Posts Tagged ‘Zoe

17
Jun
15

๐Ÿ”ด Script: 2:5 The Front

 

๐Ÿ”ด Script: 2:5 The Front

 
Last updated: 6/17/2015 8:30 am CDT, Program air date: 10/20/2014 in the US
Script Status = FINAL with Twitter image links
Permalink: http://wp.me/pDKwi-1c3
Slideshow link: https://youtu.be/xQWnectosOs
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1Sl6bsJ
 
Blurb: Virology, art history, religion and environmentalism converge as a radical cult revives an ancient plague to rescue the earth from humanity. Red repairs an old film projector and tracks a young woman with the “help” of the DMV.
 
Created by: Jon Bokenkamp
Director: Stephen A Adelson
Writers: Jon Bokenkamp, Jim Campalongo, Adam Sussman
Continue reading ‘๐Ÿ”ด Script: 2:5 The Front’

12
Jun
15

๐Ÿ”ด Script: 2:7 The Scimitar

 

๐Ÿ”ด Script: 2:7 The Scimitar

 
Last updated: 6/13/2015 1:15 am CDT, Program air date: 11/3/2014 in the US
Script Status = FINAL with Twitter image links
Permalink: http://wp.me/pDKwi-19T
Slideshow Link: http://youtu.be/MJ_yeQJNkdw
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1GA5XKl
 
Blurb: Samar killed one of Iran’s nuclear scientists and the Iranians are now out to kill one from the U.S. Liz is interrogating Tom on a rusty ship, and Berlin is about to receive a delivery which may alter his war with Red.
 
Created by: Jon Bokenkamp
Director:Karen Gaviola
Writers: Jon Bokenkamp, JR Orci, Lucas Reiter
Continue reading ‘๐Ÿ”ด Script: 2:7 The Scimitar’

28
May
15

๐Ÿ”ด Script: 2:8 The Decembrist

 

๐Ÿ”ด Script: 2:8 The Decembrist

 
Last updated: 5/28/2015 12:45 pm CDT, Program air date: 11/10/2014 in the US
Script Status = FINAL with Twitter image links (7/30/2015)
Permalink: http://wp.me/pDKwi-13k
Slideshow links: Part A: https://youtu.be/TvKqZEZd3HA & Part B: https://youtu.be/sDx2741TUoo (8/1/2015); (Earlier version, May:) http://youtu.be/aeD6oBAJxoE
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1PPGfHI
 
Blurb: Red and Berlin head to Moscow looking for The Decembrist, who falsely blamed Red for murdering Berlin’s daughter. Alan Fitch tells Red he will be in trouble with his alliance (later called “The Cabal”) if he does not possess The Fulcrum. Red confronts Liz about Tom.
 
Created by: Jon Bokenkamp
Director: Michael Watkins
Writers: Jon Bokenkamp, John Eisendrath
Continue reading ‘๐Ÿ”ด Script: 2:8 The Decembrist’

24
Mar
15

๐Ÿ”ด For the Love of Lizzington

21
Jan
15

๐Ÿ”ด “Dramatus Interruptus”

27
Nov
14

๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption

@Belle My take on the return of the Stewmaker: Fitch had the Stewmaker send the picture to Red to make him let him know that someone (turns out, Berlin) would be coming after him for the supposed death of “the girl” (Zoรซ). It may have been that threat that prompted Red to leave Liz with Sam to protect her and to flee because he “believed his life was in danger.”
Continue reading ‘๐Ÿ”ด 2:8 Decembrist: Red, The Stewmaker & Redemption’

25
Nov
14

2:8 Decembrist: Q’s for Jon Bokenkamp (11/11/2014)

 
Here are the questions I would ask Jon Bokenkamp, if only:
Continue reading ‘2:8 Decembrist: Q’s for Jon Bokenkamp (11/11/2014)’
25
Nov
14

2:8 Decembrist: Rant โ€“ Character vs Plot (11/14/2014)

@Belle Thank you for your thoughtful response and entirely plausible theory. I regretted posting that as soon as I did. It was late, I was tired. It’s true I stopped watching Downton Abbey and Game of Thrones, but there other reasons, too. The fact is, I will likely keep watching The Blacklist just to watch Spader’s incredible acting. I am annoyed at the long hiatus and at something Jon Bokenkamp said in an interview: essentially, that the showrunners try to constantly upend viewers’ expectations. Sure, that keeps it engaging to watch, but it seems to go against character development, Liz’s bizarre (and unbelievable) imprisonment of Tom being a great example. I’m not the only one:

