đŽ Script: 2:13 The Deer Hunter
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Last updated: 6/7/2015 1:00 am CDT, Program originally aired 2/26/2015 in the US
Script Status: FINAL with Twitter image links
Permalink: http://wp.me/pDKwi-Fs
Slideshow link: https://youtu.be/-CJLQGBzFf4 (8/2/2015)
Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1HSqQwR
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Blurb: A serial killer appears be a man â and a woman. Red tries to reach the man whose number was in the safe in St Petersburg. Red scolds Liz for taking too many risks. She tell him she has the Fulcrum. Aram worries about his hair.
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Created by: Jon Bokenkamp
Director: Andrew McCarthy
Writers: Jon Bokenkamp, Amanda Kate Shuman
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Raymond âRedâ Reddington â James Spader
Elizabeth Keen â Megan Boone
Donald Ressler â Diego Klattenhoff
Harold Cooper â Harry Lennix
Tom Keen â Ryan Eggold
Aram Mojtabai â Amir Arison
Samar Navabi â Mozhan MarnĂČ
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Martin Wilcox â Michael Kostroff
Mary Henning â Sepideh Moafi
Samuel Aleko â Dante Nero
Tracy Slobotkin â Amanda Plummer
Whitehaven Leader â Delores Rice
Dembe Zuma â Hisham Tawfiq
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Note: Below is the script from Springfield http://bit.ly/1Do56Zu (which is really just the captions) with formatting and the names of speakers added, as best I can recall after several viewings. Not every line has a speaker assigned. Redâs lines are bolded. I am sure there are mistakes. If there is a better source, please let me know on Twitter @BlacklistDCd.
†= my favorite lines
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đŽ Script 2:13 The Deer Hunter
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Voiceover: Previously on The Blacklist âŠ
Aleko: I went out for a smoke and he was here.
Liz: What the hell?
Tom: You let this guy go, heâs going to the cops. We are all going to jail, starting with you.
ââ
[ Telephone rings ] Keen.
Detective Martin Wilcox, Metro PD. Iâm looking into this missing-persons case. Lieutenant Ames, DC Harbormaster.
Liz: I had no idea Tom would kill him.
Ressler: What about witnesses?
Wilcox: Just want to ask you a few questions, then youâre free to go. You are Samuel Aleko. I know you were there.
ââ
Liz: My father was killed because of the Fulcrum, because you and your people came for it that night. ⊠This charade of you pretending to care about me was a waste of your time because I donât know where it is.
ââ
Fitch: I have a safe. Itâs in St. Petersburg.
Dembe: The number from the safe traces to a blind exchange. We canât identify the party youâll be speaking to.
Red (on phone): Who the hell is this?
[ Siren wailing in distance ]
Liz [to class in auditorium]: Our suspect is patient, calm. He likely spends hours scouting the prey. Heâs only interested in big men, the ones who are hard to take down, like the big bucks in the wild. Now, youâre looking for an incredibly smart offender, highly organized. White male, likely 35 to 40. It is the sport that heâs seduced by, the ritual of the hunt. When he does finally make his move, it happens fast, striking in a blitz-style attack most never see coming. His heart-shot prey rarely make it over 100 feet before bleeding out. â That moment is everything to him â the rush of control.
The typical mutilation killer focuses on a specific area of the anatomy that suits their interest â the face, the eyes or mouth, the extremities, hands, breasts, genitalia. But this oneâs differentâ heâs interested in total domination of the body. He guts them, removing the organs with surgical precision, but then leaving them in a pile.
But these arenât sex crimes, which indicates they are instead crimes of domination, an effort on his part to gain control over men who, based on their physical similarities, represent a man who once had dominance over him â a father, an older brother. It is my belief that âThe Deer Hunterâ is, in fact, a very slight, rather weak man.
Yes â blue shirt.
Man in audience: They say he takes a souvenir.
Liz: Itâs not a souvenir, itâs a final act of domination. While his preyâs body is still warm, he carves out the liver and takes a single ceremonial bite.
Aleko: Man, we had a deal. I testify against Keen and her husband, I tell you how they killed the harbormaster, and I walk.
Wilcox: Yeah, you will walk, when the trialâs over. Until then, youâre being charged as an accessory.
Aleko: I told you everything.
Wilcox: Yeah. And because of that, youâre gonna be the star witness in the murder trial of FBI Agent Elizabeth Keen. Youâre gonna testify in open court. Youâre gonna testify before the grand jury. Youâre gonna be deposed until youâre blue in the face. And if you change your story by so much as a comma, your immunity deal will be voided and youâre gonna go to prison for the rest of your life. Am I clear?
Aleko: Yeah.
[ Public telephone rings ]
Red: Yes?
Man: Sorry I cut our previous call short. I was not confident the line was secure.
Red: Tell me your name.
Man: Not yet.
Red: Then you have me at a disadvantage.
Man: Yes.
Red: Alan Fitch directed me to that safe. Your number was inside. He wanted us to talk. Why? What does he want me to know?
Man: It is happening.â€
Red: What is? Whatâs happening?
Man: No, not like this â in person. Broadway and 92nd.Center island, south side.
[ Receiver clicks ]
Red: A graduate seminar. Was there a slide show? ââ We need to talk about the Fulcrum.
