in several places (especially on Tumblr), but the NBCNewYork Site does not have a transcript, nor could I find one anywhere else, so I transcribed it below:
Continue reading ‘[Hiatus] Transcript: JS Talk Stoop Interview (9/2/2014)’

02
Dec
14

[Hiatus:] PPP’s 2013 Poll on Conspiracy Theories [12/2/2014]

Public Policy Polling published its Conspiracy Theory Poll Results on April 2, 2013 http://bit.ly/1tyyXrR. They found that “28% of voters believe [a] secretive power elite with a globalist agenda is conspiring to eventually rule the world through an authoritarian world government, or New World Order. A plurality of Romney voters (38%) believe in the New World Order compared to 35% who donโ€™t.” Looks like The Blacklist has plenty of room for its fanbase to grow!
Continue reading ‘[Hiatus:] PPP’s 2013 Poll on Conspiracy Theories [12/2/2014]’

02
Dec
14

[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)

[cross-posted rom WSJ Speakeasy blog http://on.wsj.com/1ranJJc search by time stamp]

@BC wrote (7:24 pm November 26, 2014): “…Liz has something ‘living’ under her scar. If she dies, then so does whats under there. Why she’s the ‘chosen one’ and why Red said he’s going to make her famous is because she’s the one who has the ANTIDOTE to the evil plan being hatched by the Alliance in 2017…”
Continue reading ‘[Hiatus:] Georgia Guidestones & the Super Bowl (12/2/2014)’

29
Nov
14

[Hiatus:] Tom and Red, again (11/29/2014)

@Belle, I re-read your post on how/why Tom may have worked for Red. It definitely lays out as good a case as can be made. The writers love to “surprise” (jerk around?) the viewers, so I think there is a good chance they may being choosing this route. I found your walk-through soothing in a way.
Continue reading ‘[Hiatus:] Tom and Red, again (11/29/2014)’

28
Nov
14

๐Ÿ”ด What was Red’s “3rd option” for Tom?

I’m with those who think Tom didn’t work with Red prior to his being shot by Lizzy. Red was going to finish him off himself at that point. I never thought it was plausible that Ezra never picked up Liz’s nightly excursions. Red knew something was up with Tom but wanted Lizzy to confide in him.
Continue reading ‘๐Ÿ”ด What was Red’s “3rd option” for Tom?’

27
Nov
14

๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption

@Belle My take on the return of the Stewmaker: Fitch had the Stewmaker send the picture to Red to make him let him know that someone (turns out, Berlin) would be coming after him for the supposed death of “the girl” (Zoรซ). It may have been that threat that prompted Red to leave Liz with Sam to protect her and to flee because he “believed his life was in danger.”
Continue reading ‘๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption’

26
Nov
14

2:8 Decembrist: Sam & Liz and Red & Liz Parallels (11/25/2014)

Episode 1:22 Berlin (Conclusion) โ€“ 2013-2014 Season Finale:

1) Liz: You still haven’t told me how Sam was involved in this.
Red: The way Sam told the story was that one night, an old friend showed up at his door scared. The friend told Sam he was leaving town, that he was in danger and that he needed someone to care for a little girl that her father had died that night in a fire. So Sam took the little girl in, and he raised her as his own always sheltering her from the truth about her biological father.

2) Red: Lizzy, there’s something I want you to understand about your father Sam. That night when he took you inโ€“โ€“ without hesitationโ€“โ€“ Sam made a difficult choice that changed the course of his life. And that’s where you find yourself now. You can turn away and run from it. You can hide from it. And if you choose to do that, I’ll fly away. Or you can face it and confront it engage it. And maybeโ€“โ€“ maybe you prevail and rise above it. <<>> I understand. I’ll be on a plane tonight.
Continue reading ‘2:8 Decembrist: Sam & Liz and Red & Liz Parallels (11/25/2014)’

26
Nov
14

2:8 Decembrist: State Capitalism & the Internet (11/25/2014)

I rewrote this idea & submitted it to The Blacklist Exposed:
http://www.goldenspiralmedia.com/feedback
They are soliciting ideas on where The Blacklist should go. You may have read an earlier version (detail is at the links). I saw the “spoiler” link โ€“ it just says they are looking for someone to play one of the alliance guys Fitch mentioned before he exploded. So, this is a bit of a promo, I guess.
Continue reading ‘2:8 Decembrist: State Capitalism & the Internet (11/25/2014)’
26
Nov
14