“NBC, plots are one thing. You can draw people in with interesting plots. But itโ€™s the CHARACTERS AND THEIR RELATIONSHIPS that keep people interested. Itโ€™s Writing 101. Pretty sure half of your fanbase is better at it than you. If you keep this shit up, I guarantee you, the ratings are going to drop tremendously once you make the shift to Thursday nights.” http://bit.ly/1uf1PrB

You likely have read The Rolling Stone interview about James Spader’s upending the production schedule over what the writers were doing with his character in the Anslo Garrick episodes last year http://rol.st/XJRtDS. I guess I sense a lot of tension between Spader and the creative staff. I also saw a series of tweets between Megan Boone and a reviewer with her expressing concerns about the way her character was written. I don’t know what the proper mix is. My background is literary criticism, where you’re always dealing with a finished work. The stresses of doing a TV series of this caliber must be enormous. I really want this show to be a great success. It has all the potential. I just hope they keep the characters coherent and relatable. They could have done more with both the Fitch and Berlin characters and it’s a shame they’ve made it impossible to revive them while literally resurrecting Tom from the dead and โ€“ according to one interview, signed up for next season http://rol.st/XJRtDS. I actually find Tom boring and un-sexy and stupid as an antagonist to Red. (I realize there are those on this blog who really like Tom…)

I hope the showrunners decide on whether they want the audience to be more engaged than startled. This blog has been all about engagement, trying to use the clues the show provides to guess where it’s going. The question of Zoรซ’s identity is a good example (timeline issues aside). An attentive, engaged viewer could pretty much figure it out from the clues provided. But, when they do things like Pepper’s key, with no context so the NBC staff have tell us it’s important, or like turning what Red took from Fitch from “some very damaging information” to an enigmatic “thing” in the course of a single episode โ€“ it reeks of too much emphasis on goofy plot twists that leave character coherence and thematic development in the lurch.

I hope the actors โ€“ who really have to put the meat on the bones of these characters โ€“ continue to make their voices heard, especially Spader. Usually, I’d say the writers should have creative control, but if they treat characters like sacks of flour to toss around, actors like Spader need to speak up. He can easily find another project at this point. I would primarily be afraid he’d leave TV entirely for film or the stage (as he has in the past). It would be a great loss for TV, but he would either get paid more (film) or not have to work as hard (stage) โ€“ both of which he deserves. Better than spending Thanksgiving on the phone arguing with Jon Bokenkamp.

Rant over โ€“ I hope โ™ก เซ‚เฝฒโ€ขฬฎอกโ€ข เซ‚ เพ€โ™ก…
P.S. Why doesn’t Red just kill Tom?

[Cross-posted at WSJ speakeasy]

24
Nov
14

2:7 Scimitar: Misc Q&A (11/4/2014)

@Hanna The spot after The Voice’s super-high ratings gives a boost to new shows. They are moving The Blacklist to Thursdays because they think it has developed its own strong viewership that will follow it to the new time slot. That lets them use the coveted Monday slot for State of Affairs.
Continue reading ‘2:7 Scimitar: Misc Q&A (11/4/2014)’

24
Nov
14

2:7 Scimitar: Finally, an answer… about Zoรซ (11/4/2014)

Great episode. We finally got an answer to Something: Berlin in Zoรซ’s father. The scene where Zoรซ told Red about her father doing terrible things was really moving. Red knew he had to deliver her to Berlin to stop the “war” despite what her feelings about it might be, or his own. Best delivered two lines in the episode: “What have you done?” “I’m not going to hurt you.” The words seem pretty plain, โ€“ until you see them acted.

So Red is Lizzie’s father (?) based on his discussion first with Zoรซ and, later, with Berlin โ€“ though we’re told it’s still “complicated.” I guess it’s still vaguely possible he’s talking about Jennifer, but we have not even been introduced to her. With Berlin no longer a threat to Lizzie, will Red tell her? Or do other threats remain. Does Lizzie even want to know? There must be a surprise or two planned for next week. (Will Red ask Liz if she likes anchovies?)