Liz: I told you, I donât know anything about it.
Red: Elizabeth, one of the reasons Iâm still alive is due to my love of reading, whether it be words on a page that reveal the authorâs thoughts, emotions, imagination, or whether it be people in conversation, â to ignore what they say and instead read their expression, posture, their gestures. Lizzy, youâre lying.â€
Liz: Iâm not.
Red: What if we made a deal? I help you find your serial killer, and you tell me about the Fulcrum.
Liz: Youâre not even interested in serial killers.
Red: True. I find them unimaginative and woefully predictable. But I am interested in the cases that you and the FBI have wrong.
Liz: Wrong?
Red: The most critical assumption youâre making about The Deer Hunter is wrong. Do we have a deal or not?
Red [at FBI]: This brute they call The Deer Hunter isnât a buck at all, but instead a delicate doe.
Liz: A woman? I disagree with you.
Red: Okay. But your killer attacks from a distance, indicating the predatorâs smaller, perhaps unable to overpower their prey. Men tend to kill in close proximity â strangulation, blunt instrument, a knife. By contrast, women tend to favor weapons that can be used from further away â poison, a gun, a crossbow.
Liz: Richard Kuklinski was 6â5âł, 300 pounds, and one of his favorite weapons of choice was cyanide.
Red: Yes, but male serial killers are predominantly, overwhelmingly sexually sadistic. In this case, there is not the slightest indication of a sexual motive.
Liz: Aileen Wuornos was a prostitute who lured her victims in with the promise of sex.
Red: The Deer Hunter has been active for over a decade, from the truck driver in Des Moines in 2003 to the doorman in Adams Morgan last night. Thatâs 12 years. The average length of a killing spree for a man is two, perhaps three. Yes, Agent Keen, for every rule there is an exception. Each factor, taken separately, is not conclusive, but put them together and itâs clear â you havenât found your man because heâs a woman.
Aram: Uh, Agent Keen, uh, the ME called. He just finished his autopsy on the latest victim.
Red [tossling Aramâs hair as he passes by]: I used to have a teeming mane just like that.
Aram: Oh. Uh â Thank you.
Ryerson [Medical Examiner]: Every kill is identical. Same clean incisions at the stomach and the liver, same knots binding the anus.
Ressler: No variations?
Ryerson: When field dressingâs done well, itâs like an autopsy. The way he opens subjects, I want to show youâ
Liz: What is it?
Ryerson: I left that body covered.
Ressler: The hallway.
Liz: That was him! He was at my lecture!
Ressler: Hey, you! Brown coat, stop! Hands where I can see them!
Kruse: Okay, okay, okay!
Ressler: Donât move!
Kruse: Itâs just my phone!
Liz or Ressler: Hands!
Kruse: Okay. Itâs just my phone, okay?
â« say nighty-night and kiss me [ Sighs ] just hold me tight and tell me youâll miss me while Iâm alone and blue as can be
Tracy [to her pet canary]: Stop looking at me like that. Iâm fine. Iâll be fine. Itâs not â I donât like it any more than you do. ⊠But someone has to do this! ⊠This is Chad Henning. ⊠Mommy has to go across town to see him. [Sniffles] To see Chad Henning. I wonât be long.
Ressler: What the hell were you doing in the MEâs office?
Kruse: I told you, I write Metro Crime Diary. Thatâs why I was at your lecture â research.
Ressler: Thereâs no research in that rag sheet. Itâs gossip and innuendo. So, what were you really doing there? You used fake credentials to get into the MEâs office.
Kruse: You took my phone. You know all I was doing was taking pictures.
Liz: Youâre obsessed with serial killers. You write about them all the time. How do we know youâre not The Deer Hunter?
Kruse: Youâre not looking for The Deer Hunter.
Liz: Whatâs that supposed to mean?
Kruse: The first six victims, Mark Rodgers through Perry Holloman, he was experimenting. The field dressing became cleaner, he switched from a folder to a field blade
Liz: We didnât overlook that. He was learning, evolving.
Kruse: Evolving implies that he wanted to improve.
Liz or Ressler: Are you saying he didnât?
Kruse: The techniques and incisions used on the last six victims are all identical. The Deer Hunter loved to explore. Thereâs no way he would repeat himself.
Liz or Ressler: You think weâre dealing with a copycat.
Kruse: The Deer Hunter is an artist. The guy youâre looking for is a forger.
[ Cellphone buzzes ]
Liz: Keen.
Wilcox: Agent Keen? Itâs Detective Wilcox. I-I donât know if you remember me. We- we spoke some time ago.
Liz: Yes, Detective. I remember you were looking into the disappearance of the DC harbormaster.
Wilcox: Yeah. Itâs- itâs not a missing-persons case anymore. We recovered the body.
Liz: Iâm sorry to hear that. I was hoping for better news.
Wilcox: Yeah. [ Clears throat ] Well I-I need you to tell me what you know.
Liz: I would like to, Detective, but as I told you, the reason I came into contact with the harbormaster- t-the case I was working on at the time â itâs classified.
Wilcox: Thatâs not gonna fly anymore. See, the thing is, recovering the body is not the only development in the case. I also found Samuel Aleko. He places you at the scene, Agent Keen â you and your ex-husband. He tells quite a story. Says the two of you are stone-cold killers.