2:8 Decembrist: Stories, Dreams & Spoilers (11/24/2014)

@A.M. @Belle The long post I did on “what happened Red’s family?” (Nov 23 at 3:00 am!) also reached the conclusion that the year of “Bloody Christmas” may have been earlier, perhaps 1987 when Liz was four. I also speculated that Naomi might have had something to do with it and that the memory of “Bloody Christmas” may been why Red didn’t show up in 1990. Remember when he told Madeline Pratt that it was “the reason I haven’t shown up a lot of places over the years.” I’m glad we’re independently reaching the the same general idea. It still doesn’t synch with the age of the little ballet dancer. Who she is remains a mystery. Military academy attendees are not allowed to be married or have dependents. But the writers may not have known that.
Continue reading ‘2:8 Decembrist: Stories, Dreams & Spoilers (11/24/2014)’

26
Nov
14

๐Ÿ”ด What happened to Red’s family?

 

๐Ÿ”ด What Happened to Redโ€™s Family?

ย 
http://bit.ly/2FiKAzC

What happened to Red’s family? Here’s what I know.

โ‹™ Diane Fowler: I know the truth, Red, about that night โ€“ about what happened to your family. Do you want to know the truth?
Red: More than anything in the world. But if you know the truth, Diane, then somebody else does, too. [shoots her several times] http://bit.ly/1HzBdsu

 
The biggest overarching question in the story is what tragedy happened to Red’s family, and also, importantly, who that ‘family’ was. It can’t be Naomi & Jennifer โ€“ they’re alive. Did Red marry Naomi later? Was the second marriage a ‘cover’?
Continue reading ‘๐Ÿ”ด What happened to Red’s family?’

26
Nov
14

2:8 Decembrist: The Warrior Gene & Lizzie’s Mom (11/21/2014)

We’re going to find out more about Liz’s Mom in the upcoming episodes, according to IBTimes, “As previously reported, the Season 2 of “The Blacklist” is expected to explore Liz’s mother storyline.” http://bit.ly/1F7s32i.
Continue reading ‘2:8 Decembrist: The Warrior Gene & Lizzie’s Mom (11/21/2014)’
26
Nov
14

2:8 Decembrist: The Warrior Gene & Me (11/20/2014)

Sometimes you have secrets even you didn’t know you hadย 

I had looked into the research on the “Warrior gene” (MAOA) earlier and posted that here [on WSJ Speakeasy] but decided last night to look again, to check out @A.M.’s theory. I worked in biomed research and genomics for more than a decade, so that was a start. There was a swell of new research back in 2009-12 which roughly coincides when The Blacklist was being conceived.
Continue reading ‘2:8 Decembrist: The Warrior Gene & Me (11/20/2014)’
26
Nov
14

2:8 Decembrist: Megan Boone on social media (11/20/2014)

This is kind of exciting. I knew Megan Boone had a write-up in CapitolFile (with stunning photographs). But what she says about social media and The Blacklist writing staff is relevant to what is done here and on other blogs. What I mostly inferred in my earlier post (the 12:49pm 11/19 one, after the gay part), she confirms:
Continue reading ‘2:8 Decembrist: Megan Boone on social media (11/20/2014)’

26
Nov
14

2:8 Decembrist: Original Pilot Script (11/19/2014)

For the record, I think Red is straight. I was making a “the case can be made” type of argument.
_________

I have a copy of the original script for The Blacklist pilot (it precedes even the online version which in turn is not identical to the performance). It has more information on Liz’s youth โž” but it may be more important to know that they did decide to change certain things: it could mean they definitely are NOT going with these ideas. For instance, they apparently decided to change the time of the fire from when she was 14 to when she was four (or else there were two fires). Obviously, the final production is what matters. But, just fyi: about Liz’s youth, it says [stage directions in parentheses]:
Continue reading ‘2:8 Decembrist: Original Pilot Script (11/19/2014)’

25
Nov
14

2:8 Decembrist: Q’s for Jon Bokenkamp (11/11/2014)

 
Here are the questions I would ask Jon Bokenkamp, if only:
Continue reading ‘2:8 Decembrist: Q’s for Jon Bokenkamp (11/11/2014)’
25
Nov
14

2:8 Decembrist: Fitch & Tom? Huh? (11/16/2014)

@Belle I had also concluded that Fitch was doing the surveillance. It would make sense that Fitch would be surveillancing Liz because of his interest in Red, but this dialogue threw me off:

[ Door opens where they are monitoring video feeds from Liz & Tom’s house ]
โ€“ Oh, the one night you’re on time. I was really looking forward to the make-up sex.
โ€“ Do you believe he’s innocent?
โ€“ It can’t be that simple, right? The only thing that’s clear to me is that he [Tom] doesn’t work for Reddington.[!]
โ€“ Well, then, who the hell DOES he work for?
Continue reading ‘2:8 Decembrist: Fitch & Tom? Huh? (11/16/2014)’

25
Nov
14

2:8 Decembrist: Rant โ€“ Character vs Plot (11/14/2014)

@Belle Thank you for your thoughtful response and entirely plausible theory. I regretted posting that as soon as I did. It was late, I was tired. It’s true I stopped watching Downton Abbey and Game of Thrones, but there other reasons, too. The fact is, I will likely keep watching The Blacklist just to watch Spader’s incredible acting. I am annoyed at the long hiatus and at something Jon Bokenkamp said in an interview: essentially, that the showrunners try to constantly upend viewers’ expectations. Sure, that keeps it engaging to watch, but it seems to go against character development, Liz’s bizarre (and unbelievable) imprisonment of Tom being a great example. I’m not the only one:

“NBC, plots are one thing. You can draw people in with interesting plots. But itโ€™s the CHARACTERS AND THEIR RELATIONSHIPS that keep people interested. Itโ€™s Writing 101. Pretty sure half of your fanbase is better at it than you. If you keep this shit up, I guarantee you, the ratings are going to drop tremendously once you make the shift to Thursday nights.” http://bit.ly/1uf1PrB

You likely have read The Rolling Stone interview about James Spader’s upending the production schedule over what the writers were doing with his character in the Anslo Garrick episodes last year http://rol.st/XJRtDS. I guess I sense a lot of tension between Spader and the creative staff. I also saw a series of tweets between Megan Boone and a reviewer with her expressing concerns about the way her character was written. I don’t know what the proper mix is. My background is literary criticism, where you’re always dealing with a finished work. The stresses of doing a TV series of this caliber must be enormous. I really want this show to be a great success. It has all the potential. I just hope they keep the characters coherent and relatable. They could have done more with both the Fitch and Berlin characters and it’s a shame they’ve made it impossible to revive them while literally resurrecting Tom from the dead and โ€“ according to one interview, signed up for next season http://rol.st/XJRtDS. I actually find Tom boring and un-sexy and stupid as an antagonist to Red. (I realize there are those on this blog who really like Tom…)

I hope the showrunners decide on whether they want the audience to be more engaged than startled. This blog has been all about engagement, trying to use the clues the show provides to guess where it’s going. The question of Zoรซ’s identity is a good example (timeline issues aside). An attentive, engaged viewer could pretty much figure it out from the clues provided. But, when they do things like Pepper’s key, with no context so the NBC staff have tell us it’s important, or like turning what Red took from Fitch from “some very damaging information” to an enigmatic “thing” in the course of a single episode โ€“ it reeks of too much emphasis on goofy plot twists that leave character coherence and thematic development in the lurch.

I hope the actors โ€“ who really have to put the meat on the bones of these characters โ€“ continue to make their voices heard, especially Spader. Usually, I’d say the writers should have creative control, but if they treat characters like sacks of flour to toss around, actors like Spader need to speak up. He can easily find another project at this point. I would primarily be afraid he’d leave TV entirely for film or the stage (as he has in the past). It would be a great loss for TV, but he would either get paid more (film) or not have to work as hard (stage) โ€“ both of which he deserves. Better than spending Thanksgiving on the phone arguing with Jon Bokenkamp.

Rant over โ€“ I hope โ™ก เซ‚เฝฒโ€ขฬฎอกโ€ข เซ‚ เพ€โ™ก…
P.S. Why doesn’t Red just kill Tom?

[Cross-posted at WSJ speakeasy]

25
Nov
14

2:8 Decembrist: Occam’s Razor (11/13/2014)

I hold to sort of an Occam’s Razor theory of literary/film analysis: don’t make it more complicated than it needs to be. Just a reminder of the fact that Red said he learned about Tom from his forger. Red also said that Gina Zanetakos was “taking the fall” by fingering him (1:6). I mean, would Red, who is entirely adept at money-tracking, put money that could be easily traced to an off-shore account of his in boxes clearly marked with her scar sign that Tom also used when sending her photos intended to incriminate him? Don’t forget that Liz was persuaded by this that Tom was innocent when Tom clearly was NOT innocent.