The story of ‘what happened to Red’s family’ that Diane Fowler knew about is still unknown. Was the Christmas story with “blood everywhere” true? Where was the fire that burned Lizzie & Red? Why did Red leave his former life? Lots of big questions still. More immediately: who came up with story that Red killed Zoรซ, and why?

Meanwhile, Samar has become a murderer and Lizzie is considering it.

I will miss The Blacklist while it’s on break very much. Without question, this is the best drama series I have ever seen, and the competition (eg The Sopranos, Homeland, House of Cards, etc), in my view, isn’t even close. Vikings is an exceptional show, but a very different genre. I especially like how the ‘scaffolding’ of the blacklist knits together the episodic procedural elements with the show’s serial mythology. This gives the show a density that magnifies the intensity and authentic feel of the acting. James Spader’s Red is riveting, engaging, seductive & remains deeply mysterious.

Amazon Season 2
251/302 83% 5-star ratings

Amazon Season 1
1715/2061 83% 5-star ratings

[Cross-posted at WSJ Speakeasy]

24
Nov
14

2:6 Mombasa: In which I get it half wrong… (11/3/2014)

We didn’t get to hear Red’s little talk with Pepper about the Apopha Strain. We also don’t know how Beck found out about the painting, but my guess is it has something to do with Berlin, who is not done with Red, & who is very handy with viruses.

Red: “I suspect this [Cullen virus] incident at the bank is not what it seems, but rather the first shot in a larger, coordinated assault aimed directly at me… a plan devised by someone who doesn’t care how many people die, as long as I’m one of them.”

The urgency of Red’s hunt for “the girl” โ€“ which he describes as ‘critical to his war with Berlin’ โ€“ implies Berlin is on mission that hasn’t ended. My guess is Berlin was behind the Apopha strain attack. Maybe Pepper (who knew things Beck didn’t) got the painting or information on it from Berlin. Perhaps Pepper was going to return the key to Berlin for a reward after spreading the plague. But Red now has the skeleton key โ€“ ‘the key that opens all doors.’ And he has found “the girl” โ€“ Zoรซ, “key” to this extended plot line.

The performance of Swan Lake on March 22, 1987 would have been when Zoรซ was 8-12. She would have been 10-12 in the Stewmaker’s picture (faked?). My guess: she is Berlin’s granddaughter and Red’s stepdaughter. Lizzie is Red’s daughter by the same woman, who was the love of his Iife; Liz & Zoรซ are half-sisters. Berlin blames Red for his daughter’s death, for killing her or for letting it happen. He doesn’t go after Liz because he has found out she is also his granddaughter. (Tom let Berlin know Red was sending money to Sam.)

After a long pause, Red said “No” when Lizzie asked if he was her father because “I will always do what I have to do to keep you safe.” The music box is important.

Red has lied to Liz. In 1:22 Berlin, when Red gets the call from Fitch to say he’s found Berlin and Lizzie asks him if they found Berlin, Red says, “We’ll have keep looking.” Granted, that’s not a direct “No” and Red has a tendency to respond with non sequiturs when asked a direct question (“That’s a nice tie.” “Who decided on this paneling?”) but it’s clear he means her mislead her. He doesn’t want her going with him because it is dangerous. But Tom shows us, takes Liz at gunpoint and they encounter Red where he’s tied up fake-Berlin.

Red’s first wife was killed by someone who hated Red (or someone who wanted him for herself). Red rescued Liz but not now-Zoรซ. He had thought now-Zoรซ died, too. Maybe she was on The Alchemist’s list. Naomi can’t be Berlin’s daughter, obviously, and I doubt Jennifer is Red’s daughter. That marriage had to come later. Was Naomi waiting in the wings? She said the FBI had suspected her.

I’m sure at least half of this is wrong…

Swan Lake is about true love foiled by deception. The Prince is tricked into pledging love to the wrong woman. In dismay, the true lovers agree to die and meet again after death. The beautiful dance we saw at the end of “Mako Tanida” is called “The Dying Swan.”