Liz: Even if I wanted to answer your questions, before I could talk, you would need to get â A federal judge to rule that my investigation supercedes your case.
Wilcox: Itâs â itâs in the works. An AUSAâs gonna sit down with Mr. Aleko, hear what he has to say. And I-I have no doubt that, as a result of that conversation, a petitionâs gonna be filed in federal court requesting that I have complete access to any of your allegedly classified information.
Liz: This conversation is over.
Wilcox: Well, I-I-I think itâs just beginning.â€
Red: Hello, Edgar.
Edgar (police officer): Mr. Reddington. Samuel Aleko will be transferred tomorrow afternoon.
Red: Thatâs not gonna work.
Edgar: Look, he has to talk to the guy. This is the window. He leaves the V Street station between 2:00 and 4:00.
Red: You have to reschedule the transfer. Thereâs somewhere else I need to be.
Edgar: Look, you know Iâd do anything for you, Mr. Reddington, but, I mean, this thingâs in motion. This is the window. It is what it is.
Red: Cinnamon-nut crumble?
Edgar: Brown-sugar pecan.
Red: [ Laughing ] Oh, my.
Edgar: Lucinda knows how you love her coffee cake.â€
Red: [ Laughing ] Oh, I do. [ Sniffs ] Mmm! Be well, Edgar, and tell Lucinda if she ever leaves you, Iâd like to marry her.
Edgar: Just remember, tomorrow between 2:00 and 4:00.
[ Car door closes ] [ Sighs ] [ Telephone rings ]
Ressler: Iâve been through every case file, and Iâll be damned if Kruse doesnât have a point. I mean, the last six kills are identical.
Liz (?): We assumed that was because heâd perfected his craft, that there was no room for improvement.
Ressler: But the more I look at it, the more I think weâre wrong, that there really is a copycat. I just canât prove it. What is it?
Liz: What? Nothing.
Ressler: Come on, Keen. What is it? I know you better than that. Whereâs your head?
Liz: That cop, the one investigating the harbormaster? Heâs got evidence. He found the body. And the witness.
Ressler: Did he talk?
Liz: I think he did, yes.
Ressler: Itâs your word against his.
Liz: Iâve hidden behind the task force for as long as I can, told him I couldnât talk because it was classified, but heâs taking the case to a federal judge.
Ressler: Tom is the one who killed this guy.
Liz: But I was there. I should have â
Ressler: What, stopped him? Liz, you tried.
Liz: Theyâll have enough to arrest me.
Ressler: Then go to Cooper, ask him to talk to the AUSA. The last thing he wants is some cop poking around asking questions about what we do. Liz, listen to me. Tom may have killed this guy, but âFBI Agent Goes To Prisonâ is the headline. All theyâre gonna care about is taking a bite out of yâ Thatâs it!
Liz: What?
Ressler: Kruse was right about the copycat. I can prove it.
[ Door closes ]
Mary: Iâm sorry. I donât mean to second-guess you.
Tracy: Oh, Mary, please. You have nothing to apologize for.
Mary: Itâs just â my son. If anything were to happen to meâ
Tracy: Nothingâs going to happen to you or your son. Itâs entirely natural for you to feel this way, to have second thoughts. If you didnât, Iâd be very concerned.
Mary: If there was any other wayâ
Tracy: Youâve tried every other way. Youâve been reasonable, worked within the system, begged, pleaded.
Mary: I know, butâ
Tracy: Mary, look at me. Is there evil in your life?
Mary: Yes.
Tracy: Is it not just and right to eliminate evil? Say it.
Mary: Yes.
Tracy: So are you in, or are you out? I need to know, because if this comes back on me, itâs going to come back on us both. Do you understand?
Mary: Iâm in.
Tracy: Well, thatâs good. Then itâs done.
Aram: I pulled the forensics like you asked and had the lab compare the bite marks left on each liver for the first six kills with those from the last six.
What are you doing?
What?
Um, nothing.
Iâm updating the team.
Ressler: Aram? The bite marks.
Aram: Right. Uh, turns out, the, uh, distance measurements on the upper arch are 2.8% wider in the first six victims than in the second six.
Liz: Two different bites at the proverbial apple. Nice work, Ressler. So, itâs officialâ Weâre looking for a copycat.
Megan: Okay, are you sure you have your glasses?
Elsa: Yes.
Okay, well Mrs. Jost called me again about you squinting at the blackboard all day. Itâs why you keep getting those headaches.
Mom, itâs not the glasses. Mrs. Jost just has crappy handwriting.
Megan: Language. Okay, now, donât forget, your father is gonna pick you up after â Elsa, honey, what is it? The bus is here. â Sees body hanging from tree â Oh, my Oh.
Ressler: Weâre very sorry for your loss.
Liz: How long were the two of you married?
Mary: Five years, together almost nine. â I just This canât be happening. The Deer Hunter, right? The killer on the news?
Ressler or Liz: Yes. Of course, weâre limited in what we can disclose, but The Deer Hunter has a very specific method of operation. The manner of death, the treatment of the bodyâ itâs consistent with his profile.
Mary: I knew something was wrong. Chad works in construction, and he didnât come home after work. We have a son. Heâs only 4. What am I supposed to tell him?