Also, how would Red have gotten the murder weapon to put in the box? Did Tom or Gina return a dirty pistol to him? Even if they had done such a thing, would Red have kept it and put it in a box with money that could be traced back to him?

I’m sticking with the more straightforward view that Red and Tom’s “about us” relationship occurred late in the game, soon after Tom’s imprisonment began. Ezra may have figured it out or Red deduced it when he said he did, when he realized that Lizzie had a “Secret Santa” source as to where Berlin kept his money (2:2 Monarch Douglas Bank).

Red’s character is consistent. When he can give a straightforward answer to a direct question or needs to respond to an incorrect assertion, he does so, very often with a simple yes or no. “You’re a monster.” “Yes.” Or “You put Tom’s picture in Gina’s apartment.” “No.” If someone asks him a direct question that he doesn’t want to answer, he’ll say something non-responsive: “That’s a pretty blouse.” Or “Who decided on this paneling?” Or “So you went with the gray” (lol). If he needs information, he asks for it precisely. “Tell me what you saw” (not how you felt). Then with Sherlockian precision, he presses on, “He’s Serbian Orthodox; he wouldn’t have a tattoo.” Spader says his haircut reflects this no-nonsense attitude.

Yes, Red lies, but his lying is minimalist, not superfluous, and he has a clear sense of priorities. In particular, he will lie (or kill) to protect Lizzie’s life. I assume there are other things among ‘those which he holds most dear,’ though I’m not sure what. Naomi, perhaps. Maybe I’m naรฏve to see it this way, or lazy โ€“ too lazy anyway to want to rewrite huge parts of Season 1 to explain away Tom’s pointing a loaded pistol at Lizzie’s head.

[Original; not cross-posted at WSJ Speakeasy]

25
Nov
14

FULCRUM: State Capitalism vs the Internet (2)

Link to Part 1: State Capitalism vs the Internet
 
The Fulcrum (possibly an acronym) could involve a Master Plan for world domination, already in play, including a list of people embedded at high levels in national governments (like Fitch). It could spoil the plan if revealed. (Maybe Hillary Clinton is behind it โ€“ lol!)โ‹™ The theory is based on the fact that the World Wide Web went live on December 25, 1990 [the day after Reddington disappeared].Earlier in 1990, the Internet was put into the public sphere by the Defense Department, which had developed it. There must have been grumbling about this.
Continue reading ‘FULCRUM: State Capitalism vs the Internet (2)’
25
Nov
14

FULCRUM: State Capitalism vs the Internet (1)

 

Something earth-shattering happened on 12/25/1990โ€ฆ

 

“Tim Berners-Lee [creator of the World Wide Web] accessed the first Web page, on the first Web server, using the first Web browser on Christmas Day 1990.” โ€“ SciAm http://bit.ly/1yDRsyh Christmas Day โ€“ the day after Red Reddington disappeared.ย Earlier in the year, DARPA (the Defense Advanced Research Projects Agency) had ended its ARPAnet project, the Internet’s precursor. The technology was free. The Internet, “the killer app of all time,” was in the public sphere.
25
Nov
14

2:8 Decembrist: The Fulcrum (11/12/2014)

Funny how changing “some very damaging information that you have about us” to “The Fulcrum” sends us all scurrying down rabbit holes that will keep our minds spinning for 80+ days. Unfortunately, what this ‘transformation’ will be is entirely up to the producers and writers. Imagine the heated meetings, panicked phone calls (including on Thanksgiving from our Advocate, JS), and online wrangling over the coherence of characters, episode plot needs & the overall arc of the series (pestered by un/knowns of series renewals, ratings & production costs)…
Continue reading ‘2:8 Decembrist: The Fulcrum (11/12/2014)’
02
Feb
12

๐Ÿ”ด Easy-Search S2 Scripts โฌ…๏ธ

 

๐Ÿ”ด Easy-Search Season 2 Scripts

 

NBC’s series The Blacklist created by: Jon Bokenkamp

 

Continue reading ‘๐Ÿ”ด Easy-Search S2 Scripts โฌ…๏ธ’




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Thank you, everyone โ™กโ™คโ™ก

๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ ๐Ÿ‡ง๐Ÿ‡ฉ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ณ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ด ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡พ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง ๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ผ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡ธ ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

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