24
Nov
14

2:6 Mombasa: Is Red Zoรซ’s father? โ€“ reconsidered (10/27/2014)

Why I thought “the girl” could not be Red’s daughter & why that may be wrong (dates, dates, dates):
Continue reading ‘2:6 Mombasa: Is Red Zoรซ’s father? โ€“ reconsidered (10/27/2014)’

24
Nov
14

2:6 Mombasa: Zoรซ, Berlin & Stewmaker (10/27/2014)

I posted a photo montage to Twitter. Here’s the link http://pic.twitter.com/B1dc4lLWV0 It shows the photo from the Stewmaker’s album, the photo in Berlin’s watch and the photo Red gave to Aram (very fuzzy). To me, they all look like the same girl. Red told the guy at the DMV that finding “the Girl” was crucial to [resolving?] his “war with Berlin.” I did not see the photo Red gave to DMV-guy, but I assume Red gave DMV-guy and Aram the same photo.
Continue reading ‘2:6 Mombasa: Zoรซ, Berlin & Stewmaker (10/27/2014)’




โ™ค A Blog about the NBC Series

This slideshow requires JavaScript.

Featured

๐Ÿ”ดโ™คโ™ค ALL Blacklist Scripts โฌ…๎Š
๐Ÿ”ดโ™คโ™ค ALL Blacklist Songs โฌ…๎Š
๐Ÿ”ด Blacklisters & Bad Guys ๎Š
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด S1 Easy-Search Scripts
๐Ÿ”ด S2 Easy-Search Scripts
๐Ÿ”ด S3 Easy-Search Scripts
๐Ÿ”ด S4 Easy-Search Scripts
๐Ÿ”ด S5 Easy-Search Scripts
๐Ÿ”ด S6 Easy-Search Scripts
๐Ÿ”ด S7 Easy-Search Scripts
๐Ÿ”ด S8 Easy-Search Scripts
๐Ÿ”ด S9 Easy-Search Scripts ๎Š
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด Season 1 Highlights ๐Ÿฟ
๐Ÿ”ด Season 2 Highlights ๐Ÿฟ
๐Ÿ”ด Season 3 Storybook ๐Ÿ“—
๐Ÿ”ด Season 4 Storybook ๐Ÿ“—
๐Ÿ”ด Season 5 Storybook ๐Ÿ“—(15 secs load)
๐Ÿ”ด Twitter Episode Threads S1-6 ๐Ÿงต
๐Ÿ”ด Season 6 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 7 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 8 Photo Gallery ๐Ÿ–ผ
๐Ÿ”ด Season 9 Photo Gallery ๐Ÿ–ผ ๎Š
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด ๐Ÿงฉ TAG/PHRASE INDEX (Scripts) โœณ๏ธ๎Š
๐Ÿ”ด ๐ŸŽน Clickable TAG INDEX (Songs)
๐Ÿ”ด ๐Ÿ”ฆ Search Assistance (w Lists)
เผบ โ™ค โŠฑโœจเผปเผบโœจโŠฐ โ™ค เผป
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Fan Fiction ๎Š
๐Ÿ”ด ๐Ÿ”ฅ Red Hot ๐Ÿ”ฅ Spader Pics (w โ™ซ) ๎Š
๐Ÿ”ด ‘Dramatus Interruptus’ (Poetics)
๐Ÿ”ด Fathomless Eyes (“Love Gene”)
๐Ÿ”ด For The Love Of Lizzington
๐Ÿ”ด James Spader As Outsider
๐Ÿ”ด Passion & Passivity: Four Spader Films
๐Ÿ”ด What Is “The Cabal”?
๐Ÿ”ด Archive of All ARTICLES

Blacklist Exposed Player


๐Ÿ”ด PRESS TO START A PODCAST
(Then open a new tab for BlacklistDCd. Donโ€™t use back button)

Blog Stats

  • 1,478,408 hits

Google Site Searchโ€ผ๏ธ๎Š

Google Translate

Thank you, everyone โ™กโ™คโ™ก

๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ง๐Ÿ‡ฉ ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ซ๐Ÿ‡ง๐Ÿ‡ฎ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฆ ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ซ๐Ÿ‡น๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฌ๐Ÿ‡จ๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฟ ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ด๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ถ๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฟ๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ฐ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ซ๐Ÿ‡ท ๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ผ๐Ÿ‡ฌ๐Ÿ‡พ ๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ฟ ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ฝ๐Ÿ‡ฐ๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ท๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ผ ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡ท๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ซ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ธ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฟ ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ด๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ผ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ฌ ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡บ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฒ ๐Ÿ‡ธ๐Ÿ‡น๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ช ๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ด๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ง ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡ป๐Ÿ‡บ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ผ

โ™ค Blog Structure (๎Š= update)

[ ๎ŠClick๎Što Enlarge ]