Liz: You tell him weâre gonna find whoever did this.
Mary: How? According to the papers, you donât even have a suspect.
Ressler: We have some promising new theories.
Liz: Actually, one in particular â we believe this may not be the work of the actual Deer Hunter. We think itâs a copycat.
Ressler: We really shouldnâtâ
Liz: No, itâs okay. She deserves to know. Weâre getting closer to the truth.
Mary: Thatâs â Thank you.
Liz: No, thank you. We appreciate your time. I can only imagine how difficult this must be for you.
[ Door opens ]
Ressler: What the hell was that?
Liz: She was covering. I donât know what, but that woman knows something.
Ressler: Yeah, I picked up on that, Keen, but since when do you hand a person of interest your profile?
Liz: My profile is wrong. There was nothing specific connecting the original Deer Hunterâs victims other than the physical, but the copycat, his victimsâ
Ressler: You think the copycatâs targeting a specific type of victim? What if he is?
Liz: I had assumed he was operating like the original killer, but what if he chose those victims based on a different unifying reason? He could be masking his agenda by making it look like the work of a different serial killer. Well, maybe thereâs something in the victimsâ histories we missed.
Ressler: But how does Mary Henning fit in?
Liz: Donât know yet. But I rattled her. We should let her stew and take another run at her tomorrow.
[ Telephone ringing ] [ Ringing continues ]
Dembe: Yes?
Man: Who the hell are you?
Dembe: Mr. Reddington asked me to â
Man: Why are you wearing a sidearm?
Dembe: He needs to reschedule.
Man: No, no. Thatâs not how it works. I told him to come alone. I gave very specific instructions.
Dembe: Mr. Reddingtonâs a man of his word. If it were possible, he would be here.
Man: Wherever he is, whatever the hell heâs doing, I hope itâs important.
[ Telephone beeps ] [ Siren wailing ]
Aleko: What the hellâs going on?
[ Sighs ]
Edgar: Hang tight, pal.
[ Red enters police transfer vehicle; Door closes ] [ Sighs ]
Red: When I was young, I wanted to be able to dance just like Gary Goddard. I still remember going to the Snowflake Dance and watching him for the first time. That kid, man, he could move. Won the eighth-grade talent show. He was on the Yell Squad. Gary even danced his way into Helen Hummerâs pants, and let me tell you something, that was like breaking into Fort Knox†âŠ
Aleko: Pops, who the hell are you?
Red: ⊠Then in the summer of â88, I saw Gary in the diaper aisle at Safeway. He looked like hell. Gray. Out of breath, fatigued. Turns out Gary had a bicuspid valve [disorder], needed a heart transplant. He was on the wait list until the day he died. How long has Isaac been on the list now?
Aleko: How do you know about my brother?
Red: Six months? A year? Two? How long is he gonna have to wait?
Aleko: They wonât say.
Red: I can get your brother a heart within the week. Best surgeons, best post-op care, and it wonât cost you a dime.
Aleko: Why would you do that for me?
Red: Because youâre gonna do something for me.
Ressler: We found the link, or at least what could be the link. We have seven victims, so we started over with the most basic question. âDo they know each other?â Right, but that theory died quickly. There are seven victims all from different states, different ages, no schools in common, no family relations.
Liz: So, theyâre not connected, but something about them is?
Ressler: Makes sense, but everything we tried was a bust. And then it hit me â maybe the one thing we know about the victims is the one thing holding us back. Maybe the victims arenât victims â not entirely. Joseph Riggs, the copycatâs second target. The guy had a rap sheet, including a conviction for misdemeanor menacing. He pointed a knife at his girlfriend, said heâd kill her if she left him. Which brings us to target four, Andrew Cosgrove. Divorced from his second wife, Diane. The transcript for a family court proceeding makes reference to a restraining order.
Liz: Okay, so thatâs two. What about the others?
Ressler: Number five, Judd Liggett. No criminal record, but a year before he was murdered, he was disciplined by the graduate school program he was attending âŠ
Liz: Let me guess â
Ressler: ⊠after complaints were made by a female student. Aggravated harassment. Nonstop phone calls, stalking her in class. The girl was terrified, but no criminal charges were filed. Thatâs why it wasnât on our radar. Stalkers, obsessive types, men who get violent when the women they want reject them.Thatâs what Mary Henning was hiding â she was afraid of her husband. Whoever killed him might have been protecting her. If weâre right, these seven men had dangerous fixations on seven women. The copycat killer was protecting those women.
Liz: Yeah, but those women were in five different states. How did the killer even know they were in danger?
Ressler: Hang on a sec. Diane Cosgrove got legal help with her divorce from a local nonprofit called Docket One. Uh, the student advocacy group that went after Judd Liggett â was called â Bright Voice.
Liz: Bright â Bright Voice.
Ressler: Theyâre both affiliates of a national organization called Whitehaven Shelters.
Dobbins: We are the largest nonprofit victimsâ assistance association in the US. Every year, there are 7 million victims of harassment and stalking. We help to provide those people with legal, medical, and social services.
Ressler or Liz: Do you keep records of the people you provide assistance to?
Dobbins: Of course. Why?
Itâs our understanding that these seven women obtained aid from your Whitehaven affiliates. Weâd like to know everything we could about your interaction with them.
Dobbins As you can imagine, we take privacy very seriously here. I assume you have a court order.
Ressler: Weâll get one if necessary.
Dobbins: Unless thereâs some kind of danger of imminent threat or harm, I donât feel comfortableâ
Res or Liz: Are you familiar with Chad Henning?
Dobbins: Name sounds familiar.
Res or Liz: It should. His body was found hanging from a tree this morning in Takoma Park.
Dobbins: Youâre talking about the serial murders.
Ressler: Chad Henning was the husband of Mary Henning, a woman who received legal counsel from a free clinic provided by Whitehaven. In fact, all the names on that list were in relationships with victims of The Deer Hunter.
Liz: The only other thing those seven women have in common is your organization. Itâs quite possible that the person committing these murders interacted with these women through Whitehaven. Weâre gonna need a full list of your employees and volunteers of the last five years.
Dobbins: Iâll get you everything I can. Just give me a few hours to put it together.
Res or Liz: Thank you.
[ Bird chirping ] [ Cats meowing ]
Tracy: I know, Iâm â Iâm overreacting, right? I mean, I donât know if she talked with the FBI. But if Mary did talk, sheâd expose everyone. And I donât care about myself. But the other women â I have to do something, right?
Youâre right.
Iâm overreacting. I should just relax. Sheâd never betray me. None of them would.
Aram: The last victimâs wife, the one you let stew, apparently you did a really great job, because she is boiling over.
Liz: She called?
Aram: Just got off the phone with her. She wants to talk.
Ressler: Letâs go, Keen.
[ Red arrives ]
Liz: Look, if youâre here because you want to give me more unsolicited advice about my case â Red: Tempting as that may be, Iâm here to speak to Agent Mojtabai.
Aram: Oh. [ Chuckles ] No one ever calls me that.
[ Others leave ]
Red: Aram, I need your assistance locating the source of a call that was placed to a pay phone â at 92nd and Broadway.
Aram: I need a warrant.
Red: You wonât need a warrant.
Aram: Of course I wonât need a warrant.
Red: This is the number. The call was placed at exactly â Aram?
Aram: Yes.
Red: I canât stress enough the urgency of this matter.
[ Knock on door ]
â« me and you and you and me
Mary: Thank you for coming. I â Tracy, hello. I was expecting someone else.
Tracy: We have a situation.
â« so happy together
Mary: What is it? What happened?
Tracy: The FBI found the connection. They came to Whitehaven asking for the names of every employee.
Mary: The FBI, they came, but I didnât say anything, I promise.
â« for all my life when youâre with me, baby, the skies will be blue
Tracy: Who were you expecting?
Mary: Friends for book club.
Tracy: Oh, youâre lying. Itâs you. Youâre the weak link.
Mary: After what youâve done for me, for us? Tracy, honestly, before you, I was in a desperate situation. You saw the marks. He threatened to kill me. I tried the police, all the right channels, and no one lifted a finger âŠ
â« ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba â ba-ba-ba-ba
Mary: ⊠Iâm grateful to you. I would never betray you.
â« ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba â ba-ba-ba-ba
Ressler: Hello, Miss Henning?
â« no matter how they toss the dice, it had to be
[ Doorbell rings ]
Ressler: Miss Henning?
[ Dog barking ]
Liz: Iâll take the back.
⫠⊠so happy together
ooh ooh ooh ooh so happy together
ooh ooh ooh ooh and how is the weather?
ba-ba-ba-ba-ba-ba so happy together
ba-ba-ba-ba ba-ba-ba-ba weâre happy together
ba-ba-ba-ba ba-ba-ba-ba so happy together
ba-ba-ba-ba ba-ba-ba-ba happy together
ba-ba-ba-ba ba-ba-ba-ba happy together
Miss Henning?
ba-ba-ba-ba ba-ba-ba-ba weâre happy together
ba-ba-ba-ba ba-ba-ba-ba so happy together
ba-ba-ba-ba ba-ba-ba-ba happy together
ba-ba-ba-ba ba-ba-ba-ba weâre happy together
Keen!
â« ba-ba-ba-ba ba-ba-ba-ba so happy together
Ugh!
Tracy: [ Breathing heavily ] Itâs gonna be okay. Itâs gonna be okay. [ Sighs ] Think.
[ Grunts ] [ Grunts ] Oh! [ Groans ]
Cooper: Did Ressler get a visual from the witness?
Samar: No. Sheâs still unconscious.
Aram: Iâve been screening service providers â uh, therapists, lawyers, doctors, anyone whoâs worked with the wives of our copycatâs victims.
Cooper: Someone connecting the women.
Aram: Right, but I got nothing. Then I took a look at Whitehavenâs employees and volunteers. At one time or another, all of the victimsâ wives reached out to one of Whitehavenâs affiliates for assistance.
Samar: Legal, medical, financial â thatâs how heâs finding his victims.
Aram: All but one. In every case, their husbands were murdered by the copycat after they sought help, except her â Tracy Solobotkin. Her husband was the first victim of our copycat, and she was hired over three months after his death.
Samar: Why after? Her problem was already solved.
Aram: Maybe she wanted to help women who were still in bad relationships.
Samar: Maybe she wanted to help other women end them.
Aram: Says here she works in accounting, which would give her access to the names of every woman who got assistance from Whitehaven.
Cooper: Perfect opportunity for her to identify violent spouses. Talk about a target-rich environment.
Samar: Iâm on my way.
Cooper: Get a BOLO out on all vehicles registered to Tracy Solobotkin. We got a Code Nine. Deploy every available unit to her address.
Tracy: I donât want to do this, but I have to. Nobody can connect me to Mary but you.
Liz: ME wonât buy it. Victimologyâs all wrong. The Deer Hunter killed men.
Tracy: [ Laughs ] Is that what you call them? Men? This wasnât supposed to happen this way.
I didnât want to hurt Mary or anybody else, anybody but them!
Liz: I understand. Maybe a jury will.
Tracy: Thatâs what I said. To The Deer Hunter, the real one. He was my husband.
Liz: My God.
Tracy: His father, a bastard, pushing him, pushing him, picking on him, cutting him down. He didnât want to face what he was, so he overcompensated. Always pretending macho, tough [ Chuckles ] trying too hard with the ladies, but I knew. After we got married, thereâs â you know, thereâs nothing that can hide that. Youâd think that after his father died, that heâd come to grips with it.
Liz: Mnh-mnh.
Tracy: He got angry, mean, isolated. Every weekend on hunting trips â thatâs what he called them. You had no idea.
Liz: Mnh-mnh.
Tracy: After the separation, I was staying at my sisterâs. I came by the house one night to get my things. I thought he was gone, but he was in here, in the garage. He had blood on his mouth, on his clothes. The Deer Hunter had been all over the news. So, in that moment, I knew what heâd done. And I tried to leave, but but he came towards me. He knew I knew, so he couldnât let me go. And Iâd never held a weapon. I-I-I-I Iâd fended him off with a knife before, but that? I never held a bow. Before I knew it, the arrow went straight through his heart. And I thought about calling the police, turning myself in, but then I realized You could continue. You could Well, yeah.
All those women Whitehaven had helped, just like me â I could give them their lives back by becoming him. [ Voice breaking ] And itâs not easy. Itâs hard work. Itâs filthy work, but itâs worth it Just to he â just to see them scared for a change, to hear them whimper and and â and beg. All the things after â you know, with the cutting, the mess â I hated it. But I-I didnât have a choice.
Iâm sick. [ Chuckles ] I know. Disgusting, but thatâs the way Ron did it, so I have no choice. I mean, from â f-from beyond the grave, he still pulls the strings.
Liz: Okay.
Tracy: You got to do what you got to do.
Liz: But can you please, please just do me one favor?
Tracy: Yes?
Liz: Shut the hell up and get it over with.
Tracy: What?
Liz: You think I donât know why youâre really doing this? You think Iâm buying this whole âjustice for victimsâ crap?
Tracy: Well, itâs true.
Liz: [ Chuckles ] Youâre just like your husband.
Tracy: Iâm nothing like my husband!
Liz: Youâre exactly like him, like all the sick, psychopathic animals we lock up.
Tracy: Oh, you havenât heard a word that Iâve been saying.
Liz: Iâve heard every word [ Mockingly ] âI could give them back their lives.â [ Normal voice ] Why donât you just admit it? You get off on killing people. It doesnât matter if the victimâs a scumbag or a saint â you get off just the same, just like your husband.
[ Tool clatters ] [ Shouts ] [ Grunts ]
[ Flashback: ] Tom, no! Let me go!
[ Struggling ]
Ressler: Keen! Keen! Stop. Keen, donât.
[ Gasping ]
[ Police radio chatter ]
Ressler: You okay?
Liz: Yeah. Fine. Back there, uh I canât do this.
Ressler: Maybe you need some time, a couple weeks. Whenâs the last time you took a vacation?
Liz: Youâre kidding, right? I would have killed her if you hadnât shown up.
Ressler: You would have done what you had to do to survive.
Liz: Same as on the boat.
Ressler: No, that was different. That was Tom. You tried to stop him. Liz: But I didnât. I hesitated.
And maybe I thought for just one second it would be better for me if he were dead.
Ressler: Liz â
Liz: No. That man had a family. He had a life. Iâm gonna go to Wilcox. Iâm gonna tell him everything.
Ressler: How many people do you think are alive today that wouldnât be if it wasnât for the work that we do?
Liz: [ Sighs ] Please.
Ressler: 50? 100? How many, Liz? How many families havenât buried a mother, a father, brother, sister? Children?
Liz: That doesnât make it right.
Ressler: No. Itâs never gonna be right. See, the only question is the body count. So, you go ahead and you nail yourself to a cross, and while youâre up there feeling sanctified, you consider how many people are gonna die because this task force gets shut down and the rest of those animals on Reddingtonâs list are still out there feeding.â€
ââ
Ressler: No. Donât. Donât ask me to feel your pain, Liz. I got more than enough of my own.
[ â« Hozierâs âAngel Of Small Death & The Codeine Sceneâ plays ]
Wilcox: Do you, Samuel Aleko, swear under penalty of perjury that the following is true and correct?
Aleko: Yeah.
Wilcox: Please tell the US attorney exactly what you told me about Agent Elizabeth Keenâs involvement in the murder of DC Harbormaster Eugene Ames.
Aleko: [ silence]
â« calling to join them, the wretched and joyful shaking the wings of their terrible youths
Wilcox: Mr. Aleko let me remind you, youâre under oath.
Aleko: I donât remember.
Wilcox: [ Sighs ] You confessed that Agent Keen was present when the harbormaster was killed and that she deliberately covered up his death.
Aleko: Thatâs what you want me to say. Thatâs not how it was.
â« sheâs the angel of small death and the codeine scene
Aram: Dembe ⊠Uh, yes ⊠Uh, Mr. Reddington said I should call as soon as I traced the call ⊠Uh, yes, I have an address. Uh, 3130 Sheridan Road, Park Slope.
Samar: I figured it out.
Aram: What?
Samar: What youâre doing. The hairline. Guys donât get it â most women donât care if men go bald.
Aram: [ Chuckles ] No. Did you think Iâ
Samar: Youâre sexy no matter what.
Aram: Iâm not going bald. I just â I have a high hairline. Wait, what? Did you just say that â
Samar: Yep. Just donât get fat.â€
â« with her sweetened breath and her tongue so mean sheâs the angel of small death and the codeine scene
Do you have a phone?
[ Beep ] [ Dialing ] [ Ringing ] [ Cellphone vibrating ]
â« with her sweetened breath and her tongue so mean sheâs the angel of small death and the codeine scene
Man: Spare change?
Wilcox: There you go.
Man: God bless you, sir. Thanks.
Wilcox: Hey. Itâs gonna be a freeze tonight. Thereâs a place about, uh, two blocks up called The Grant. Give this to the guy in the cage. His nameâs Ronnie. Heâll, uh, cut you a rate.
Man: Thank you, Officer.
Wilcox: Go get a shower. Get yourself cleaned up.
Man: For sure.
â« sheâs the angel of small death and the codeine scene
Red: You all right?
Liz: Yeah. Fine.
Red: What were you thinking running after a killer alone without backup?
Liz: Are you scolding me?
Red: Yes. Yes, Iâm scolding you. That was foolish, Lizzy. You could have been â
Liz: Killed.
Red: Exactly that. Killed.
Liz: What are you gonna do? Ground me? Take away my phone privileges?
Red: [ Chuckles ] You were right about The Deer Hunter â he was a man.
Liz: And a woman. We were both half right.
Red: Together, we were right.
ââ
Liz: I have the Fulcrum. Tell me what it is, and Iâll tell you where to find it.
Red: Iâve already told you what I can. To elaborate would place you in grave danger.
Liz: I donât need your protection.
Red: Oh, I think you do. If it werenât for me, you would have been indicted today. As it is, you neednât worry about the harbormaster any more.
Liz: What did you do?
Red: Nobody was hurt, if thatâs what youâre concerned about. In fact, a young manâs life was saved.
Liz: I donât want to hear any more. Iâm leaving.
Red: I believe I know the real reason you donât want me to have the Fulcrum.
Liz: That is?
Red: Because youâre afraid that once you give it to me, youâll be of no further use to me and youâll never see me again.
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â« Angel Of Small Death & The Codeine Scene
By HozierâȘ I watch the work of my kin bold and boyful
Toying somewhere between love and abuse
Calling to join them the wretched and joyful
Shaking the wings of their terrible youth
Freshly disowned in some frozen devotion
No more alone or myself could I be
Looks like I strayed to the arms that were open
No shortage of sordid, no protest from me[Chorus:]
âȘ With her sweetened breath, and her tongue so mean
Sheâs the angel of small death and the codeine scene
With her straw-blonde hair, her arms hard and lean
Sheâs the angel of small death and the codeine sceneâȘ Feeling more human and hooked on her flesh I
Lay my heart down with the rest at her feet
Fresh from the fields, all fetor and fertile
Itâs bloody and raw, but I swear it is sweet[Chorus:]
âȘ With her sweetened breath, and her tongue so mean
Sheâs the angel of small death and the codeine scene
With her straw-blonde hair, her arms hard and lean
Sheâs the angel of small death and the codeine sceneâȘ Leash-less confusion I wander the concrete
Wonder if better now having survived
Jarring of judgement and reasons defeat
The sweet heat of her breath in my mouth Iâm alive[Chorus:]
âȘ With her sweetened breath, and her tongue so mean
Sheâs the angel of small death and the codeine scene
With her straw-blonde hair, her arms hard and lean
Sheâs the angel of small death and the codeine sceneâȘ With her sweetened breath, and her tongue so mean
Sheâs the angel of small death and the codeine scene
With her straw-blonde hair, her arms hard and lean
Sheâs the angel of small death and the codeine sceneLyrics and Credits: http://bit.ly/1NQfDop
YouTube: http://bit.ly/1OrPIUf
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âââ End 2:13
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For Twitter photo montage: â from:BlacklistDCd since:2015-06-05 until:2015-06-08 [2:13 â
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(Subset of images, collage created by Twitter)
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TWEETS w Images
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GENERAL đ·
đŽ BlacklistDCd: SCRIPT: [2:13 Deer Hunter] http://wp.me/pDKwi-Fs #TheBlacklist @NBCBlacklist Status: Almost FINAL (newly updated) being proofread
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PORTRAITS
đŁ Looks like Red struck a chord #[2:13 Deer Hunter] #TheBlacklist @NBCBlacklist #overlylizzington? http://pic.twitter.com/CzhQtIqAjB
// Liz reacts to Red saying she is afraid that if she gives him The Fulcrum sheâll never see him again
Samar listening as Aram gives Red the address to Mystery Manâs location [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/VRb9IC3NCE
Red stops by to have Aram trace a call [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/1G0zoHtO5y
Amir Arison as super-geek Aram Mojtabai [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/oRUlGkmusE
Mozhan MarnĂČ as Agent Samar Navabi [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/G7wMvhFOmE
Soulful [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist @MeganBoone as Elizabeth Keen http://pic.twitter.com/P7gZmijWGO
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EPISODE-SPECIFIC (reverse chronological)
đŁ Looks like Red struck a chord #[2:13 Deer Hunter] #TheBlacklist @NBCBlacklist #overlylizzington? http://pic.twitter.com/CzhQtIqAjB
// closeup of Liz from prev
đŁ Red: âYouâre afraid that once you give me the Fulcrum, youâll never see me againâ [2:13 Deer Hunter] #TheBlacklist http://pic.twitter.com/53AXeH8LV0
đŁ Red learns Lizzie has The Fulcrum [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist b&w http://pic.twitter.com/5c4DZV9z14
// Red & Liz, b&w, red border
[ đŁ Thought bubble: You have the Fulcrum? Why am I not surprised? [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist pic.twitter.com/uaQ1MDLzzg
// needs to be lightened ]
đŁ Red reacts to learning Liz has The Fulcrum [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist Whatâs he thinking? http://pic.twitter.com/gAULDbiGZ9
đŁ Liz: âI have the Fulcrumâ [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/DH7WoXcPOg
đŁ Liz: âWe we both half right.â Red: âTogether, we were rightâ [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/vecASlj5oB
đŁ âYou could have been â â âKilled.â âExactly that. Killed.â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/rMaocvHdXZ
đŁ âAre you scolding me?â Red: âYes, Iâm scolding you.â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/fAkIP6PWFH
đŁ âWhat were you thinkng going after a killer, alone without backup?â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/kDm8LEEqbV
đŁ âMystery Manâ turns out to be âMissed-ery Manâ [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist [sorry] #spilledblood http://pic.twitter.com/AGboyMncVk
đŁ Red searching for the âMystery Manâ whose number was in Fitchâs safe [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist pic.twitter.com/7i6r6JoaxP
đŁ Dembe and Red search for Mystery Man at address Aram traced [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/3R2sKLI3Uz
đŁ Samar listening as Aram gives Red to address to Mystery Manâs location [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/VRb9IC3NCE
đŁ Red stops by to have Aram trace a call [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/1G0zoHtO5y
đŁ â⊠Did you just say that â ?â âYep. Just donât get fat.â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/KixgFyvciG
đŁ â⊠Most women donât care if men go bald. Youâre sexy no matter what.â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/612CI1PxUV
đŁ Liz, looking back [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/GSF2ehUJm6
đŁ âDonât ask me to feel your pain, Liz. Iâve got more than enough of my own.â [2:13 Deer Hunter] #TheBlacklist http://pic.twitter.com/ST6EoAptn7
đŁ Liz worries about her killer instincts. Red says not to give up [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/7XCDL4bIXU
đŁ âKeen, donât!â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/38aCdzuwbW
đŁ Liz flashes back to Tom killing the Harbormaster [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Q9PvoWNaUd
đŁ Liz struggles with the Deer Hunter and her own inner demons [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/EHzM60nS43
đŁ Tracy Slobotkin, domestic abuse victim, is the serial killer [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/iHMl10lZdg
đŁ Liz comes to, hanging from a meat hook [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/s9d7uJ91FH
đŁ âŠ and gets clobbered with a shovel [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/3SIqxDuPOL
đŁ Liz sees someone fleeing, follows in pursuit ⊠[2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/EJdMMBra0y
đŁ Going to interview a witness, Ressler finds her dead [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/PwowhGe2fB
đŁ Red: âYou wonât need a warrantâ Aram: âOf course I wonât need a warrantâ [2:13 DeerHunter] #TheBlacklist #Jedi http://pic.twitter.com/4oTvtQAsta
đŁ Likes brown sugar pecan coffee cake as much as Apolloniaâs paczkis, even w/o Patty Sutton [2:13 Deer] #TheBlacklist http://pic.twitter.com/bHRhVODPbo
đŁ Tracy Solobotkin (The Deer Hunter) played by Amanda Plummer [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/Pnp7zIsFzN
đŁ âI used to have a teeming mane just like thatâ [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist And he did! http://pic.twitter.com/A94Rpk4fDz
đŁ Is Samar looking at Aram â or Red? [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist Or ⊠? http://pic.twitter.com/00NTe69BGL
đŁ âMale serial killers are predominantly â overwhelmingly â sexually sadisticâ [2:13 Deer Hunter] #TheBlacklist http://pic.twitter.com/kpApN4D2vS
đŁ âItâs happening.â Red: âWhatâs happening?â [2:13 Deer Hunter] #TheBlacklist @NBCBlacklist http://pic.twitter.com/GxSm9PvxjQ
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